The Collected Stories of Robert Silverberg Series by Robert Silverberg
The Collected Stories of Robert Silverberg #0.50
In the Beginning
Robert Silverberg
The sf Grandmaster's follow up to the career retrospective Phases of the Moon is a glance back to the earliest days of his career. Included with pulp stories not reprinted in decades will be more of the commentary that made Phases so much more than just a collection."I have to confess, right up front here, that you will not find a great deal in the way of poetic vision in these stories, or singing prose, or deep insight into character. Nor are these stories that will tell you much that is new to you about the human condition. These are stories in what is now pretty much a lost tradition in science fiction, the simple and unselfconsciously fast-paced adventure story of the pulp-magazine era. They are stories from the dawn of my career, which began in the closing years of that era, and are straightforward tales of action, in the main, that were written partly for fun and partly for money."--Robert Silverberg, from the Introduction
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The Collected Stories of Robert Silverberg #5
The Palace at Midnight
Robert Silverberg
Somehow, for all my outward pretense of cold-eyed professionalism, all my insistence that writing is simply a job like any other, I've discovered to my surprise and chagrin that there's more than that going on around here, that I write as much out of karmic necessity and some inescapable inner need to rededicate my own skills constantly to my--what? My craft? My art? My profession? I wrote these stories because the only way of earning a living I have ever had has been by writing, but mainly, I have to admit, I wrote these stories because I couldn't not write them. Well, so be it. They involved me in a lot of hard work, but for me, at least, the results justify the toil. I'm glad I wrote them. Writing them, it turns out, was important for me, and even pleasurable, in a curiously complex after-the-fact kind of way. May they give you pleasure now too. --Robert Silverberg, from his Introduction
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