Silverbergrobert waiti.., p.75

  Silverberg,Robert - Waiting for the Earthquake.txt, p.75

Silverberg,Robert - Waiting for the Earthquake.txt
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  "Vox -- "

  "No. This is how it has to be."

  18.

  And this is how it was. We were deep in the Spook Cluster now, and the Vainglory Archipelago burned bright on my realspace screen. Somewhere down there was the planet called Cul-de-Sac. Before we came to worldward of it, Vox would have to slip away into the great night of heaven.

  Making a worldward approach is perhaps the most difficult maneuver a starship must achieve; and the captain must go to the edge of his abilities along with everyone else. Novice at my trade though I was, I would be called on to perform complex and challenging processes. If I failed at them, other crewmen might cut in and intervene, or, if necessary, the ship's intelligences might override; but if that came to pass my career would be destroyed, and there was the small but finite possibility, I suppose, that the ship itself could be gravely damaged or even lost.

  I was determined, all the same, to give Vox the best send-off I could.

  On the morning of our approach I stood for a time on Outerscreen Level, staring down at the world that called itself Culde-Sac. It glowed like a red eye in the night. I knew that it was the world Vox had chosen for herself, but all the same it seemed repellent to me, almost evil. I felt that way about all the worlds of the shore people now. The Service had changed me; and I knew that the change was irreversible. Never again would I go down to one of those worlds. The starship was my world now.

  I went to the virtuality where Vox was waiting.

  "Come," I said, and she entered me.

  Together we crossed the ship to the Great Navigation Hall.

  The approach team had already gathered: Raebuck, Fresco, Roacher, again, along with Pedregal, who would supervise the downloading of cargo. The intelligence on duty was 6l2 Jason. I greeted them with quick nods and we jacked ourselves together in approach series.

  Almost at once I felt Roacher probing within me, searching for the fugitive intelligence that he still thought I might be harboring. Vox shrank back, deep out of sight. I didn't care. Let him probe, I thought. This will all be over soon.

  "Request approach instructions," Fresco said.

  "Simulation," I ordered.

  The fiery red eye of Cul-de-Sac sprang into vivid representation before us in the hall. On the other side of us was the simulacrum of the ship, surrounded by sheets of white flame that rippled like the blaze of the aurora.

  I gave the command and we entered approach mode.

  We could not, of course, come closer to planetskin than a million shiplengths, or Cul-de-Sac's inexorable forces would rip us apart. But we had to line the ship up with its extended mast aimed at the planet's equator, and hold ourselves firm in that position while the shoreships of Cul-de-Sac came swarming up from their red world to receive their cargo from us.

  612 Jason fed me the coordinates and I gave them to Fresco, while Raebuck kept the channels clear and Roacher saw to it that we had enough power for what we had to do. But as I passed the data along to Fresco, it was with every sign reversed. My purpose was to aim the mast not downward to Cul-de-Sac but outward toward the stars of heaven.

  At first none of them noticed. Everything seemed to be going serenely. Because my reversals were exact, only the closest examination of the ship's position would indicate our l80-degree displacement.

  Floating in the free fall of the Great Navigation Hall, I felt almost as though I could detect the movements of the ship. An illusion, I knew. But a powerful one. The vast ten-kilometer-long needle that was the Sword of Orion seemed to hang suspended, motionless, and then to begin slowly, slowly to turn, tipping itself on its axis, reaching for the stars with its mighty mast. Easily, easily, slowly, silently --

  What joy that was, feeling the ship in my hand!

  The ship was mine. I had mastered it.

  "Captain," Fresco said softly.

  "Easy on, Fresco. Keep feeding power."

  "Captain, the signs don't look right -- "

  "Easy on. Easy."

  "Give me a coordinates check, captain."

  "Another minute," I told him.

  "But -- "

  "Easy on, Fresco."

  Now I felt restlessness too from Pedregal, and a slow chilly stirring of interrogation from Raebuck; and then Roacher probed me again, perhaps seeking Vox, perhaps simply trying to discover what was going on. They knew something was wrong, but they weren't sure what it was.

  We were nearly at full extension, now. Within me there was an electrical trembling: Vox rising through the levels of my mind, nearing the surface, preparing for departure.

  "Captain, we're turned the wrong way!" Fresco cried.

  "I know," I said. "Easy on. We'll swing around in a moment."

  "He's gone crazy!" Pedregal blurted.

  I felt Vox slipping free of my mind. But somehow I found myself still aware of her movements, I suppose because I was jacked into 6l2 Jason and 6l2 Jason was monitoring everything. Easily, serenely, Vox melted into the skin of the ship.

  "Captain!" Fresco yelled, and began to struggle with me for control.

  I held the navigator at arm's length and watched in a strange and wonderful calmness as Vox passed through the ship's circuitry all in an instant and emerged at the tip of the mast, facing the stars. And cast herself adrift.

  Because I had turned the ship around, she could not be captured and acquired by Cul-de-Sac's powerful navigational grid, but would be free to move outward into heaven. For her it would be a kind of floating out to sea, now. After a time she would be so far out that she could no longer key into the shipboard bioprocessors that sustained the patterns of her consciousness, and, though the web of electrical impulses that was the Vox matrix would travel outward and onward forever, the set of identity responses that was Vox herself would lose focus soon, would begin to waver and blur. In a little while, or perhaps not so little, but inevitably, her sense of herself as an independent entity would be lost. Which is to say, she would die.

  I followed her as long as I could. I saw a spark traveling across the great night. And then nothing.

  "All right," I said to Fresco. "Now let's turn the ship the right way around and give them their cargo."

  19.

  That was many years ago. Perhaps no one else remembers those events, which seem so dreamlike now even to me. The Sword of Orion has carried me nearly everwhere in the galaxy since then. On some voyages I have been captain; on others, a downloader, a supercargo, a mind-wiper, even sometimes a push-cell. It makes no difference how we serve, in the Service.

  I often think of her. There was a time when thinking of her meant coming to terms with feelings of grief and pain and irrecoverable loss, but no longer, not for many years. She must be long dead now, however durable and resilient the spark of her might have been. And yet she still lives. Of that much I am certain. There is a place within me where I can reach her warmth, her strength, her quirky vitality, her impulsive suddenness. I can feel those aspects of her, those gifts of her brief time of sanctuary within me, as a living presence still, and I think I always will, as I make my way from world to tethered world, as I journey onward everlastingly spanning the dark light-years in this great ship of heaven.

  -----------------------

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  ======================

  Waiting for the Earthquake

  by Robert Silverberg

  ======================

  Copyright (c)1980 Agberg, Ltd.

  Originally published in Medea, ed. Harlan Ellison, 1980

  Fictionwise Contemporary

  Science Fiction

  ---------------------------------

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  It was eleven weeks and two days and three hours -- plus or minus a little -- until the earthquake that was going to devastate the planet, and suddenly Morrissey found himself doubting that the earthquake was going to happen at all. The strange notion stopped him in his tracks. He was out strolling the shore of the Ring Ocean, half a dozen kilometers from his cabin, when the idea came to him. He turned to his companion, an old fux called Dinoov who was just entering his postsexual phase, and said in a peculiar tone, "What if the ground doesn't shake, you know?"

  "But it will," the aborigine said calmly.

  "What if the predictions are _wrong_?"

  The fux was a small elegant blue-furred creature, sleek and compact, with the cool all-accepting demeanor that comes from having passed safely through all the storms and metamorphoses of a fux's reproductive odyssey. It raised its hind legs, the only pair that remained to it now, and said, "You should cover your head when you walk in the sunlight at flare time, friend Morrissey. The brightness damages the soul."

  "You think I'm crazy, Dinoov?"

  "I think you are under great stress."

  Morrissey nodded vaguely. He looked away and stared westward across the shining blood-hued ocean, narrowing his eyes as though trying to see the frosty crystalline shores of Farside beyond the curve of the horizon. Perhaps half a kilometer out to sea he detected glistening patches of bright green on the surface of the water -- the spawning bloom of the balloons. High above those dazzling streaks a dozen or so brilliant iridescent gasbag-creatures hovered, going through the early sarabandes of their mating dance. The quake would not matter at all to the balloons. When the surface of Medea heaved and buckled and crumpled, they would be drifting far overhead, dreaming their transcendental dreams and paying no attention.

  But maybe there will be no quake, Morrissey told himself.

  He played with the thought. He had waited all his life for the vast apocalyptic event that was supposed to put an end to the thousand-year-long human occupation of Medea, and now, very close to earthquake time, he found a savage perverse pleasure in denying the truth of what he knew to be coming. No earthquake! No earthquake! Life will go on and on and on! The thought gave him a chilling prickling feeling. There was an odd sensation in the soles of his feet, as if he were standing with both his feet off the ground.

  Morrissey imagined himself sending out a joyful message to all those who had fled the doomed world: _Come back, all is well, it didn't happen! Come live on Medea again!_ And he saw the fleet of great gleaming ships swinging around, heading back, moving like mighty dolphins across the void, shimmering like needles in the purple sky, dropping down by the hundred to unload the vanished settlers at Chong and Enrique and Pellucidar and Port Medea and Madagozar. Swarms of people rushing forth, tears, hugs, raucous laughter, old friends reunited, the cities coming alive again! Morrissey trembled. He closed his eyes and wrapped his arms tight around himself. The fantasy had almost hallucinatory power. It made him giddy, and his skin, bleached and leathery from a lifetime under the ultraviolet flares of the twin suns, grew hot and moist. _Come home, come home, come home! The earthquake's been canceled!_

  He savored that. And then he let go of it and allowed the bright glow of it to fade from his mind.

  He said to the fux, "There's eleven weeks left. And then everything on Medea is going to be destroyed. Why are you so calm, Dinoov?"

  "Why not?"

  "Don't you _care?_"

  "Do you?"

  "I love this place," Morrissey said. "I can't bear to see it all smashed apart."

  "Then why didn't you go home to Earth with the others?"

  "Home? Home? This is my home. I have Medean genes in my body. My people have lived here for a thousand years. My great-grandparents were born on Medea and so were _their_ great-grandparents."

  "The others could say the same thing. Yet when earthquake time drew near, they went home. Why have you stayed?"

  Morrissey, towering over the slender little being, was silent a moment. Then he laughed harshly and said, "I didn't evacuate for the same reason that you don't give a damn that a killer quake is coming. We're both done for anyway, right? I don't know anything about Earth. It's not my world. I'm too old to start over there. And you? You're on your last legs, aren't you? Both your wombs are gone, your male itch is gone, you're in that nice quiet burned-out place, eh, Dinoov?" Morrissey chuckled. "We deserve each other. Waiting for the end together, two old hulks."

  The fux studied Morrissey with glinting, unfathomable, mischievous eyes. Then he pointed downwind, toward a headland maybe three hundred meters away, a sandy rise thickly furred with bladdermoss and scrubby yellow-leaved anglepod bushes. Right at the tip of the cape, outlined sharply against the glowing sky, were a couple of fuxes. One was female, six-legged, yet to bear her first litter. Behind her, gripping her haunches and readying himself to mount, was a bipedal male, and even at this distance Morrissey could see his frantic, almost desperate movements.

  "What are they doing?" Dinoov asked.

  Morrissey shrugged. "Mating."

  "Yes. And when will she drop her young?"

  "In fifteen weeks."

  "Are they burned out?" the fux asked. "Are they done for? Why do they make young if destruction is coming?"

  "Because they can't help -- "

  Dinoov silenced Morrissey with an upraised hand. "I meant the question not to be answered. Not yet, not until you understand things better. Yes? Please?"

  "I don't -- "

  " -- understand. Exactly." The fux smiled a fuxy smile. "This walk has tired you. Come now: I'll go with you to your cabin."

  * * * *

  They scrambled briskly up the path from the long crescent of pale blue sand that was the beach to the top of the bluff, and then walked more slowly down the road, past the abandoned holiday cabins toward Morrissey's place. Once this had been Argoview Dunes, a bustling shoreside community, but that was long ago. Morrissey in these latter days would have preferred to live in some wilder terrain where the hand of man had not weighed so heavily on the natural landscape, but he dared not risk it. Medea, even after ten centuries of colonization, still was a world of sudden perils. The unconquered places had gone unconquered for good reason; and, living on alone since the evacuation, he needed to keep close to some settlement with its stores of food and materiel. He could not afford the luxury of the picturesque.

  In any case the wilderness was rapidly reclaiming its own now that most of the intruders had departed. In the early days this steamy low-latitude tropical coast had been infested with all manner of monstrous beasts. Some had been driven off by methodical campaigns of extermination and others, repelled by the effluvia of the human settlements, had simply disappeared. But they were starting to return. A few weeks ago Morrissey had seen a Scuttlefish come ashore, a gigantic black-scaled tubular thing, hauling itself onto land by desperate heaves of its awesome curved flippers and actually digging its fangs into the sand, biting the shore to pull itself onward. They were supposed to be extinct. By a fantastic effort the thing had dug itself into the beach, burying all twenty meters of its body in the azure sand, and a couple of hours later hundreds of young ones that had tunnelled out of the mighty carcass began to emerge, slender beasts no longer than Morrissey's arm that went writhing with demonic energy down the dunes and into the rough surf. So this was becoming a sea of monsters again. Morrissey had no objections. Swimming was no longer one of his recreations.

  He had lived by himself beside the Ring Ocean for ten years in a little low-roofed cabin of the old Arcan wingstructure design, that so beautifully resisted the diabolical Medean winds. In the days of his marriage, when he had been a geophysicist mapping the fault lines, he and Nadia and Paul and Danielle had had a house on the outskirts of Chong on Northcape within view of the High Cascades, and had come here only in winter; but Nadia had gone to sing cosmic harmonies with the serene and noble and incomprehensible balloons, and Danielle had been caught in the Hotlands at doubleflare time and had not returned, and Paul, tough old indestructible Paul, had panicked over the thought that the earthquake was only a decade away, and between Darkday and Dimday of Christmas week had packed up and boarded an Earthbound ship. All that had happened within the space of four months, and afterward Morrissey found he had lost his fondness for the chilly air of Northcape. So he had come down to Argoview Dunes to wait out the final years in the comfort of the humid tropics, and now he was the only one left in the shore-side community. He had brought persona-cubes of Paul and Nadia and Danielle with him, but playing them turned out to be too painful, and it was a long time since he had talked with anyone but Dinoov. For all he knew, he was the only one left on Medea. Except, of course, the fuxes and the balloons. And the scuttlefish and the rock demons and the wingfingers and the not-turtles and all of those.

  Morrissey and Dinoov stood silently for a time outside the cabin, watching the sunset begin. Through a darkening sky mottled with the green and yellow folds and streaks of Medea's perpetual aurora, the twin suns Phrixus and Helle -- mere orange red daubs of feeble light -- drifted toward the horizon. In a few hours they would be gone, off to cast their bleak glow over the dry-ice wastelands of Farside. There could never be real darkness on the inhabited side of Medea, though, for the oppressive great sullen bulk of Argo, the huge red-hot gas-giant planet whose moon Medea was, lay just a million kilometers away. Medea, locked in Argo's grip, kept the same face turned toward her enormous primary all the time. From Argo came the warmth that made life possible on Medea, and also a perpetual dull reddish illumination.

  The stars were beginning to come out as the twin suns set.

  "See there," Dinoov said. "Argo has nearly eaten the white fires."

 
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