Atonement 1987, p.3
Atonement (1987),
p.3
Through the open windows came the faint leathery scent of cow dung, always present except on the coldest days, and noticeable only to those who had been away. Robbie had put down his trowel and stood to roll a cigarette, a hangover from his Communist Party time—another abandoned fad, along with his ambitions in anthropology, and the planned hike from Calais to Istanbul. Still, her own cigarettes were two flights up, in one of several possible pockets.
She advanced into the room, and thrust the flowers into the vase. It had once belonged to her Uncle Clem, whose funeral, or reburial, at the end of the war she remembered quite well: the gun carriage arriving at the country churchyard, the coffin draped in the regimental flag, the raised swords, the bugle at the graveside, and, most memorably for a five-year-old, her father weeping. Clem was his only sibling. The story of how he had come by the vase was told in one of the last letters the young lieutenant wrote home. He was on liaison duties in the French sector and initiated a last–minute evacuation of a small town west of Verdun before it was shelled. Perhaps fifty women, children and old people were saved. Later, the mayor and other officials led Uncle Clem back through the town to a half-destroyed museum. The vase was taken from a shattered glass case and presented in gratitude. There was no refusing, however inconvenient it might have seemed to fight a war with Meissen porcelain under one arm. A month later the vase was left for safety in a farmhouse, and Lieutenant Tallis waded across a river in spate to retrieve it, returning the same way at midnight to join his unit. In the final days of the war, he was sent on patrol duties and gave the vase to a friend for safekeeping. It slowly found its way back to the regimental headquarters, and was delivered to the Tallis home some months after Uncle Clem’s burial.
There was really no point trying to arrange wildflowers. They had tumbled into their own symmetry, and it was certainly true that too even a distribution between the irises and the rosebay willow herb ruined the effect. She spent some minutes making adjustments in order to achieve a natural chaotic look. While she did so she wondered about going out to Robbie. It would save her from running upstairs. But she felt uncomfortable and hot, and would have liked to check her appearance in the large gilt mirror above the fireplace. But if he turned round—he was standing with his back to the house, smoking—he would see right into the room. At last she was finished and stood back again. Now her brother’s friend, Paul Marshall, might believe that the flowers had simply been dropped in the vase in the same carefree spirit with which they had been picked. It made no sense, she knew, arranging flowers before the water was in—but there it was; she couldn’t resist moving them around, and not everything people did could be in a correct, logical order, especially when they were alone. Her mother wanted flowers in the guest room and Cecilia was happy to oblige. The place to go for water was the kitchen. But Betty was preparing to cook tonight’s meal, and was in a terrorizing mood. Not only the little boy, Jackson or Pierrot, would be cowering—so too would the extra help from the village. Already, even from the drawing room, it was possible to hear an occasional muffled bad-tempered shout and the clang of a saucepan hitting the hob with unnatural force. If Cecilia went in now she would have to mediate between her mother’s vague instructions and Betty’s forceful state of mind. It surely made more sense to go outside and fill the vase at the fountain.
Sometime in her teens a friend of Cecilia’s father who worked in the Victoria and Albert Museum had come to examine the vase and declared it sound. It was genuine Meissen porcelain, the work of the great artist Höroldt, who painted it in 1726. It had most certainly once been the property of King August. Even though it was reckoned to be worth more than the other pieces in the Tallis home, which were mostly junk collected by Cecilia’s grandfather, Jack Tallis wanted the vase in use, in honor of his brother’s memory. It was not to be imprisoned behind a glass case. If it had survived the war, the reasoning went, then it could survive the Tallises. His wife did not disagree. The truth was, whatever its great value, and beyond its association, Emily Tallis did not much like the vase. Its little painted Chinese figures gathered formally in a garden around a table, with ornate plants and implausible birds, seemed fussy and oppressive. Chinoiserie in general bored her. Cecilia herself had no particular view, though she sometimes wondered just how much it might fetch at Sotheby’s. The vase was respected not for Höroldt’s mastery of polychrome enamels or the blue and gold interlacing strapwork and foliage, but for Uncle Clem, and the lives he had saved, the river he had crossed at midnight, and his death just a week before the Armistice. Flowers, especially wildflowers, seemed a proper tribute.
Cecilia gripped the cool porcelain in both hands as she stood on one foot, and with the other hooked the French windows open wide. As she stepped out into the brightness, the rising scent of warmed stone was like a friendly embrace. Two swallows were making passes over the fountain, and a chiffchaff’s song was piercing the air from within the sinewy gloom of the giant cedar of Lebanon. The flowers swung in the light breeze, tickling her face as she crossed the terrace and carefully negotiated the three crumbly steps down to the gravel path. Robbie turned suddenly at the sound of her approach.
“I was away in my thoughts,” he began to explain.
“Would you roll me one of your Bolshevik cigarettes?”
He threw his own cigarette aside, took the tin which lay on his jacket on the lawn and walked alongside her to the fountain. They were silent for a while.
“Beautiful day,” she then said through a sigh.
He was looking at her with amused suspicion. There was something between them, and even she had to acknowledge that a tame remark about the weather sounded perverse.
“How’s Clarissa?” He was looking down at his fingers rolling the tobacco.
“Boring.”
“We mustn’t say so.”
“I wish she’d get on with it.”
“She does. And it gets better.”
They slowed, then stopped so that he could put the finishing touches to her roll-up.
She said, “I’d rather read Fielding any day.”
She felt she had said something stupid. Robbie was looking away across the park and the cows toward the oak wood that lined the river valley, the wood she had run through that morning. He might be thinking she was talking to him in code, suggestively conveying her taste for the full-blooded and sensual. That was a mistake, of course, and she was discomfited and had no idea how to put him right. She liked his eyes, she thought, the unblended mix of orange and green, made even more granular in sunlight.
And she liked the fact that he was so tall. It was an interesting combination in a man, intelligence and sheer bulk. Cecilia had taken the cigarette and he was lighting it for her.
“I know what you mean,” he said as they walked the remaining few yards to the fountain. “There’s more life in Fielding, but he can be psychologically crude compared to Richardson.”
She set down the vase by the uneven steps that rose to the fountain’s stone basin. The last thing she wanted was an undergraduate debate on eighteenth-century literature. She didn’t think Fielding was crude at all, or that Richardson was a fine psychologist, but she wasn’t going to be drawn in, defending, defining, attacking. She was tired of that, and Robbie was tenacious in argument.
Instead she said, “Leon’s coming today, did you know?”
“I heard a rumor. That’s marvelous.”
“He’s bringing a friend, this man Paul Marshall.”
“The chocolate millionaire. Oh no! And you’re giving him flowers!”
She smiled. Was he pretending to be jealous to conceal the fact that he was? She no longer understood him. They had fallen out of touch at Cambridge. It had been too difficult to do anything else. She changed the subject.
“The Old Man says you’re going to be a doctor.”
“I’m thinking about it.”
“You must love the student life.”
He looked away again, but this time for only a second or less, and when he turned to her she thought she saw a touch of irritation. Had she sounded condescending? She saw his eyes again, green and orange flecks, like a boy’s marble. When he spoke he was perfectly pleasant.
“I know you never liked that sort of thing, Cee. But how else do you become a doctor?”
“That’s my point. Another six years. Why do it?”
He wasn’t offended. She was the one who was overinterpreting, and jittery in his presence, and she was annoyed with herself.
He was taking her question seriously. “No one’s really going to give me work as a landscape gardener. I don’t want to teach, or go in for the civil service. And medicine interests me…” He broke off as a thought occurred to him. “Look, I’ve agreed to pay your father back. That’s the arrangement.”
“That’s not what I meant at all.”
She was surprised that he should think she was raising the question of money. That was ungenerous of him. Her father had subsidized Robbie’s education all his life. Had anyone ever objected? She had thought she was imagining it, but in fact she was right—there was something trying in Robbie’s manner lately. He had a way of wrong-footing her whenever he could. Two days before he had rung the front doorbell—in itself odd, for he had always had the freedom of the house. When she was called down, he was standing outside asking in a loud, impersonal voice if he could borrow a book. As it happened, Polly was on all fours, washing the tiles in the entrance hall. Robbie made a great show of removing his boots which weren’t dirty at all, and then, as an afterthought, took his socks off as well, and tiptoed with comic exaggeration across the wet floor. Everything he did was designed to distance her. He was playacting the cleaning lady’s son come to the big house on an errand. They went into the library together, and when he found his book, she asked him to stay for a coffee. It was a pretense, his dithering refusal—he was one of the most confident people she had ever met. She was being mocked, she knew. Rebuffed, she left the room and went upstairs and lay on the bed with Clarissa, and read without taking in a word, feeling her irritation and confusion grow. She was being mocked, or she was being punished—she did not know which was worse. Punished for being in a different circle at Cambridge, for not having a charlady for a mother; mocked for her poor degree—not that they actually awarded degrees to women anyway.
Awkwardly, for she still had her cigarette, she picked up the vase and balanced it on the rim of the basin. It would have made better sense to take the flowers out first, but she was too irritable. Her hands were hot and dry and she had to grip the porcelain all the tighter. Robbie was silent, but she could tell from his expression—a forced, stretched smile that did not part his lips—that he regretted what he had said. That was no comfort either. This was what happened when they talked these days; one or the other was always in the wrong, trying to call back the last remark. There was no ease, no stability in the course of their conversations, no chance to relax. Instead, it was spikes, traps, and awkward turns that caused her to dislike herself almost as much as she disliked him, though she did not doubt that he was mostly to blame. She hadn’t changed, but there was no question that he had. He was putting distance between himself and the family that had been completely open to him and given him everything. For this reason alone—expectation of his refusal, and her own displeasure in advance—she had not invited him to dinner that night. If he wanted distance, then let him have it.
Of the four dolphins whose tails supported the shell on which the Triton squatted, the one nearest to Cecilia had its wide-open mouth stopped with moss and algae. Its spherical stone eyeballs, as big as apples, were iridescent green. The whole statue had acquired around its northerly surfaces a bluish-green patina, so that from certain approaches, and in low light, the muscle-bound Triton really seemed a hundred leagues under the sea. Bernini’s intention must have been for the water to trickle musically from the wide shell with its irregular edges into the basin below. But the pressure was too weak, so that instead the water slid soundlessly down the underside of the shell where opportunistic slime hung in dripping points, like stalactites in a limestone cave. The basin itself was over three feet deep and clear. The bottom was of a pale, creamy stone over which undulating white-edged rectangles of refracted sunlight divided and overlapped.
Her idea was to lean over the parapet and hold the flowers in the vase while she lowered it on its side into the water, but it was at this point that Robbie, wanting to make amends, tried to be helpful.
“Let me take that,” he said, stretching out a hand. “I’ll fill it for you, and you take the flowers.”
“I can manage, thanks.” She was already holding the vase over the basin.
But he said, “Look, I’ve got it.” And he had, tightly between forefinger and thumb. “Your cigarette will get wet. Take the flowers.”
This was a command on which he tried to confer urgent masculine authority. The effect on Cecilia was to cause her to tighten her grip. She had no time, and certainly no inclination, to explain that plunging vase and flowers into the water would help with the natural look she wanted in the arrangement. She tightened her hold and twisted her body away from him. He was not so easily shaken off. With a sound like a dry twig snapping, a section of the lip of the vase came away in his hand, and split into two triangular pieces which dropped into the water and tumbled to the bottom in a synchronous, seesawing motion, and lay there, several inches apart, writhing in the broken light.
Cecilia and Robbie froze in the attitude of their struggle. Their eyes met, and what she saw in the bilious mélange of green and orange was not shock, or guilt, but a form of challenge, or even triumph. She had the presence of mind to set the ruined vase back down on the step before letting herself confront the significance of the accident. It was irresistible, she knew, even delicious, for the graver it was, the worse it would be for Robbie. Her dead uncle, her father’s dear brother, the wasteful war, the treacherous crossing of the river, the preciousness beyond money, the heroism and goodness, all the years backed up behind the history of the vase reaching back to the genius of Höroldt, and beyond him to the mastery of the arcanists who had reinvented porcelain.
“You idiot! Look what you’ve done.”
He looked into the water, then he looked at back at her, and simply shook his head as he raised a hand to cover his mouth. By this gesture he assumed full responsibility, but at that moment, she hated him for the inadequacy of the response. He glanced toward the basin and sighed. For a moment he thought she was about to step backward onto the vase, and he raised his hand and pointed, though he said nothing. Instead he began to unbutton his shirt. Immediately she knew what he was about. Intolerable. He had come to the house and removed his shoes and socks—well, she would show him then. She kicked off her sandals, unbuttoned her blouse and removed it, unfastened her skirt and stepped out of it and went to the basin wall. He stood with hands on his hips and stared as she climbed into the water in her underwear. Denying his help, any possibility of making amends, was his punishment. The unexpectedly freezing water that caused her to gasp was his punishment. She held her breath, and sank, leaving her hair fanned out across the surface. Drowning herself would be his punishment.
When she emerged a few seconds later with a piece of pottery in each hand, he knew better than to offer to help her out of the water. The frail white nymph, from whom water cascaded far more successfully than it did from the beefy Triton, carefully placed the pieces by the vase. She dressed quickly, turning her wet arms with difficulty through her silk sleeves, and tucking the unfastened blouse into the skirt. She picked up her sandals and thrust them under her arm, put the fragments in the pocket of her skirt and took up the vase. Her movements were savage, and she would not meet his eye. He did not exist, he was banished, and this was also the punishment. He stood there dumbly as she walked away from him, barefoot across the lawn, and he watched her darkened hair swing heavily across her shoulders, drenching her blouse. Then he turned and looked into the water in case there was a piece she had missed. It was difficult to see because the roiling surface had yet to recover its tranquillity, and the turbulence was driven by the lingering spirit of her fury. He put his hand flat upon the surface, as though to quell it. She, meanwhile, had disappeared into the house.
THREE
ACCORDING TO the poster in the hallway, the date of the first performance of The Trials of Arabella was only one day after the first rehearsal. However, it was not easy for the writer-director to find clear time for concentrated work. As on the preceding afternoon, the trouble lay in assembling the cast. During the night Arabella’s disapproving father, Jackson, had wet the bed, as troubled small boys far from home will, and was obliged by current theory to carry his sheets and pajamas down to the laundry and wash them himself, by hand, under the supervision of Betty who had been instructed to be distant and firm. This was not represented to the boy as a punishment, the idea being to instruct his unconscious that future lapses would entail inconvenience and hard work; but he was bound to feel it as reproof as he stood at the vast stone sink which rose level to his chest, suds creeping up his bare arms to soak his rolled-up shirtsleeves, the wet sheets as heavy as a dead dog and a general sense of calamity numbing his will. Briony came down at intervals to check on his progress. She was forbidden to help, and Jackson, of course, had never laundered a thing in his life; the two washes, countless rinses and the sustained two-handed grappling with the mangle, as well as the fifteen trembling minutes he had afterward at the kitchen table with bread and butter and a glass of water, took up two hours’ rehearsal time.
Betty told Hardman when he came in from the morning heat for his pint of ale that it was enough that she was having to prepare a special roast dinner in such weather, and that she personally thought the treatment too harsh, and would have administered several sharp smacks to the buttocks and washed the sheets herself. This would have suited Briony, for the morning was slipping away. When her mother came down to see for herself that the task was done, it was inevitable that a feeling of release should settle on the participants, and in Mrs. Tallis’s mind a degree of unacknowledged guilt, so that when Jackson asked in a small voice if he might please now be allowed a swim in the pool and could his brother come too, his wish was immediately granted, and Briony’s objections generously brushed aside, as though she were the one who was imposing unpleasant ordeals on a helpless little fellow. So there was swimming, and then there had to be lunch.












