The year0 edition, p.74

  The Year's Best Science Fiction and Fantasy, 2010 Edition, p.74

The Year's Best Science Fiction and Fantasy, 2010 Edition
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  We came out of our hiding place and moved to the edge of the scrub. The broken granite of the peak rose before us, faint gray in starlight. We set out across the rock, climbing in places, striding across rubble fields, circling areas of ice and melting snow. In a couple of places, we had to boost each other up, scrambling over boulders, finding hand and footholds in the vertical face where we were blocked. It was farther than I had estimated before the ground leveled and we were in the pass.

  We were just cresting the last ridge when glaring white light shone down on us, and an amplified voice called from above. “Do not move! Drop your weapons and lie flat on the ground!”

  I tongued my into acceleration. In slow motion, Nahid crouched, raised her blaster, arm extended, sighted on the flyer and fired. I hurled my into hers and threw her aside just as the return fire of projectile weapons splattered the rock where she had been into fragments. In my head, kind Eurynome insisted: Back. We will show you the way.

  “This way!” I dragged Nahid over the edge of the rock face we had just climbed. It was a three-meter drop to the granite below; I landed hard, and she fell on my chest, knocking the wind from me. Around us burst a hail of sleep gas pellets. In trying to catch my breath I caught a whiff of the gas, and my head whirled. Nahid slid her helmet down over her face, and did the same for me.

  From above us came the sound of the flyer touching down. Nahid started for the tree line, limping. She must have been hit or injured in our fall. I pulled her to our left, along the face of the rock. “Where—” she began.

  “Shut up!” I grunted.

  The commandos hit the ledge behind us, but the flyer had its searchlight aimed at the trees, and the soldiers followed the light. The fog of sleep gas gave us some cover.

  We scuttled along the granite shelf until we were beyond the entrance to the pass. By this time, I had used whatever reserves of energy my could muster, and passed into normal speed. I was exhausted.

  “Over the mountain?” Nahid asked. “We can’t.”

  “Under it,” I said. I forced my into motion, searching in the darkness for the cleft in the rock which, in the moment of the flyer attack, the gods had shown me. And there it was, two dark pits above a vertical fissure in the granite, like an impassive face. We climbed up the few meters to the brink of the cleft. Nahid followed, slower now, dragging her right leg. “Are you badly hurt?” I asked her.

  “Keep going.”

  I levered my shoulder under her arm, and helped her along the ledge. Down in the forest, the lights of the commandos flickered, while a flyer hovered above, beaming bright white radiance down between the trees.

  Once inside the cleft, I let her lean against the wall. Beyond the narrow entrance the way widened. I used my suit flash, and, moving forward, found an oval chamber of three meters with a sandy floor. Some small bones give proof that a predator had once used this cave for a lair. But at the back, a small passage gaped. I crouched and followed it deeper.

  “Where are you going?” Nahid asked.

  “Come with me.”

  The passage descended for a space, then rose. I emerged into a larger space. My flash showed not a natural cave, but a chamber of dressed rock, and opposite us, a metal door. It was just as my vision had said.

  “What is this?” Nahid asked in wonder.

  “A tunnel under the mountain.” I took off my helmet and spoke the words that would open the door. The ancient mechanism began to hum. With a fall of dust, a gap appeared at the side of the door, and it slid open.

  The door closed behind us with a disturbing finality, wrapping us in the silence of a tomb. We found ourselves in a corridor at least twice our height and three times that in width. Our lights showed walls smooth as plaster, but when I laid my hand on one, it proved to be cut from the living rock. Our boots echoed on the polished but dusty floor. The air was stale, unbreathed by human beings for unnumbered years.

  I made Nahid sit. “Rest,” I said. “Let me look at that leg.”

  Though she complied, she kept her blaster out, and her eyes scanned our surroundings warily. “Did you know of this?”

  “No. The gods told me, just as we were caught in the pass.”

  “Praise be to the Pujmanian Order.” I could not tell if there was any sarcasm in her voice.

  A trickle of blood ran down her boot from the wound of a projectile gun. I opened the seam of her suit, cleaned the wound with antiseptic from my suit’s first aid kit, and bandaged her leg. “Can you walk?” I asked.

  She gave me a tight smile. “Lead on, Brother Adlan.”

  We moved along the hall. Several smaller corridors branched off, but we kept to the main way. Periodically, we came across doors, most of them closed. One gaped open upon a room where my light fell on a garage of wheeled vehicles, sitting patiently in long rows, their windows thick with dust. In the corner of the room, a fracture in the ceiling had let in a steady drip of water that had corroded the vehicle beneath it into a mass of rust.

  Along the main corridor our lights revealed hieroglyphics carved above doorways, dead oval spaces on the wall that might once have been screens or windows. We must have gone a kilometer or more when the corridor ended suddenly in a vast cavernous opening.

  Our lights were lost in the gloom above. A ramp led down to an underground city. Buildings of gracious curves, apartments like heaps of grapes stacked upon a table, halls whose walls were so configured that they resembled a huge garment discarded in a bedroom. We descended into the streets.

  The walls of the buildings were figured in abstract designs of immense intricacy, fractal patterns from immense to microscopic, picked out by the beams of our flashlights. Colored tiles, bits of glass and mica. Many of the buildings were no more than sets of walls demarcating space, with horizontal trellises that must once have held plants above them rather than roofs. Here and there, outside what might have been cafes, tables and benches rose out of the polished floor. We arrived in a broad square with low buildings around it, centered on a dry fountain. The immense figures of a man, a woman, and a child dominated the center of the dusty reservoir. Their eyes were made of crystal, and stared blindly across their abandoned city.

  Weary beyond words, hungry, bruised, we settled against the rim of the fountain and made to sleep. The drawn skin about her eyes told me of Nahid’s pain. I tried to comfort her, made her rest her legs, elevated, on my own. We slept.

  When I woke, Nahid was already up, changing the dressing on her bloody leg. The ceiling of the cave had lit, and a pale light shone down, making an early arctic dawn over the dead city.

  “How is your leg?” I asked.

  “Better. Do you have any more anodynes?”

  I gave her what I had. She took them, and sighed. After a while, she asked, “Where did the people go?”

  “They left the universe. They grew beyond the need of matter, and space. They became gods. You know the story.”

  “The ones who made this place were people like you and me.”

  “You and I are the descendants of the re-creation of a second human race three million years after the first ended in apotheosis. Or of the ones left behind, or banished back into the material world by the gods for some great crime.”

  Nahid rubbed her boot above the bandaged leg. “Which is it? Which child’s tale do you expect me to believe?”

  “How do you think I found the place? The gods told me, and here it is. Our mission is important to them, and they are seeing that we succeed. Justice is to be done.”

  “Justice? Tell the starving child about justice. The misborn and the dying. I would rather be the random creation of colliding atoms than subject to the whim of some transhumans no more godlike than I am.”

  “You speak out of bitterness.”

  “If they are gods, they are responsible for the horror that occurs in the world. So they are evil. Why otherwise would they allow things to be as they are?”

  “To say that is to speak out of the limitations of our vision. We can’t see the outcome of events. We’re too close. But the gods see how all things will eventuate. Time is a landscape to them. All at once they see the acorn, the seedling, the ancient oak, the woodsman who cuts it, the fire that burns the wood, and the smoke that rises from the fire. And so they led us to this place.”

  “Did they lead the bullet to find my leg? Did they lead your order to place me on a shelf for a lifetime, separate me from every person I loved?” Nahid’s voice rose. “Please save me your theodical prattle!”

  “ ‘Theodical.’ Impressive vocabulary for a soldier. But you—”

  A scraping noise came from behind us. I turned to find that the giant male figure in the center of the fountain had moved. As I watched, its hand jerked another few centimeters. Its foot pulled free of its setting, and it stepped down form the pedestal into the empty basin.

  We fell back from the fountain. The statue’s eyes glowed a dull orange. Its lips moved, and it spoke in a voice like the scraping together of two files: “Do not flee, little ones.”

  Nahid let fly a shot from her blaster, which ricocheted off the shoulder of the metal man and scarred the ceiling of the cave. I pulled her away and we crouched behind a table before an open-sided building at the edge of the square.

  The statue raised its arms in appeal. “Your shoes are untied,” it said in its ghostly rasp. “We know why you are here. It seems to you that your lives hang in the balance, and of course you value your lives. As you should, dear ones. But I, who have no soul and therefore no ability to care, can tell you that the appetites that move you are entirely transitory. The world you live in is a game. You do not have a ticket.”

  “Quite mad,” Nahid said. “Our shoes have no laces.”

  “But it’s also true—they are therefore untied,” I said. “And we have no tickets.” I called out to the metal man, “Are you a god?”

  “I am no god,” the metal man said. “The gods left behind the better part of themselves when they abandoned matter. The flyer lies on its side in the woods. Press the silver pentagon. You must eat, but you must not eat too much. Here is food.”

  The shop behind us lit up, and in a moment the smell of food wafted from within.

  I slid over to the entrance. On a table inside, under warm light, were two plates of rice and vegetables.

  “He’s right,” I told Nahid.

  “I’m not going to eat that food. Where did it come from? It’s been thousands of years without a human being here.”

  “Come,” I said. I drew her inside and made her join me at the table. I tasted. The food was good. Nahid sat warily, facing out to the square, blaster a centimeter from her plate. The metal man sat on the plaza stones, cross-legged, ducking its massive head in order to watch us. After a few moments, it began to croon.

  Its voice was a completely mechanical sound, but the tune it sang was sweet, like a peasant song. I cannot convey to you the strangeness of sitting in that ancient restaurant, eating food conjured fresh out of nothing by ancient machines, listening to the music of creatures who might have been a different species from us.

  When its song was ended, the metal man spoke: “If you wish to know someone, you need only observe that on which he bestows his care, and what sides of his own nature he cultivates.” It lifted its arm and pointed at Nahid. Its finger stretched almost to the door. I could see the patina of corrosion on that metal digit. “If left to the gods, you will soon die.”

  The arm moved, and it pointed at me. “You must live, but you must not live too much. Take this.”

  The metal man opened the curled fingers of its hand, and in its huge palm was a small, round metallic device the size of an apple. I took it. Black and dense, it filled my hand completely. “Thank you,” I said.

  The man stood and returned to the empty fountain, climbed onto the central pedestal, and resumed its position. There it froze. Had we not been witness to it, I could never have believed it had moved.

  Nahid came out of her musing over the man’s sentence of her death. She lifted her head. “What is that thing?”

  I examined the sphere, surface covered in pentagonal facets of dull metal. “I don’t know.”

  In one of the buildings, we found some old furniture, cushions of metallic fabric that we piled together as bedding. We huddled together and slept.

  Selene: Hear that vessel that docks above?

  It marks the end of our lives

  And the beginning of our torment.

  Stochik: Death comes

  And then it’s gone. Who knows

  What lies beyond that event horizon?

  Our life is but a trifle,

  A child’s toy abandoned by the road

  When we are called home.

  Selene: Home? You might well hope it so,

  But—

  [Alarums off stage. Enter a god]

  God: The hull is breached!

  You must fly.

  In the night I woke, chasing away the wisps of a dream. The building we were in had no ceiling, and faint light from the cavern roof filtered down upon us. In our sleep, we had moved closer together, and Nahid’s arm lay over my chest, her head next to mine, her breath brushing my cheek. I turned my face to her, centimeters away. Her face was placid, her eyelashes dark and long.

  As I watched her, her eyelids fluttered and she awoke. She did not flinch at my closeness, but simply, soberly looked into my own eyes for what seemed like a very long time. I leaned forward and kissed her.

  She did not pull away, but kissed me back strongly. She made a little moan in her throat, and I pulled her tightly to me.

  We made love in the empty, ancient city. Her fingers entwined with mine, arms taut. Shadow of my torso across her breast. Hard, shuddering breath. Her lips on my chest. Smell of her sweat and mine. My palm brushing her abdomen. The feeling of her dark skin against mine. Her quiet laugh.

  “Your leg,” I said, as we lay in the darkness, spent.

  “What about it?”

  “Did I hurt you?”

  She laughed again, lightly. “Now you ask. You are indeed all man.”

  In the morning, we took another meal from the ancient restaurant, food that had been manufactured from raw molecules while we waited, or perhaps stored somewhere for millennia.

  We left by the corridor opposite the one by which we had entered, heading for the other side of the mountain range. Nahid limped but made no complaint. The passage ended in another door, beyond which a cave twisted upward. In one place, the ceiling of the cave had collapsed, and we had to crawl on our bellies over rubble through the narrow gap it had left. The exit was onto a horizontal shelf overgrown with trees, well below the pass. It was mid-morning. A misting rain fell across the Sharishabz Valley. In the distance, hazed by clouds of mist, I caught a small gleam of the white buildings of the monastery on the Penitent’s Ridge. I pointed it out to Nahid. We scanned the mountainside below us, searching for the forest road.

  Nahid found the thread of the road before I. “No sign of the Caslonians,” she said.

  “They’re guarding the pass on the other side of the mountain, searching the woods there for us.”

  We descended the slope, picking our way through the trees toward the road. The mist left drops of water on our skinsuits, but did not in any way slow us. My spirits rose. I could see the end of this adventure in sight, and wondered what would happen to Nahid then.

  “What will you do when we get to the monastery?” I asked her.

  “I think I’ll leave as soon as I can. I don’t want to be there when the Caslonians find out you’ve reached your order with the plays.”

  “They won’t do anything. The gods hold the monastery in their hands.”

  “Let us hope they don’t drop it.”

  She would die soon, the statue had said—if left to the gods. But what person was not at the mercy of the gods? Still, she would be much more at risk alone, away from the order. “What about your leg?” I asked.

  “Do you have a clinic there?”

  “Yes.”

  “I’ll take an exoskeleton and some painkillers and be on my way.”

  “Where will you go?”

  “Wherever I can.”

  “But you don’t even know what’s happened in the last sixty years. What can you do?”

  “Maybe my people are still alive. That’s where I’ll go—the town where I grew up. Perhaps I’ll find someone who remembers me. Maybe I’ll find my own grave.”

  “Don’t go.”

  She strode along more aggressively. I could see her wince with each step. “Look, I don’t care about your monastery. I don’t care about these plays. Mostly, I don’t care about you. Give me some painkillers and an exo, and I’ll be gone.”

  That ended our conversation. We walked on in silence through the woods, me brooding, she limping along, grimacing.

  We found the forest road. Here the land fell away sharply, and the road, hardly more than a gravel track, switchbacked severely as we made our way down the mountainside. We met no signs of pursuit. Though the rain continued, the air warmed as we moved lower, and beads of sweat trickled down my back under the skinsuit. The boots I wore were not meant for hiking, and by now my feet were sore, my back hurt. I could only imagine how bad it was for Nahid.

  I had worked for years to manage my appetites, and yet I could not escape images of our night together. With a combination of shame and desire, I wanted her still. I did not think I could go back to being just another monk. The order had existed long before the Caslonian conquest, and would long outlast it. I was merely a cell passing through the of this immortal creation. What did the gods want from me? What was to come of all this?

  At the base of the trail, the road straightened, following the course of the River Sharishabz up the valley. Ahead rose the plateau, the gleaming white buildings of the monastery clearly visible now. The ornamental gardens, the terraced fields tended by the order for millennia. I could almost taste the sweet oranges and pomegranates. It would be good to be back home, a place where I could hide away form the world and figure out exactly what was in store for me. I wouldn’t mind being hailed as a hero, the liberator of our people, like Stochik himself, who took the plays from the hands of the gods.

 
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