Thirty-six stories—eight appearing in a book for the first time and a generous selection from her earlier collections—give us Ann Beattie at stunning mid-career.Emotionally complex, edgy, and funny, the stories encompass a huge range of tone and feeling. The wife of a couple who have lost a child comforts her husband with an amazing act of tenderness. A man who's been shifting from place to place, always finding the same kind of people—sometimes the same people in various configurations—tries to locate himself in the universe. An intricate dance of adultery brings down a marriage. A housekeeper experiences a startling epiphany while looking into her freezer one hot summer night. The long, humorous roll of a couple's "four-night fight" finally explodes into happiness.Beattie has often been called the chronicler of her generation, and these stories capture perfectly the moods and actions of our world since the seventies: people on the move, living in...

From ghosts to pink dolphins to a fight club of young women who practice beneath Alaska's aurora borealis, By Light We Knew Our Names examines the beauty and heartbreak of the world we live in. Across thirteen stories, this collection explores the thin border between magic and grief.

To her latest novel, Beattie brings the same documentary accuracy and Chekhovian wit and tenderness that have made her one of the most acclaimed portraitists of contemporary American life. Marshall Lockard, a professor at the local college, is contemplating adultery, unaware that his wife is already committing it.From the Trade Paperback edition.From Publishers WeeklySuccessfully avoiding the one-note, affectless deadpan to which her work was in danger of succumbing, Beattie provides plenty of dramatic tension in this absorbing narrative of a man emotionally distanced from his life. Marshall Lockard, youngish professor at a small New England college, is a peevish, condescending loner; his career is at a dead end and his marriage to Sonja is passionless. When he impulsively stops his car to pick up an attractive student, he has a vague idea of starting an affair with her. But the story Cheryl tells him?that her roommate says she's been abused and raped by Jack McCallum, a colleague of Marshall's in the English department?gradually enmeshes Marshall in McCallum's very messy life. Seeing echoes of his own personality in McCallum's passive sadness, Marshall begins slowly to acknowledge the complexities of his life, including the harmful effects of his father's bullying and his mother's early death. Meanwhile, the reader has been puzzling over a series of undated letters interspersed throughout the narrative; written to a woman called Martine (whose identity, when it is finally revealed on a tombstone, brings past and present together), they are penned by an obviously cold, arrogant, manipulative man who signs only his initial. Eventually, the letters hold a clue to Marshall's emotionally crippled personality. Though this novel has a few maladroit episodes (e.g., the true identity of Cheryl's roommate is gratuitously melodramatic), Beattie's writing has a new immediacy and intensity. The enduring effects of childhood trauma, which she explored in her previous novel, Picturing Will, are here conveyed with wit, irony and compassion. Copyright 1995 Reed Business Information, Inc. From Library JournalIn her latest novel since Picturing Will (LJ 1/90), Beattie again explores the anxieties of the American middle class. Using a deliberately understated narrative voice, she presents the confused world of college professor Marshall Lockheed and his wife, Sonja. As Marshall ponders whether to tell Sonja about his complicated infatuation with a student, Sonja ponders the pros and cons of revealing her brief affair with her boss. Meanwhile, repercussions from their rather unexceptional indiscretions are about to plunge both Lockheeds into some very unusual territory. In the background are Marshall's dying stepmother, a woman with secrets of her own, and a collection of mysterious letters from the past with significant links to the present. Beattie's detached prose captures characters and events photographically: precise images are put forth for the reader to ponder without authorial analysis or elaboration. At its best, this technique stimulates thought and imagination, but it will not appeal to all readers. Nevertheless, this is essential where Beattie's work is admired.-?Starr E. Smith, Marymount Univ., Arlington, Va.Copyright 1995 Reed Business Information, Inc.

Jonas is already raising eyebrows at his new school and Cathy's day isn’t going much better. Everyone is acting as if she isn’t there, her twin is usurping her friends and her occasional boyfriend is moving on. Can she convince Jonas to help her before it’s too late?

Review"The masterpiece among Bioy Casares' short, intense novels is The Invention of Morel, a book that won raves from Borges (who placed it alongside Franz Kafka's The Trial), was called "perfect" by Octavio Paz, and inspired one of French cinema's most infamous moviesf, Last Year at Marienbad (1961). Though it was published in 1940, the book's continuing relevance was recently proven when it was featured on Lost — a cameo many viewers perceive as a key to that TV show's plot. But that doesn't mean this is a tough tract unfit for quality beach time... Just know that Morel is a poetic evocation of the experience of love, an inquiry into how we know one another, and a still-relevant examination of how technology has changed our relationship with reality. It's also a great read — one you'll be pressing into the hands of your fellow beach-goers." --Boldtype Product DescriptionThe Island of Doctor Moreau inspired this 1940 novella. Set on a mysterious island, The Invention of Morel is a story of suspense and exploration as well as an unlikely romance, where every detail is both crystal clear and deeply mysterious. Susan Jill Levine's revision of Ruth Simm's translation offers a new experience of an uncanny work of genius.

A powerfully evocative portrait of an alternative community in the early 1970s, told with a child's-eye simplicity by a young resident. Short fiction from an author whose work has been described by World Fantasy Award-winner Jeff VanderMeer as Rapacious, intelligent and witty.

Moll, a young nun, lies in the infirmary of St Mary’s Priory, Belstone, having been bled to cure a migraine. Left to rest, she is just falling into a doze, smiling as she dreams of her beloved Virgin Mary, when she suddenly awakes, realising in terror that she can’t breathe. But she is too weak to fight for her life… It’s 1321 and Lady Elizabeth of Topsham, prioress of St Mary’s, is struggling to retain her position in the face of devastating opposition. Not only is St Mary’s in the worst possible state of disrepair due to lack of funds, but Sister Margherita, her treasurer, has accused her of lascivious disregard, claiming that, instead of paying for a new roof, Elizabeth has given money to the new vicar, a man she often sees alone – at night. Many of the nuns are convinced that Margherita would make a better prioress – especially now it has been confirmed that Moll was murdered on her sickbed. Sir Baldwin Furnshill, Keeper of the King’s Peace, together with his old friend Bailiff Simon Puttock, are summoned immediately by the Bishop of Exeter’s representative to investigate. There is no doubt that the threefold vows of obedience, chastity and poverty are being broken with alarming frequency. When a second nun is murdered, they face their most difficult case yet. The path to the truth twists and turns with the sinister forces of primitive passions and secret ambitions, finally leading them to a dangerous wolf in sheep’s clothing.

Other Stories of the Four Million: A Madison Square Arabian Night; The Rubaiyat of a Scotch Highball; The Pendulum; Two Thanksgiving Day Gentlemen; The Assessor of Success; The Buyer from Cactus City; The Badge of Policeman O'Roon; Brickdust Row; The Making of a New Yorker; Vanity and Some Sables; The Social Triangle; The Purple Dress; The Foreign Policy of Company 99; The Lost Blend; A Harlem Tragedy; The Guilty Party — an East Side Tragedy; According to their Lights; A Midsummer Knight's Dream; The Last Leaf; The Count and the Wedding Guest; The Country of Elusion; The Ferry of Unfulfilment; The Tale of a Tainted Tenner; Elsie in New York; and the title story.