"It's not just a naked list, is it?" Diamond asked.

  "No, sir. I've requested pinhole data. Just the most salient facts attached to each name, so we can make useful identification."

  "You're a goddamned genius, Llewellyn."

  The First Assistant nodded in absentminded agreement as he watched the list crawl up his screen in sans-serif IBM lettering.

  STERN, DAVID

  RELATIONSHIP EQUALS SON... WHITE CARD...

  STUDENT, AMATEUR ATHLETE... KILLED, 1972 sub MUNICH OLYMPICS...

  * * *

  STERN, JUDITH

  RELATIONSHIP EQUALS WIFE... PINK CARD...

  SCHOLAR. RESEARCHER...

  DEAD, 1956 sub NATURAL CAUSES...

  * * *

  ROTHMANN, MOISHE

  RELATIONSHIP EQUALS FRIEND... WHITE CARD...

  PHILOSOPHER, POET... DEAD, 1958 sub NATURAL CAUSES...

  * * *

  KAUFMANN, S. I.

  RELATIONSHIP EQUALS FRIEND... RED CARD...

  POLITICAL ACTIVIST... RETIRED...

  * * *

  HEL, NICHOLAI ALEXANDROVITCH

  RELATIONSHIP EQUALS FRIEND...

  "Stop!" Diamond ordered. "Freeze that!" The First Assistant scanned the next fragments of information. "Oh, my goodness!"

  Diamond leaned back in his chair and closed his eyes. When CIA screws up, they certainly do it in style! "Nicholai Hel," Diamond pronounced, his voice a monotone.

  "Sir?" the First Assistant said softly, recalling the ancient practice of executing the messenger who brings bad news. "This Nicholai Hel is identified with a mauve card."

  "I know... I know."

  "Ah... I suppose you'll want a complete pull and printout on Hel, Nicholai Alexandrovitch?" the First Assistant asked, almost apologetically.

  "Yes." Diamond rose and walked to the big window beyond which the illuminated Washington Monument stood out against the night sky, while double rows of automobile headlights crawled down the long avenue toward the Center—the same automobiles that were always at the same place at this time every evening.

  "You'll find the pull surprisingly thin."

  "Thin, sir? On a mauve card?"

  "On this mauve card, yes."

  Within the color-coding system, mauve punch cards indicated the most elusive and dangerous of men, from the Mother Company's point of view: Those who operated without reference to nationalistic or ideological prejudices, free-lance agents and assassins who could not be controlled through pressure upon governments; those who killed for either side.

  Originally, color-coding of punch cards was introduced into Fat Boy for the purpose of making immediately evident certain bold characteristics of a subject's life and work. But from the very first. Fat Boy's systemic inability to deal with abstractions and shadings reduced the value of the system. The problem lay in the fact that Fat Boy was permitted to color-code himself, in terms of certain input principles.

  The first of these principles was that only such people as constituted real or potential threats to the Mother Company and the governments She controlled would be represented by color-coded cards, all others being identified by standard white cards. Another principle was that there be a symbolic relationship between the color of the card and the nature of the subject's affiliations. This worked well enough in its simplest forms: Leftist agitators and terrorists were represented by red cards; Rightist politicians and activists received blue cards; sympathizers of the Left had pink cards; abettors of ultra-conservatives had powder blue. (For a brief time, devoted Liberals were assigned yellow cards, in concurrence with British political symbolism, but when the potential for effective action by Liberals was assessed by Fat Boy, they were reassigned white cards indicating political impotence.)

  The value of color-coding came under criticism when the system was applied to more intricate problems. For instance, active supporters of the Provisional IRA and of the various Ulster defense organizations were randomly assigned green or orange cards, because Fat Boy's review of the tactics, philosophy, and effectiveness of the two groups made them indistinguishable from one another.

  Another major problem arose from Fat Boy's mindless pursuit of logic in assigning colors. To differentiate between Chinese and European communist agents, the Chinese were assigned yellow cards; and the Europeans under their domination received a mixture of red and yellow, which produced for them orange cards, identical with those of the North Irish. Such random practices led to some troublesome errors, not the least of which was Fat Boy's longstanding assumption that Tan Paisley was an Albanian.

  The most dramatic error concerned African nationalists and American Black Power actives. With a certain racial logic, these subjects were assigned black cards. For several months these men were able to operate without observation or interference from the Mother Company and her governmental subsidiaries, for the simple reason that black print on black cards is rather difficult to read.

  With considerable regret, it was decided to end the color-code method, despite the millions of dollars of American taxpayers' money that had been devoted to the project.

  But it is easier to introduce a system into Fat Boy than to cleanse it out, since His memory is eternal and His insistence on linear logic implacable. Therefore, color-coding remained in its vestigial form. Agents of the left were still identified with red and pink; while crypto-fascists, such as KKK members, were identified with blue, and American Legionnaires with powder blue. Logically enough, subjects who worked indifferently for both sides were identified with purple, but Fat Boy remembered His problem with Black Power actives, and so he grayed the purple down to mauve.

  Further, Fat Boy reserved the mauve card for men who dealt specifically in assassination.

  The First Assistant looked up quizzically from his console. "Ah... I don't know what's wrong, sir. Fat Boy is running statement/correction/statement/correction patterns. On even the most basic information, his various input sources disagree. We have ages for this Nicholai Hel ranging from forty-seven to fifty-two. And look at this! Under nationality we have a choice among Russian, German, Chinese, Japanese, French, and Costa Rican. Costa Rican, sir?"

  "Those last two have to do with his passports; he holds passports from France and Costa Rica. Right now he lives in France—or he did recently. The other nationalities have to do with his genetic background, his place of birth, and his major cultural inputs."

  "So what is his real nationality?"

  Mr. Diamond continued to look out the window, staring at nothing. "None."

  "You seem to know something about this person, sir." The First Assistant's tone was interrogative but tentative. He was curious, but he knew better than to be inquisitive.

  For several moments, Diamond did not answer. Then: "Yes. I know something about him." He fumed away from the window and sat heavily at his desk. "Get on with the search. Turn up everything you can. Most of it will be contradictory, vague, or inaccurate, but we need to know everything we can discover."

  "Then you feel that this Nicholai Hel is involved in this business?"

  "With our luck? Probably."

  "In what way, sir?"

  "I don't know! Just get on with the search!"

  "Yes, sir." The First Assistant scanned the next fragments of data. "Ah... sir? We have three possible birthplaces for him."

  "Shanghai."

  "You're sure of that, sir?"

  "Yes!" Then, after a moment's pause, "Reasonably sure, that is."

  Shanghai: 193?

  As always at this season, cool evening breezes are drawn over the city from the sea, toward the warm land mass of China; and the draperies billow out from the glass doors to the veranda of the large house on Avenue Joffre in the French Concession.

  General Kishikawa Takashi withdraws a stone from his lacquered Gô ke and holds it lightly between the tip of his middle finger and the nail of his index. Some minutes pass in silence, but his concentration is not on the game, which is in its 176th gesture and has begun to concrete toward the inevitable. The General's eyes rest on his opponent who, for his part, is completely absorbed in the patterns of black and white stones on the pale yellow board. Kishikawa-san has decided that the young boy must be sent away to Japan, and tonight he would have to be told. But not just now. It would spoil the flavor of the game; and that would be unkind because, for the first time, the young man is winning.

  The sun has set behind the French Concession, over mainland China. Lanterns have been lighted in the old walled dry, and the smell of thousands of cooking suppers fills the narrow, tangled streets. Along the Whangpoo and up Soochow Creek, the sampan homes of the floating city are alive with dim lights, as old women with trousers tied at the ankle arrange stones to level cooking fires on the canted decks, for the river is at low tide and the sampans have heeled over, their wooden bellies stuck in the yellow mud. People late for their suppers trot over Stealing Hen Bridge. A professional letter writer flourishes his brush carelessly, eager to finish his day's work, and knowing that his calligraphic insouciance will not be discovered by the illiterate young girl for whom he is composing a love letter on the model of one of his Sixteen Never-Fail Formulas. The Bund, that street of imposing commercial houses and hotels, gaudy statement of imperial might and confidence, is silent and dark; for the British taipans have fled; the North China Daily News no longer prints its gossip, its pious reprimands, its complaisant affirmations of the world situation. Even Sasson House, the most elegant facade on the Bund, built on profits from the opium trade, has been demoted to the mundane task of housing the Headquarters of the Occupation Forces. The greedy French, the swaggering British, the pompous Germans, the opportunistic Americans are all gone. Shanghai is under the control of the Japanese.

  General Kishikawa reflects on the uncanny resemblance between this young man across the Gô board and his mother: almost as though Alexandra Ivanovna had produced her son parthenogenetically—a feat those who had experienced her overwhelming social presence would consider well within her capacity. The young man has the same angular line of jaw, the same broad forehead and high cheekbones, the fine nose that is spared the Slavic curse of causing interlocutors to feel they are staring into the barrels of a shotgun. But most intriguing to Kishikawa-san are comparisons between the boy's eyes and the mother's. Comparisons and contrasts. Physically, their eyes are identical: large, deepset, and of that startling bottle-green color unique to the Countess's family. But the polar differences in personality between mother and son are manifest in the articulation and intensity of gaze, in the dimming and crystallizing of those sinople eyes. While the mothers glance was bewitching, the son's is cool. Where the mother used her eyes to fascinate, the boy uses his to dismiss. What in her look was coquetry, in his is arrogance. The light that shone from her eyes is still and internal in his. Her eyes expressed humor; his express wit. She charmed; he disturbs.

  Alexandra Ivanovna was an egotist; Nicholai is an egoist.

  Although the General's Oriental frame of reference does not remark it, by Western criteria Nicholai looks very young for his fifteen years. Only the frigidity of his too-green eyes and a certain firm set of mouth keeps his face from being too delicate, too finely formed for a male. A vague discomfort over his physical beauty prompted Nicholai from an early age to engage in the most vigorous and combative of sports. He trained in classic, rather old-fashioned jiujitsu, and he played rugby with the international side against the sons of the British taipans with an effectiveness that bordered on brutality. Although Nicholai understood the stiff charade of fair play and sportsmanship with which the British protect themselves from real defeat, he preferred the responsibilities of victory to the comforts of losing with grace. But he did not really like team sports, preferring to win or lose by virtue of his own skill and toughness. And his emotional toughness was such that he almost always won, as a matter of will.

  Alexandra Ivanovna almost always won too, not as a matter of will, but as a matter of right. When she appeared in Shanghai in the autumn of 1922 with an astonishing amount of baggage and no visible means of support, she relied upon her previous social position in St. Petersburg to grant her leadership in the growing community of displaced White Russians—so called by the ruling British, not because they came from Belorosskiya, but because they were obviously not "red." She immediately created about her an admiring court that included the most interesting men of the colony. To be interesting to Alexandra Ivanovna, one had to be rich, handsome, or witty; and it was the major annoyance of her life that she seldom found two of these qualities in one man, and never all three.

  There were no other women near the core of her society; the Countess found women dull and, in her opinion, superfluous, as she could fully occupy the minds and attentions of a dozen men at one time, keeping a soirée atmosphere witty, brisk, and just naughty enough.

  In retaliation, the unwanted ladies of the International Settlement declared that nothing in this world could tempt them to be seen in public with the Countess, and they fervently wished their husbands and fiancées shared their fine sense of propriety. By shrugs and hums and pursings of lips, these peripheral ladies made it known that they suspected a causal relationship between two social paradoxes: the first being that the Countess maintained a lavish household although she had arrived penniless; and the second being that she was constantly surrounded by the most desirable men of the international community, despite the fact that she lacked all those sterner virtues the ladies had been assured by their mothers were more important and durable than mere charm and beauty. These women would have been glad to include the Countess within that body of White Russian women who trickled into China from Manchuria, sold what pitiful goods and Jewelry they had managed to escape with, and finally were driven to sustain themselves by vending the comfort of their laps. But these arid, righteous women were denied that facile dismissal by the knowledge that the Countess was one of those not uncommon anomalies of the Tzarist court, a Russian noblewoman without a drop of Slavic blood in her all-too-visible (and possibly available) body. Alexandra Ivanovna (whose father's given name had been Johann) was a Hapsburg with connections to a minor German royal family that had immigrated to England with nothing but their Protestantism to recommend them, and which had recently changed its name to one of less Hunnish sound as a gesture of patriotism. Still, the proper ladies of the settlement averred that even such deep quarterings were not proof of moral rectitude in those Flapper days; nor, despite the Countess's apparent assumption, an adequate substitute for it.

  During the third season of her reign, Alexandra Ivanovna appeared to settle her attentions upon a vain young Prussian who possessed that pellucid, superficial intelligence untrammelled by sensitivity that is common to his race. Count Helmut von Keitel zum Hel became her companion of record—her pet and toy. Ten years younger than she, the Count possessed great physical beauty and athletic prowess. He was an expert horseman and a fencer of note. She thought of him as a decorative setting for her, and the only public statement she ever made concerning their relationship was to speak of him as "adequate breeding stock."

  It was her practice to pass the heavy, humid months of summer in a villa in the uplands. One autumn she returned later than usual to Shanghai, and thenceforward there was a baby boy in the household. As a matter of form, young von Keitel zum Hel proposed marriage. She laughed lightly and told him that, while it had been her intention all along to create a child as a living argument against mongrel egalitarianism, she did not feel the slightest impulse to have two children about the house. He bowed with the rigid petulance that serves Prussians as a substitute for dignity, and made arrangements to return to Germany within the month.

  Far from concealing the boy or the circumstances of his birth, she made him the ornament of her salon. When official requirements made it necessary that she name him, she called him Nicholai Hel, taking the last name from a little river bordering the Keitel estate. Alexandra Ivanovna's view of her own role in the production of the lad was manifest in the fact that his full name was Nicholai Alexandrovitch Hel.

  A series of English nannies followed one another through the household, so English joined French, Russian, and German as the languages of the crib, with no particular preference shown, save for Alexandra Ivanovna's conviction that certain languages were best for expressing certain classes of thought. One spoke of love and other trivia in French; one discussed tragedy and disaster in Russian; one did business in German; and one addressed servants in English.

  Because the children of the servants were his only companions, Chinese was also a cradle language for Nicholai, and he developed the habit of thinking in that language because his greatest childhood dread was that his mother could read his thoughts—and she had no Chinese.

  Alexandra Ivanovna considered schools appropriate only for merchants' children, so Nicholai's education was confided to a succession of tutors, all decorative young men, all devoted to the mother. When it developed that Nicholai displayed an interest in, and a considerable capacity for, pure mathematics, his mother was not at all pleased. But when she was assured by the tutor of the moment that pure mathematics was a study without practical or commercial application, she decided it was appropriate to his breeding.

  The more practical aspects of Nicholai's social education—and all of his fun—came from his practice of sneaking away from the house and wandering with street urchins through the narrow alleys and hidden courtyards of the seething, noisome, noisy city. Dressed in the universal loose-fitting blue, his close-cropped hair under a round cap, he would roam alone or with friends of the hour and return home to admonitions or punishments, both of which he accepted with great calm and an infuriating elsewhere gaze in his bottle-green eyes.