Brandon thought about his unconscious father, helpless and strapped to the stretcher, being loaded into the waiting helicopter. The medics said it looked like a massive stroke.

  “Let him do his worst,” Brandon said. “Who gives a shit?”

  “Good boy,” Maddern told him. “Don’t let the turkeys get you down.”

  Using siphoned gas, they got as far as Benson, where they filled up both vehicles. “You turn on your lights and get your ass to the hospital,” Maddern ordered. “I’ll pick up your mother on the way and meet you there as soon as we can.”

  “Thanks,” Brandon said.

  He appreciated having a little extra time before facing his mother. No doubt Louella Walker would take the position that her son had failed again, as usual. Regardless of what happened, Louella could always twist it into being his fault.

  Brandon found Toby Walker in the intensive-care unit hooked up to a bank of machines. The doctor he spoke to was grave.

  “Don’t get your hopes up,” he said. “The next twenty-four hours are critical. We’re dealing with not only a severe stroke, but also a severe sunburn. He’s badly dehydrated. What was your father doing out in the desert alone like that?”

  “He was going to Duluth,” Brandon said.

  “Duluth? That’s in Minnesota.”

  “I know,” Brandon replied, “but that’s where he told the gas-station attendant he was going in nothing but a pair of pajamas.”

  “Your father was senile then?” the doctor asked.

  “How could he be? He’s not that old.”

  “You’d be surprised,” the doctor said. “We’re seeing more and more cases like this all the time. They seem to be getting younger instead of older. Even without the stroke, you’d soon find he wouldn’t be able to care for himself.”

  “And with it?”

  “It’s not good,” the doctor said, shaking his head. “Not good at all.”

  He walked away just as Louella surged into the room on Hank Maddern’s arm and rushed up to Brandon. “How is he?” she demanded. “Can I see him?”

  Brandon nodded. “You can see him once every hour for five minutes at a time.”

  “Tell me. Is he going to be all right?”

  “Of course, Mom,” Brandon told her. “He’s going to be fine.”

  But with any kind of luck, Brandon thought, by morning Toby Walker wouldn’t be alive.

  Diana couldn’t sleep. The rooms of her house were too small, too confining. With Bone at her side, she left the house and paced the yard, remembering how it had been that morning when Gary came home. He had been out all night, and she had spent the night consumed with alternating bouts of rage and worry, sure at times that he was dead in his truck somewhere, and convinced at others that he was out with another woman, just like before.

  Why had she believed him when he said all that was behind him? She had trusted him enough, had enough faith in the future of their marriage, to stop taking the pill at last, to start trying to get pregnant. How could she have been so stupid?

  All that long night Diana had sat in the living room, an unread book open on her lap, listening for Gary’s truck, watching for his headlights. By morning she found herself hoping that there had been an accident, that he’d wrapped himself around a telephone pole somewhere, so she wouldn’t have to face what her woman’s intuition warned her had happened, so she wouldn’t have to do anything about it, so she wouldn’t have to make a decision.

  It was long after sunrise before he came home. Her heart pounded in her throat when she heard his inept fumbling at the lock. She didn’t wait long enough for him to come inside and close the door. She didn’t care if she woke up the neighbors, if all the other teachers in the compound heard every word.

  “Where were you?”

  “Out.”

  “Damn you. Where?”

  “The dance. At San Pedro. I told you I was going there.”

  A cloud of alcohol-laden breath surrounded him, filling her nostrils and wrenching her gut, reminding her of her father.

  “I thought they drank wine at the dances, cactus wine. I didn’t know they served beer.”

  Not looking at her, he started toward the bedroom. “Please, Diana. Drop it. I’ve got to get some sleep.”

  “Sleep!” she screeched, heaving the book across the room at him. Her aim was bad. The book hit the wall three feet behind his head and fell to the floor with an angry thud.

  “You need sleep?” she raged, getting up and coming across the room after him. “What about me? I’ve been up all night, too, up and worried sick!”

  He turned to face her, and the ravaged, stricken look on his face brought her up short. Something was terribly wrong, and she couldn’t imagine what it was.

  “I said drop it!”

  The quiet menace in his words took her breath away. She had heard those very same words countless times before, spoken in just that tone of voice and with just that shade of meaning, but always before they had come from her father, always from Max Cooper. Never from her husband, never from Gary.

  Without another word, he disappeared into the bedroom and closed the door behind him. For minutes afterward, she stood in the middle of the room staring at the door, too frightened to move, too sick to cry.

  Room 831 in the Santa Rita Hotel was a reasonably plush two-room suite. The bottle of champagne was on ice, and Johnny Rivkin had donned a blue silk smoking jacket by the time his expected guest turned the key in the lock. The blonde came in looking even more bedraggled than Johnny remembered. The dim light in the bar of the Reardon had been very kind.

  “Welcome,” Johnny said with a smile. “I’m glad you decided to come.”

  “I almost didn’t,” the blonde returned. “I don’t remember how to do this anymore.”

  “Come on.” Johnny did his best to sound cheerful and encouraging. “It’ll all come back to you. The two of us will have some fun. If you like dressing up, you might check out the closet in the other room. I work in the movies, you see. I always keep a few nice things on hand just in case.”

  The blonde disappeared into the other room while Johnny busied himself with opening and pouring champagne. His hands shook some. He didn’t know if it was nervousness or anticipation, maybe both. An unknown assignation was a lot like diving into an ice-cold swimming pool. Once you were in, everything was fine, but getting in required nerve.

  The blonde came back out wearing a long silk robe with nothing on underneath, walking with shoulders slouched, hands jammed deep in the pockets. His obvious nervousness made Johnny feel that much better.

  “Here,” he said, passing a glass. “Try this. It’ll be good for what ails you.”

  The blonde settled in the other chair, primly crossing his ankles, pulling the robe shut over his knees.

  “Take off the wig,” Johnny ordered. “It’s dreadful, you know. I’d like to see you as you really are.”

  “Are you sure?” the blonde asked.

  “I’m sure.”

  When the wig came off, Johnny found himself faced with a totally bald fifty-year-old man still wearing the garishly madeup features of an aging woman. The effect was disconcerting, like looking at your own distorted face in a fun-house mirror.

  “What’s your name?” Johnny asked.

  “Art.”

  “Art what?”

  “Does it matter?”

  “Only if I want to call you again.”

  “Art Rains.”

  “And what do you do, Art Rains? For a living, I mean.”

  Johnny was beginning to enjoy himself. Here was someone who hated small talk almost as much as he did, someone else who wasn’t any good at it. Knowing that made Johnny feel in control for a change, something that didn’t happen to him very often.

  “Believe it or not, for the past six years, I’ve been a housewife.” Art ducked his head as he made this admission, as though it were something he was ashamed of.

  “I believe it all right.” Johnny got up and poured two more glasses of champagne. “Here. Have another. It’ll take your mind off your troubles, Art. You need to relax, lighten up, have some fun.”

  “What did you have in mind?”

  Johnny shrugged. He was enjoying the tete-a-tete. It was a shame to rush into it. “I don’t know. Not something terribly energetic. We’re both a bit old for that sort of thing. Maybe start out with a nice massage. I have some lovely oils in the other room. Larry always said that I’m very good with my hands.”

  Art smiled sadly. “That’s something else we have in common.”

  “Well, come on, then. Shall we flip a coin to see who goes first? Although my mother always said company got to choose.”

  “I’ll do you first,” Art said, “unless you’d rather. .”

  “Oh, no, by all means. Suit yourself.”

  Trembling with anticipation, Johnny took his glass and the almost-empty bottle of champagne and led the way into the bedroom. He set the bottle and his glass on the bedside table and stripped off his jacket and trousers. If Art had been much younger, Johnny might have worried more about how his body looked, but Art Rains wasn’t any spring chicken, either.

  Before Art had arrived at the hotel, Johnny had turned down the covers on the bed. Now, he lay facedown on the cool, smooth sheets and waited. He sighed and closed his eyes. This was going to be delightful.

  “Mind if I turn on the radio?” Art asked.

  “Not at all.”

  Soon KHOS blared in his ear. Johnny didn’t much like country-western, but it was a good idea to have some background music. After all, if this was very good, there might be a few inadvertent noises. A Holy Roller family might be next door.

  A moment later, Johnny was surprised when, instead of a pair of well-oiled caressing hands touching his back or shoulders, he felt the weight of a naked male body settle heavily astride his buttocks. He didn’t worry too much about that, though. There was certainly more than one way to do a massage. Johnny had heard the Japanese actually walked on people’s backs.

  Suddenly, a rough hand grabbed a fistful of hair and jerked his face off the pillow.

  “Hey,” Johnny said. “What’s this. .?”

  The sentence died in the air. Johnny Rivkin never saw the hunting knife that cut him. In fact, he hardly felt it at first. He tried to cry out for help, but he couldn’t, nor could he free his flailing arms from the powerful hands that held him fast.

  Rivkin’s body leaped in the air, jerking like a headless chicken while Glen Campbell’s plaintive “Wichita Lineman” lingered in the air and the almost-empty champagne bottle and glass fell to the carpeted floor but didn’t break.

  Johnny Rivkin’s death was much bloodier than Margie Danielson’s had been. Andrew Carlisle was glad he’d taken off all his clothes, glad he’d be able to shower and clean himself up before he left the room.

  He had planned to let things go a little further, indulge in a little more foreplay, but buggering an aging queer didn’t have much appeal. Besides, Carlisle was impatient. He wanted to get on with it.

  He waited out the ride, which wasn’t that different from the other, although it seemed to take quite a while longer before Johnny Rivkin’s gurgling struggles ceased. Fortunately, the hotel mattress was easy on Andrew Carlisle’s sore knees. They still hurt from the scorching rocks at Picacho Peak.

  Chapter 12

  It was late when Diana fell asleep, and even later when she woke up on Sunday morning. With Rita gone, the house seemed empty, and prospects for breakfast weren’t good.

  On her salary, eating out wasn’t something Diana could afford often, but that Sunday morning seemed like a time to splurge. Both she and Davy had been through enough of a wringer that a special treat was in order. They drove to Uncle John’s Pancake House on Miracle Mile and waited through the Sunday morning crush.

  Over brightly colored menus, Diana explained that Davy could choose from any number of Mil-gahn foods-eggs and bacon, buttermilk pancakes, Swedish pancakes, German pancakes-but popovers with honey or tortillas with peanut butter weren’t an option.

  The waitress, a crusty old dame from the eat-it-or-wear-it school of food service, arrived at their table pad in hand. She fixed her eyes on Davy. “What’ll you have, young man?”

  Shyly, he ducked his head. “Swedish,” he said in a strangled whisper. “With the red berries.”

  “And what to drink?”

  “Milk.”

  “How about you, ma’am?”

  “German pancakes and coffee.”

  The waitress nodded and disappeared, returning a few moments later with coffee and milk. She put the milk in front of Davy. “How’d you get all those stitches?” she asked.

  Davy blushed and didn’t answer. “He was in a car accident,” Diana explained, speaking for him. “Out on the reservation.”

  The waitress frowned at that, but she left the table without saying anything more. A few minutes later, she was back, carrying a section of the Sunday paper. “This you?” she asked, holding the paper up so Davy could see it.

  Davy looked at the picture and nodded. “What’s that?” Diana asked.

  The waitress looked at Diana in surprise. “You mean you don’t know about it?”

  Handed the paper, a stunned Diana Ladd found herself staring into the eyes of a clearly recognizable picture of her son, complete with stitches.

  “Your breakfast’s on me this morning, sweetie,” the waitress was saying to Davy. “You sound like a regular little hero to me, saving that old woman’s life. Wouldn’t you like something else along with your pancakes, a milk shake maybe?”

  “No,” Davy said. “Thank you. Just milk.”

  The waitress left, and Diana turned on Davy. “How did your picture get into the newspaper?”

  Her son glanced nervously at the paper. Next to his own picture was a smaller one, a head shot of the man who had spoken to him the previous afternoon. “The man had a camera. He took my picture yesterday while you were inside the hospital with Rita.”

  “You talked to a reporter?” Diana demanded, her voice rising in pitch. “You let him take your picture?”

  Davy squirmed lower in his chair until his eyes barely showed above the top of the booth. “Yes.”

  “Why didn’t you tell me?”

  “He was a friend of my father’s,” Davy told her. “I was afraid you’d get mad.”

  And, of course, he was right.

  From George’s Beat, a biweekly column by George O’Connell in the Arizona Daily Sun, June 14, 1975:

  Seven years ago Friday a young Papago woman died brutally in the desert west of Tucson. Two men were eventually implicated in the death of twenty-two-year-old Gina Antone. One of them was a student of creative writing at the University of Arizona. The other was the English professor in charge of that same program.

  The professor, Andrew Carlisle, was eventually convicted of voluntary manslaughter and second degree rape. He was sentenced to serve time in the Arizona State Prison at Florence, while his student, Garrison Ladd, committed suicide rather than face arrest and conviction.

  Now, seven years later to the day, two of the families involved in that earlier tragedy are once more linked together in the news, only this time with a far different result.

  On Friday, Rita Antone, the slain girl’s sixty-five-year-old grandmother, was severely injured in an automobile accident on Highway 386, forty miles west of Tucson. Mrs. Antone now makes her home in Tucson with Diana Ladd, Garrison Ladd’s widow, and her son, David.

  Medics from the scene report that Mrs. Antone would probably have died without reaching the Indian Health Service Hospital in Sells had it not been for the quick-witted thinking of six-year-old David, who was himself injured in the accident.

  One of the first to arrive on the scene after the single-vehicle rollover accident was Joe Baxter, a Tucson resident on his way to Rocky Point for the weekend. Baxter said that it was David Ladd’s firm insistence that there was an ambulance available at the Kitt Peak Observatory that prompted him and a traveling companion to seek help there. Aid summoned from either Sells or Tucson probably would have arrived too late to save Mrs. Antone’s life.

  Years ago, when I was finishing my graduate degree in English at the University of Arizona, I was enrolled in a literature class with David Ladd’s father, who, like many of our classmates, had delusions of being the Great American Novelist and creating a heroic masterpiece to leave as a legacy.

  Mostly those dreams were just that-all dream and no action. However, I’m realizing now that there’s more than one kind of masterpiece. Garrison Ladd’s son, reticent about his own brave behavior despite injuries that required twelve stitches, is that heroic masterpiece, but he’s certainly not the only hero in the drama.

  Talking to him, I learned that Rita Antone, grandmother of the girl whose murder was linked to Garrison Ladd, is now a well-loved member of the Ladd family.

  It strikes me as ironic (and more than a bit inspiring) that these two women, Diana Ladd and Rita Antone, an Anglo woman and an Indian, whose lives were first linked by death and mutual tragedy, have gone on to forge a relationship based on love and mutual respect.

  It is an atmosphere in which two courageous women are raising a very responsible young man, one who in no way can be regarded as a chip off the old block.

  In a world where bad news usually outweighs the good, where there are always far more questions than there are answers, it’s refreshing to know this kind of thing can happen.

  Long ago, Evil Siwani, a powerful medicine man, became jealous of I’itoi. Three times the medicine man and his wicked followers killed I’itoi, and three times I’itoi came back to life. The fourth time, when morning came, I’itoi was still dead.

  “That’s all right,” his followers said. “In four days, he will come back to life.” But on the morning of the fourth day, I’itoi was still dead.

  Many years passed. One day some children from a village found an old man sitting next to a charco near where I’itoi’s bones had been left to dry in the sun. The old man was making a belt to carry an olla. “What are you doing, old man?” the children asked.