The chick is in the mail, p.3
The Chick is in the Mail,
p.3
"Huh?"
"She stacked the lists," Primula said. "Erased some of the names she knew would vote against her and added her friends." Primula tapped her own sheaf of papers. "I'll soon put a stop to this nonsense—"
"I nominate Cabella Ironhand!" called someone else. Cabella had been Queen of the Ball for the past three years; as a sergeant herself, she could count on the sergeants and corporals to vote for her.
"I nominate Sophora Segundiflora," yelled another.
"I refuse the nomination," Sophora said. "But thank you."
Across the floor, Harald Redbeard met Mirabel's eyes and grinned; then he winked. "I nominate Mirabel Stonefist," he said loudly. Krystal whirled and glared at him; Mirabel felt as if she'd just had the wind knocked out of her. What did he mean? She'd never been a candidate for Queen of the Ball.
"What are you up to?" asked Primula.
"Nothing," Mirabel said. "I had nothing to do with it."
Primula glared at her, but apparently decided Krystal was the bigger game, and started across the floor.
"Nominators, make your way to the Donations Table," Lord Mander said. "Voters, you may begin lining up to vote when the nominations have been verified. Nominees, come join me at the front of the room."
"Go on, silly," said the freckle-faced girl when Mirabel hesitated. "I didn't realize you were important—imagine being nominated for Queen of the Ball."
Mirabel made her way through the crowd, accepting congratulations and wolf whistles, until she joined Krystal and Cabella at Lord Mander's side. The room seemed full of eyes; she had never been shy, but she'd also never stood on a dais being stared at by a roomful of people while wearing a whore's dress and a necklace that annoyed the Queen. She could see over the heads of the others to the Donations Table, where Harald was just then handing over a gold piece to one of the clerks.
"Look 'em over, folks," Lord Mander bellowed past her ear. "Here they are, three lovely and talented Members of the Ladies' Aid and Armor Society. For those who don't know them well, let me introduce . . . Krystal Winterborn." Krystal twirled; her gown glittered in the light. Enthusiastic cheers from part of the crowd, including her barbarian followers. "Cabella Ironhand." Cabella, in a handsome rose brocade, smiled and waved at the crowd, to similar cheers from her supporters.
Mirabel felt like a stray cow at auction, not a candidate for Queen of the Ball. As far as she knew, she had only one supporter, and he had his back turned, leaning over the Donations Table. "Mirabel Stonefist," Lord Mander said, and she struck an attitude and did a swirling dance step. To her surprise, another storm of wolf whistles and cheers broke out.
Lord Mander looked at the Donations Table, got the wave he was waiting for. "All right, folks—all the nominations have been verified. You vote with your silver . . . form three lines, have your coins ready . . . you know the rules." He nodded, and the band began to play "Stillwater Faire" to cover the shuffling and talking.
Cabella turned to Mirabel. "Do you know what Primula's upset about? She cornered me to ask about the list of people I'd addressed invitations to . . . she's never complained before."
Past Cabella's shoulder, Mirabel saw Krystal's tense face. "I'm not sure," she said. It wasn't her place to embarrass Krystal in front of the whole group. "I thought it was just me; she complains about my handwriting every year."
"Well, whatever it is, she thinks it's serious. She's talking to our Chancellor—" Cabella nodded to the far corner, where Primula, gesturing and waving papers, had trapped Sophora Segundiflora.
"She thinks everything is serious," Krystal said, with an edge to her voice.
* * *
Harald Redbeard was relieved to find that aside from a few unarmed sergeants in dress uniforms the ball consisted of civilians in fancy outfits. Some costumes required weapons, to be sure—the barbarians had fake spears, and Gordamish Ringwearer had a peculiar looking knife that couldn't possibly work in a fight—but nothing he need worry about. No one had tried to relieve him or his crew of their pirate cutlasses, which were not fake at all, and with which he intended to make a clean sweep of the gathering's jewels and gold.
His nomination of Mirabel Stonefist—whom he did intend to steal away for later enjoyment—would generate more cash in easily-snatched piles. He'd explained to Gordamish that it took fewer votes overall to win in a three-way split than a two-way split.
Now Harald leaned against the wall, arms crossed, waiting for his moment and wondering where the city guard was. He hadn't seen a guardsman all day. He imagined they were all carousing in some illegally open tavern barred to the public. This crowd now—he eyed them professionally. From royalty obviously self-indulgent to citizens full of good food and strong drink . . . easy marks, every one.
The only problem he foresaw was that necklace. Which one was real? Maybe he'd better snatch both. As the lines of voters thinned out, Harald glanced around and signalled his crew.
* * *
"And the winner is . . . " Lord Mander bellowed. Silence fell; the woman at the Donations Table pointed to one of the piles. "Krystal Winterborn!"
Cheers and groans from the crowd, a shriek of glee from Krystal, then a booming, "No, she's not!"
"Am too," Krystal said, stamping her foot. The crowd roared.
"No." Sophora Segundiflora made her way to the nominees' stand. "Some voters were not invited guests; Primula has explained how the misunderstanding occurred." She scowled at Krystal, who pouted back. "We are going to expel the wrongfully invited guests, and vote again." In a low voice that Mirabel could barely hear over the hubbub, Sophora said, "You're lucky, Krystal, that we care more about the reputation of the Society than you do, you naughty girl. Otherwise we'd expose you publicly."
"But Chancellor—"
"Shut up, Krystal," Sophora said. Then, more loudly, "As your names are called, please line up over there—" She pointed toward the band. "If your name is not called by the end of the list, you can simply leave and no questions will be asked."
"Oh, we'll leave now, if it's all the same to you!" Mirabel recognized that voice, but it took her a moment to realize that Harald Redbeard and the other pirates had surrounded the Donations Table, and the cutlasses laid to the clerks' necks were not decorative accessories. Two pirates were already scooping the piles of coin into the Society's brass-bound money chest. Another pirate was creeping up behind the Queen.
Even as she stared, Mirabel felt a sharp steel point at her back. "I'd come along if I was you," said someone behind her. "Cap'n's got a fancy for you, as well as them pretties you're wearing. Be a good girl now."
Mirabel's years of training took over, and she threw herself forward off the dais, tucked and came upright; she heard the pirate curse, the boom of his foot as he leaped after her, then the louder thud of his body as he hit the floor near Krystal. Sophora stood over him, his cutlass in her hand. "Here, dear—you're quicker." She tossed the cutlass to Mirabel. "Go save the Queen."
"I'll get you!" the pirate snarled at Sophora, reaching for the long dagger in his boot, but Krystal's accurate kick made him grab something else instead. Krystal took the knife and his life before he could move.
Mirabel whirled. The Queen screeched, hands to her neck, as the pirate tugged at her necklace one-handed, while fending off the King with his cutlass. Mirabel charged across the floor, but before she could intervene, the necklace broke. The pirate thrust it into his belt, and ran for the door. Mirabel followed.
Behind her, sergeants bellowed and corporals cursed. A good dozen of the members ran for the armory, where they could find weapons enough to deal with a mere handful of pirates, no matter how vicious, but in the meantime—Harald snatched one of the wards from her booth, and held a blade to her neck. His men did the same; one even had the child who had guarded the door, holding her by her braids, with the cutlass over her head.
"Now, now—you don't want me to hurt this sweet child, do you?"
The uproar sank to a growl, and Mirabel skidded to a stop just out of reach of Harald Redbeard. He winked at her. "Come on along, sweetheart—I'll teach you how to use that thing properly. I like a girl with spirit."
"Do you?" Mirabel said, and signalled.
The nine-year-old dropped abruptly to the length of her braids, then bounced up between her captor's legs. Her little bronze cap hit his pelvic arch with an audible crunch. He shrieked and fell; she grabbed his cutlass and hamstrung the pirate next in line. As Harald turned to look, the girl he was holding sank her teeth into his thumb; Mirabel stepped to one side and ran her blade up under his ribs.
"I already know how to use this thing," she said, wincing as blood spattered her borrowed gown. The girl grabbed his cutlass, and passed it to another adult. Two of the other pirates dropped the children they held, only to find that the girls were more dangerous loose, and all the guests knew how to use a cutlass when they had one.
"But you aren't real warriors," moaned the last survivor, cowering from the blows of three energetic orphans pelting him with misshapen pottery from the pottery stall. "Cap'n said so—"
"Your Cap'n might say something different now," Krystal said. "If he could." Her blade, already bloody, swung once more.
* * *
In the aftermath of the brawl, in the flurry of cleaning up, no one could find the Queen's necklace. Not until they stripped the pirates' bodies, and the shattered remnants were found in the codpiece of the pirate who'd been felled by Sarajane. "So the Queen was wearing paste . . ." Sophora said, and looked at Mirabel. Mirabel sighed. She knew where her duty lay, but how she would explain to Dorcas . . . first blood on the gown, then this . . .
"Here." She unhooked the clasp and handed it over. "Tell her you found it, and mine was crushed."
Sophora smiled at her. "Mirabel, you're finally growing up. I'm proud of you."
When the crowd settled down, Lord Mander collected Cabella and Mirabel and tried to call for a second vote, but a loud yell of "We already paid!" drowned him out.
Cabella took Sophora aside. "Look—I've been Queen before, and you don't want to give it to Krystal. Why not Mirabel? She's decorative enough, she fought the pirates, and she gave up the necklace."
Sophora looked at Mirabel.
"But I—but I never imagined—"
"Sounds like a Queen to me," Sophora said. She gave Mirabel's name; cheers rang out. Lord Mander put the tinsel crown on Mirabel's head, and a score of men stood in line to dance with her, bring her drinks, fetch her snacks, anything she wanted.
She could get used to this Queen business.
The King himself took her hand for the last dance of the evening. The King danced better than Mirabel expected, though his gloved hand wandered along her spine.
"About that necklace," he murmured in her ear.
"I borrowed it," she said.
"From a gorgeous brunette in Dorcas's house?" he asked.
"Yes . . ." She worked it out—if he knew that, then—for the first time she felt a pang of sympathy for the Queen. Over his shoulder she saw Corporal Nitley lurking near the wine punch, only to be collared by Sergeants Gorse and Dogwood. No tropical fruit surprise this year, then. Over his other shoulder, she saw Primula herding a sulky Krystal and her followers, loaded with dirty dishes, toward the kitchen.
"Thank you, my dear," the King said, "for getting me out of a very sticky situation. I will, of course, explain to the . . . er . . . young woman who had been . . . er . . . taking care of it. But is there anything I can do for you?" His hand wandered lower.
"No, thank you," Mirabel said, surprised to realize that what he could give, she didn't want. Not from him, anyway. "Only a donation to help our poor defenseless orphans."
A resounding crash came from the kitchen passage; Krystal stormed back into the ballroom. "It's not fair," she said. "Why should I have to do all the work? I killed two pirates."
"Shut up, Krystal," Mirabel said, in chorus with others.
The Catcher in the Rhine
Harry Turtledove
I don't know how I got here. Wait. That's not quite right. What I mean to say is, I know how I got to Europe and everything, for Chrissake. They sent me over here to find myself or something after that trouble I had. I'm sure you know about that. I'm certain you know about it. Practically everybody knows about it. Some of the biggest phonies in the world think they know more about it than I do. They really think so. It's like they read it in English class or something.
So like I say, I know how I got to Europe. I don't know about this finding myself business, though. I swear to God, if you can't find yourself, you've gotta be some kind of psycho. I mean, you're right there, for crying out loud. If you weren't right there, where the hell would you be?
And sending somebody to Europe to find himself has got to be the stupidest thing in the world. You have to be a lousy moron to come up with something like that, you really do. You can't find anything in Europe. Honest to God, it's the truth. You really can't. All the streets go every which way, and they change names every other block, or sometimes in the middle of the block.
Besides, the people don't speak English. Try to have an intellectual conversation with somebody who doesn't know what the hell you're talking about. Go ahead and try. It's a goddam waste of time, that's what it is.
Anyway, I went through France, and some of that was pretty neat, it really was, and all of it was historical as hell—not that I was ever any good at history. What I mean is, every single stinking bit of it happened a long time ago—some of it happened a goddam long time ago—so how am I supposed to get all excited when some phony moron of a teacher stands there and goes on and on about it? It's not easy, I tell you.
After I was done with old France, I went over to Germany because it's next door, you know—and I took this boat trip up the Rhine. I don't know what the hell "Rhine" means in German, but it looks like it oughta mean "sewer." The whole river smells like somebody laid a big old fart, too. It really does. I won't ever complain about the Hudson when I get home, and you can walk across the Hudson, practically.
When I get home. If I get home. The boat stopped at this place called Isenstein. It's a real dump, I tell you, but back of it there's a kind of a crag thing with a castle on top. I wasn't gonna get off the boat—I'd paid the fare all the way up to Düsseldorf, wherever that is—but the river just smelled so bad I couldn't stand it any more, so I left. Maybe they'd let me back on the next one. And if they didn't, who cares? I had piles of money and traveler's checks and stuff.
Well, let me tell you, the streets in old Isenstein didn't smell so good, either. That was partly because it was still right next to the Rhine, and it was partly because the people there had the most disgusting personal habits in the world. I saw this one guy standing in the street taking a leak against the side of a crumby old dirty brick building, and it wasn't even like he was drunk or anything. He was just doing it. And then he went on his way happy as you please. I wouldn't've believed it if I hadn't seen it with my own eyes, and that's the truth.
They had a church there, so I went inside and looked around. I always tried to look at those cultural things, because who knows when I was ever coming back again? Coming back to Europe, I mean—I wouldn't've come back to Isenstein if you paid me, you can bet your bottom dollar on that. But the church was pretty dirty and crumby, too. By the time I got done looking at it, I was feeling pretty goddam depressed. I really was. So I got the hell out of there.
I was feeling pretty goddam hungry, too. I was feeling hungry as a sonuvabitch, if you want to know the truth. I didn't exactly want to eat in Isenstein—it really was a filthy place. You have no idea how filthy it was. But I was there. Where else was I gonna eat, is what I want to know.
Getting something to eat when you don't speak the language is a royal pain in the ass. If you're not careful, they're liable to give you horse manure on a bun. I'm not kidding. I'm really not. When I was in France, I got a plateful of snails, for crying out loud. Real snails, like you step on in a garden somewhere and they go crunch under your shoe. With butter. If you think I ate 'em, you're crazy. I sent 'em back pretty toot sweet. That means goddam fast in French. But whatever they gave me instead didn't look much better, so I got the hell out of that place toot sweet myself.
Over across the street from the church in old Isenstein was this joint where you could get beer and food. Nobody in Germany cares if you're twenty-one. They don't give a damn, swear to God they don't. They'd give beer to a nine-year-old, they really would. If he asked for it, I mean.
So I got a beer, and the guy sitting next to me at the bar was eating a sandwich that didn't look too lousy—it had some kind of sausage and pickles in it—so I pointed to that and told the bartender, "Give me one of those, too." Maybe it was really chopped-up pigs' ears or something, but I didn't know it was, so it was all right if I didn't think about it too much. The guy behind the bar figured out what I meant and started making one for me.
I'd just taken a big old bite—it wasn't terrific but I could stand it, pigs' ears or not—when the fellow sitting next to me on the other side spoke up and said to me in English, "You are an American, yes?"
If you want to know the truth, it made me kind of angry. Here I was starving to death, and this guy wanted to strike up a conversation. I didn't want to talk. I wanted to eat, even if it didn't taste so good. So with my mouth full, rude as anything, I said "Yeah" and then I took another bite, even bigger than the first one.
He didn't get mad. I'd hoped he would, I really had, but no such luck. He was a very smooth, very polite guy. He was a little flitty-looking, as a matter of fact—not too, but a little. Enough to make you wonder, anyhow. He said, "We do not often Americans in Isenstein have." He talked that way on account of he was foreign, I guess. I took another bite out of this sandwich—it probably was pigs' ears, it sure tasted like what you'd think pigs' ears'd taste like—and he asked me, "What is your name?"
So I told him, and he damn near—I mean damn near—fell off his chair. "Hagen Kriemhild?" he said. Boy, he must've had cabbages in his ears or something, even if I was still kind of talking with my mouth full. "Hagen Kriemhild?"












