The getaway, p.1
The Getaway,
p.1

SPIN
New York Times Book Review Editors’ Choice YALSA Quick Pick for Reluctant Young Adult Readers
“The first test of a whodunit is how heart-stopping and strange a thing has actually been dun. In Spin, Lamar Giles nails the murder … What’s even more impressive is the subtle stuff you almost don’t notice because Giles wears his intellect so lightly: the masterly knowledge of hip-hop and R&B; the command of technology’s uses and abuses; the discerning ear for the way high schoolers talk…. A two-time nominee for an Edgar award, Giles is a terrific plotter … Spin champions the resourcefulness of teenagers and pities the grown-ups—villainous or just clueless—who underestimate them.” —New York Times Book Review
★ “Not to be missed.” —Kirkus Reviews, starred review
★ “Spin delivers everything you could want in a book: lush, complex characters; a spine-chilling plot; a vividly drawn world; and, best of all, hip hop.” —Booklist, starred review
★ “This novel transcends its genre.” —School Library Journal, starred review
★ “This fast-paced tale seizes attention from the first thrown punch to the final curtain call.” —Publishers Weekly
“Lamar Giles has spun together a fast-paced, music-forward whodunit.” —School Library Connection
OVERTURNED
YALSA Top Ten Quick Pick for Reluctant Young Adult Readers A Kirkus Best Book of the Year
“Giles, a founding member of We Need Diverse Books and two-time Edgar Award finalist, is in top form, weaving together the threads of his whodunit-and-why and resonantly depicting his characters’ home and school lives. As a poker genius Nikki may be a singular sort of teenager, but she’s grounded in desires and motivations that make her story as moving as it is thrilling.” —New York Times Book Review
★ “An utterly compelling whodunit.” —Kirkus Reviews, starred review
“Another Giles winner.” —BCCB
“A fast-paced, endlessly intriguing mystery.” —Booklist
“Giles excels at pulpy crime drama, including a romance with a wealthy casino heir, scattering a trail of clues and bluffs to keep readers guessing.” —Publishers Weekly
“A fast-paced, compelling mystery.” —School Library Journal
FOR THE VISTA WAY CREW, SPRING 2000
Praise for Lamar Giles
Title Page
Dedication
The Funnest Place Around
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Connie
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Seychelle
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Seychelle
Closed For A Private Event
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Zeke
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
After Hours
Zeke
Chapter 29
Seychelle
Chapter 30
Chapter 31
Chapter 32
Zeke
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Excuse Our Mess While We Enhance Your Experience
Seychelle
Chapter 39
Connie
Chapter 40
Zeke
Chapter 41
Chapter 42
Chapter 43
Zeke
Chapter 44
Connie
Chapter 45
Chelle
Chapter 46
Chapter 47
Thank You for Visiting! Come Again Soon!
Chapter 48
Zeke
Connie
Seychelle
Chapter 49
Acknowledgments
Excerpt from Spin
Excerpt from Overturned
About the Author
Copyright
BE SURE TO TUNE IN TO THE OPENING OF
An Exuberant, Coast-to-Coast, 90-Minute TV Special
Highlighting the Dedication Ceremonies for “The Funnest Place Around”
NBC-TV
June 4
8:00–9:30 P.M. EASTERN STANDARD TIME
“No one has ever died in Karloff Country.”
That’s what Zeke told us his dad told him. Mr. Johnson told Zeke a lot of wild things about our home.
“That’s ridiculous,” I said, forcing my voice to stay even so this remained a debate instead of a fight. When it came to Zeke’s conspiracy theories, I’d gone from amused to over them a while ago.
“I’m telling you, Franklin Karloff made a pact with the Virginia tourism board back in the day.”
“A pact? With a tourism board? Why?”
“Jay.” He looked as incredulous as a math prodigy explaining two plus two. “Money.”
All of Zeke’s sinister deductions about the world had foundations built on coin.
Continuing this nonsense, he said, “If someone has a heart attack or falls down some stairs wrong anywhere in Karloff Country, the paramedics gotta wait until the body’s outside the wall to pronounce them dead.”
“How can that possibly affect the resort’s money?” I said.
“Do paramedics pronounce people dead?” Connie asked, tugging a hunk of meat off the saucy rib staining her fingers before popping it in her mouth like a pork nugget. She often challenged Zeke’s mess, but softer, like maybe we should spend more time digging deeper into his paranoia. “I can see your point about why the resort wouldn’t want bad press if there were a lot of deaths on-site. No one, though? Ever?”
Zeke inhaled for a rebuttal. There was always a rebuttal. But I didn’t want to keep giving this nonsense air. “Bro,” I said, “this is like the secret prison for rowdy guests you told us about before. Or how all the birds are really surveillance drones. Or how the animatronic puppets in PatriotScape ‘watch you back.’ ”
Connie spoke through half-chewed food. “Them puppets do be creepy.”
Zeke’s attention was 100 percent on me when he dropped his half-eaten burger on his overloaded paper plate. It landed on a french fry mound and almost toppled to the ground. My insides cinched tight as shoelaces and only relaxed when I knew his food wasn’t going to be lost to the grass and ants. I still remembered what real hunger felt like.
He was really on one, though, so he didn’t care. “Whatever, haters. No one’s died here. It’s never happened. Facts!”
“Raising your voice and yelling facts don’t make it true,” I said.
“You being a Karloff superfan don’t make you right all the time either,” he replied.
Air whistled through my nose, and I held on to the question that was becoming more aggressive and slippery each time we went down conspiracy road. Zeke might be my best friend, but the thing I wanted to ask, that would definitely shift us into fight mode, was simple: How could he be so ungrateful?
Zeke kept going, talking with his hands, breaking down more players and motives for the No Deaths scheme. My attention drifted to movement on the stage erected fifty yards or so from our pavilion. There was plenty going on between here and there, so saying the movement onstage drew my attention and not the person was, well, a lie. I forced my focus elsewhere.
Closer to us, my dad was among the adults working a line of sweltering grills, serving up hot dogs, burgers, ribs, and chicken with no food-ration concerns—something that still hadn’t sunk in completely, even after three years of safely living inside the Karloff Country walls. When Dad talked about his dad barbecuing meat every summer weekend when he was a kid, it sounded as wild as Zeke’s no-one-ever-died-here story. Too unbelievable to be true.
Closer to the stage, Mom hung with a bunch of ladies. Some—like her best friend, DeeDee—I knew; others were likely getting recruited for Mom’s book club. Off to the side, younger kids played a lawless game of football in the big field that made up most of the Treat (short for Retreat, which was short for the Jubilee Residents’ Association Neighborhood Retreat, which was long for what could’ve been called a park), while some of the older crews dispatched to semi-exclusive areas in the bordering forest. None strayed too far. Because that stage was there for a reason.
A DJ blasted playlist tracks that ranged from ancient times to … slightly less ancient times. Up-tempo R&B and the kind of hip-hop Dad rolled his eyes at before Mom got on him about “not appreciating happy rap.” The music was all Black everything for today’s event, clean edits only. Because while the Karloff Country Resort embraced all the world’s diverse cultures, vulgar music was not on brand for Karloff Entertainment Company proper. Facts!
A roving video crew that’d been capturing B-roll of the festivities during the previous hour was now set up near the foot of the stage, ready for their real job. They documented our benefactor’s generosity as they did at every big sponsored diversity/inclusion celebration here at the Treat. From Passover in early spring to the start of Pride Month a couple of weeks ago, to today’s Juneteenth party.
The blond, tanned woman the cameras tracked was Blythe Karloff. She signaled the DJ, and Montell Jordan’s “This Is How We Do It” cut off abruptly. Blythe slipped a wireless mic from its stand, thump-THUMPED it, then did a dramatic spin that made her flowery dress fan out like a parasol for a second. She had everyone’s attention, except ours.
That was reserved for her partner onstage. Her daughter. Seychelle.
“Good afternoon,” Blythe boomed into the mic, her voice smoky and crisp like on TV. She doubled her volume and shouted, “And happy Juneteenth!”
Joyous applause followed, then tapered off. Connie put down her rib. Zeke twisted on his bench for a better view. We all watched Chelle to see if she’d actually do the thing she claimed she would.
“She. Looks. Miserable,” Connie said.
She did. Her face was expressionless, her hazel eyes on her mom’s shoes.
I said, “I don’t think she’s going to do it.”
Blythe grasped the mic with two hands, a solemn and caring kind of grip. “On this day, we celebrate the liberation of those subjected to the horrors of chattel slavery in the United States. When I was growing up, I attended the best prep schools in the country and never had a single lesson about the significance of June 19, 1865. When I went to Princeton, I didn’t learn about it there either. I’m ashamed to say I was well into adulthood, and the mother of a Black child, before I became aware.”
Blythe cast a meaningful look Chelle’s way. What the meaning was, I didn’t know, but it was full of something. Chelle did not look back.
Reciprocating the gaze wasn’t even a speed bump for Blythe’s delivery. “I say aware because me knowing about a thing is not the same as understanding it. Even a basic white girl like me knows that.”
She paused for laughter. Got it. Never looked directly at the camera capturing the charming self-deprecating moment.
“Let me tell you what’s not basic,” Blythe said, transitioning from the comedy portion of her speech. “The desire of the Karloff Entertainment Company to recognize how Black people have made this country better despite the pain and suffering caused by white Americans. And while I celebrate this wonderful occasion with my daughter and my whole heart, I also recognize it’s not my place to be front and center today. So, I’m handing the mic over to Seychelle so she can speak directly to you. Her people. Come on, baby.”
Chelle loathed this—and really any of the various public duties—that were required of her as a member of the Karloff family. None of us could ever comprehend the burdens of being a billionaire heiress, but we still felt for her being dragged in front of the world by her wealthy family. Was any amount of money worth being a living, breathing prop? This was the one area where I allowed myself some disdain for the Karloffs. They didn’t appreciate what they had in her.
Chelle shuffled to the mic. “Thanks, Mom,” then, to the crowd, “Thank you for having us, Jubilee.”
Jubilee was us. Our neighborhood. Where everyone who lived in Karloff Country, except the Karloffs, of course, resided. The utterance of the name elicited more applause for the same reason Zeke never actually condemned Karloff Country for supposedly throwing dead bodies over the wall or whatever. He knew no matter what he believed the company did or didn’t do for money, we were all lucky to be here.
Chelle said, “It really warms my heart to see so much of Jubilee come out to celebrate Juneteenth. Being Black, and being a Karloff, has always endowed me with a sense of responsibility, and extra drive to—”
Chelle stopped talking.
Connie, Zeke, and I leaned forward.
“Y’all didn’t really come to hear me give a speech. As my mom said, she doesn’t understand what this particular moment in time requires. But I do.” She brought the mic closer to her lips, cupped her free hand over it, and began to beatbox.
Bom-bom-ba-ba-ba-tah! Bom-bom-ba-ba-ba-tah!
Oh. My. God.
She did it.
We hopped from our seats, cheering her on. “Ohhhhhh!”
Because Chelle was actually good at beatboxing—don’t ask me why—and the song she was performing, another classic from a long, long time ago, sounded like it should sound, the crowd had no trouble giving up those cheers too.
Chelle ended her assault on the mic and told the DJ, “Hit it!”
Music resumed, the real track she’d been performing. She crouched at the end of the stage and said, “When they say calm down …”
She extended the mic to her audience, and the crowd responded, “WE. TURN. UP!”
Turn up we did.
The residents of Jubilee were shaking and grooving and celebrating a holiday that represented a spark of hope in a horrid national history. I caught Chelle’s eye while she swayed onstage, killing it. Then my gaze slipped past her, to her mother.
I knew the Karloffs had impeccable public training, but I was still beyond impressed. Chelle’s mom’s smile remained fixed. Like she wasn’t pissed at all.
The Juneteenth celebration ended at dusk. We wasted no time piling into Chelle’s car and escaping the wrath of Blythe while the sun sank behind us.
“My mom’s never going to lose it in front of people,” Chelle said, reassuring herself as much as informing us. She was our getaway driver, checking the rearview like cops were in pursuit. We were out of Jubilee in record time while somehow maintaining safe(ish) speeds. “When I get home, she’ll be halfway into a merlot. The pain will have dulled.”
“How mad do you think she is, though?” Connie only seemed half-interested while she scrolled through playlists on Chelle’s phone.
“About as mad as a ‘basic white girl’ could be on Juneteenth.”
“So … very,” Zeke said.
Connie was taking too long. I grabbed Chelle’s phone and hit play on something aggressive that nearly drowned us in bass.
“Yoooo!” Zeke wrenched the volume left, decreasing the boom by half. He was tallest, so we granted him shotgun and, thus, easiest access to the dashboard. Something Chelle loathed. She nudged his hand off the knob. “I like it loud.”
“I like working ears.”
I said, “He’s right, Chelle. He’s never going to finish his musical if you blow his hearing.”
Connie and Chelle snickered. Zeke got mad mad. “Here y’all go.”
My first day in Jubilee, almost three years ago now, I met Zeke in the Treat under the same pavilion where we’d been gorging ourselves this afternoon. He was rounder then, about six months from the growth spurt that would stretch him into long lines and sharp angles. Hunched over a laptop with earbuds screwed in, he’d been spouting questionable rap lyrics that I never planned on letting him forget. It wasn’t his suspect rhymes that got me caught staring. It’d been a long time since I saw another kid with any weight on him.
I was fourteen years old, five foot seven, and roughly one hundred pounds then. That’s how bad the food shortages were before we became part of the extended Karloff family. When he spotted me and asked what I was looking at, I asked him what he was listening to instead of the question I really wanted to ask: Did he have any food on him?
Now he hated me bringing up his magnum opus ode to Lin-Manuel Miranda, but what he did next was not a safe path for escaping ridicule. He pulled down the visor, examined himself in the mirror, and said, “I think Ramona Hanshaw’s working her merch stand tonight. How I look?”
“Ashy,” Connie said.
“Your dreads look dusty,” said Chelle.
I leaned over his seat, sniffing. “Bro, when was your last shower?”
“Whatever,” he said, “I’m the most handsome dude any of you know.”
“Ewww,” Connie said, “Handsome? You know I don’t like that word. It creeps me out. Almost as bad as moist.”
We all shuddered. I don’t know if everyone had certain, mostly mundane, words that they didn’t like, but our crew did. Moist was on everyone’s Don’t Say It list.
Zeke said, “Fine. I’m the most sultry dude y’all know.”
Chelle gripped the wheel with both hands. “Add sultry to the list!”
Noted.
Chelle’s phone was still in my hand, so I felt it spasm with rapid incoming texts.
Mom
What the flip was that, Seychelle? Have you lost your mind? What did we rehearse? WHY did we rehearse?
Mom
Will you ever get enough of embarrassing me?
Mom
You have RESPONSIBILITIES whether you like it or not!






