The scene is England 50 years after its conquest by the Soviets. The plot is to turn the occupying government upside down. A handsome and highly sexed young Russian cavalry officer, Alexander Petrovsky, joins the plot and learns to his regret that politics and playmates don't mix. "Funny, cynical, captivating-Amis makes an implausible situation almost believable, then lets his characters worry their way out." (B-O-T Editorial Review Board)

The short stories of Kingsley Amis - the great master of post-war comic prose - are dark, playful, moving, surprising and extremely funny. This definitive collection gathers all Amis's short fiction in a single volume for the first time and encompasses five decades of storytelling. In 'The 2003 Claret', written in 1958, a time machine is invented for the weighty task of sending a man to 2010 to discover what the booze will taste like. In 'Boris and the Colonel' a Cambridge spy is unearthed in the sleepy English countryside with the help of a plucky horse, while In 'Mason's Life' two men meet inside their respective dreams. The collection spans many genres, offering ingenious alternative histories, mystery and horror, satirical reflections and a devilishly funny attacks. Amis's stories reveal the scope of his imagination and the warmth beneath his acerbic humour, and they all share the unmistakable style and wit of one of Britain's best loved writers.With a new...

With Lucky Jim Kingsley Amis established himself as the bad boy of twentieth-century British letters. Later he became famous as another kind of bad boy, an inveterate boozer, a red-faced scourge of political correctness. He was consistent throughout in being a committed enemy of any form of "right thinking," which helped to make him one of the most consistently unconventional and exploratory writers of his day, a master of classical English prose who was unafraid to apply himself to literary genres all too often dismissed as "low." Science fiction, the spy story, the ghost story were all grist for Amis's mill, and nowhere is the experimental spirit in which he worked, his will to test both reality and the reader's imagination, more apparent than in his short stories. These "woodchips from [his] workshop"--as he called them--are anything but throwaway work. They are instead the essence of Amis, a brew that is as tonic as it is intoxicating.

Like all good coaching inns, the Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious seventeenth-century practitioner of black arts and sexual deviancy, rumoured to have killed his wife. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All while the skeletons in the cupboard of Allington's own domestic affairs rattle to get out too.

Regarded by many as the finest, and funniest, comic novel of the twentieth century, Lucky Jim remains as trenchant, withering, and eloquently misanthropic as when it first scandalized readers in 1954. This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that "there was no end to the ways in which nice things are nicer than nasty ones." Amis's scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics, with each of whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy. More than just a merciless satire of cloistered college life and stuffy post-war manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through...