A fatal affair, p.1
A Fatal Affair,
p.1

PRAISE FOR A. R. TORRE
A FAMILIAR STRANGER
“A whiplash suspenser that’s a model of its kind.”
—Kirkus Reviews
“The author skillfully reveals the characters’ many lies and secrets. Torre knows how to keep the reader guessing.”
—Publishers Weekly
THE GOOD LIE
“Ambitious and twisty . . . Great bedtime reading for insomniacs and people willing to act like insomniacs just this once.”
—Kirkus Reviews
“This kinky tale is compulsively readable.”
—Publishers Weekly
“A blend of serial killer story, court cases, and even romance, this is a tricky story that will keep readers going.”
—The Parkersburg News and Sentinel
EVERY LAST SECRET
“Deliciously, sublimely nasty: Mean Girls for grown-ups.”
—Kirkus Reviews
“Torre keeps the suspense high . . . Readers will be riveted from page one.”
—Publishers Weekly
“A glamorous and seductive novel that will suck you in and knock you sideways. I love this story, these characters, and the raw emotion they generated in me. I devoured every word. Exceptional.”
—Tarryn Fisher, New York Times bestselling author
“Raw and riveting. A clever ride that will make you question everyone and everything.”
—Meredith Wild, #1 New York Times bestselling author
OTHER TITLES BY A. R. TORRE
A Familiar Stranger
The Good Lie
Every Last Secret
The Ghostwriter
The Girl in 6E
Do Not Disturb
If You Dare
This is a work of fiction. Names, characters, organizations, places, events, and incidents are either products of the author’s imagination or are used fictitiously. Otherwise, any resemblance to actual persons, living or dead, is purely coincidental.
Text copyright © 2023 by Select Publishing LLC
All rights reserved.
No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher.
Published by Thomas & Mercer, Seattle
www.apub.com
Amazon, the Amazon logo, and Thomas & Mercer are trademarks of Amazon.com, Inc., or its affiliates.
ISBN-13: 9781542039901 (paperback)
ISBN-13: 9781542039918 (digital)
Cover design by James Iacobelli
Cover images: © KK.KICKIN / Shutterstock; © Image Source / Getty Images
To Jen Webster. Thank you for your friendship and support.
CONTENTS
START READING
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24
CHAPTER 25
CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 31
CHAPTER 32
CHAPTER 33
CHAPTER 34
CHAPTER 35
CHAPTER 36
CHAPTER 37
CHAPTER 38
CHAPTER 39
CHAPTER 40
CHAPTER 41
CHAPTER 42
CHAPTER 43
CHAPTER 44
CHAPTER 45
CHAPTER 46
CHAPTER 47
CHAPTER 48
CHAPTER 49
CHAPTER 50
CHAPTER 51
CHAPTER 52
CHAPTER 53
CHAPTER 54
CHAPTER 55
CHAPTER 56
CHAPTER 57
CHAPTER 58
CHAPTER 59
CHAPTER 60
CHAPTER 61
CHAPTER 62
CHAPTER 63
CHAPTER 64
CHAPTER 65
CHAPTER 66
CHAPTER 67
CHAPTER 68
CHAPTER 69
CHAPTER 70
CHAPTER 71
CHAPTER 72
CHAPTER 73
CHAPTER 74
CHAPTER 75
CHAPTER 76
CHAPTER 77
CHAPTER 78
CHAPTER 79
CHAPTER 80
CHAPTER 81
CHAPTER 82
CHAPTER 83
CHAPTER 84
CHAPTER 85
CHAPTER 86
CHAPTER 87
CHAPTER 88
CHAPTER 89
CHAPTER 90
CHAPTER 91
CHAPTER 92
CHAPTER 93
CHAPTER 94
CHAPTER 95
CHAPTER 96
CHAPTER 97
CHAPTER 98
SIX MONTHS LATER
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
The oldest love affair in Hollywood is that of an actor with themself. It’s not so much that they love who they are—but they fall for that image on the screen. They fall for the way that the public looks at them. They fall for the story that they’re telling. But the problem is, that story is a lie. The affair is a farce.
Eventually, they realize that, and that is when things typically seem to fall apart.
—Mayim Place, The Hollywood Report
CHAPTER 1
9-1-1, what’s your emergency?
I’m calling from the Iverson residence in Beverly Hills—1224 Canary Drive. There’s been a murder.
What’s your name?
Brenda McIntyre. I’m the house manager.
And you said there was a murder? Do you need an ambulance?
No. No. They’re both dead.
Is anyone in any danger at this moment?
No. I mean, I don’t think so.
1224 Canary Drive. Can you confirm that this is Hugh Iverson’s residence?
Yes. We’ll need discretion, if you can—
We understand, Miss McIntyre. Just a moment, let me connect you to the chief’s office.
CHAPTER 2
THE DETECTIVE
“Well, this will be interesting.” Farah smoothed down the front of her blouse, hoping the bit of strawberry yogurt on the right breast wasn’t too apparent. The bright-blue, long-sleeved button-up was her favorite—it refused to wrinkle, no matter what she put it through—but she hadn’t expected to meet celebrities in it, or to have needed one of the Shout Wipes she typically kept in her car. She glanced at Kevin, who yawned, clearly unconcerned by the address or his rumpled appearance.
They were on their second call of the day, the first one—a gas station robbery—having come in at 8:00 a.m. This was just two miles east but a different world from the dingy 7-Eleven. This wasn’t just rich people—this was Hugh Iverson and Nora Kemp, Hollywood’s golden couple. There hadn’t been a bigger “it” couple since Brad and Angelina, and Farah’s mind was ticking through the potential ways that two dead bodies had ended up behind their private gates.
Kevin rapped the knocker on the copper double front door and smoothed a hand over his thinning salt-and-pepper hair. The doors had probably cost more than Farah’s Grand Cherokee and were a glistening standout on the modern white adobe mansion, which was accented with dark woods, more copper, and rich foliage. “Nice place.”
“Are you surprised?” she asked dryly, glancing back as two crime scene vans pulled through the gates and parked behind their unmarked SUV.
“Nah. You know, me and Trish looked at a place just two doors down last week. Didn’t pull the trigger on it. No tennis court, so . . .” He tucked his hands in the pockets of his light-gray pants and shrugged. “You know Trish and her tennis.”
Farah smiled at the mention of his wife, who would rather eat a tennis racket than swing one at a ball. “Well, you’ll find something else. I hear Bel Air has some nice places.”
The irony was, even if Kevin won the lottery, he wouldn’t move out of his trailer, which sat on three acres an hour outside the city. Farah and her husband had gone over there a few times for dinner and “enjoyed” delicacies like fried squirrel and fresh goose while seated at a splintered picnic bench in their screened-in porch. Kevin’s wife favored a decorating motif of florals and lace curtains and had welcomed Farah with a warm hospitality she hadn’t expected. Not that she’d thought the woman would be jealous or suspicious of their relationship. Farah, with her stubborn New Jersey accent, and Kevin, who swapped out his detective suit and shield for an adult softball league T-shirt and camouflage pants, were an unlikely match. No, her trepidation about Trish (and initially Kevin) had been based on her opinion of people who kept hunting guns on display and watched NASCAR on the weekends. She was happy to admit that concern had been unfounded.
The door swung open, and a petite woman wearing a dark-green pantsuit nodded at them with a strained smile. “Please come in. Miss Kemp is waiting
for you.”
Past a dramatic entranceway and water feature, Nora Kemp stood in the modern version of a formal living room, one with thirty-foot-tall windows and a wall of bloodred roses. She was in a cream camisole and legging set that appeared to be cashmere, her feet bare, toenails painted a fire-engine red that matched her hair. Farah reached her first and gave a short nod. “Miss Kemp, I’m Detective Farah Anderson. This is Detective Kevin Mathis. We’re with Beverly Hills PD.”
The actress nodded and attempted to smile, her lips trembling on the edges. Dabbing the corner of one eye, she made a visible attempt to square her shoulders and keep her composure. Farah watched closely, aware that the appearance could be an act. This was the woman who had brought audiences to tears with her role in Collapse, when she had nursed her cheating husband back from AIDS, only for him to die in the end.
“Hugh is upstairs. He’ll join us in a bit. I’m sorry, he just—” Nora inhaled a shuddering breath. “This is very hard for him. He and Trent were extremely close.”
Trent? Kevin’s and Farah’s eyes met, and she fought to hide a reaction. If Trent Iverson—Hugh’s twin brother and Hollywood’s resident train wreck—was one of the two dead bodies, their investigation was about to take a huge turn. It would be the biggest case of their careers. One that would require a task force, press conferences, a media liaison, and a mountain of oversight. They’d have to do everything perfectly, while not ruffling any feathers.
“You’re saying that Trent Iverson is one of the deceased individuals found?” Kevin asked the question calmly, as if the outcome wouldn’t change the trajectory of their careers.
“Yes. I thought you knew.” She glanced between the two of them, probably wondering what idiots had been sent to investigate the case.
“Your house manager didn’t share any details. I’m so sorry for your loss,” Farah said.
“Well, thank you.” She pulled another tissue from a holder on the table. “Hugh’s really in pieces right now . . . I’m not sure if you know what it’s like for twins, especially identical ones. There’s a bond there.”
“I have a good idea,” Farah said. “My sister had identical twins.”
Nora’s bright-blue eyes warmed for a moment, and if anything, she was even more beautiful in person than she was on the screen. “Boys or girls?”
“Girls.” Nine-year-old hellions would be a better descriptor.
“Mind if we see the scene?” Kevin interrupted.
Nora gave a quick nod. “Yes. I’m sorry. They’re in the west guesthouse. Follow me.”
CHAPTER 3
THE HUSBAND
Kyle Pepper was slowly realizing that he was a slob. The living room, which had been tidy and clean when Kerry and Miles had left for California, was now littered with beer cans, dirty glasses, half-eaten bags of chips, and a few used Q-tips. Typically, Kerry would move along behind him, cleaning up as she went, and now, with her and Miles away, everything was starting to stack up.
It had been just one day, twenty-four hours, and he’d already lost the remote and grown tired of cooking for himself. Kerry would be back in three days, and he had decided the first meal he wanted to eat. Her cream of mushroom hot dish, topped with French’s fried onions, and her double chocolate chip brownies for dessert.
He opened the bifold door to his side of the closet and pulled a fresh work shirt off a hanger. Stepping over his towel, he put on the gray button-up shirt with the plumbing company logo on its left pocket. The top drawer of the dresser had his underwear in neat rolls—like sushi—and he grabbed a pair of black Hanes boxer briefs and stepped into them, then pulled open the heavy bottom drawer for a pair of Carhartt khakis.
At least he didn’t have to worry about laundry. Before Kerry had left, she’d stocked his work shirts and pants, plus emptied the dryer and left a stack of fresh towels right by the shower, so he wouldn’t have to yell for her to get one when he was soaking wet.
Once he laced up his work boots and tucked in his shirt and buckled his belt, he moved through the narrow hall and into the kitchen. The dark-green counter was already crowded with leftover pizza, plastic cups, and his tool belt.
Taking a seat at the round table where they normally ate breakfast, he moved a bowl of soggy Frosted Flakes remnants to one side and called Kerry again. It rang through to voice mail, just as his earlier call had, and his irritation grew.
For a woman who liked to get in his ear the minute she rolled out of bed, she could have called him by now. It was past ten in California. Miles would still be on Wisconsin time, so he had probably been up for hours—Kyle wasn’t asking for a blow-by-blow account of their time, just a quick call. Let him talk to his son and give Kerry some safety instructions so he could head to work and not worry about them.
He tried to remember what she had said last night, when they were getting ready for bed, about what time they’d be leaving in the morning. Had it been eight? Nine? He hadn’t been listening, his attention focused on popping open a brewski without her hearing and calculating if it was too late to make it to the Kwik Trip on the corner before it closed.
Whatever the pickup time had been, she and Miles were definitely at the park by now, probably decked out in Disney hats and T-shirts and on some VIP tour. Miles would be bouncing in his seat with excitement, and Kerry would be taking pictures of it all and posting them with some annoying hashtag.
Two brain cells connected with the realization that social media would be the easiest way to see her activity. Kyle ended the call without leaving a voice mail and tapped on the Facebook app, ignoring the bright-red flag of notifications with new friend requests and updates that had occurred since the last time he’d logged in, at least a year ago. Unlike his wife, Kyle put the idea of reconnecting and communicating with people online right in line with getting a colonoscopy. Unfortunately, Kerry was the queen of documenting everything about their life—even Miles’s cancer—and would have definitely posted something about their day and schedule, if not three or four posts, by now.
Kyle pulled up her page and was surprised to see that Kerry had changed her profile photo from one with her and Miles to a solo image—just her, giving a bland smile into the camera. It was a selfie, taken in their bathroom, based on the blue-and-white wallpaper behind her. Something about the picture was off, and he stared at it, trying to figure out what it was.
It was her smile. It was so stiff, so forced—but also so weak. Like she wanted to smile but at the same time wanted to cry.
He scrolled down to see her last post. Something was wrong and he moved farther down the page, then back up. He checked the dates on the posts, certain he had made a mistake.
This couldn’t be right.
CHAPTER 4
THE DETECTIVE
Farah, Kevin, and Nora cut through the house, which was a quick tour in how the upper echelons of society lived. Farah had forgotten, in the eight years since she had worked private security in Bel Air, what this life was like. The memories hit her in the gut—the familiar twist of both envy and frustration. Her awe of the environment that was always followed by the painful recognition that it would forever belong to someone else.
Nora strode in front of them, her bare feet silent against the black wood, and the house had a hush—like a museum, or a mausoleum. Though a museum was a better fit, at least in terms of decor. Based on Farah’s untrained eye, that was a Picasso they had just passed, framed in gold and lit by a spotlight pendant. And as they stepped down a geometric metal-and-glass staircase, a collection of Andy Warhols graced the wall beside them. The walls, furniture, and curtains were all white, which set off the expensive art dramatically. The only thing more distracting to the eye was Nora Kemp herself, and if God had set out to design the perfect woman, he’d done an annoyingly good job with her.
Even Kevin, who typically didn’t notice a woman unless she was dead or guilty, had straightened up at the sight of her and checked the tuck of his shirt in his pants.
The movie star moved lightly down the stairs, her red hair bouncing and streaming behind her, like a tiki-torch flame caught in the wind. “I’ve put the staff in the pool cabana. You can talk to them there, though everyone was off last night, which is when it must have happened.” She faltered, then took the last step.
“What makes you think that?” Kevin beat Farah to the question. “You hear anything?”
She twisted to face them, and the smooth skin between her eyebrows wrinkled as she thought. “Not that caught my attention. I guess we should have heard the gunshot, but we probably assumed it was the fireworks starting up, or we were already asleep by then.”


