We returned to our research. We still had some time before the last collapse of the dark star.

  It had cooled nearly to death. Now there was still some thermonuclear activity within that bizarre core, enough to keep the star too warm for an actual landing. It was radiating primarily in the optical band of the spectrum, and by stellar standards its temperature was nil, but for us it would be like prowling the heart of a live volcano.

  Finding the star had been a chore. Its luminosity was so low that it could not be detected optically at a greater distance than a light-month or so; it had been spotted by a satellite-borne X-ray telescope that had detected the emanations of the degenerate neutron gas of the core. Now we gathered round and performed our functions of measurement. We recorded things like neutron drip and electron capture. We computed the time remaining before the final collapse. Where necessary, we collaborated; most of the time we went our separate ways. The tension aboard ship was nasty. Miranda went out of her way to provoke me. And, though I like to think I was beyond and above her beastliness, I have to confess that I matched her, obstruction for obstruction. Our alien companion never made any overt attempt to annoy us; but indirect aggression can be maddening in close quarters, and the microcephalon’s benign indifference to us was as potent a force for dissonance as Miranda’s outright shrewishness or my own deliberately mulish responses.

  The star hung in our viewscreen, bubbling with vitality that belied its dying state. The islands of slag, thousands of miles in diameter, broke free and drifted at random on the sea of inner flame. Now and then spouting eruptions of stripped particles came heaving up out of the core. Our figures showed that the final collapse was drawing near, and that meant that an awkward choice was upon us. Someone was going to have to monitor the last moments of the dark star. The risks were high. It could be fatal.

  None of us mentioned the ultimate responsibility.

  We moved toward the climax of our work. Miranda continued to annoy me in every way, sheerly for the devilishness of it. How I hated her! We had begun this voyage coolly, with nothing dividing us but professional jealousy. But the months of proximity had turned our quarrel into a personal feud. The mere sight of her maddened me, and I’m sure she reacted the same way. She devoted her energies to an immature attempt to trouble me. Lately she took to walking around the ship in the nude, I suspect trying to stir some spark of sexual feeling in me that she could douse with a blunt, mocking refusal. The trouble was that I could feel no desire whatever for a grotesque adapted creature like Miranda, a mound of muscle and bone twice my size. The sight of her massive udders and monumental buttocks stirred nothing in me but disgust.

  The witch! Was it desire she was trying to kindle by exposing herself that way, or loathing? Either way, she had me. She must have known that.

  In our third month in orbit around the dark star, the microcephalon announced, “The coordinates show an approach to the Schwarzschild radius. It is time to send our vehicle to the surface of the star.”

  “Which one of us rides monitor?” I asked.

  Miranda’s beefy hand shot out at me. “You do.”

  “I think you’re better equipped to make the observations,” I told her sweetly.

  “Thank you, no.”

  “We must draw lots,” said the microcephalon.

  “Unfair,” said Miranda. She glared at me. “He’ll do something to rig the odds. I couldn’t trust him.”

  “How else can we choose?” the alien asked.

  “We can vote,” I suggested. “I nominate Miranda.”

  “I nominate him,” she snapped.

  The microcephalon put his ropy tentacles across the tiny nodule of skull between his shoulders. “Since I do not choose to nominate myself,” he said mildly, “it falls to me to make a deciding choice between the two of you. I refuse the responsibility. Another method must be found.”

  We let the matter drop for the moment. We still had a few more days before the critical time was at hand.

  With all my heart I wished Miranda into the monitor capsule. It would mean at best her death, at worst a sober muting of her abrasive personality, if she were the one who sat in vicariously on the throes of the dark star. I was willing to stop at nothing to give her that remarkable and demolishing experience.

  What was going to happen to our star may sound strange to a layman; but the theory had been outlined by Einstein and Schwarzschild a thousand years ago, and had been confirmed many times, though never until our expedition had it been observed at close range. When matter reaches a sufficiently high density, it can force the local curvature of space to close around itself, forming a pocket isolated from the rest of the universe. A collapsing supernova core creates just such a Schwarzschild singularity. After it has cooled to near-zero temperature, a core of the proper Chandrasekhar mass undergoes a violent collapse to zero volume, simultaneously attaining an infinite density.

  In a way, it swallows itself and vanishes from this universe—for how would the fabric of the continuum tolerate a point of infinite density and zero volume?

  Such collapses are rare. Most stars come to a state of cold equilibrium and remain there. We were on the threshold of a singularity, and we were in a position to put an observer vehicle right on the surface of the cold star, sending back an exact description of the events up until the final moment when the collapsing core broke through the walls of the universe and disappeared.

  Someone had to ride gain on the equipment, though. Which meant, in effect, vicariously participating in the death of the star. We had learned in other cases that it becomes difficult for the monitor to distinguish between reality and effect; he accepts the sensory percepts from the distant pickup as his own experience. A kind of psychic backlash results; often an unwary brain is burned out entirely.

  What impact would the direct experience of being crushed out of existence in a singularity have on a monitoring observer?

  I was eager to find out. But not with myself as the sacrificial victim.

  I cast about for some way to get Miranda into that capsule. She, of course, was doing the same for me. It was she who made her move first, by attempting to drug me into compliance.

  What drug she used, I have no idea. Her people are fond of the nonaddictive hallucinogens, which help them break the monotony of their stark, oversized world. Somehow Miranda interfered with the programming of my food supply and introduced one of her pet alkaloids. I began to feel the effects an hour after I had eaten. I walked to the screen to study the surging mass of the dark star—much changed from its appearance of only a few months before—and as I looked, the image in the screen began to swirl and melt, and tongues of flame did an eerie dance along the horizons of the star.

  I clung to the rail. Sweat broke from my pores. Was the ship liquefying? The floor heaved and buckled beneath me. I looked at the back of my hand and saw continents of ash set in a grouting of fiery magma.

  Miranda stood behind me. “Come with me to the capsule,” she murmured. “The monitor’s ready for launching now. You’ll find it wonderful to see the last moments.”

  Lurching after her, I padded through the strangely altered ship. Miranda’s adapted form was even more alien than usual; her musculature rippled and flowed, her golden hair held all the colors of the spectrum, her flesh was oddly puckered and cratered, with wiry filaments emerging from the skin. I felt quite calm about entering the capsule. She slid back the hatch, revealing the gleaming console of the panel within and I began to enter, and then suddenly the hallucination deepened and I saw in the darkness of the capsule a devil beyond all imagination.

  I dropped to the floor and lay there twitching.

  Miranda seized me. To her I was no more than a doll. She lifted me, began to thrust me into the capsule. Perspiration soaked me. Reality returned. I slipped from her grasp and wriggled away, rolling toward the bulkhead. Like a beast of primordial forests she came ponderously after me.

  “No,” I said. “I won’t go.”

  She halted. Her face twisted in anger, and she turned away from me in defeat. I lay panting and quivering until my mind was purged of phantoms. It had been close.

  It was my turn a short while later. Fight force with force, I told myself. I could not risk more of Miranda’s treachery. Time was running short.

  From our surgical kit I took a hypnoprobe used for anesthesia, and rigged it in a series with one of Miranda’s telescope antennae. Programming it for induction of docility, I left it to go to work on her. When she made her observations, the hypnoprobe would purr its siren song of sinister coaxing, and—perhaps—Miranda would bend to my wishes.

  It did not work.

  I watched her going to her telescopes. I saw her broad-beamed form settling in place. In my mind I heard the hypnoprobe’s gentle whisper, as I knew it must sound to Miranda. It was telling her to relax, to obey. “The capsule . . . get into the capsule . . . you will monitor the crawler . . . you . . . you . . . you will do it.”

  I waited for her to arise and move like a sleepwalker to the waiting capsule. Her tawny body was motionless. Muscles rippled beneath that obscenely bare flesh. The probe had her! Yes! It was getting to her!

  She clawed at the telescope as though it were a steel-tipped wasp drilling her brain. The barrel recoiled, and she pushed herself away from it, whirling around. Her eyes glowed with rage. Her enormous body reared up before me. She seemed half berserk. The probe had had some effect on her; I could see her dizzied strides, and knew that she was awry. But it had not been potent enough. Something within that adapted brain of hers gave her the strength to fight off the murky shroud of hypnotism.

  “You did that!” she roared. “You gimmicked the telescope, didn’t you?”

  “I don’t know what you mean, Miranda.”

  “Liar! Fraud! Sneak!”

  “Calm down. You’re rocking us out of orbit.”

  “I’ll rock all I want! What was that thing that had its fingers in my brain? You put it there? What was it, the hypnoprobe you used?”

  “ Yes,” I admitted coolly. “And what was it you put into my food? Which hallucinogen?”

  “It didn’t work.”

  “Neither did my hypnoprobe. Miranda, someone’s got to get into that capsule. In a few hours we’ll be at the critical point. We don’t dare come back without the essential observations. Make the sacrifice.”

  “For you?”

  “For science,” I said.

  I got the horselaugh I deserved. Then Miranda strode toward me. She had recovered her coordination in full, now, and it seemed as though she were planning to thrust me into the capsule by main force. Her ponderous arms enfolded me. The stink of her thickened hide made me retch. I felt ribs creaking within me. I hammered at her body, searching for pressure points that would drop her in a felled heap. We punished each other cruelly, grunting back and forth across the cabin. It was a fierce contest of skill against mass. She would not fall, and I would not crush.

  The toneless buzz of the microcephalon said, “Release each other. The collapsing star is nearing its Schwarzschild radius. We must act now.”

  Miranda’s arms slipped away from me. I stepped back, glowering at her, to suck breath into my battered body. Livid bruises were appearing on her skin. We had come to a mutual awareness of mutual strength; but the capsule still was empty. Hatred hovered like a globe of ball lightning between us. The gray, greasy alien creature stood to one side.

  I would not care to guess which one of us had the idea first, Miranda or I. But we moved swiftly. The microcephalon scarcely murmured a word of protest as we hustled it down the passage and into the room that held the capsule. Miranda was smiling. I felt relief. She held the alien tight while I opened the hatch, and then she thrust it through. We dogged the hatch together.

  “Launch the crawler,” she said

  I nodded and went to the controls. Like a dart from a blowgun the crawler housing was expelled from our ship and journeyed under high acceleration to the surface of the dark star. It contained a compact vehicle with sturdy jointed legs, controlled by remote pickup from the observation capsule aboard ship. As the observer moved arms and feet within the control harnesses, servo relays actuated the hydraulic pistons in the crawler, eight light-days away. It moved in parallel response, clambering over the slag-heaps of a solar surface that no organic life could endure.

  The microcephalon operated the crawler with skill. We watched through the shielded video pickups, getting a close-range view of that inferno. Even a cold sun is more terrifyingly hot than any planet of man.

  The signals coming from the star altered with each moment, as the full force of the red-shift gripped the fading light. Something unutterably strange was taking place down there; and the mind of our microcephalon was rooted to the scene. Tidal gravitational forces lashed the star. The crawler was lifted, heaved, compressed, subjected to strains that slowly ripped it apart. The alien witnessed it all, and dictated an account of what he saw, slowly, methodically, without a flicker of fear.

  The singularity approached. The tidal forces aspired toward infinity. The microcephalon sounded bewildered at last as it attempted to describe the topological phenomena that no eye had seen before. Infinite density, zero volume—how did the mind comprehend it? The crawler was contorted into an inconceivable shape; and yet its sensors obstinately continued to relay data, filtered through the mind of the microcephalon and into our computer banks.

  Then came silence. Our screens went dead. The unthinkable had at last occurred, and the dark star had passed within the radius of singularity. It had collapsed into oblivion, taking with it the crawler. To the alien in the observation capsule aboard our ship, it was as though he too had vanished into the pocket of hyperspace that passed all understanding.

  I looked toward the heavens. The dark star was gone. Our detectors picked up the outpouring of energy that marked its annihilation. We were buffeted briefly on the wave of force that ripped outward from the place where the star had been, and then all was calm.

  Miranda and I exchanged glances.

  “Let the microcephalon out,” I said.

  She opened the hatch. The alien sat quite calmly at the control console. It did not speak. Miranda assisted it from the capsule. Its eyes were expressionless; but they had never shown anything, anyway.

  ***

  We are on our way back to the worlds of our galaxy, now. The mission has been accomplished. We have relayed priceless and unique data.

  The microcephalon has not spoken since we removed it from the capsule. I do not believe it will speak again.

  Miranda and I perform our chores in harmony. The hostility between us is gone. We are partners in crime, now edgy with guilt that we do not admit to one another. We tend our shipmate with loving care.

  Someone had to make the observations, after all. There were no volunteers. The situation called for force, or the deadlock would never have been broken.

  But Miranda and I hated each other, you say? Why, then, should we cooperate?

  We both are humans, Miranda and I. The microcephalon is not. In the end. That made the difference. In the last analysis, Miranda and I decided that we humans must stick together. There are ties that bind.

  We speed on toward civilization.

  She smiles at me. I do not find her hateful now. The microcephalon is silent.

  BEAUTY IN THE NIGHT

  The Alien Years, which I look upon as one of the most successful novels I wrote in the latter part of my career, had a curious composite history. Between 1983 and 1986 I had written a number of unrelated stories in which the Earth is invaded by virtually omnipotent alien beings. The first of these was “Against Babylon,” which I wrote late in 1983 for OMNI (which took two years to publish it). Then came 1985’s “Hannibal’s Elephants,” also for Omni (published in 1988), and 1986’s “The Pardoner’s Tale,” written for Playboy and published in 1987. These stories were in no way intended as a series, and in fact were contradictory and incompatible in most details beyond the basic concept of an invaded Earth. But over time it dawned on me that the seeds of a major novel lay in these relatively light-hearted tales of interplanetary conquest.

  In 1995 I offered the book to HarperCollins, my publisher at that time, and wrote it in the winter of 1996-97. “Against Babylon,” virtually in its entirety, became the opening chapter. A small piece of “Hannibal’s Elephants” was incorporated into one of the early sequences. Then I used nearly all of “The Pardoner’s Tale” in the latter part of the book. In each case I altered the names of characters to make them fit the overall story I had devised for the novel.

  It was all done so smoothly that very few people—not even my own bibliographer—noticed that I had tucked two and a half short stories a decade old into the lengthy new novel. And to make life even more difficult for bibliographers, I then proceeded to carve three new stories out of the text of the book and sell them as individual items to the glossy, high-paying new science fiction magazine Science Fiction Age, which Scott Edelman was editing.

  They needed a little bending and polishing around the edges to turn into properly rounded short stories, of course. But the process of extraction and revision turned out to be a success. The best of the three, I think, was the first, “Beauty in the Night.” Scott used it in his September 1997 issue, and it was chosen the following year not only for Gardner Dozois’s annual Year’s Best Science Fiction anthology but also for David Hartwell’s similar collection, Year’s Best SF. It has gone on to various other sorts of publication, both in the United States and abroad, since then.

  The other two—“On the Inside” (Science Fiction Age, November 1997) and the novella “The Colonel in Autumn” (Science Fiction Age, March 1998)—have had successful independent afterlives as well. But “Beauty in the Night” strikes me as the strongest of the extracted segments of The Alien Years, a fitting representative of my work in the second half of the 1990s, and a good example of my fundamental belief that alien life-forms are . . . well, alien.