—Playgoing in Shakespeare’s London, 3rd edn. (Cambridge: Cambridge University Press, 2004)

  —The Shakespearian Playing Companies (Oxford: Clarendon Press, 1996)

  —The Shakespeare Company 1594-1642 (Cambridge: Cambridge University Press, 2004)

  —with John Orrell, Rebuilding Shakespeare’s Globe (London: Weidenfeld & Nicolson, 1989)

  Hodges, C. Walter, Shakespeare’s Second Globe, the Missing Monument (London: Oxford University Press, 1973)

  King, T. J., Shakespearian Staging, 1599-1642 (Cambridge MA: Harvard University Press, 1971)

  —Casting Shakespeare’s Plays: London Actors and Their Roles 1590-1642 (Cambridge: Cambridge University Press, 1992)

  Knutson, Roslyn Lander, The Repertory of Shakespeare’s Company 1594-1613 (Fayetteville AR: University of Arkansas Press, 1991)

  Linthicum, M. Channing, Costume in the Drama of Shakespeare and His Contemporaries (Oxford: Clarendon Press, I936)

  Montrose, Louis Adrian, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre (Chicago IL: University of Chicago Press, 1996)

  Mulryne, J. R., and Margaret Shewring (eds.), Shakespeare’s Globe Rebuilt (Cambridge: Cambridge University Press, 1997)

  Nungezer, Edwin, A Dictionary of Actors and Other Persons Associated with the Public Presentation of Plays in England before 1642 (New Haven CT: Yale University Press, 1929)

  Orrell, John, The Quest for Shakespeare’s Globe (Cambridge: Cambridge University Press, 1983)

  Thomson, Peter, Shakespeare’s Professional Career (Cambridge: Cambridge University Press, 1992)

  —Shakespeare’s Theatre, 2nd edn. (London: Routledge, 1992)

  Wiles, David, Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse (Cambridge: Cambridge University Press, 1987)

  1700-1900

  Foulkes, Richard (ed.), Shakespeare and the Victorian Stage (Cambridge: Cambridge University Press, 1986)

  Hogan, Charles Beecher, Shakespeare in the Theatre, 1701- 1800, 2 vols (Oxford: Clarendon Press, 1952-7)

  Hughes, Alan, Henry Irving, Shakespearean (Cambridge: Cambridge University Press, 1981)

  Odell, George C. D., Shakespeare from Betterton to Irving, 2 vols (New York: Scribner, 1920)

  Shattuck, Charles H., Shakespeare on the American Stage [Vol. I]: From the Hallams to Edwin Booth (Washington DC: Folger Shakespeare Library, 1976)

  —Shakespeare on the American Stage, Vol. 2: From Booth and Barrett to Sothern and Marlowe (London: Associated University Presses, 1987)

  Sprague, A. C., Shakespeare and the Actors: The Stage Business in his Plays, 1660-1905 (Cambridge MA: Harvard University Press, 1945; repr. New York: Russell and Russell, 1963)

  From 1900

  Barton, John, Playing Shakespeare (London: Methuen, 1984)

  Berry, Ralph, On Directing Shakespeare: Interviews with Contemporary Directors (London: Hamish Hamilton, 1989)

  Brockbank, J. P., Russell Jackson, R. L. Smallwood (eds.), Players of Shakespeare (Cambridge: Cambridge University Press, 1985-)

  Brown, John Russell, Shakespeare’s Plays in Performance (London: Edward Arnold, 1966)

  —Free Shakespeare (London: Heinemann International, 1974)

  —New Sites for Shakespeare: Theatre, the Audience and Asia (London: Routledge, 1999)

  Coursen, H. R., Shakespearean Performance as Interpretation (London: Associated University Presses, 1992)

  David, Richard, Shakespeare in the Theatre (Cambridge: Cambridge University Press, 1978)

  Holland, Peter, English Shakespeares: Shakespeare on the English Stage in the 1990s (Cambridge: Cambridge University Press, 1997)

  Hortmann, Wilhelm, Shakespeare on the German Stage: The Twentieth Century (Cambridge: Cambridge University Press, 1998)

  Kennedy, Dennis, Looking at Shakespeare: A Visual History of Twentieth-Century Performance, 2nd edn. (Cambridge: Cambridge University Press, 2001)

  —(ed.), Foreign Shakespeare: Contemporary Performance (Cambridge: Cambridge University Press, 1993)

  Kerr, Heather, Robin Eaden and Madge Mitton (eds.), Shakespeare: World Views (London: Associated University Presses, 1996)

  Li, Ruru, Shashibiya: Staging Shakespeare in China (London: Eurospan, 2003)

  Mazer, Cary M., Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages (Ann Arbor MI: UMI Research Press, 1981)

  Minami, Ryuta, Ian Carruthers and John Gillies (eds.), Performing Shakespeare in Japan (Cambridge: Cambridge University Press, 2001)

  Quince, Rohan, Shakespeare in South Africa: Stage Productions During the Apartheid Era (New York: Peter Lang, 2000)

  Rutter, Carol, Clamorous Voices: Shakespeare’s Women Today, ed. Faith Evans (London: The Women’s Press, 1988)

  Sasayama, Takashi, J. R. Mulryne and Margaret Shewring (eds.), Shakespeare and the Japanese Stage (Cambridge: Cambridge University Press, 1998)

  Sprague, Arthur Colby, and J. C. Trewin, Shakespeare’s Plays Today: Some Customs and Conventions of the Stage (London: Sidgwick & Jackson, 1970)

  Styan, J. L., The Shakespeare Revolution: Criticism and Performance in the Twentieth Century (Cambridge: Cambridge University Press, 1977)

  Trewin, J. C., Shakespeare on the English Stage 1900-1964 (London: Barrie and Rockliff, 1964)

  Worthen, W. B., Shakespeare and the Authority of Performance (Cambridge: Cambridge University Press, 1997)

  TV and Film

  Ball, Robert Hamilton, Shakespeare on Silent Film: A Strange Eventful History (London: George Allen & Unwin, 1968)

  Boose, Lynda E., and Richard Burt (eds.), Shakespeare the Movie: Popularizing the Plays on Film, TV and Video (London: Routledge, 1997)

  —Shakespeare the Movie II: Popularizing the Plays on Film, TV, Video and DVD (London: Routledge, 2003)

  Buchman, Lorne M., Still in Movement: Shakespeare on Screen (Oxford: Oxford University Press, 1991)

  Bulman, J. C., and H. R. Coursen (eds.), Shakespeare on Television: An Anthology of Essays and Reviews (London: University Press of New England, 1988)

  Burnett, Mark Thornton, and Ramona Wray (eds.), Shakespeare, Film, Fin de Siècle (Basingstoke: Macmillan, 2000)

  Burt, Richard, Unspeakable Shaxxxspeares: Queer Theory and American Kiddie Culture (New York: St Martin’s Press, 1998)

  Collick, John, Shakespeare, Cinema and Society (Manchester: Manchester University Press, 1989)

  Coursen, H. R., Shakespeare in Production: Whose History? (Athens OH: University of Ohio Press, 1996)

  Crowl, Samuel, Shakespeare Observed: Studies in Performance on Stage and Screen (Athens OH: University of Ohio Press, 1992)

  Davies, Anthony, Filming Shakespeare’s Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and (Cambridge: Cambridge University Press, 1988)

  —and Stanley Wells (eds.), Shakespeare and the Moving Image: The Plays on Film and Television (Cambridge: Cambridge University Press, 1994)

  Donaldson, Peter S., Shakespearean Films/Shakespearean Directors (Boston MA: Unwin Hyman, 1990)

  Jackson, Russell (ed.), The Cambridge Companion to Shakespeare on Film (Cambridge: Cambridge University Press, 2000)

  Jorgens, Jack J., Shakespeare on Film (Bloomington IN: Indiana University Press, 1977)

  McKernan, Luke, and Olwen Terris (eds.), Walking Shadows: Shakespeare in the National Film and Television Archive (London: British Film Institute, 1994)

  Manvell, Roger, Shakespeare and the Film (London: Dent, 1971)

  Pilkington, Ace G., Screening Shakespeare: From ‘Richard II’ to ‘Henry V’ (London: Associated University Presses, 1991)

  Rosenthal, Daniel, Shakespeare on Screen (London: Hamlyn, 2000)

  Rothwell, Kenneth S., A History of Shakespeare on Screen: A Century of Film and Television, 2nd edn. (Cambridge: Cambridge University Press, 2004)

  —and Annabelle Henkin Melzer (eds.), Shakespeare on Screen: An International Filmography and Videography (London: Mansell, 1990)

  Shaughnessy, Robert (ed.), Shakespeare on Film, New Casebooks (Basingstoke: Macmillan, 1998)

  Criticism

  History of Criticism

  Bate, Jonathan, Shakespeare and the English Romantic Imagination (Oxford: Clarendon Press, 1986)

  —(ed.). The Romantics on Shakespeare (London: Penguin, 1992)

  Bristol, Michael, Shakespeare’s America/America’s Shakespeare (London: Routledge, 1990)

  Dunn, Esther Cloudman, Shakespeare in America (New York: Macmillan, 1939)

  Eastman, Arthur M., A Short History of Shakespearean Criticism (New York: Random House, 1968)

  Foakes, R.A., Hamlet versus Lear: Cultural Politics and Shakespeare’s Art (Cambridge: Cambridge University Press, 1993)

  Grady, Hugh, The Modernist Shakespeare: Critical Texts in a Material World (Oxford: Clarendon Press, 1991)

  Haines, C. M., Shakespeare in France: Criticism, Voltaire to Victor Hugo (London: for the Shakespeare Association by H. Milford, Oxford University Press, 1925)

  Halpern, Richard, Shakespeare Among the Moderns (Ithaca NY: Cornell University Press, 1997)

  Hattaway, Michael, Boika Sokolova and Derek Roper (eds.), Shakespeare in the New Europe (Sheffield: Sheffield Academic Press, 1994)

  Kolin, Philip C. (ed.), Shakespeare and Feminist Criticism: An Annotated Bibliography and Commentary (New York: Garland, 1991)

  LeWinter, Oswald (ed.), Shakespeare in Europe (Harmondsworth: Penguin, 1970)

  Pascal, R. (ed.), Shakespeare in Germany: 1740-1815 (Cambridge: Cambridge University Press, 1937)

  Pechter, Edward, What Was Shakespeare? Renaissance Plays and Changing Critical Practice (Ithaca NY: Cornell University Press, 1995)

  Stavisky, A. Y., Shakespeare and the Victorians: Roots of Modern Criticism (Norman OK: University of Oklahoma Press, 1969)

  Stříbrný, Zděnek, Shakespeare and Eastern Europe (Oxford: Oxford University Press, 2000)

  Taylor, Michael, Shakespeare Criticism in the Twentieth Century (Oxford: Oxford University Press, 2001)

  Thompson, Ann, and Sasha Roberts (eds.), Women Reading Shakespeare, 1660-1900; An Anthology of Criticism (Manchester: Manchester University Press, 1997)

  Vickers, Brian, Appropriating Shakespeare: Contemporary Critical Quarrels (New Haven CT: Yale University Press, 1993)

  —(ed.), Shakespeare: The Critical Heritage, 6 vols (London: Routledge, 1974-81)

  Zhang, Xiao Yang, Shakespeare in China: A Comparative Study of Two Traditions and Cultures (London: Associated University Presses, 1996)

  General

  Alexander, Catherine M. S., and Stanley Wells (eds.), Shakespeare and Race (Cambridge: Cambridge University Press, 2000)

  —Shakespeare and Sexuality (Cambridge: Cambridge University Press, 2001)

  Atkins, G. Douglas, and David M. Bergeron, Shakespeare and Deconstruction (New York: Peter Lang, 1988)

  Berger, Harry, Imaginary Audition: Shakespeare on Stage and Page (Berkeley CA: University of California Press, 1989)

  —Making Trifles of Terrors: Redistributing Complicities in Shakespeare, ed. Peter Erickson (Stanford CA: Stanford University Press, 1997)

  Bristol, Michael D., Big-time Shakespeare (London: Routledge, 1996)

  Cavell, Stanley, Disowning Knowledge in Six Plays of Shakespeare (Cambridge: Cambridge University Press, 1987)

  Coleridge, Samuel Taylor, Coleridge’s Criticism of Shakespeare: A Selection, ed. R. A. Foakes (London: Athlone, 1989)

  Danson, Lawrence, Shakespeare’s Dramatic Genres (Oxford: Oxford University Press, 2000)

  De Grazia, Margreta, and Stanley Wells (eds.), The Cambridge Companion to Shakespeare (Cambridge: Cambridge University Press, 2001)

  Desmet, Christy, Reading Shakespeare’s Characters: Rhetoric, Ethics, and Identity (Amherst MA: University of Massachusetts Press, 1992)

  Dollimore, Jonathan, and Alan Sinfield (eds.), Political Shakespeare: Essays in Cultural Materialism, 2nd edn. (Manchester: Manchester University Press, 1994)

  Drakakis, John (ed.), Alternative Shakespeares I (London: Methuen, 1985)

  Eagleton, Terry, William Shakespeare (Oxford: Blackwell, 1986)

  Evans, Malcolm, Signifying Nothing: Truth’s True Contents in Shakespeare’s Text, 2nd edn. (Hemel Hempstead: Harvester Wheatsheaf, 1989)

  Frye, Northrop, Northrop Frye on Shakespeare, ed. Robert Sandler (New Haven CT: Yale University Press, 1986)

  Garber, Marjorie, Shakespeare’s Ghost Writers: Literature as Uncanny Causality (London: Methuen, 1987)

  Gillies, John, Shakespeare and the Geography of Difference (Cambridge: Cambridge University Press, 1994)

  Greenblatt, Stephen, Renaissance Self-fashioning: From More to Shakespeare (Chicago IL: University of Chicago Press, 1980)

  —Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (Oxford: Clarendon Press, 1988)

  Hawkes, Terence, That Shakespeherian Rag: Essays on a Critical Process (London: Methuen, 1986)

  —(ed.), Alternative Shakespeares 2 (London: Routledge, 1996)

  Hazlitt, William, Characters of Shakespeare’s Plays, with an introduction by Sir Arthur Quiller-Couch, World’s Classics (London: Oxford University Press, 1952) (First published 1817)

  Howard, Jean E., and Marion F. O’Connor (eds.), Shakespeare Reproduced: The Text in History and Ideology (London: Methuen, 1987)

  Howard, Jean E., and Scott Cutler Shershow (eds.), Marxist Shakespeares (New York and London: Routledge, 2001)

  Jardine, Lisa, Reading Shakespeare Historically (London: Routledge, 1996)

  Johnson, Samuel, Samuel Johnson on Shakespeare, ed. with an introduction and notes by Henry Woudhuysen (London: Penguin, 1989)

  Jones, Emrys, Scenic Form in Shakespeare (Oxford: Clarendon Press, 1971)

  Kastan, David Scott, Shakespeare and the Shapes of Time (London: Macmillan, 1982)

  Kernan, Alvin B., The Playwright as Magician: Shakespeare’s Image of the Poet in the English Public Theater (New Haven CT: Yale University Press, 1979)

  Knapp, Robert S., Shakespeare: The Theater and the Book (Princeton: Princeton University Press, 1989)

  Knights, L. C., ‘How Many Children Had Lady Macbeth? An Essay in the Theory and Practice of Shakespeare Criticism’, in his Explorations: Essays in Criticism, Mainly on the Literature of the Seventeenth Century (London: Chatto and Windus, 1946)

  Kott, Jan, Shakespeare Our Contemporary, trans. Boleslaw Taborski, 2ndedn. (London: Methuen, 1967)

  Loomba, Ania, and Martin Orkin (eds.), Post-Colonial Shakespeares (London: Routledge, 1998)