a collection of poems at the heart of which lies the observation that it is the small things in life - set-backs as well as pleasures - which define us as human beings, and that an appreciation of these is what ultimately gives life its meaning.1950’s Cold War tension. Anything can happen during the Atomic Summer. Amanda struggles with the era’s sexist restraints, her fugitive Russian Communist grandparents, and the appearance of a bizarre creature at Secret Pond. How are all these disturbing events related? Everything comes to light under the first ring rainbow. Book 2, "Time Before Color TV" series

Something has gone wrong with history in this gripping novel about a lie planted among the greatest works of English fiction. Flamboyant, charismatic Matthew Cannonbridge was touched by genius, the most influential creative mind of the 19th century, a prolific novelist, accomplished playwright, the poet of his generation. The only problem is, he should never have existed and beleaguered, provincial, recently-divorced 21st Century don Toby Judd is the only person to realise something has gone wrong with history. All the world was Cannonbridge’s and he possessed, seemingly, the ability to be everywhere at once. Cannonbridge was there that night by Lake Geneva when conversation between Byron, Shelley and Mary Godwin turned to stories of horror and the supernatural. He was sole ally, confidante and friend to the young Dickens as Charles laboured without respite in the blacking factory. He was the only man of standing and renown to regularly visit Oscar Wilde in prison. Tennyson's drinking companion, Kipling's best friend, Robert Louis Stevenson's counsellor and guide - Cannonbridge's extraordinary life and career spanned a century, earning him a richly-deserved place in the English canon. But as bibliophiles everywhere prepare to toast the bicentenary of the publication of Cannonbridge's most celebrated work, Judd's discovery will lead him on a breakneck chase across the English canon and countryside, to the realisation that the spectre of Matthew Cannonbridge, planted so seamlessly into the heart of the 19th Century, might not be so dead and buried after all...**

Mischief, Magic, Love and War.It is the Year of Our Lord 1601. The Tuscan War rages across the world, and every lord from Navarre to Illyria is embroiled in the fray. Cannon roar, pikemen clash, and witches stalk the night; even the fairy courts stand on the verge of chaos.Five stories come together at the end of the war: that of bold Miranda and sly Puck; of wise Pomona and her prisoner Vertumnus; of gentle Lucia and the shade of Prospero; of noble Don Pedro and powerful Helena; and of Anne, a glovemaker's wife. On these lovers and heroes the world itself may depend.These are the stories Shakespeare never told. Five of the most exciting names in genre fiction today—Jonathan Barnes, Adrian Tchaikovsky, Emma Newman, Foz Meadows and Kate Heartfield—delve into the world the poet created to weave together a story of courage, transformation and magic.Including an afterword by Dr. John Lavagnino, The London Shakespeare Centre, King's College London.

Once the toast of good society in Victoria's England, the extraordinary conjurer Edward Moon no longer commands the respect that he did in earlier times. Still, each night he returns to the stage of his theater to amaze his devoted, albeit dwindling, audience, aided by his partner, the Somnambulist—a silent, hairless, hulking giant who, when stabbed, does not bleed. But these are strange, strange times in England, with the oddest of sorts prowling London's dank underbelly. And the very bizarre death of a disreputable actor has compelled a baffled police constabulary to turn once again to Edward Moon for help—inevitably setting in motion events that will shatter his increasingly tenuous grasp on reality. From Publishers WeeklyStarred Review. Set in Victorian London, this superb debut from British author Barnes raises the bar for historical thrillers, starting with its curious opening line: Be warned. This book has no literary merit whatsoever. A page-turner, it's full of peculiar characters, notably Edward Moon, a highly unorthodox detective, and Moon's bizarre sidekick, known only as the Somnambulist. Moon, a conjuror by profession whose act has fallen on hard times, has cracked some of the city's most notorious murders. Now, he's leading the investigation into a shadowy religious group aiming to overtake London and do away with its oppressive, bourgeois tendencies. Moon is a remarkable invention, a master of logic and harborer of all sorts of unnatural habits and mannerisms. The Somnambulist—a giant, milk-swigging mute—doesn't appear to be human at all, yet serves as Moon's moral as well as intellectual compass. Together, they wend their way through a London rich in period detail. Barnes saves his best surprise for the story's homestretch, when he reveals the identity of his narrator, who's been cleverly pulling strings since the opening. (Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Review"A cheeky tale...salvaged from the sensationalist novels of the past three centuries....it doesn't take an English-lit wonk to appreciate the antic mind that would name two of the grotesquely deformed prostitutes in Mrs. Puggsley's brothel after virginal victims of Count Dracula." (New York Times )"A cheeky tale...salvaged from the sensationalist novels of the past three centuries....it doesn’t take an English-lit wonk to appreciate the antic mind that would name two of the grotesquely deformed prostitutes in Mrs. Puggsley’s brothel after virginal victims of Count Dracula." -- New York Times"A comic extravaganza, deftly plotted, fiendishly clever, and wonderfully funny. . . . One of the classiest entertainments I've read." (Christopher Bram, author of Exiles in America )"A comic extravaganza, deftly plotted, fiendishly clever, and wonderfully funny. . . . One of the classiest entertainments I’ve read." -- Christopher Bram, author of Exiles in America"A first novel that shows all the polish and poise of a master storyteller..By turns disquieting, funny, and taunting." (St. Louis Post-Dispatch )"Anyone who loves a good, kind of creepy thriller most likely will find something to love in [these] pages.. Thoroughly enjoyable." (Kansas City Star )"Macabre wit and stylistic panache. Parliament should immediately pass a law requiring Barnes to write a sequel." (James Morrow, author of The Last Witchfinder and The Philosopher's Apprentice )"Magical, dark, beautifully odd-and utterly compelling-this is an astonishing debut." (Michael Marshall, author of The Intruders )"Old school entertainment in the penny-dreadful tradition that almost succeeds in being as sublime as it is ridiculous." (Entertainment Weekly )"Sneaky, cheeky, and dark in the best possible way, Jonathan Barnes' massively entertaining THE SOMNAMBULIST manages to make the familiar daringly unfamiliar. I enjoyed the heck out of this novel." (Jeff Vandermeer )"Strange, outrageous, and wonderful . There is much that is strange, magical, and darkly hilarious about this book . An original and monumentally inventive piece of work by a writer still in his 20s. Barnes seems to leave himself room for a sequel-a consummation devoutly to be wished." (Washington Post )"The Somnambulist is not your great-grandfather's mystery yarn." (Richmond Times-Dispatch )"This superb debut from British author Barnes raises the bar for historical thrillers." (Publishers Weekly )"This superb debut from British author Barnes raises the bar for historical thrillers." -- Publishers Weekly"[B]rilliant...Barnes crafts one of the finest first novels of the young century...Truly surprising plot twists and red herrings abound." (Austin Chronicle )"[B]rilliant...Barnes crafts one of the finest first novels of the young century...Truly surprising plot twists and red herrings abound." -- Austin Chronicle