Blood sperm black velvet, p.36

  Blood, Sperm, Black Velvet, p.36

Blood, Sperm, Black Velvet
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  At his summons, Aith, approaching, took hold of the handle at the head; and from the dark recesses of the hall a lady, in black, moved forward. She was very tall, pallid, and of noble aspect. From the curvature of the nose, and her circular ears, I conjectured the lady Swertha, aunt of Harfager. Her eyes were red, but if with weeping I could not determine.

  Harfager and I, taking each a handle near the coffin-foot, and the lady bearing before us one of the candlesticks, the procession began. As we came to the doorway, I noticed standing in a corner yet two coffins, inscribed with the names of Harfager and his aunt. We passed at length down a wide-curving stairway to the lower stage; and descending thence still lower by narrow brazen steps, came to a portal of metal, at which the lady, depositing the candlestick, left us.

  The chamber of death into which we now bore the coffin had for its outer wall the brazen outer wall of the whole house at a point where this approached nearest the cataract, and must have been deep washed by the infuriate caldron without. The earthquake here was, indeed, intense. On every side the vast extent of surface was piled with coffins, rotted or rotting, ranged upon tiers of wooden shelves. The floor, I was surprised to see, was of brass. From the wide scampering that ensued on our entrance, the place was, it was clear, the abode of hordes of water-rats. As it was inconceivable that these could have corroded a way through sixteen brazen feet, I assumed that some fruitful pair must have found in the house, on its building, an ark from the waters; though even this hypothesis seemed wild. Harfager, however, afterwards confided to me his suspicion, that they had, for some purpose, been placed there by the original architect.

  Upon a stone bench in the middle we deposited our burden, whereupon Aith made haste to depart. Harfager then rapidly and repeatedly walked from end to end of the long sepulchre, examining with many an eager stoop and peer, and upward strain, the shelves and their props.

  Could he, I was led to wonder, have any doubts as to their security? Damp, indeed, and decay pervaded all. A piece of woodwork which I handled softened into powder between my fingers.

  He presently beckoned to me, and with yet one halt and uttered “Hark!” from him, we traversed the house to my chamber. Here, left alone, I paced long about, fretted with a strange vagueness of anger; then, weary, tumbled to a horror of sleep.

  In the far interior of the mansion even the bleared day of this land of heaviness never rose upon our settled gloom. I was able however, to regulate my levées by a clock which stood in my chamber. With Harfager, in a startingly short time, I renewed more than all our former intimacy.

  That I should say more, is itself startling, considering that an interval of twelve years stretched between us. But so, in fact, it was; and this was proved by the circumstances that we grew to take, and to pardon, freedoms of expression and manner which, as two persons of more than usual reserve, we had once never dreamed of permitting to ourselves in reference to each other.

  Down corridors that vanished either way in darkness and length of perspective remoteness we linked ourselves in perambulations of purposeless urgency. Once he wrote that my step was excruciatingly deliberate. I replied that it was just such a step as fitted my then mood. He wrote:

  “You have developed an aptitude to fret.” I was profoundly offended, and replied: “There are at least more fingers than one in the universe which that ring will wed.” Something of the secret of the unhuman sensitiveness of his hearing I quickly surmised. I, too, to my dismay, began, as time passed, to catch hints of loudly-uttered words. The reason might he found, I suggested, in an increased excitability of the auditory nerve, which, if the cataract were absent, the roar of the ocean, and bombast of the incessant tempest about us, would by themselves be sufficient to cause; in which case, his own aural interior must, I said, be inflamed to an exquisite pitch of hyperpyrexial fever. The affection I named to him as the Paracusis Willisii. He frowned dissent, but I, undeterred, callously proceeded to recite the case, occurring within my own experience, of a very deaf lady who could hear the fall of a pin in a rapidly-moving railway-train.[1] To this he only replied: “Of ignorant persons I am accustomed to consider the mere scientist as the most profoundly ignorant.”

  Yet that he should affect darkness as to the highly morbid condition of his hearing I regarded as simply far-fetched.

  Himself, indeed, confided to me his own, Aith’s, and his aunt’s proneness to violent paroxysms of vertigo. I was startled; for I had myself shortly before been twice roused from sleep by sensations of reeling and nausea, and a conviction that the chamber furiously spun with me in a direction from right to left. The impression passed away, and I attributed it, perhaps hastily (though on well-known pathological grounds), to some disturbance in the nerve-endings of the “labyrinth,” or inner ear. In Harfager, however, the conviction of wheeling motions in the house, in the world, attained so horrible a degree of certainty, that its effects sometimes resembled those of lunacy or energumenal possession. Never, he said, was the sensation of giddiness wholly absent; seldom the feeling that he stared with stretched-out arms over the verge of abysmal voids which wildly wooed his half-consenting foot. Once, as we went, he was hurled, as by unseen powers, to the ground; and there for an hour sprawled, cold in a flow of sweat, with distraught bedazzlement and amaze in eyes that watched the racing house. He was constantly racked, moreover, with the consciousness of sounds so very peculiar in their nature, that I could account for them upon no other hypothesis than that of tinnitus highly exaggerated. Through the heaped-up roar, there sometimes visited him, he said, the high lucid warbling of some Orphic bird, from the pitch of whose impassioned madrigals he had the inner consciousness that it came from a far country, was of the whiteness of snow, and crested with a comb of mauve. Else he was aware of accumulated human voices, remotely articulate, contending in volubility, and finally melting into chaotic musical tones.

  Or, anon, he was stunned by an infinite and imminent crashing, like the huge crackling of a universe of glass about his ears. He said, too, that he could often see, rather than hear, the parti-coloured whorls of a mazy sphere-music deep, deep, within the black dark of the cataract’s roar.

  These impressions, which I ardently protested must be purely entotic, had sometimes upon him a pleasing effect, and long would he stand and listen with raised hand to their seduction; others again inflamed him to the verge of angry madness. I guessed that they were the origin of those irascibly uttered “Harks!” which at intervals of about an hour did not fail to break from him. In this I was wrong: and it was with a thrill of dismay that I shortly came to know the truth.

  For, as once we passed together by an iron door on the lower stage, he stopped, and for several minutes stood, listening with an expression most keen and cunning. Presently the cry “Hark!” escaped him; and he then turned to me, and wrote upon the tablet: “You did not hear?” I had heard nothing but the monotonous roar. He shouted into my ear in accents now audible to me as an echo heard far off in dreams: “You shall see.”

  He lifted the candlestick; produced from the pocket of his garment a key; unlocked the door.

  We entered a chamber, circular, very loftily domed in proportion to its extent, and apparently empty, save that a pair of ladder-steps leaned against its wall. Its flooring was of marble, and in its centre gloomed a pool, resembling the impluvium of Roman atriums, but round in shape; a pool evidently deep, full of an unctuous miasmal water. I was greatly startled by its present aspect; for as the light burned upon its jet-black surface, I could see that this had been quite recently disturbed, in a manner for which the shivering of the house could not account, inasmuch as ripples of slimy ink sullenly rounded from the centre toward its marble brink. I glanced at Harfager for explanation. He signed to me to wait, and for about an hour, with arms in their accustomed fold behind his back, perambulated. At the end of that time he stopped, and standing together by the margin, we gazed into the water. Suddenly his clutch tightened upon my arm, and I saw, not without a thrill of honor, a tiny ball, doubtless of lead, but smeared blood-red by some chymical pigment, fall from the direction of the roof and disappear into the centre of the black depths. It hissed, on contact with the water, a thin puff of vapour.

  “In the name of all that is sinister!” I cried, “what thing is this you show me?”

  Again he made me a busy and confident sign to wait; snatched then the ladder-steps toward the pool; handed me the taper. I, mounting, held high the flame, and saw hanging from the misty centre of the dome a form – a sphere of tarnished old copper, lengthened out into balloon-shape by a down-looking neck, at the end of which I thought I could discern a tiny orifice. Painted across the bulge was barely visible in faded red characters the hieroglyph: “harfager-hous: 1389 – 188”

  Something – I know not what – of eldritch in the combined aspect of spotted globe, and gloomy pool, and contrivance of hourly hissing ball, gave expedition to my feet as I slipped down the ladder.

  “But the meaning?”

  “Did you see the writing?”

  “Yes. The meaning?”

  He wrote: “By comparing Gascoigne with Thrunster, I find that the mansion was built about 1389.”

  “But the final figures?”

  “After the last 8,” he replied, “there is another figure, nearly, but not quite, obliterated by a tarnish-spot.”

  “What figure?”

  “It cannot be read, but may be surmised. The year 1888 is now all but passed. It can only be the figure 9.”

  “You are horribly depraved in mind!” I cried, flaring into anger. “You assume – you dare to state – in a manner which no mind trained to base its conclusions upon fact could hear with patience.”

  “And you, on the other hand, are simply absurd,” he wrote. “You are not, I presume, ignorant of the common formula of Archimedes by which, the diameter of a sphere being known, its volume may be determined. Now, the diameter of the sphere in the dome there I have ascertained to be four and a half feet; and the diameter of the leaden balls about the third of an inch. Supposing then that 1389 was the year in which the sphere was full of balls, you may readily calculate that not many fellows of the four million and odd which have since dropped at the rate of one an hour are now left within it. It could not, in fact, have contained many more. The fall of balls cannot persist another year. The figure 9 is therefore forced upon us.”

  “But you assume, Harfager,” I cried, “most wildly you assume! Believe me, my friend, this is the very wantonness of wickedness! By what algebra of despair do you know that the last date must be such, was intended to be such, as to correspond with the stoppage of the horologe? And, even if so, what is the significance of the whole. It has – it can have – no significance! Was the contriver of this dwelling, of all the gnomes, think you, a being pulsing with omniscience?”

  “Do you seek to madden me?” he shouted. Then furiously writing: “I know – I swear that I know – nothing of its significance! But is it not evident to you that the work is a stupendous hour-glass, intended to record the hours not of a day, but of a cycle? and of a cycle of five hundred years?”

  “But the whole thing,” I passionately cried, “is a baleful phantasm of our brains! an evil impossibility! How is the fall of the balls regulated? Ah, my friend, you wander – your mind is debauched in this bacchanal of tumult.”

  “I have not ascertained,” he replied, “by what internal mechanism, or viscous medium, or spiral coil, dependent no doubt for its action upon the vibration of the house, the balls are retarded in their fall; that is a matter well within the cunning of the mediæval artisan, the inventor of the watch; but this at least is clear, that one element of their retardation is the minuteness of the aperture through which they have to pass; that this element, by known, though recondite, statical laws, will cease to operate when no more than three balls remain; and that, consequently, the last three will fall at nearly the same moment.”

  “In God’s name!” I exclaimed, careless what folly I poured out, “but your mother is dead, Harfager! You dare not deny that there remain but you and the lady Swertha!”

  A contemptuous glance was all the reply he then vouchsafed me.

  But he confided to me a day or two later that the leaden balls were a constant bane to his ears; that from hour to hour his life was a keen waiting for their fall; that even from his brief slumbers he infallibly startled into wakefulness at each descent; that, in whatever part of the mansion he happened to be, they failed not to find him out with a clamorous and insistent loudness; and that every drop wrung him with a twinge of physical anguish in the inner ear. I was therefore appalled at his declaration that these droppings had now become to him as the life of life; had acquired an intimacy so close with the hue of his mind, that their cessation might even mean for him the shattering of reason. Convulsed, he stood then, face wrapped in arms, leaning against a pillar.

  The paroxysm past, I asked him if it was out of the question that he should once and for all cast off the fascination of the horologe, and fly with me from the place. He wrote in mysterious reply: “A threefold cord is not easily broken” I started. How threefold? He wrote with bitterest smile: “To be enamoured of pain – to pine after aching – to dote upon Marah – is not that a wicked madness?” I was overwhelmed. Unconsciously he had quoted Gascoigne: a wycked madness! a lecherous agonie! “You have seen the face of my aunt,” he proceeded; “your eyes were dim if you did not there behold an impious calm, the glee of a blasphemous patience, a grin behind her daring smile.” He then spoke of a prospect, at the infinite terror of which his whole nature trembled, yet which sometimes laughed in his heart in the aspect of a maniac hope. It was the prospect of any considerable increase in the volume of sound about him.

  At that, he said, the brain must totter. On the night of my arrival the noise of my booted tread, and, since then, my occasionally raised voice, had caused him acute unease. To a sensibility such as this, I understood him further to say, the luxury of torture involved in a large sound-increase in his environment was an allurement from which no human strength could turn; and when I expressed my powerlessness even to conceive such an increase, much less the means by which it could be effected, he produced from the archives of the house some annals, kept by the successive heads of his race. From these it appeared that the tempests which continually harried the lonely latitude of Vaila did not fail to give place, at periodic intervals of some years, to one sovereign ouragan – one Sirius among the suns – one ultimate lyssa of elemental atrocity. At such periods the rains descended – and the floods came – even as in the first world-deluge; those rösts, or eddies, which at all times encompassed Vaila, spurning then the bands of lateral space, shrieked themselves aloft into a multitudinous death-dance of water-spouts, and like snaky Deinotheria, or say towering monolithic in a stonehenge of columned and cyclopean awe, thronged about the little land, upon which, with converging débacle, they discharged their momentous waters; and the loebs to which the cataract was due thus redoubled their volume, and fell with redoubled tumult. It was, said Harfager, like a miracle that for twenty years no such great event had transacted itself at Vaila.

  And what, I asked, was the third strand of that threefold cord of which he had spoken? He took me to a circular hall, which, he told me, he had ascertained to be the geometrical centre of the circular mansion. It was a very great hall – so great as I think I never saw – so great that the amount of segment illumined at any one time by the taper seemed nearly flat. And nearly the whole of its space from floor to roof was occupied by a pillar of brass, the space between wall and cylinder being only such as to admit of a stretched-out arm.

  “This cylinder, which seems to be solid,” wrote Harfager, “ascends to the dome and passes beyond it; it descends hence to the floor of the lower stage, and passes through that; it descends thence to the brazen flooring of the vaults, and passes through that into the rock of the ground. Under each floor it spreads out laterally into a vast capital, helping to support the floor. What is the precise quality of the impression which I have made upon your mind by this description?”

  “I do not know!” I answered, turning from him; “propound me none of your questions, Harfager. I feel a giddiness...”

  “Nevertheless you shall answer me,” he proceeded; “consider the strangeness of that brazen lowest floor, which I have discovered to be some ten feet thick, and whose under-surface, I have reason to believe, is somewhat above the level of the ground; remember that the fabric is at no point fastened to the cylinder; think of the chains that ray out from the outer walls, seeming to anchor the house to the ground. Tell me, what impression have I now made?”

  “And is it for this you wait?” I cried – “for this? Yet there may have been no malevolent intention! You jump at conclusions! Any human dwelling, if solidly based upon earth, would be at all times liable to overthrow on such a land, in such a situation, as this, by some superlative tempest! What if it were the intention of the architect that in such eventuality the chains should break, and the house, by yielding, be saved?”

  “You have no lack of charity at least,” he replied; and we returned to the book we then read together.

 
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