The prisoners throne, p.18
The Prisoner's Throne,
p.18
He sighs. “Mother.”
She presents her cheek to be kissed, then presses the backs of his hands to her lips. “My beauty. My precious child.”
He smiles automatically, but her words hurt. He never before doubted her love for him—she turned her life upside down, even marrying Madoc, for the sake of Oak’s protection. But if that love was something forced on her, some enchantment, then it wasn’t real and he would have to find a way to free her from the burden of it.
“You worried me when you left,” she says. “I know you adore your father, but he wouldn’t want you to risk your life for him.”
Oak bites his tongue to keep from answering that. Not only was Madoc willing to let Oak risk his life, but he was counting on it. Perhaps Oak should be grateful, though. At least he was certain Madoc’s feelings were real—he was far too manipulative to have been manipulated by magic. “Father looks well.”
“Better than he was. Not resting enough, of course.” She looks up at Oak, impatience in her face. Normally, she is rigid about etiquette, but he can tell she’s not interested in small talk now. He’s only surprised that she allowed Madoc and Jude to get at him first. Of course, by buttonholing him after they left, she had the advantage of being able to lecture him as long as she liked without the worry of being interrupted. “Questing I understand, even if I didn’t like the thought of you in danger, but not this. Not offering this girl marriage when she has none of the qualities anyone might look for in a bride.”
“So let me get this straight,” Oak says. “You understand the part where I might have had to kill a lot of people, but you think I chose the wrong girl to kiss?”
Oriana gives him a sharp look, then pours him some tea.
He drinks. The tea is dark and fragrant and almost washes the taste of bitterness from his mouth.
“You were in her prisons. I have spoken with Tiernan many times since he returned. I asked him dozens of questions. I know you sent him away with Madoc to save them both. So tell me, are you marrying her because you care for her or because you want to save the world from her?”
Oak grimaces. “You didn’t include saving her from the world as a possibility.”
“Is that your reason?” Oriana inquires.
“I care for her,” Oak says.
“As the Crown Prince, you have a responsibility to the throne. When you—”
“No.” A thin tendril of worry uncurls inside him at the thought she, like Madoc, might grow too ambitious on his behalf. “There’s no reason to believe I will outlive either Jude or Cardan. No reason for me ever to wear the crown.”
“I admit that once I dreaded the possibility,” Oriana says. “But you’re older now. And you have a kind heart. That would be a great boon to Elfhame.”
“Jude is doing just fine. And it’s not like she doesn’t have a kind heart.”
Oriana gives him an incredulous look.
“Besides, Wren is a queen in her own right. If you want me to wear a crown, there you go. If I marry her, I get one by default.” He takes one of the sandwiches and bites into it.
Oriana is not appeased. “This is nothing to take lightly. Your sister certainly doesn’t. She sent her people to bring you back the moment she found that you’d gone after your father. And though she failed to get hold of you, her people brought back one of your traveling companions—a kelpie.”
“Jack of the Lakes,” Oak says, delighted until the rest of what Oriana is saying catches up with him. “Where is he? What did she do to him?”
Oriana gives a minute shrug. “What is it you were saying about your sister having a kind heart?”
He sighs. “Your point is made.”
“Jack was hauled before us and made to tell us all he knew of your journey and its intention. He’s still in the palace—a guest of the Court, not exactly a prisoner—but he described Suren as more animal than girl, rolling in mud. And I remember how she was as a child.”
“Tortured is how she was as a child. Besides, how can he call anyone an animal when he turns into a literal horse?”
Oriana presses her lips together. “She is not for you,” she says finally. “Feel as sorry for her as you like. Desire her if you must. But do not marry her. I will not have you stolen from us again.”
Oak sighs. He owes his mother so much. But he does not owe her this. “You want to rule over me as though I were a child. But you also want me to be a ruler. You will have to trust me when I say that I know what I want.”
“You have grown tired of far more fascinating girls,” Oriana says with a wave of her hand. “A few boys, too, if Court rumors are true. Your Suren is dull, without grace or manners, and furthermore—”
“Enough!” Oak says, surprising both of them. “No, she is not going to become the Mistress of Revels and have all of Court eating out of her hand. She’s quiet. She doesn’t love crowds or people staring at her or having to find things to say to them. But I don’t see what that has to do with my loving her.”
For a moment, they just stare at each other. Then Oriana goes to his wardrobe and riffles through the clothes.
“You ought to change into the bronze. Here, this.” She holds up a doublet shining with metallic thread. It is the brown of dried blood, and velvet leaves have been sewn on it as though they were blown in a great gust across its surface. Most of them are various shades of brown and gold, but a few green ones catch the eye with their brightness. “And perhaps the golden horn and hoof covers. Those are lovely in candlelight.”
“What’s wrong with what I’m wearing?” he asks. “I am going out for the rest of the afternoon, and tonight it’s only dinner with the family and a girl you don’t want me to impress.”
Oriana gives him an incredulous look. “Dinner? Oh no, my darling. It’s a feast.”
Of course, when Cardan invited Wren to dinner, he didn’t mean dining together at a table. He meant attending a feast held in her honor. Of course he did.
Oak forgot how things worked, how people behaved. After being away from Elfhame for so long, he is being crammed back into a role he no longer remembers how to fit into.
Once he’s dressed, scolded, and kissed by his mother, he manages to make it out the door. On his way to the kitchens, he runs into his nephew, who demands a game of hide-and-seek and chases after a palace cat when he’s put off. Then, as the prince packs a basket, he endures being good-naturedly fussed over by several of the servants, including the cook who sent up little iced cakes. Finally, having obtained a pie, several cheeses, and a stoppered bottle of cider, he slips away, his cheeks stinging only a little from the pinching.
Still, the sky over Insmire is the blue of Wren’s hair, and as he makes his way to her cottage, he cannot help feeling hopeful.
He is most of the way there when a girl darts from the trees.
“Oak,” Wren says, sounding out of breath. She’s clad in a simple brown dress with none of the grandeur of the clothes he’s seen her in since she took over the Court of Teeth. It looks like something she threw on in haste.
“I love you,” Oak says, because he needs to say it simply, so she can’t find a way to see a lie in it. He’s smiling because she came through the woods in a rush, looking for him. Because he feels ridiculously happy. “Come have a picnic with me.”
For a moment, Wren looks utterly horrified. The prince’s thoughts stagger to a stop. He feels a sharp pain in his chest and fights to keep the smile on his lips.
It’s not as though he expected her to return the sentiment. He expected her to laugh and perhaps be a little flattered. Enjoy the thought of having a little power over him. He thought she liked him, even if she found him hard to forgive. He thought she had to like him some to want him.
“Well,” he manages, hefting the basket with false lightness. “Luckily, there’s still the picnic.”
“You fall in love with the ease of someone slipping into a bath,” she tells him. “And I imagine you extricate yourself with somewhat more drama, but no less ease.”
Now that was more the sort of thing he was prepared to hear. “Then I urge you to ignore my outburst.”
“I want you to call off the marriage,” she says.
He sucks in a breath, stung. Truly, he didn’t expect her to rub salt in so fresh a wound, although he supposes she gave him no reason to think she wouldn’t. “That seems like an excessive response to a declaration of love.”
Wren doesn’t so much as smile. “Still, call it off.”
“Call it off yourself,” he snaps, feeling childish. “As I remember from the ship, we had a plan. If you wish to change it now, go right ahead.”
She shakes her head. Her hands are clenched into fists at her sides. “No, it must be you. Come on, it’s not as though a marriage is what you want, not really, right? No matter how you say you feel. It was a clever thing to do—a clever thing to say. You’ve always been clever. Be clever now.”
“And break things off with you? Cleverly?” He sounds brittle, resentful.
She actually looks hurt by his tone. Somehow that makes him angrier than anything else. “I should never have come here,” she tells him.
“You can go,” he reminds her.
“You don’t understand.” She wears a pained expression. “And I can’t explain.”
“Then it seems we are at an impasse.” He folds his arms.
She glances down at her hands, which are gripping each other tightly, fingers threaded together. When she looks back up into his eyes, she seems sorrowful.
“I shall see you at the feast,” he says, attempting to regain his dignity.
Then he turns and stomps off toward the woods, before he can say more things he will regret. Before she takes the chance to hurt him worse. He feels petty, petulant, and ridiculous.
Rubbing the heel of his hand over one eye, he doesn’t look back.
Striding toward Mandrake Market with a picnic basket in his hand, Oak feels a perfect fool.
Several people bow low when he passes, as though sharing the same path is a singular honor. He wonders if he would feel less awkward if he had grown up entirely on the isles and wasn’t used to being treated as nothing special in the mortal world.
He gloried in it when he was younger. Loved how all the children here wanted to play with him, how everyone had smiles for him.
And yet you knew it was false. That was part of what drew you to Wren—she had your measure from the first.
But though she had his measure, he wasn’t sure he had hers. Mother Marrow was summoned north by Bogdana. Mother Marrow gave Wren the gift of that cottage where she and her people spent the night.
Mother Marrow knew something of their plans.
Mandrake Market, on the tip of Insmoor, used to be open only on misty mornings, but it’s grown into a more permanent fixture. There, one can find everything from leather masquerade masks to charms for the bottoms of shoes, swirling tinctures of everapple, potion-makers, and even poisons.
Oak passes maple sugar in the shape of strange animals, a lace-maker weaving skulls and bones into her patterns. A shopkeeper sets out trays of acorn cups full to their tiny brims with blood-dark wine. Another offers to tell fortunes from the pattern of spit on a page of fresh parchment. A goblin grills fresh oysters over an outdoor fire. The midday sun stains everything gold.
Like the growth of the market, stalls and tents have given way to more permanent structures. Mother Marrow’s house is a sturdy stone cottage with none of the fancifulness of walls shingled in candy. Out front, an herb garden grows wild, vines tied so they weave over the top of a diamond-paned window.
Steeling himself, he raps on the wooden planks of her door.
There is a shuffling from the other side, and then it opens, squeaking on dry hinges. Mother Marrow appears in the doorway, standing on clawed feet, like those of a bird of prey. Her hair is gray as stone, and she wears a long necklace of rocks carved with archaic symbols on them, ones that puzzle the eye if you look too long.
“Prince,” she says, blinking up at him. “You look far too fine for a visit to poor Mother Marrow.”
“Could any grandeur be great enough to properly honor you?” he asks with a grin.
She huffs, but he can tell she’s a little pleased. “Come in, then. And tell me of your adventure.”
Oak moves past her into her cottage. There is a low fire in the grate and several stumps before it, along with a wooden chair. Another threadbare chair sits off to one side with knitting equipment piled in a basket at its feet. The yarn seems freshly spun, yet not carded well enough to remove all the bits of thistle. On the wall, a large, painted curio cabinet contains an array of things that don’t reward observing too closely. Tiny skeletons covered in a thin layer of dust. Viscous fluids half-dried in ancient bottles. Beetle wings, shining like gems. A bowl of nuts, a few shaking and one hazelnut rolling back and forth. Beyond the cabinet, the prince can see a passageway into a back room, perhaps a bedroom.
She urges him to sit in the wooden chair by the fire, the back carved in the shape of an owl.
“Tea?” she offers.
Oak nods, to be polite, although he feels as though he’s been swimming in tea since his homecoming.
Mother Marrow tops off a pot from the kettle hanging over the fire and pours him a cup. It’s a blend of some kind, carrying the scent of kelp in it, and anise.
“This is very kind,” he says, because the Folk do not like to have their efforts dismissed with mere thanks and take hospitality very seriously.
She grins, and he notes a cracked tooth. She picks up her own cup, which she has freshened, using it to warm her hands. “I see the advice I gave you was useful. Your father has returned. And you have won yourself a prize.”
He nods, feeling as though he’s on unsteady ground. If she’s referring to Wren, it seems dismissive to call her a prize, as though she were an object, but he can’t think what else she could be talking about. Perhaps Mother Marrow has a reason to appear not to care too much for Wren. “Leaving me to seek your guidance again.”
She raises her eyebrows. “On what subject, prince?”
“I saw you in the Ice Citadel,” he says.
She stiffens. “What of it?”
He sighs. “I want to know why Bogdana brought you there. What she hoped you were going to do.”
Silence stretches out for a long moment between them. In it, he hears the boiling of the water and the clack of the nuts as they move in her cabinet.
“Did you know I have a daughter?” she asks finally.
Oak shakes his head, although now that she mentions it, he does remember something about her having a child. Perhaps someone referred to the daughter before, although the context eludes him.
“I tried to trick the High King into marrying her.”
Oh, right. That was the context. Mother Marrow gave Cardan a cape that, when worn, makes him immune to most blows. It’s said to be woven of spider silk and nightmares, and although Oak has no idea how that could be done, he doesn’t doubt the truth of it. “So you have some interest in your line ruling.”
“I have some interest in my kind ruling,” she corrects him. “I would have liked to see my daughter with a crown on her head. She’s very beautiful and quite clever with her fingers. But I will be glad to see any hag daughter on the throne.”
“I don’t intend to be High King,” he informs her.
At that, she smiles, takes a sip of her tea, and says nothing.
“Wren?” he prompts. “The Citadel? Bogdana’s request?”
Her smile widens. “We hags were the first of the Folk, before those of the air alighted and claimed dominion, before those of the Undersea first surfaced from the deep. We, like the trolls and the giants, come from the earth’s bones. And we have the old magic. But we do not rule. Perhaps our power makes other Folk nervous. Little wonder that the storm hag was tempted by Mab’s offer, though in the end the cost was high.”
“And now she bears a grudge against my family,” he says.
Mother Marrow snorts, as though at the delicacy of his phrasing. “So she does.”
“Do you?” he asks.
“Have I not been a loyal subject?” she asks him. “Have I not served the High King and his mortal queen well? Have I not served you, prince, to the best of my poor abilities?”
“I don’t know,” he says. “Have you?”
She stands—acting offended to cover that she does not—and perhaps dares not—answer. “I think it’s time you go. I am sure you are wanted at the palace.”
He sets down his untouched cup of tea and rises from the chair. She’s intimidating, but he’s taller than her and royal. He hopes he seems more formidable than he feels. “If Bogdana has a plan to move against Jude and Cardan, and you’re a part of it, the punishment will not be worth whatever reward you’ve been promised.”
“Is that so? Rumors abound about your loyalties, prince, and the company you keep.”
“I am loyal to the throne,” he says. “And to my sister, the queen.”
“What about the king?” asks Mother Marrow, her eyes like flint.
Oak’s gaze doesn’t waver. “So long as he doesn’t cross Jude, I am his to command.”
She scowls. “What about the girl? What loyalties do you owe her? Would you give her your heart?”
An ominous question, given what he knows of Mellith’s history.
He hesitates, wanting to give a real answer. He is drawn to Wren. He is consumed by thoughts of her. The rough silk of her voice. Her shy smile. Her unflinching gaze. The memory of fine, wispy strands of her hair under his hands, the nearness of her skin, her indrawn breath. Memory of the way she sparred with him across that long table in the Citadel—the familiarity of it, so like many of his own family meals. But the sting of his confession and her rejection is fresh. “I would give her whatever she wanted of me.”
Mother Marrow raises her brows, looking amused. Then her smile dims. “Poor Suren.”
Oak puts a hand to his heart. “I think I’m offended.”
She gives a little laugh. “Not that, foolish boy. It’s that she should have been one of the greatest of hags, an inheritor of her mother’s vast power. A maker of storms in her own right, a creator of magical objects so glorious that the walnut I gave her would be a mere trinket. But instead, her power has been turned inside out. She can only absorb magic, break curses. But the one curse she cannot break is the one on herself. Her magic is warped. Every time she uses it, it hurts her.”












