Sealed with a promise, p.29

  Sealed with a promise, p.29

Sealed with a promise
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)



Larger Font   Reset Font Size   Smaller Font  


  When her hands went to his belt, he pul­led them away. “Now I get what I want.”

  His dec­la­ra­ti­on shoc­ked her and sca­red her. He had be­en ur­ging her to ta­ke the le­ad, en­co­ura­ging her un­til she had be­gun to think it was her show.

  “Did you think it was all yo­ur way? Oh, no, swe­et lady. You say what you want. I say what I want.”

  His hands went to the wa­ist but­ton of her slacks. The zip­per his­sed. He pus­hed the slacks off her hips the sa­me way he had the swe­ater, ma­king it bla­tantly se­xu­al. It wasn’t abo­ut re­mo­ving slacks, it was abo­ut to­uc­hing her. Cla­iming his right to her.

  He ska­ted his hands over her hips, he sha­ped the cur­ves of her but­tocks, squ­e­ezed them and kne­aded them with strong stro­kes. He wor­ked his fin­gers down in­to the cleft and the mo­ist flesh, mo­ving aro­und her cen­ter, but ne­ver qu­ite to­uc­hing.

  He pus­hed the slacks off her hips and drop­ped to his kne­es so he co­uld fol­low with his hands. “Step out,” he sa­id when his hand we­re on her an­k­les. He tos­sed the slacks to one si­de.

  Aga­in, he grip­ped the glo­bes of her but­tocks. “Co­me clo­ser…” She in­c­hed her to­es for­ward. “Clo­ser.”

  The pres­su­re on her but­tocks ma­de go­ing bac­k­wards im­pos­sib­le, but any clo­ser and she wo­uld be… his fa­ce wo­uld be… “Clo­ser.” He dug in­to her but­tocks, and she had to inch for­ward or fall. She grab­bed the only part of him she co­uld re­ach, which was his he­ad.

  He pres­sed his fa­ce to the jun­c­tu­re of her thighs. He in­ha­led de­eply.

  She stif­fe­ned and dug her fin­gers thro­ugh his ha­ir to grip his skull. She wasn’t su­re if she in­ten­ded to push him away or bra­ce her­self. Her kne­es went we­ak.

  Stren­g­t­he­ning his grip to ke­ep her sup­por­ted, he tur­ned his fa­ce up to her. “Did I shock you? Am I mo­ving too fast?”

  She was shoc­ked and sur­p­ri­sed, but mo­re by his fa­ce than his ac­ti­ons. Em­mie wasn’t su­re when they’d ta­ken the steps that car­ri­ed them in­to the bed­ro­om. With the only light co­ming from the kit­c­hen, his fa­ce was in de­ep sha­dow. All nu­an­ce of ex­p­res­si­on that cre­ated the sur­fa­ce, so­ci­al man was hid­den, only the most ba­sic com­po­nents of who he was we­re vi­sib­le. His words might ha­ve so­un­ded sen­si­ti­ve, but his fa­ce lo­oked har­der and mo­re in­ten­se than she had ever se­en it.

  Sud­denly, his te­eth flas­hed whi­te in an un­re­pen­tant grin. “I’ve be­en wan­ting to do that for fo­ur­te­en days and ten ho­urs.”

  Emmie did the math. “When we went to ta­ke ca­re of the ca­ke?” she cla­ri­fi­ed. All the ti­me he had be­en ac­ting so ar­ro­gant and con­des­cen­ding. Was that pos­sib­le?

  “The first ti­me I put you in the truck,” he con­fir­med.

  “Ca­leb, no!”

  “Emmie, yes!”

  “Re­al­ly?”

  He tig­h­te­ned his fin­gers on her but­tocks with frank pos­ses­si­on, and his smi­le ed­ged to­ward ma­ra­uder. “I wan­ted to push yo­ur sha­pe­less, be­ige skirt up, pull down yo­ur pla­in, whi­te cot­ton pan­ti­es, and bury my fa­ce in yo­ur wo­man smell un­til I had you all over me. And I had be­en all over you.”

  Des­pi­te his rat­her pri­de­ful dec­la­ra­ti­on, the throb of raw, ac­hing lon­ging in his vo­ice-lon­ging that went far de­eper than the ne­ed for se­xu­al re­le­ase-bro­ught te­ars to her eyes. De­si­re to suc­cor sent all her se­xu­al cra­ving in­to so­met­hing ric­her, mo­re com­pel­ling and mo­re com­p­lex than she had ever known. It ma­de her crad­le his fa­ce in her hands. She re­lis­hed the fa­int pric­k­les along his jaw, the subtly thic­ker fe­el of mas­cu­li­ne skin. She tra­ced his per­fect lips with her fin­ger­tips. She stro­ked the silky wi­ri­ness of his brows, and when she drew her fin­gers down the sharp strong wed­ge of his no­se, he clo­sed his eyes, le­aving a wet glit­ter in his las­hes.

  “Stand up,” she whis­pe­red, lif­ting his fa­ce to hers as if it we­re ma­de of glass. Her fin­gers went to the but­tons of his shirt. “You ha­ve on too many clot­hes.”

  Emmie had the shirt un­but­to­ned and was nuz­zling the tiny flat nip­ples she fo­und in the springy thatch ac­ross his pecs. He tra­iled his own kis­ses down the ex­po­sed si­de of her neck, then gently pus­hed her away.

  “I was pla­ying!” she pro­tes­ted.

  “You can play to yo­ur he­art’s con­tent in a mi­nu­te. Let me get out of the­se clot­hes. Why don’t you get in­to bed, so I’ll know whe­re to find you?”

  He swit­c­hed on the re­ading light be­si­de the bed and saw the six or eight tex­t­bo­oks, so­me open fa­ce­down on the bed­s­p­re­ad. “Are you ex­pec­ting to ne­ed all the­se?”

  “Pub­lis­hing com­pa­ni­es send me ad­van­ce co­pi­es.”

  “And you use them for bed­ti­me re­ading?” He was get­ting him­self back un­der con­t­rol af­ter ne­arly lo­sing it in un­ci­vi­li­zed, raw, ru­de, ra­ve­no­us ne­ed, and now this. She had a bed full of tex­t­bo­oks! It sho­ok a pla­ce so ten­der, so pro­tec­ti­ve, his who­le in­si­des shi­ve­red with it. His di­ap­h­ragm flut­te­red in what felt li­ke a chuc­k­le, but not be­ca­use so­met­hing was funny. Be­ca­use so­met­hing was so inex­p­li­cably, per­fectly, mi­ra­cu­lo­usly right.

  “Hand them to me.” One by one he to­ok them and stac­ked them on the flo­or. To­mor­row he’d ha­ve to see abo­ut fin­ding mo­re bo­ok­ca­ses or may­be talk her in­to get­ting a lar­ger pla­ce. He hung his shirt on the back of a cha­ir and fol­ded his slacks ca­re­ful­ly ac­ross the se­at.

  “Now le­an back on the pil­lows, so I can see you.”

  She ob­li­ged. Her ho­ney and cre­am ha­ir flo­wed aro­und her fa­ce and lightly kis­sed her sho­ul­der. The per­fect whi­te glo­bes of her bre­asts, the skin li­ke tran­s­lu­cent sa­tin, gle­amed in the lam­p­light. As he lo­oked at them the lit­tle pink nip­ples puc­ke­red. Just li­ke that his own de­si­re do­ub­led. “You li­ke for me to lo­ok at yo­ur bre­asts, don’t you?”

  She to­uc­hed her ha­ir, a de­li­ci­o­us com­bi­na­ti­on of shy and wan­ton. “Yes.”

  He for­got ever­y­t­hing. All the re­asons he ne­eded to stay in con­t­rol, stay fo­cu­sed, stay se­pa­ra­te. All he knew was he had to fe­el tho­se lit­tle nip­ples in his mo­uth, push his ton­gue aga­inst the hard lit­tle tips, and mold the de­li­ci­o­us, slightly co­ol, flu­id we­ight of her bre­asts in his hands.

  With no in­ter­ve­ning mo­ti­on he was be­si­de her on the bed, his mo­uth fas­te­ned on her, his hands full to over­f­lo­wing, exactly as he’d dre­amed. She ar­c­hed aga­inst him and mo­aned. “Was that a go­od mo­an?”

  “The best.”

  “Then let’s ma­ke lo­ve.”

  And they did… and they did… and they did.

  His won­der­ful we­ight was on her, her skin so sen­si­ti­ve she was one qu­ive­ring ner­ve en­ding. His hard, vel­vety length to­uc­hed, just to­uc­hed, at her cen­ter, and she tri­ed to squ­irm it to whe­re she wan­ted it to be.

  He pul­led back, and she clut­c­hed at him, dig­ging her na­ils in when her strength wasn’t suf­fi­ci­ent to hold him. “Don’t pull back. I ne­ed you now.”

  “I know. I know.” He to­re open a fo­il pac­ket and she­at­hed him­self. He lif­ted her he­els to his sho­ul­ders and po­si­ti­oned him­self.

  “I want to hold you!”

  “Not to­night. I can’t let you put stra­in on yo­ur sho­ul­der. This will be go­od. I’ll ma­ke it go­od. This way you can get lots of le­ve­ra­ge with yo­ur hips.”

  The ti­me for ca­re­ful fe­at­her to­uc­hes was over, and he knew it. He stro­ked her back to front, front to back. He ope­ned her with his fin­gers and po­si­ti­oned him­self at her en­t­ran­ce.

  Fo­ur long, smo­oth stro­kes, three short ones. Fo­ur long smo­oth stro­kes, three short ones. Over and over with bo­di­es slick with swe­at, stra­ining to­get­her in an agony of ple­asu­re and an­ti­ci­pa­ti­on of the pe­ak.

  Sud­denly, she was the­re. It was li­ke hot whi­te light shot from whe­re they we­re jo­ined, ran up her spi­ne, and ex­p­lo­ded out the top of her he­ad, en­ve­lo­ping him in in­s­tant, spon­ta­ne­o­us an­s­we­ring in­can­des­cen­ce.

  Yes, she felt it, in his body.

  It is the hu­man con­di­ti­on that pe­aks may be sca­led, but they can­not be sus­ta­ined.

  302 Mary Mar­g­ret Da­ug­h­t­rid­ge

  So­me­ti­me la­ter they drif­ted back in­to or­di­nary ti­me. How or when they had co­me to be lying fa­ce to fa­ce, arms aro­und each ot­her, ne­it­her knew.

  “Did that re­al­ly hap­pen?” Em­mie as­ked when the world se­emed firm eno­ugh aga­in to da­re spe­ech.

  “The light? Ye­ah.”

  “I co­uld fe­el it in yo­ur body. I co­uld fe­el yo­ur body fe­el my body.”

  “Ye­ah.”

  They slept.

  Chapter 30

  En­t­re’act

  “What’s the plan for to­day?” Ca­leb sip­ped his cof­fee sit­ting at the tab­le in the kit­c­hen. When he ran in the mor­nings he was ta­king ro­utes thro­ugh dif­fe­rent ne­ig­h­bor­ho­ods, le­ar­ning what was whe­re and chec­king out apar­t­ment com­p­le­xes and con­dos. The­re re­al­ly wasn’t spa­ce for two pe­op­le in this cot­ta­ge.

  What he’d re­al­ly li­ke wo­uld be a ho­use over on one of the bar­ri­er is­lands. A con­do was the next re­aso­nab­le step. The be­ach ho­use co­uld co­me af­ter they we­re mar­ri­ed. In the me­an­ti­me, whi­le Em­mie got re­ady for work, he sta­yed in one pla­ce, and they co­uld talk as Em­mie mo­ved from ro­om to ro­om.

  “To­day. To­day is pac­ked,” Em­mie an­s­we­red from the li­ving ro­om. “I ha­ve two clas­ses to me­et. Six ad­vi­se­es to com­fort. Then a de­par­t­men­tal me­eting. That will go on un­til fi­ve-thirty.”

  “Wo­uld you li­ke to do so­met­hing to­night?”

  “To­night is my cho­ral so­ci­ety.”

  He la­ug­hed. “You be­long to a cho­ral so­ci­ety?”

  Emmie po­ked her he­ad in the kit­c­hen do­or­way. “I don’t un­der­s­tand yo­ur re­ac­ti­on. Sho­uld I be of­fen­ded?”

  “It’s so aca­de­mic. So cul­tu­red.” He ra­ised his mug and cro­oked a pin­kie. “What do you do at me­etings of the cho­ral so­ci­ety?”

  “Sing to­get­her.” Em­mie di­sap­pe­ared back in­to the li­ving ro­om. He co­uld he­ar her mo­ving bo­oks aro­und, put­ting things in her bri­ef­ca­se. “Cho­ral sin­ging is a to­tal­ly dif­fe­rent ex­pe­ri­en­ce from sin­ging by one­self or sin­ging along with the ra­dio. It’s li­ke the dis­tin­c­ti­on bet­we­en run­ning and pla­ying fo­ot­ball. You can prac­ti­ce the mo­ves of fo­ot­ball alo­ne, but by de­fi­ni­ti­on, if you want to play it, you ne­ed ot­her pe­op­le to play with you.” She re­ap­pe­ared in the do­or­way to lo­ok down her ado­rab­le no­se at him. “ You can call it ‘cul­tu­re’ if you want to. I call it rec­re­ati­on.”

  He grin­ned at her so the­re to­ne. “Con­si­der me chas­ti­sed.”

  “And hum­b­led, I ho­pe.”

  “Don’t ask for too much.”

  She la­ug­hed, that rich, ro­bust wo­man so­und that al­ways tur­ned him on. He set down his cof­fee and clo­sed the dis­tan­ce bet­we­en them-a mat­ter of two steps. An­yo­ne who co­uld la­ugh li­ke that de­ser­ved a kiss, so he kis­sed her. “What do you sing?”

  “Sac­red mu­sic mostly. Al­most all the gre­at cho­ral mu­sic has be­en writ­ten in the con­text of Chris­ti­anity. I think the­re’s a de­eper me­aning in the mu­sic abo­ut our se­arch for unity and har­mony among all our se­pa­ra­te parts. We’re prac­ti­cing for the Chris­t­mas con­cert right now.”

  Fin­ding the ro­om in which the cho­ral so­ci­ety met was easy. He fol­lo­wed the so­und down the po­lis­hed, and not brightly lit, cor­ri­dor of the rec­re­ati­on cen­ter.

  He didn’t think it was his kind of mu­sic-might not ever be. He li­ked a few gro­ups, but he’d ne­ver got­ten his iden­tity from po­pu­lar mu­sic and fol­lo­wed cer­ta­in bands the way so­me did. He hadn’t co­me to he­ar the mu­sic.

  Most of the lar­ge ro­oms in this wing we­re dark. He didn’t li­ke the idea of Em­mie wal­king in this big si­nis­ter bu­il­ding at night. He al­so had a fe­eling he’d bet­ter ke­ep his mo­uth shut abo­ut it.

  He lo­ca­ted a si­de do­or, out­si­de the li­ne of sight of most of the pe­op­le in the ro­om, and slip­ped in, ke­eping to the sha­dows. He wan­ted to ob­ser­ve wit­ho­ut be­ing se­en. It had ne­ver oc­cur­red to him to won­der how a cho­ir re­he­ar­sed, and now he was cu­ri­o­us. He wan­ted to know how re­he­ar­sal was do­ne. He co­uld he­ar in Em­mie’s vo­ice that it mat­te­red.

  After twen­ty-two mi­nu­tes he tho­ught a cho­rus re­he­ar­sal was as in­te­res­ting as wat­c­hing pa­int dry. They wo­uld sing for may­be thirty se­conds. The con­duc­tor wo­uld stop them, say so­met­hing usu­al­ly in­com­p­re­hen­sib­le, and they wo­uld do the who­le thing over, with no dif­fe­ren­ce he co­uld dis­cern. One po­si­ti­ve was that he now un­der­s­to­od the mu­si­cal de­fi­ni­ti­ons of words li­ke al­leg­ro and stac­ca­to.

  He al­so knew that they we­re a mo­re dis­cip­li­ned lot than he had se­en in any con­text, ex­cept SE­AL tra­ining. Ra­rely did the ot­hers talk if the di­rec­tor was wor­king with a small gro­up. No mat­ter how of­ten they we­re stop­ped, no one grew ir­ri­ta­ted. In­s­te­ad, they did it over and over. The di­rec­tor did not ha­ve to ask for the­ir at­ten­ti­on. Well, ex­cept for the ti­mes he yel­led, “Lo­ok up! Lo­ok up!” me­aning he wan­ted the at­ten­ti­on on him, not the she­et mu­sic.

  Mostly, he wat­c­hed Em­mie and her shi­ning ha­ir-a lo­ok so pu­re, so full of ar­dor, and so tran­s­cen­dent of all hu­man emo­ti­on, she ap­pe­ared al­most in­hu­man. He had se­en that lo­ok on SE­ALs’ fa­ces when they prac­ti­ced fi­ring drills.

  The con­duc­tor snap­ped off the li­ne of mu­sic with one whack of his ba­ton.

  “You’re la­te!” His eyeb­rows bun­c­hed in a fi­er­ce scowl. “The al­tos are la­te every ti­me. Don’t wa­it for yo­ur en­t­ran­ce. If you wa­it un­til it’s ti­me to co­me in, you’ll be la­te every ti­me. A phra­se do­esn’t start with the first no­te, it starts with the bre­ath. You must bre­at­he on the last no­te the bas­ses sing.” Lec­tu­re over, he com­po­sed him­self. “Try it aga­in. Be­gin at let­ter D.” He tap­ped aga­in, a merry, en­co­ura­ging so­und, and pi­ano and sin­gers star­ted.

  This ti­me it was dif­fe­rent. The mu­sic so­ared li­ke a pa­rag­li­der cat­c­hing lift from de­sert ther­mals. It gli­ded and swo­oped, and all ri­ding with it, to­ok wing. Fi­nal­ly, in the kind of hush that so­unds li­ke a mi­rac­le, it to­uc­hed down.

  After a long si­len­ce in which no one mo­ved or spo­ke, the con­duc­tor gently la­id his stick on the po­di­um, so ca­re­ful­ly it to­uc­hed with only the ti­ni­est click. “My fri­ends, you hum­b­le me and to­uch me. That was it. You went be­yond the vo­ice, be­yond the sco­re. You ma­de mu­sic. The chan­ce to do that, just the chan­ce, is why we’re he­re.”

  “How did you fa­ke yo­ur IQ?” Em­mie’s qu­es­ti­on ca­me out of the dark. He’d be­en clo­se to drif­ting off.

  “Do you get chatty af­ter sex?”

  The­re was a short pa­use whi­le she adj­us­ted her pil­low.

  “You know, I think I do,” she sa­id in a to­ne of dis­co­very. “Answer the qu­es­ti­on.”

  “It’s easy to fa­ke it down. It’s hard to be smar­ter than you are, but easy to be dum­ber. And you know, most pe­op­le find it easi­er to be­li­eve you’re dum­ber than you lo­ok.”

  “That’s not what I me­ant. The Stan­ford-Bi­net sco­res aren’t sup­po­sed to vary mo­re than one stan­dard de­via-ti­on-that’s just fif­te­en po­ints, right? So he­re you are with sco­res all over the map. Didn’t so­me­one smell a rat?”

  “Well, now, that was a prob­lem. A Navy psycho­lo­gist ac­tu­al­ly wro­te a pa­per on the ef­fects of in­tel­lec­tu­al sti­mu­la­ti­on in la­te ado­les­cen­ce on the IQ sco­re of an en­lis­ted man.”

  “Me­aning he tho­ught jo­ining the Navy ma­de you smar­ter?”

  “Pretty much.”

  Emmie snor­ted. “You co­un­t­ry-slic­ker, you. He bo­ught the bac­k­wo­ods hick act.”

  “What can I say? When I co­uld see for myself that the world was ro­und, it chan­ged the way I lo­oked at ever­y­t­hing.”

  They had din­ner with the Cal­ho­uns on Thur­s­day night. A wo­man iden­tif­ying her­self as Mrs. Cal­ho­un’s sec­re­tary had cal­led on Mon­day to is­sue the pro­mi­sed in­vi­ta­ti­ons.

  Cal­ho­un him­self an­s­we­red the do­or in cor­du­roy slacks, stri­ped dress shirt, and ma­ro­on car­di­gan swe­ater. He smel­led of to­bac­co and bo­ur­bon.

  “Glad you co­uld co­me. As I told Char­lot­te, we are in yo­ur debt. A din­ner is the le­ast we can do, and I ho­pe if the­re’s an­y­t­hing el­se, you will tell us.”

  With only a few lights on, the entry hall se­emed even lar­ger than it had on Sa­tur­day. Two hu­ge Chris­t­mas tre­es, one at each end, pro­vi­ded the only lights in the hu­ge re­cep­ti­on par­lor. The ef­fect was dra­ma­tic and pro­fes­si­onal­ly de­sig­ned, and to Em­mie’s eyes, a lit­tle sad.

  “You’re he­re!” Vicky ca­me pel­ting down the sta­ir­ca­se, her ha­ir drawn up in a pon­y­ta­il that bob­bed and bo­un­ced with each step. She wo­re gre­en je­ans and a swe­ater em­b­ro­ide­red with snow­men.

 
Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On