The name of this band is.., p.49
The Name of This Band Is R.E.M.,
p.49
at Glastonbury Festival, 365
at Grand Ole Opry show, 206–7
Hibbert and, 107
Hindu Love Gods and, 214
Holsapple and, 298, 299
induction into Rock & Roll Hall of Fame, 387–88
interviews with media, 190, 191–92, 193–94, 196, 197, 201, 223–24, 244, 313, 346, 397, 404
I.R.S. Records and, 225
Kinney and, 262
on Late Night with David Letterman, 2, 3–4, 5, 6, 7
Lifes Rich Pageant and, 208
living in Athens, Ga., 46, 199, 227
living in Portland, Ore., 46
living in Seattle, Wash., 302–3, 303n, 352
“Low” and, 298
marriages of, 296, 321, 397, 404
McCaughey and, 303, 315, 321, 353, 355, 393, 405, 406
meeting R.E.M. members, 49, 51, 52, 108–9
Monster and, 301, 302, 304–5, 306
MTV’s Video Music Awards and, 273
Murmur and, 133, 134
on negotiations with Hibbert, 123
New Adventures in Hi-Fi and, 339, 350, 352
opening for the Police, 142
“Orange Crush” and, 239
Out of Time and, 263, 265, 267
Panebianco and, 228, 229
in Passaic concert for MTV Rock Influences series, 175
playing at rallies and shows for Earth Day, 262–63
post–R.E.M. life of, 404–6, 408
at Princeton University’s annual Beaux Arts Ball, 116
proposal for song credits and proceeds to be divided equally, 111
“Radio Free Europe” and, 104
reaction to Berry’s departure from R.E.M., 355, 356, 357
Reckoning and, 156
recording with Boyd, 179, 183
recording with Easter, 105–6, 117
recording with Gehman, 202
relationship with his father, 85–86
in R.E.M. videos, 217, 271, 311, 352, 362, 373–74
on R.E.M.’s connection with college students, 188–89
R.E.M.’s debut performance and, 1, 53, 54–55, 56, 57, 61, 62, 63, 64–65, 74–75, 196, 231
R.E.M.’s early bookings and, 72, 73, 74, 75–76, 93
R.E.M.’s final public performance and, 392, 399
at R.E.M.’s strategy session in 1993, 296, 299–300
Rock of the 80’s, 172
Rock on TV and, 137
“Romance” and, 213
on Saturday Night Live, 317–18
“Sitting Still” and, 103
sleeping pills and, 404–5
songwriting of, 181, 259–60
at South Africa Freedom Day celebration, 372
spring break in New York City, 57–58, 59, 386
Stipe and, 38, 44, 46–48, 328, 386
“The One I Love” and, 216
Todos Santos festival and, 405–6
touring with R.E.M., 243–44; in Accelerate Tour (2008), 391; in Monster Tour (1995), 315, 316, 319, 320, 322, 324, 327, 349; in Murmur Tour (1983), 140; in Reconstruction Tour (1985), 191–92
Up and, 352–53, 355, 360, 361
using media to build R.E.M.’s image, 140–41, 174, 312–13
in Vote for Change tour, 381, 382
Warner Bros. Records and, 229–30, 231
Williams and, 119
Wuxtry Records and, 38, 44, 46–47, 49, 61, 92, 199, 328, 386
see also R.E.M.
Buck, Violet, 78, 79, 84, 85
Buck, Zelda, 305
Buck, Zoe, 305
Burnett, T-Bone, 316
Burroughs, William S., 183
Bush, George H. W., 238, 259, 280, 281, 282, 286
Bush, George W., 380, 381, 382, 393
Butchart, Paul, 48, 56, 57, 58, 61, 64, 70
Byrds, 174, 175
C
Cale, John, 113
“Camera” (R.E.M.), 157
Campbell, Joseph, 168–69
“Campfire Song, A” (10,000 Maniacs), 285
“Candy Everybody Wants” (10,000 Maniacs), 285
“Can’t Get There from Here” (R.E.M.), 183, 185, 189
Caperton, William, 273
Capote, Truman, 34
Capricorn Records, 168, 171, 254–55
Caravaggio, 268
Care, Peter, 310, 351
Carnival (Herbert), 147–48
“Carnival of Sorts (Boxcars)” (R.E.M.), 116–17, 122, 188
Carson, Tom, 210
Carter, Jimmy, 39
Carter, Russell, 72
Cartwright, Marion, 54
Cash, Johnny, 18
“Catapult” (R.E.M.), 122, 131
Cat in the Hat, The (Seuss), 291, 293
CBS International, 225, 231
Centerfield (Fogerty), 190
“Chappaquiddick” (R.E.M.), 102
Charles, Ray, 79, 406
Charone, Barbara, 345
Cher, 274
China, 258
Christgau, Robert, 41, 58, 112, 127–28, 135, 243
Chronic Town (R.E.M.), 127–28, 130, 135, 156, 228, 306, 377
see also specific songs
C-Hundred Film Corp., 297
Clapton, Eric, 37
Clash, 28
Clayton, Adam, 284
Cleland, Max, 385
Clift, Montgomery, 293–94
Cline, Mark, 64, 98
on Buck, 92
in Love Tractor, 57, 92, 353, 354
at R.E.M.’s debut performance, 61–62
sexuality of, 312
on Stipe, 53
on University of Georgia art department, 34, 36
Clinton, Bill, 281, 282, 284, 286, 289, 301, 370
CMJ (College Media Journal), 127, 128, 160, 194, 195, 212, 384
Cobain, Kurt, 303–4, 303n, 305
Cody, Bill, 212
Cohen, Mickey, 84
Collapse into Now (R.E.M.), 393–94, 396, 397, 398, 399, 401–2
see also specific songs
College Media Journal (CMJ), 127, 128, 160, 194, 195, 212, 384
Columbia Records, 229, 230
“Come Together” (Beatles), 165
compact discs, packaging of, 280–81
Connelly, Chris, 173, 357
Considine, J. D., 242–43
Cooper, Alice, 28, 30
Copeland, Ian, 50, 97, 111, 112–13, 124, 141, 142–43, 387
Copeland, Miles, 97, 113, 118, 120, 124, 125
campaign to get R.E.M. to sign another contract, 224, 230
as the Police’s manager, 111
reaction to Lifes Rich Pageant, 205
Copeland, Stewart, 50–51
Corn Cobwebs, 199, 200, 209
Cosmic Thing (B-52’s), 275
“Country Feedback” (R.E.M.), 262, 263, 266, 325, 326, 397–98
Coupland, Douglas, 402
COVID pandemic, 403, 406, 407
Cramps, 22, 113
Craven, Joe, 78, 81–83
Creem, 21, 44, 109, 128, 210
Croker, Robert, 34, 37
Crowe, Curtis, 151
on Finster, 36
40 Watt and, 94
in Pylon and, 42, 58
on R.E.M., 231
at R.E.M.’s debut performance, 61, 64–65, 70
“Crush with Eyeliner” (R.E.M.), 324, 367
Culkin, Macaulay, 297–98
Cummings, Sue, 209–10, 376
Curry, Tim, 21
“Cuts Like a Knife” (Adams), 136
“Cuyahoga” (R.E.M.), 204, 208, 367
Czechoslovakia, 258, 261
D
Damned, 28, 44, 113
“Dancing in the Dark” (Springsteen), 190
“Dangerous Times” (R.E.M.), 102
Danko, Rick, 175
Dasht Hopes, 116, 121, 122
Dave Matthews Band, 359
Davies, Hunter, 109
Davis, Clive, 230
“Daysleeper” (R.E.M.), 362, 364, 366
Dayton, Jonathan, 316
DB Records, 41, 151
dB’s, 105, 117, 139, 214, 298, 392
Dead Letter Office (R.E.M.), 221
December, Nathan, 316, 321, 327, 354–55
Decemberists, 406
DeCurtis, Anthony, 7, 43, 156, 173, 297–98
DeJoseph, Dominic, 399
de Kooning, Elaine, 36
de Kooning, Willem, 36
Del Rey, Lana, 396
“Departure” (R.E.M.), 323, 335
Derek & the Dominos, 287
DeRogatis, Jim, 345, 346, 376
Desmond, Jim, 278, 283
Desperately Seeking Susan, 148
Dessner, Aaron, 403
Detroit Free Press, 241
Devo, 55, 136
Diana, Princess, 367
Dieckmann, Katherine, 270
“Different Girl, A” (R.E.M.), 102
“Discoverer” (R.E.M.), 399–400, 401
“Disturbance at the Heron House” (R.E.M.), 219, 261, 273, 322
Dixon, Don, 132, 155, 156, 179, 182, 185
Document (R.E.M.), 8, 218–20, 235, 237, 243
recording of, 215–16, 228
sales of, 220, 226, 257
vinyl edition of, 218
see also specific songs
Document Tour (1987), 229
Dodd, Lamar, 34
Don’t Ask, Don’t Tell policy, 370
“(Don’t Fear) The Reaper” (Blue Öyster Cult), 335
“(Don’t Go Back to) Rockville” (R.E.M.), 102, 105, 157, 162, 297, 406–7
Dorgan, Stephanie, 302–3, 303n, 305, 321, 361, 404
Dorman, Bill, 19–20
Downs, Bertis, IV, 116, 195, 229, 337, 399, 402
advising R.E.M., 342, 402; to establish their own publishing company and incorporate R.E.M., 110; on I.R.S. contract, 224
Berry and, 96, 324, 334
Buck and, 96
Hibbert and, 107, 110, 122–23
I.R.S. Records and, 125, 126
living in Athens, Ga., 279
“Losing My Religion” and, 264
mediating R.E.M.’s disagreements, 361
Monster Tour (1995) and, 296, 305, 316, 324, 334
negotiations with Warner Bros. Records, 342, 343
in Paraguay in 1992, 278
in R.E.M. video for CMJ awards, 160
Williams and, 119
“Do You Believe in Magic” (Lovin’ Spoonful), 175
Dozol, Thomas, 402
Drake, Nick, 179
“Dream On” (Aerosmith), 26
DreamWorks Records, 342–43
“Drive” (R.E.M.), 291–92, 295, 300, 310
Drive-In Studio, 105, 116, 121
“Driver 8” (R.E.M.), 178, 185, 211, 217, 354
“Drive to the Ocean” (Stipe), 403
Drivin N Cryin, 248
Dukakis, Michael, 238
Duvall, Robert, 19
Dylan, Bob, 39, 275
E
Eagle Rock Sentinel, 85
Eagles, 39, 41
Easter, Mitch, 126
Drive-In Studio of, 105–6, 116, 121
Let’s Active band of, 139, 214
R.E.M.’s recording with, 116–18, 120–22, 132, 155–57, 179, 182, 185, 298



