A sepulchre of songs, p.54

  A SEPULCHRE OF SONGS, p.54

A SEPULCHRE OF SONGS
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  Mother Elouise did not have to die.

  She died in the winter when I was seven. I should tell you how life was then, in Richmond We were only two thousand souls by then, not the large city of ten thousand we are now. We had only six finished ships trading the coast, and they had not yet gone so far north as Manhattan, though we had run one voyage all the way to Savannah in the south. Richmond

  already ruled and protected from the Potomac to Dismal Swamp. But it was a very hard winter, and the town's leaders insisted on hoarding all the stored grain and fruits and vegetables and meat for our protected towns, and let the distant tribes trade or travel where they would, they would get no food from Richmond.

  It was then that my mother, who claimed she did not believe in God, and Uncle Avram, who was a Jew, and Father Michael, who was a priest, all argued the same side of the question. It's better to feed them than to kill them, they all said.

  But when the tribes from west of the mountains and north of the Potomac came into Richmond lands, pleading for help, the leaders of Richmond turned them away and closed the gates of the towns. An army marched then, to put the fear of God, as they said, into the hearts of the tribesmen. They did not know which side God was on.

  Father Michael argued and Uncle Avram stormed and fumed, but Mother Elouise silently went to the gate at moonrise one night and alone overpowered the guards. Silently she gagged them and bound them and opened the gates to the hungry tribesmen. They came through weaponless, as she had insisted. They quietly went to the storehouses and carried off as much food as they could. They were found only as the last few fled. No one was killed.

  But there was an uproar, a cry of treason, a trial, and an execution. They decided on beheading, because they thought it would be

  quick and merciful. They had never seen a beheading.

  It was Jack Woods who used the ax. He practiced all afternoon with pumpkins.

  Pumpkins have no bones.

  In the evening they all gathered to watch, some because they hated Mother Elouise, some because they loved her, and the rest because they could not stay away. I went also, and Father Michael held my head and would not let me see.

  But I heard.

  Father Michael prayed for Mother Elouise. Mother Elouise damned his and everyone else's soul to hell. She said, "If you kill me for bringing life, you will only bring death on your own heads."

  "That's true," said the men around her. "We will all die. But you will die first."

  "Then I'm the luckier," said Mother Elouise. It was the last of her lies, for she was telling the truth, and yet she did not believe it herself, for I heard her weep. With her last breaths she wept and cried out, "Charlie! Charlie!" There are those who claim she saw a vision of Charlie waiting for her on the right hand of God, but I doubt it. She would have said so. I think she only wished to see him. Or wished for his forgiveness. It doesn't matter. The angel had long since left her, and she was alone.

  Jack swung the ax and it fell, more with a smack than a thud. He had missed her neck and struck deep in her back and shoulder. She screamed. He struck again and this time silenced her. But he did not break through her spine until the third blow. Then he turned away splattered with blood, and vomited and wept and pleaded with Father Michael to forgive him.

  Amy stood a few meters away from Elouise, who sat on the grass of the clearing, looking toward a broken branch on the nearest tree. Amy called, "Mommy!

  Mommy!" Then she bounced up and down, bending and unbending her knees.

  "Dal Da!" she cried. "La la la la la." She was dancing and wanted her mother to dance and sing, too. But Elouise only looked toward the tree, waiting for Charlie to appear. Any minute, she thought. He will be angry. He will be ashamed, she thought. But he will be alive.

  In the distance, however, the air all at once was shining. Elouise could see it clearing because they were not far from the edge of the Rectifier field. It shimmered in the trees, where it caused no harm to plants. Any vertebrates within the field, any animals that lived by electricity passing along nerves, were instantly dead, their brains stilled. Birds dropped from tree limbs. Only insects droned on.

  The Rectifier field lasted only minutes.

  Amy watched the shining air. It was as if the empty sky itself were dancing with her. She was transfixed. She would soon forget the airplane, and already her father's face was disappearing from her memories. But she would remember the shining. She would see it forever in her

  dreams, a vast thickening of the air, dancing and vibrating up and down, up and down. In her dreams it would always be the same, a terrible shining light that would grow and grow and grow and press against her in her bed. And always with it would come the sound of a voice she loved, saying, "Jesus. Jesus. Jesus."

  This dream would come so clearly when she was twelve that she would tell it to her adopted father, the priest named Michael. He told her that it was the voice of an angel, speaking the name of the source of all light. "You must not fear the light," he said. "You must embrace it." It satisfied her.

  But at the moment she first heard the voice, in fact and not in dream, she had no trouble recognizing it, it was the voice of her mother, Elouise, saying, "Jesus." It was full of grief that only a child could fail to understand. Amy did not understand.

  She only tried to repeat the word, "Deeah-zah."

  "God," said Elouise, rocking back and forth, her face turned up toward a heaven she was sure was unoccupied.

  "Dog," Amy repeated, "Dog dog doggie." In vain she looked around for the four-footed beast.

  "Charlie!" Elouise screamed as the Rectifier field faded.

  "Daddy," Amy cried, and because of her mother's tears she also wept. Elouise took her daughter in her arms and held her, rocking back and forth. Elouise discovered that there were some things that could not be frozen in her.

  Some things that must burn: Sunlight. And lightning. And everlasting, inextinguishable regret.

  My mother, Mother Elouise, often told me about my father. She described Father Charlie in detail, so I would not forget. She refused to let me forget anything. "It's what Father Charlie died for," she told me, over and over. "He died so you would remember. You cannot forget."

  So I still remember, even today, every word she told me about him. His hair was red, as mine was. His body was lean and hard. His smile was quick, like mine, and he had gentle hands. When his hair was long or sweaty, it kinked tightly at his forehead, ears, and neck. Ibis touch was so delicate he could cut in half an animal so tiny it could not be seen without a machine; so sensitive that he could fly-an art that Mother Elouise said was a not a miracle, since it could be done by many giants of the Golden Age, and they took with them many others who could not fly alone. This was Charlie's gift. Mother Elouise said. She also told me that I loved him dearly.

  But for all the words that she taught me, I still have no picture of my father in my mind. It is as if the words drove out the vision, as so often happens.

  Yet I still hold that one memory of my father, so deeply hidden that I can neither lose it nor fully find it again. Sometimes I wake up weeping. Sometimes I wake up with my arms in

  the air, curved just so, and I remember that I was dreaming of embracing that large man who loved me. My arms remember how it feels to hold Father Charlie tight around the neck and cling to him as he carries his child. And when I cannot sleep, and the pillow seems to be always the wrong shape, it is because I am hunting for the shape of Father Charlie's shoulder, which my heart remembers, though my mind cannot.

  God put angels into Mother Elouise and Father Charlie, and they destroyed the world, for the cup of God's indignation was full, and all the works of men become dust, but out of dust God makes men, and out of men and women, angels.

  THE CHANGED MAN AND THE KING OF WORDS

  Orson Scott Card

  0nce there was a man who loved his son more than life. Once there was a boy who loved his father more than death.

  They are not the same story, not really. But I can't tell you one without telling you the other.

  The man was Dr. Alvin Bevis, and the boy was his son, Joseph, and the only woman that either of them loved was Connie, who in 1977 married Alvin, with hope and joy, and in 1978 gave birth to Joe on the brink of death and adored them both accordingly. It was an affectionate family. This made it almost certain that they would come to grief.

  Connie could have no more children after Joe. She shouldn't even have had him. Her doctor called her a damn fool for refusing to abort him in the fourth month when the problems began. "He'll be born retarded. You'll die in labor." To which she answered, "I'll have one child, or I won't believe that I ever lived." In her seventh month they took Joe out of her, womb and all. He was scrawny and little, and the doctor told her to expect him to be mentally deficient and physically uncoordinated. Connie nodded and ignored him. She was lucky. She had Joe, alive, and silently she said to any who pitied her, I am more a woman than any of you barren ones who still have to worry about the phases of the moon.

  Neither Alvin nor Connie ever believed Joe would be retarded. And soon enough it was clear that he wasn't. He walked at eight months. He talked at twelve months. He had his alphabet at eighteen months. He could read at a second-grade level by the time he was three. He was inquisitive, demanding, independent, disobedient, and exquisitely beautiful, with a shock of copper-colored hair and a face as smooth and deep as a cold-water pool.

  His parents watched him devour learning and were sometimes hard pressed to feed him with what he needed. He will be a great man, they both whispered to each other in the secret conversations of night. It made them proud; it made them afraid to know that his learning and his safety had, by chance or the grand design of things, been entrusted to them.

  Out of all the variety the Bevises offered their son in the first few years of his life, Joe became obsessed with stories. He would bring books and insist that Connie or Alvin read to him, but if it was not a storybook, he quickly ran and got another, until at last they were reading a story. Then, he sat imprisoned by the chain of events as the tale unfolded, saying nothing until the story was over.

  Again and again "Once upon a time," or "There once was a," or "One day the king sent out a proclamation," until Alvin and Connie had every storybook in the house practically memorized. Fairy tales were Joe's favorites, but as time passed, he graduated to movies and contemporary stories and even history.

  The problem was not the thirst for tales, however. The conflict began because Joe had to live out his stories. He would get up in the morning and announce that Mommy was Mama Bear, Daddy was Papa Bear, and he was Baby Bear. When he was angry, he would be Goldilocks and run away. Other monungs Daddy would be Rumpelstiltskin, Mommy would be the Farmer's Daughter, and Joe would be the King. Joe was Hansel, Mommy was Gretel, and Alvin was the Wicked witch.

  "Why can't I be Hansel's and Gretel's father?" Alvin asked. He resented being the Wicked Witch. Not that he thought it meant anything. He told himself it merely annoyed him to have his son constantly assigning him dialogue and action for the day's activities. Alvin never knew from one hour to the next who he was going to be in his own home.

  After a time, mild annoyance gave way to open irritation; if it was a phase Joe was going through, it ought surely to have ended by now. Alvin finally suggested that the boy be taken to a child psychologist. The doctor said it was a phase.

  "Which means that sooner or later he'll get over it?" Alvin asked. "Or that you just can't figure out what's going on?"

  "Both," said the psychologist cheerfully. "You'll just have to live with it."

  But Alvin did not like living with it. He wanted his son to call him Daddy. He was the father, after all. Why should he have to put up with his child, no matter how bright the boy was, assigning him silly roles to play whenever he came home?

  Alvin put his foot down. He refused to answer to any name but Father. And after a little anger and a lot of repeated attempts, Joe finally stopped trying to get his father to play a part. Indeed, as far as Alvin knew, Joe entirely stopped acting out stories.

  It was not so, of course. Joe simply acted them out with Connie after Alvin had gone for the day to cut up DNA and put it back together creatively. That was how Joe learned to hide things from his father. He wasn't lying; he was just biding his time. Joe was sure that if only he found good enough stories, Daddy would play again.

  So when Daddy was home, Joe did not act out stories. Instead he and his father played number and word games, studied elementary Spanish as an introduction to Latin, plinked out simple programs on the Atari, and laughed and romped until Mommy came in and told her boys to calm down before the roof fell in on them.

  This is being a father, Alvin told himself. I am a good father. And it was true. It was true, even though every now and then Joe would ask his mother hopefully,

  "Do you think that Daddy will want to be in this story?"

  "Daddy just doesn't like to pretend. He likes your stories, but not acting them out."

  In 1983 Joe turned five and entered school; that same year Dr. Bevis created a bacterium that lived on acid precipitation and neutralized it. In 1987 Joe left school, because he knew more than any of his teachers; at precisely that time Dr. Bevis began eanung royalties on commercial breeding of his bacterium for spot cleanup in acidized bodies of water. The university suddenly became terrified that he might retire and live on his income and take his name away from the school. So he was given a laboratory and twenty assistants and secretaries and an administrative assistant, and from then on Dr. Bevis could pretty well do what he liked with his time.

  What he liked was to make sure the research was still going on as carefully and methodically as was proper and in directions that he approved of. Then he went home and became the faculty of one for his son's very private academy.

  It was an idyllic time for Alvin.

  It was hell for Joe.

  Joe loved his father, mind you. Joe played at learning, and they had a wonderful time reading The Praise of Polly in the original Latin, duplicating great experiments and then devising experiments of their own -- too many things to list.

  Enough to say that Alvin had never had a graduate student so quick to grasp new ideas, so eager to devise newer ones of his own. How could Alvin have known that Joe was starving to death before his eyes?

  For with Father home, Joe and Mother could not play.

  Before Alvin had taken him out of school Joe used to read books with his mother. All day at home she would read Jane Eyre and Joe would read it in school, hiding it behind copies of Friends and Neighbors. Homer. Chaucer.

  Shakespeare. Twain. Mitchell. Galsworthy. Elswyth Thane. And then in those precious hours after school let out and before Alvin came home from work they would be Ashley and Scarlett, Tibby and Julian, Huck and Jim, Walter and Griselde, Odysseus and Circe. Joe no longer assigned the parts the way he did when he was little. They both knew what book they were reading and they would live within the milieu of that book. Each had to guess from the other's behavior what role had been chosen that particular day; it was a triumphant moment when at last Connie would dare to venture Joe's name for the day, or Joe call Mother by hers. In all the years of playing the games never once did they choose to be the same person; never once did they fail to figure out what role the other played.

  Now Alvin was home, and that game was over. No more stolen moments of reading during school. Father frowned on stories. History, yes; lies and poses, no. And so, while Alvin thought that joy had finally come, for Joe and Connie joy was dead.

  Their life became one of allusion, dropping phrases to each other out of books, playing subtle characters without ever allowing themselves to utter the other's name. So perfectly did they perform that Alvin never knew what was happening.

  Just now and then he'd realize that something was going on that he didn't understand.

  "What sort of weather is this for January?" Alvin said one day looking out the window at heavy rain.

  "Fine," said Joe, and then, thinking of "The Merchant's Tale," he smiled at his mother. "In May we climb trees."

  "What?" Alvin asked. "What does that have to do with anything?"

  "I just like tree climbing."

  "It all depends," said Connie, "on whether the sun dazzles your eyes."

  When Connie left the room, Joe asked an innocuous question about teleology, and Alvin put the previous exchange completely out of his mind.

  Or rather tried to put it out of his mind. He was no fool. Though Joe and Connie were very subtle, Alvin gradually realized he did not speak the native language of his own home. He was well enough read to catch a reference or two. Turning into swine. Sprinkling dust. "Frankly, I don't give a damn." Remarks that didn't quite fit into the conversation, phrases that seemed strangely resonant. And as he grew more aware of his wife's and his son's private language, the more isolated he felt.

  His lessons with Joe began to seem not exciting but hollow, as if they were both acting a role. Taking parts in a story. The story of the loving father-teacher and the dutiful, brilliant student-son. It had been the best time of Alvin's life, better than any life he had created in the lab, but that was when he had believed it. Now it was just a play. His son's real life was somewhere else.

  I didn't like playing the parts he gave me, years ago, Alvin thought. Does he like playing the part that I have given him?

  "You've gone as far as I can take you," Alvin said at breakfast, one day, "in everything, except biology of course. So I'll guide your studies in biology, and for everything else I'm hiring advanced graduate students in various fields at the university. A different one each day."

  Joe's eyes went deep and distant. "You won't be my teacher anymore?"

  "Can't teach you what I don't know," Alvin said. And he went back to the lab.

  Went back and with delicate cruelty tore apart a dozen cells and made them into something other than themselves, whether they would or not.

 
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