The author t j blake, p.20
The-Author T. J. Blake,
p.20
point there is silence along the street.
The camera then shows the staggering old
man do a double-take at the fox. He
approaches the fox, lurching from side to side
and eventually falling over in the middle of
the road. He stays on the ground and goes to
sleep.
Screams come from the house and disrupt
the neighbourhood. The fox camera shows
lights turning on in other houses. The
screaming continues and at that point, I stop
the CD.
I lean down to the player, eject the disk and
pull out the CD and snap it in half, along with
the other disks and I bury them into the
Cann’s kitchen bin.
I go back to the sofa and sit down to think.
I killed these people, it was me. All these
people are after the killer with no idea of who
it is and all this time I have been wondering
who it is and trying to defend Sandra from the
murderer and all along I was the danger to
her.
I stand up from the sofa and get myself ready
to go back to my house.
I leave the Cann’s stealthily and step out into
the early morning cold. Shola’s house is still
alight, the flames are burning strongly. The
panicking observers block my view of the
wreckage, police and fire brigade surrounding
the house.
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I walk up the path, around to the back and
inside the house through the scorched
kitchen. I step in and put the boarding of the
door back up over the gaping hole in the wall.
I go into the hallway and up the stairs to my
room. I get into my bed and lie down,
thinking everything over. I am in trouble,
what am I going to do? If I own up, I will be
going to prison for the rest of my life for a
crime I do not remember committing.
I lean over to the chest of drawers by my bed
and swig the whiskey from the bottle.
My eye lids grow heavy, my senses disperse
and I pass out.
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Missing
Tanya arises in front of me as if she was
formed from the darkness surrounding her.
Smiling, she reaches her hand out towards me
and says: “Hi Darling.”
“Oh Tan, is it really you?”
“Yes it’s me, I’m safe.”
“Where are the kids?”
“They’re downstairs darling.”
“Where are we though?”
“We’re home Ryan, you don’t need to worry
anymore, we’ve been with you the whole
time.”
“Home? Being my new home?”
“Yeah, Mulberry Lane where else would we
be? We’ve been here the whole time.”
“I don’t understand; you haven’t been here
the whole time at all.”
“We have.” Her face changes, her pupils
grow large and her irises darken.
“Are you aware of everything that’s
happened?”
“Everything,” she whispers.
“Liam Graynnil being me and me supposedly
committing all these murders?”
“I know everything and I understand,
darling.”
“Okay well you tell me what’s going on.”
Tanya pauses and stares at me.
“What do you want to know?”
“Well everything, I want to know what the
fuck is going on. In Killing for Your Love by
Liam Graynnil…”
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“You.” Tanya interrupts.
“In Liam Graynnil’s version, Daniel is me
and you’re Lizzie, correct?” Tanya nods. “So I
killed all these people and I am being hunted
down by a group of people who say I killed
you, is that correct?”
“Well yes, haven’t you read the book?” Tanya
mutters.
“I have read most of it Tan, but it doesn’t
make sense, I don’t remember the deaths, I do
not remember going out into the woods
during the night. I remember absolutely
nothing of any of that. What I really want to
know is: what is Andrew Myers to you?”
Tanya stays still. Her breathing stops and she
stares at me as if in a trance.
“So come on then, what about you and
Andrew? Have a good fuck together? Good
affair right? And then you left me and went to
live with him is that right?”
“I love you Ryan and the kids do too, please
don’t do this.”
“Answer me.”
“You won’t understand.”
“Understand why you left me for another
man? No I don’t, please explain it to me.”
“I can’t.” Tanya screams.
“Tell me now!” I shout back.
My yell blows her hair back, her expression
changes once again, her skin begins to fade
away into the darkness surrounding us.
“Did I kill Andrew Myers? Is that why he
disappeared?” I ask her calmly.
“Yes.”
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“And did I...” I try to ask a difficult question
which I fear the answer to. The answer is
going to be difficult to deal with whatever it
is. A lump forms in my throat, making it
difficult to ask in my normal voice and tears
flood down my face. I feel nauseous as I set
myself up to ask the question: “… Did I kill
you and the kids?”
Tanya pauses. She fades more. I reach out to
her and ask again.
“Did I kill you and the kids?” I shout,
repeatedly.
Tanya disappears into the darkness leaving
me alone. The room lightens up to reveal my
bedroom.
I look down to my bed to see a body under
the duvet. I look around the room; blood is
smeared across the floor. There are bloody
handprints on the door and walls. I take steps
towards the bed and grab a hold of the duvet.
I lift it to see blood on the pillow and long
strands of blonde hair. I pull the duvet off to
reveal a man soaked in blood wearing a black
suit and white shirt. The shirt is stained a light
red. On the suit, there is a name badge. I lean
across the body and read the name. My sight
not completely clear, I stare at the badge and
try to focus. I eventually manage to read it. It
says: ‘Dr Andrew Myers’. I pull away from the
body and try to focus on the face but I
cannot, for some reason my sight will not
look at significant details. I could see Tanya’s
face clearly but not Andrew’s.
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I stare at him, his face is blurred. I continue
to stare until I see his head turn slowly on the
pillow. His neck makes a cracking sound, his
blurred face is staring at mine but I cannot see
his. I try to focus, it’s still completely blurred.
Then Andrew sits up in the bed, keeping his
face toward me. My eyes focus on his closed
eyes which suddenly open to reveal his
bloodshot eyes.
We stare at each other; his eyes are
frightening, I can’t look much longer and as I
turn away to leave, he stands in front of me,
blocking the doorway. He doesn’t say a word,
he continues to stare at me, mouth slack as if
his jaw has been broken or his teeth have all
been ripped out.
I take a step back. He walks towards me,
taking a deep breath; he’s holding a knife. I
take steps back until I fall over the bed. He
stands above me and takes another deep
breath. He lifts the knife above his head and
he opens his mouth to speak…
I awaken with no feeling. I open my eyes and
stare at the light skies above me. The white
fluffy clouds and light blue sky above me.
Where am I?
I sit up and realise I’m in a woodland
clearing. Why am I here?
My feelings return to me, I feel my back
which is completely soaked and freezing cold.
I look down to my body to see that I am
wearing nothing at all, not even underwear. I
shyly look around me and see my trousers
hanging on a branch with my boxer shorts on
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the ground underneath them. I push myself
up off the ground and charge to my trousers.
I put my boxer shorts on and then pull my
trousers off the branch to see a piece of paper
on the wet leaves on the ground. I look down
to the note which reads ‘we know what you
did.’
I look at the note and put it into my pocket. I
turn around to see the naked body of a blonde
woman.
Next to her is my white shirt, dragging my
feet, I walk over to my shirt, pick it up off the
ground and take a few steps back away from
the body. I just can’t look at her. I don’t want
to see the face of this woman. I don’t
remember any of this at all. I don’t know what
happened here although I can probably guess.
I button up my shirt and look around the
woodland. Where can I go? I have no
recollection and I have no idea where I am.
I turn around and something stands out to
me. As I watch the trees sway from side to
side, I see the roof of a house; hopefully I am
not too far from Mulberry Lane. I walk
towards it and suddenly I recognise where I
am. I’ve never really paid much attention to
this part of the woodland but I look up and
see the fence around my garden and house.
The woodland is the one right behind my
house. I run up to the back gate, open it and
go into the house through the back door.
I walk into the burnt-out kitchen and through
to the hallway and up the stairs. As I walk
along the landing, I look out of each of the
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three windows at the front of my house.
There are police cars on Mulberry Lane. From
the middle window the Cann’s house has
three police cars there and Simon and Sam are
standing outside. Simon looks stressed, like
he’s just woken up. His hair is untidy; a messy
quiff and flattened on one side but normal on
the other.
I then move along to the last window and
look at where Shola’s house once was. It now
looks like a tip site. The police have blocked it
off with the blue and white police line around
the area of rubble.
I look back to the Cann’s and Sam is hugging
Simon. What is going on with the Cann’s?
I go out into the back garden and I hear feet
on the other side of Paul Brooke’s fence. I
look over to his fence. Through the gaps in
the fence, I see a figure pacing around the
garden and eventually I see Paul’s bald head
poke up.
“Hello mate.” Paul says.
“Hello.” I reply.
“God you look rough pal, late night?”
“No not really.”
“God I did, bloody awful night, got no sleep
at all because of all this going on. I have to
admit to you mate, I am scared for my family.
I hope no one tries to harm them, you know
with the Brekken's, your house catching fire,
the shitty house on the end and now all this
shit with the Cann’s...”
“What’s wrong with the Cann’s?” I interrupt
Paul, cutting his sentence off short.
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“Haven’t you heard? Bloody hell mate you’re
the one living there at the moment, Sandra
has gone missing, last night with all this stuff
with the dirty man on the end.”
The hairs on my neck stand on end, my brain
feels as if it is pumping real fast, is the woman
down in the woods Sandra?
“I didn’t know that.” I try to say normally.
“Can’t believe all this is going on around
here, there has never been trouble like this
before, it’s ever since you’ve moved here.”
Paul says, laughing nervously.
I don’t laugh at all or even smile, more than
anything, I’m terrified. I know that all this is
meant to be but it really isn’t, I’m not capable
of doing this to innocent people.
“Well mate have a good day.” Paul says as he
steps down from behind the fence.
I run back into the house, I need to know
what is going on, this house has been the
home of Liam Graynnil so there must be
some hard evidence to see if it jogs my
memory at all.
I run up to my room and pick up the metal
box that has been here since I moved in. I
look on my bed and see my green jacket. I pat
my palm onto the pockets and I feel the knife
in the pocket. I pull it out and go back over to
the box. As I stick the knife into the gap
between the box and lid, I hear knocking
downstairs.
I walk out of my room and stand at the top
of my stairs to hear voices mumbling outside.
I listen to the voices.
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“There shouldn’t be anyone in here but I
hear something from the house.” A voice
says.
“Right, I’ll go around the back and see if
anyone can get in and if anyone is inside, wait
here.” The second voice says.
And with that, I run out into the kitchen and
out the back door and I jump over the gate
and run into the woods. As I run, I look for
the blonde woman’s body, but I cannot find
it. I can’t see if it is Sandra. I go from my
house though the trees and over hanging
vines because it leads to the main road.
I reach the main road and watch the cars
whistling past, blowing a breeze into me. I
look at mothers with their push chairs and
holding their toddlers’ hands as they bounce
along the footpath.
I stop and think for a moment. Not only the
police, but Simon will find it suspicious and
wonder why I am not at his house and where
I have been. I don’t have much time to think
and it is time for me to go to the Cann’s and
get this interrogation out of the way.
I get up to the Cann’s drive before I am
stopped by Seymour and Hughes.
“Mr Milligan would you mind coming into
the house with us? We need to question you.”
Seymour says.
“What’s going on?” I ask.
“Just come inside and we’ll explain
everything.” Hughes says.
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As we enter, I see Simon and Sam sitting on
the sofa, Sam looks at me and shakes his
head. Simon stands up.
“Where the fuck have you been?” He says.
“I’ve been out all morning, I couldn’t go back
to sleep so I went out.” I reply.
“Where have you been? Did you take
Sandra?” Simon grunts.
“We’ll do the questioning here Mr Cann,
please take a seat.” Hughes says.
Simon sighs and looks to Sam, but Sam stays
seated. Simon then looks at me and slumps
onto the sofa.
“Could the both of you come with me so
Hughes and Mr Milligan can speak for a
moment? Thank you.” Seymour says and
leads the way out into the back garden.
Sam stands up from the sofa and pats Simon
on the shoulder.
“Come on dad.”
Simon stands and follows Sam out into the
garden.
Hughes sits down on the sofa where Simon
and Sam sat and I sit opposite him on an
armchair.
“Mr Milligan, Sandra Cann has gone missing
and no one knows where she is. No one has
seen her. Her phone was left here and there is
no way of contacting her. Mr Cann told us
that she wouldn’t leave home because she is
scared, so she wouldn’t go without a phone to
contact anybody. Now it doesn’t look good
that she had disappeared and so had you. So
where were you?”
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“I just went out for a walk; I do it all the time
when I’m stressed.”
“Why are you stressed?”
“Because I have a lot on my mind.”
“Like what?”
“Like my house being set alight for a start,
not seeing my wife and kids for four years; I
think that’s pretty stressful not knowing if
they’re even alive.”
“No offence Mr Milligan but that has
nothing to do with this case.”
“You asked me the fucking question of why I
would be stressed.” I bellow at him and rise
from my seat. As I stand, I stop myself from
losing my temper any more.
“Sit down.” Hughes says.












