Devout, p.1
Devout,
p.1

ALSO BY
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Exodus 20:3
Three Kings
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Also by Dorian Yosef Weber
“Mizmor L’David” in Changelings: An Autistic Trans Anthology
Also by Angela Sun
“Love Letter at the Cusp of Exorcism” in The Summer Gothic
“Sea Song” and “Downtown” in The Squawk Back
“FIRST ACT OF A MOVIE WHERE I LOVED YOU
THE ENTIRE TIME” in Heavy Feather Review
Also by Tyler Battaglia
“A House; A Haunting” in The Summer Gothic
“The Sixth Tree” in Crow & Cross Keys
Also by Morgan Dante
A Flame in the Night
Witch Soul
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“(Hetero)trophic Love” in The Summer Gothic
Also by Rafael Nicolás
Angels Before Man
Also by Quinton Li
Tell Me How It Ends
DEVOUT
Freydís Moon
Dorian Yosef Weber
Angela Sun
Ian Haramaki
Tyler Battaglia
Daniel Marie James
Morgan Dante
Cas Trudeau
Aurélio Loren
Rae Novotny
Rafael Nicolás
Emily Hoffman
Curated and edited by Quinton Li
DEVOUT: AN ANTHOLOGY OF ANGELS
Copyright © 2023 Quinton Li
Released August 29th 2023 by Quinton Li Editorial.
All rights reserved. No part of this anthology may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles or reviews. Names, characters, businesses, organisations, places, events and incidents are either the product of the authors’ imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or locales is entirely coincidental.
Contact: Quinton Li (www.quintonli.com)More information: https://devoutlogy.carrd.co/
Cover Artist and Layout Designer: Alex Patrascu (www.apatrascu.com)
Front Cover: “Angel with a Banderole” by Claude Mellan; The Metropolitan Museum of Art
The text in Devout is typeset in EB Garamond, and headers are set in Orpheus Pro.
ISBN: 978-0-6456815-7-4
Editor’s Letter
Quinton Li
When there’s ringing in my ears, I know there are angels around. Just as when I’m working away at a novel or any writing project, there’s an angel behind me then, too.
I believe I was surrounded by a number of angels during the creation of Devout: An Anthology of Angels, from the angels in each story, to the angels watching over my shoulder, to every author who may or may not be an angel themselves.
Angels have always played an important part in my life, whether it’s an image of safety and unconditional love, or the twisting, what we call, biblical depictions that make me feel things. Maybe I’ve seen an angel before, when I was too young to remember, or maybe I was an angel in a previous lifetime.
In any case, in this reality, I’m Quinton Li, the curator and editor of this anthology. I’m incredibly pleased to present this heart- and horror-felt collection by a group of writers and artists who love angels just as much as I do, maybe more!
Freydís, Dorian, Angela, Ian, Tyler, Daniel, Morgan, Cas, Aurélio, Rae, Rafael and Emily, you were all so wonderful to work with. You were passionate and excited, and that just motivated me even more to do my best for you. I’m grateful to have had this opportunity to curate my first anthology with you and I wish for many more cool projects between us.
Alex, there’s no one else I’d rather work with to design this anthology. I might say this in every publication that we work together on, but I knew I wanted you to design and format this anthology from the start. Thank you for your hard work!
To every ARC reader who expressed interest in Devout, thank you! Your dedication to the authors in this anthology is inspiring and I’m so thankful for it!
And, of course, to every angel and angel lover reading this anthology. This is for you and I hope you find something familiar to curl up to, and something new to love.
Enjoy the Devout Anthology!
Table of Contents
Editor’s Letter ⋅ Quinton Li
The Angels at Harvest Church⋅ Freydís Moon
I Know My Father ⋅ Dorian Yosef Weber
Seasons of God ⋅ Angela Sun
Resta Con Me ⋅ Ian Haramaki
Seraphim ⋅ Ian Haramaki
With Wings Like Madeleines ⋅ Dorian Yosef Weber
And the Mountains Melt Like Wax ⋅ Tyler Battaglia
The Mountains, the Mountains, the Mountains ⋅ Tyler Battaglia
We Suffer in Fire ⋅ Tyler Battaglia
Divine Body ⋅ Daniel Marie James
halfway to heaven ⋅ Freydís Moon
Fade to Black ⋅ Morgan Dante
Misery in Company ⋅ Morgan Dante
Enfleshed ⋅ Cas Trudeau
Swarm Behavior ⋅ Aurélio Loren
Recovered Contents From an Angel’s Stomach ⋅ Rae Novotny
An angel song from the ether ⋅ Rafael Nicolás
Hashem Yireh ⋅ Dorian Yosef Weber
Pieces ⋅ Emily Hoffman
Paradises ⋅ Rafael Nicolás
Contributors
The Angels at Harvest Church
Freydís Moon
Content Warnings: explicit sexual content, mention of snakes/snakebites, off-page transphobia
On a sweltering Sunday morning, an angel hollers verses from behind a sturdy pulpit your father built in 1993. His name sneaks between twelve-packs at the local mini-mart, whispered like gossip in a town surrounded by swampland and built on the back of too many miracles. Dusty vans are parked along the dirt road outside Harvest Church and travelers wander inside to listen, sitting shy and quiet while you tap your foot in the middle pew. Sometimes you want to tell them to go back to where they came from. Big city reporters with gold strung ’round their necks, helpless coupon-cutting townsfolk from the neighboring county, missionaries burrowing beneath borders to catch a glimpse of gilded wings.
But who are you to tell them to leave? You’re the one who stayed, after all.
Your mother used to call him holy man and your father called him blessed. Now your mother has lost her voice, your father won’t look you in the eye, and they’re both muttering amen with the rest of the congregation. The angel has a face made for magazines, sharply cut and old in the eyes, as if centuries have been neatly tucked under his ochre skin. You remember finding him beautiful and wondering what that made you, to want a holy man, to look upon the pastor and silently pray for forgiveness. Years have come and gone since then, but sometimes you still catch yourself praying.
“See, the Lord is here,” the angel says, gripping a well-worn bible in one hand and the pulpit in the other. He shifts his gaze to where you’re curled against the pew and does not look away. “For he serves those who serve him. Our shield, our provider.”
The owner of the local gas station pulls nails from a wooden box. Rattles pierce the air like a baby toy, like a warning, and the angel plucks a cottonmouth from the squirming mass inside. The bite-shaped scar on your thigh stings at the sight. You remember his fingertips on your leg, and the snake coiled around his wrist, and fangs deep in your skin. He’d cut your hair that day, snipped your ponytail with a pair of sheep-shears, and while the venom worked through your veins you heard him say, “Be glad, son of Adam, for you were unmade in the beginning and now you are perfect.”
Son. Adam. What strange, wonderful things to call you.
You watch an immigrant from Mexico City limp down the aisle with one foot turned backward and a loosened kneecap, catch a glimpse of rosary beads rolling across the milky skin of a woman with a swollen belly, and hear tongues go wild with rapture. Snakes flash their teeth, people seize in the presence of glory, and the angel does not look away from you. People have left all they’ve known to find him, yet he has sought you.
You, the farmer’s child, exalted and exiled, a simple beekeeper, wanted by God’s most revered, most feared. The thought permeates in your groin.
The crippled immigrant rejoices on steady legs, barking “Gloria al Padre, y al Hijo, y al Espiritu Santo. Estoy curado!” You listen, and you nod, and you say hallelujah under your breath, wishing you could speak the language you’d been forced to forget when your grandparents traveled west, west, west. When your family pushed roots beneath a dilapidated town. When you were born in a leftover place where an ageless angel healed the sick and turned daughters into sons.
The faithful disperse, crowding in the dirt lot with their casseroles and chicken gizzards, assembling meals on paper plates in truck-beds. The skeptics chatter, meandering around Harvest Church like vultures surveying a sun-ripened carcass. You know the moment you are alone with him, seconds after your parents take their leave. Your mother slides a paper fan into her purse, your father eases the double-doors shut, and you feel their grief like an eternal bruise. The angel studies you. His eyes are molten and alive, his body a compilation of contradictions.
&nb
sp; “Come here, Cristiano,” he says, and you go to him.
He takes your chin between his fingers and heat rushes upward, downward, everywhere. This is not the first time he’s touched you, but it’s the first time you have the courage to touch him without being told. You run your hands beneath his buttoned shirt and find the gnarled scars above his shoulder blades. What was it like to lose them? you wonder. What do feathers smell like when they burn?
“You belong to the King on Earth, do you not?” he asks. He follows your jawline, still in the midst of remaking, and drops his palms to your waist, still curved and supple. You nod, of course you nod, because yes, of course yes.
“I do,” you say, and open your mouth. His knuckles slide over your tongue, probe your willing throat, wet your swollen lips. Faith is sacrificial, but church is worship.
Every Sunday you arrive, sit patiently, and await your time with the angel, with God’s first creation, the favorite, the fallen, who forged your inhospitable body into a livable vessel. The congregation pretends not to listen, but they hear just as well, and the miracle-chasers pretend not to be jealous, but they envy you. You, who was once draped from throat to ankle and veiled like a bride. You, who is called seduced and seductive, sacrifice and punishment. You, who has adopted a roughened voice, wide shoulders, untamed desire. You, Cristiano Castañeda, who belongs to him and you and he.
The angel kisses power into you. He tastes like ash and pomegranate, like smoke and apple tart, and you wish to know what flavor he finds in you.
“Honey,” he says, so suddenly you shiver. “You taste like pollen and nectar and Eden.”
He peels your shirt away, removes the binder constricting your ribcage, and when he hoists you onto the window nook, you see the Virgin Mary reflected in his galaxy eyes. Sunlight pours through the stained glass at your back, etched into the image of the Mother, the Child, the Wise. You are a kaleidoscope in his arms, in this church, and you can’t help the sound bubbling behind your teeth.
“I belong to you,” you say, the same way you would a nightly prayer.
He puts his mouth to your copper skin. Tugs the only dress-pants you own down your thighs and over your ankles. Birdsong flutters outside, as does hushed conversation and cautious prayer, but you are enraptured. Taken. Completely and utterly his. He buries his fingers inside you, crooks his knuckles and strokes your front wall. Hot breath coasts across your trembling mouth, and he says, “Look at how you’ve grown.” His thumb works at you—your clit, your cock, your becoming—the place where your body has entered its own version of manhood.
Being with him is like speaking in tongues. You are out of control, flooded with holy, holy, holy, eager for anything, everything he has to offer. You brace on the windowsill, pitch your hips into his hand and wait for permission to come. Each movement matches yours. When your waist jumps, he pushes deeper, and when you ease onto the sill, he massages your slick cunt. It’s when you’re gasping and shaking that he pauses, reaching inside you to stroke and knead and rub.
“Not yet,” he says.
You make a wounded sound, one he’s familiar with, and you do what all worshippers must, as all devotees do—lift your knees, spread your thighs, become an altar. He has only undressed once, the first time he took you, and you will never forget how his skin felt against yours. But today, like most days, he unbuckles his belt, opens his pants, and fills you. You cling to him. Clutch his fine-boned face and rake your fingers through his golden hair. Take comfort in his grip on the underside of your thigh and lean into his hand on your tailbone, holding you upright, keeping you close.
This is for him. You are for him.
“Child of God, who freed you?” he asks. His cock is heavy inside you, stretching you wide, stirring heat in your belly.
“You,” you say on a hitched breath. Sometimes you anticipate a forked tongue to flick between his lips, but it never does. He kisses the boyish sounds from your mouth, fucks you hard and quick, until you’re babbling pleadingly, cooing and shaking, flushed entirely and begging to come.
Finally, the angel says, “God’s image failed you, but I have made you mine, made you perfect, made you glorious. It’s true, is it not?” He thrusts into you and you feel the button on his pants push against your pelvis, his smooth skin meet your pulsing dick, his cock twitch and throb in your depths.
“It’s true,” you whimper, grinding shamelessly against him. “I am made to be yours, my King on Earth, my Morning Star. Have mercy, please.”
Again, he kisses you, and moves his hand to your cock, working you to bliss. You clench around him, gush and flutter and squeeze him with your body, moaning pitifully against his lips. He empties himself into you on a handsome sigh—comes in thick, hot ropes and takes your jaw in his hand, fingers set hard against your cheeks. You look at him and see fire in his eyes. Brimstone. Chaos. Rebirth.
“Come to me tonight,” he says, breathlessly.
You blink through a haze of pleasure and nod. He has never asked you before, but you would never say no.
He is your maker, after all.
He kisses you one last time before dusting his hands down your body. The reverence in his stare is enough to make your knees wobble. Faith keeps you steady, though, filled with burning heat and heavenly purpose. He helps you dress, as he always does, and whispers gospel in your ear as you walk to the door.
Before you leave, he puts his lips to your throat. “You are holy, Cristiano,” he says. “Holy and mine.”
“Yes,” you say, and turn to kiss the Devil on the mouth. “I am yours.”
I Know My Father
Dorian Yosef Weber
Jacob sends his progeny across a stream.
He is alone
and then there is the flesh of a man beneath his hands.
smooth, supple arms try to push him to the ground and
Jacob, grabbing the terrifyingly beautiful stranger,
plants his feet and pushes back.
they are sweating and grunting,
the sound drowned out by the babbling of running water.
when our father doesn’t let himself fall back onto the dirt,
there is a gentle touch on his hip,
fingertips skimming flesh
pale and stretched tight as a drum skin,
and, beneath the tickle of callouses,
the violent wrench of bone out of socket.
Jacob cries out, but he does not let go of the man
whose touch has broken his body.
the sages say our father knew an angel,
but here in the light of the dawn, there is only a man.
Bless me, Jacob demands,
unyielding.
Bless me.
Bless me.
Bless me the way you bless your Father.
the man softly touches his lips to Jacob’s,
as they writhe against the iron bonds
of each other’s grips.
the man’s mouth dribbles lower, and lower
still. Your name is now Israel, he breathes
against sweat-slick skin,
for you have conquered both man
and divine.
Israel throws back his head,
the violent, powerful ecstasy of holiness
shaping what will touch the lips of generations.
They will not eat of the hip
and future children will look to their father
as they grapple and change and ache, as
they tear apart their bodies
in self-shattering bliss.
Seasons of God
Angela Sun
Content Warnings: suicide, graphic violence, body horror, undertones of sexual harassment and grooming, mentions of rape, misogyny
Francis was fifteen when Rui was born on the other side of the world, pushed out between bedsore ridden thighs and blood-soaked rags, held by midwives who knew a doomed labour when they saw one. By then, he held the poise of a religious man, and wasted long, sun-drenched days shadowing the monks, who consumed their mornings with farming and afternoons transcribing the scriptures. His family had hoped to instill some acumen and piety in their eldest and heir, sending him off too young. Neither Francis nor Rui knew their mother.