Complete works of willa.., p.189
Complete Works of Willa Cather,
p.189
The market was full of wood doves this morning. They were killed in great numbers hereabouts, were sold cheap, and made very delicate eating. Every fall Auclair put down six dozens of them in melted lard. He had six stone jars in his cellar for that purpose, packing a dozen birds to the jar. In this way he could eat fresh game all winter, and, preserved thus, the birds kept their flavour. Frozen venison was all very well, but feathered creatures lost their taste when kept frozen a long while.
Auclair carried his purchases over to the cart of his butter-maker, Madame Renaude. Renaude-le-lièvre, she was called, because she had a hare-lip, and a bristling black moustache as well. She was a big, rough Norman woman, who owned seven cows, was extremely clean about her dairy, and quite the reverse in her conversation. In the town there was keen competition for her wares; but as she was rheumatic, she was more or less in thralldom to the apothecary, and seldom failed him.
“Good morning, Madame Renaude. Have you my lard for me this morning, as you promised? I must buy my wood doves today.”
“Yes, Monsieur Auclair, and I had to kill my pet pig to get it for you, too; one that had slept under the same roof with me.”
She spoke very loud, and the farmer at the next stall made an indecent comment.
“Hold your dirty jaw, Joybert. If I had a bad egg, I’d paste you.” Old Joybert squinted and looked the other way. “Yes, Monsieur Auclair, you never saw such lard as he made, as sweet as butter. He made two firkins. Surely you won’t need so much, — I can sell it anywhere.”
“Yes, indeed, madame, I shall need every bit of it. Six dozen birds I have to put down, and I can’t do with less.”
“But, monsieur, what do you do with the grease after you take your doves out?”
“Why, some of it we use in cooking, and the rest I think my daughter gives to our neighbours.”
“To that Blinker, eh? That’s a waste! If you were to bring it back to me, I could easily sell it over again and we could both of us make something. The hunters who come up from Three Rivers in winter carry nothing but cold grease to fill their bellies. You forget you are not in France, monsieur. Here grease is meat, not something to throw to criminals.”
“I will consider the matter, madame. Now that I am sure of my lard, I must go and select my birds. Good morning, and thank you.”
After he had finished his marketing, Auclair put his basket down on the church steps and went inside to say a prayer. Notre Dame de la Victoire was a plain, solid little church, built of very hard rough stone. It had already stood through one bombardment from the waterside, and was dear to the people for that reason. The windows were narrow and set high, like the windows in a fortress, making an agreeable dusk inside. Occasionally, as someone entered to pray, a flash of sunlight and a buzz of talk came in from the Place, cut off when the door closed again.
While the apothecary was meditating in the hush and dusk of the church, he noticed a little boy, kneeling devoutly at one after another of the Stations of the Cross. He was at once interested, for he knew this child very well; a chunky, rather clumsy little boy of six, unkept and uncared for, dressed in a pair of old sailor’s breeches, cut off in the leg for him and making a great bulk of loose cloth about his thighs. His ragged jacket was as much too tight as the trousers were too loose, and this gave him the figure of a salt-shaker. He did not look at Auclair or the several others who came and went, being entirely absorbed in his devotions. His lips moved inaudibly, he knelt and rose slowly, clumsily, very carefully, his cap under his arm. Though all his movements were so deliberate, his attention did not wander, — seemed intently, heavily fixed. Auclair carefully remained in the shadow, making no sign of recognition. He respected the child’s seriousness.
This boy was the son of ‘Toinette Gaux, a young woman who was quite irreclaimable. Antoinette was Canadian-born; her mother had been one of the “King’s Girls,” as they were called. Thirty years ago King Louis had sent several hundred young Frenchwomen out to Canada to marry the bachelors of the disbanded regiment of Carignan-Salières. Many of these girls were orphans or poor girls of good character; but some were bad enough, and ‘Toinette’s mother proved one of the worst. She had one daughter, this ‘Toinette, — as pretty and as worthless a girl as ever made eyes at the sailors in any seaport town in France. It once happened that ‘Toinette fell in love, and then she made great promises of reform. One of the hands on La Gironde had come down with a fever in Quebec and was lying sick in the Hôtel Dieu when his ship sailed for France. After he was discharged from the hospital, he found himself homeless in a frontier town in winter, too weak to work. ‘Toinette took him in, drove her old sweethearts away, and married him. But soon after this boy, Jacques, was born, she returned to her old ways, and her husband disappeared. It was thought that his shipmates had hidden him on board La Gironde and taken him home.
‘Toinette and another woman now kept a sailors’ lodging-house in the Lower Town, up beyond the King’s warehouses. They were commonly called La Grenouille and L’Escargot, because, every summer, when the ships from France began to come in, they stuck in their window two placards: “FROGS,” “SNAILS,” to attract the hungry sailors, whether they had those delicacies on hand or not. ‘Toinette, called La Grenouille, was still good to look at; yellow hair, red cheeks, lively blue eyes, an impudent red mouth over small pointed teeth, like a squirrel’s. Her partner, the poor snail, was a vacant creature, scarcely more than half-witted, — and the hard work, of course, was put off on her.
This unfortunate child, Jacques, in spite of his bad surroundings, was a very decent little fellow. He told the truth, he tried to be clean, he was devoted to Cécile and her father. When he came to their house to play, they endeavoured to give him some sort of bringing-up, though it was difficult, because his mother was fiercely jealous.
It was two years ago, soon after her mother’s death, that Cécile had first noticed Jacques playing about the market place, and begun to bring him home with her, wash his face, and give him a piece of good bread to eat. Auclair thought it natural for a little girl to adopt a friendless child, to want something to care for after having helped to care for her mother so long. But he did not greatly like the idea of anything at all coming from La Grenouille’s house to his, and he was determined to deprive Cécile of her playfellow if he saw any signs of his bad blood. Observing the little boy closely, he had come to feel a real affection for him.
Once, not long ago, when the children were having their goûter in the salon, and the apothecary was writing at his desk, he overheard Jacques telling Cécile where he would kick any boy who broke down his beaver-dam, and he used a nasty word.
“Oh, Jacques!” Cécile exclaimed, “that is some horrible word you have heard the sailors say!”
Auclair, glancing through the partition, saw the child’s pale face stiffen and his round eyes stare; he said nothing at all, but he looked frightened. The apothecary guessed at once that it was not from a sailor but from La Grenouille herself he had got that expression.
Cécile went on scolding him. “Now I am going to do what the Sisters at the convent do when a child says anything naughty. Come into the kitchen, and I will wash your mouth out with soap. It is the only way to make your mouth clean.”
All this time Jacques said nothing. He went obediently into the kitchen with Cécile, and when he came back he was wiping his eyes with the back of his hand.
“Is it gone?” he asked solemnly.
This morning, as Auclair watched Jacques at his devotions, it occurred to him that the boatmen who brought the merchants up from Montreal to see the Count were doubtless staying with La Grenouille. Likely enough something rowdy had gone on there last night, and the little boy felt a need of expiation. The apothecary went out of the church softly and took up his basket. All the way up the hill he wondered why La Grenouille should have a boy like that.
When he reached home, he called Cécile, who was busy in the room upstairs, where she slept until cold weather. As he gave her his basket, he asked her whether she had seen Jacques lately.
“No, I haven’t happened to. Why, is anything the matter?”
“Oh, nothing that I know of. But I saw him in church just now, saying his prayers at the Stations of the Cross, and I felt sorry for him. Perhaps he is getting old enough to realize.”
“Was he clean, Papa?”
The apothecary shook his head.
“Far from clean. I never saw him so badly off. His toes were sticking out of his shoes, and when he knelt I could see that he had no stockings on.”
“Oh, dear, and I have never finished the pair I began for him! Papa, if you were to let me off from reading to you for a few evenings, I could soon get them done.”
“But his shoes, daughter! It would be a mere waste to give the child new stockings. And shoes are very dear.”
Cécile sat down for a moment and thought, while her father put on his shop apron. “Papa,” she said suddenly, “would you allow me to speak to the Count? He is kind to children, and I believe he would get Jacques some shoes.”
II
THAT AFTERNOON CÉCILE ran up the hill with a light heart. She was always glad of a reason for going to the Château, — often slipped into the courtyard merely to see who was on guard duty. Her little friend Giorgio, the drummer boy, was at his post on the steps before the great door, and the moment he saw Cécile he snatched his drumsticks from his trousers pocket and executed a rapid flourish in the air above his drum, making no noise. Cécile laughed, and the boy grinned. This was an old joke, but they still found it amusing. Giorgio was stationed there to announce the arrival of the commanding officer, and of all distinguished persons, by a flourish on his drum. The drum-call echoed amazingly in the empty court, could be heard even in the apothecary shop down the hill, so that one always knew when the Count had visitors.
Cécile told the soldier on duty that she would like to see Picard, the Count’s valet, and while she waited for him, she went up the steps to talk with Giorgio and to ask him if his cold were better, and when he had last heard from his mother.
The boy’s real name was Georges Million; his family lived over on the Île d’Orléans, and his father was a farmer, Canadian-born. But the old grandfather, who was of course the head of the house, had come from Haute-Savoie as a drummer in the Carignan-Salières regiment. He played the Alpine horn as well, and still performed on the flute at country weddings. This grandson, Georges, took after him, — was musical and wanted nothing in the world but a soldier’s life. When he was fifteen, he came into Quebec and begged the Governor to let him enter the native militia. He was very small for his age, but he was a good-looking boy, and the Count took him on as a drummer until he should grow tall enough to enlist. He put him into a blue coat, high boots, and a three-cornered hat, and stationed him at the door to welcome visitors. For some reason the Count always called him Giorgio, and that had become his name in Quebec.
Giorgio’s life was monotonous; his duties were to keep clean and trim, and to stand perfectly idle in a draughty courtyard for hours at a time. There were very few distinguished persons in Quebec, and not all of those were on calling terms with Count Frontenac. The Intendant, de Champigny, came to the Château when it was necessary, but his relations with the Count were formal rather than cordial. Sometimes, indeed, he brought Madame de Champigny with him, and when they rolled up in their carrosse, Giorgio had a great opportunity. Old Bishop Laval, who would properly have been announced by the drum, had not crossed the threshold of the Château for years. The new Bishop had called but twice since his return from France. Dollier de Casson, Superior of the Sulpician Seminary at Montreal, was a person to be greeted by the drum, and so was Jacques Le Ber, the rich merchant. Sometimes Daniel du Lhut, the explorer in command of Fort Frontenac, came to Quebec, and, very rarely, Henri de Tonti, — that one-armed hero who had an iron hook in place of a hand. For all Indian chiefs and messengers, too, Giorgio could beat his drum long and loud. This form of welcome was very gratifying to the savages. But often the days passed one after another when the drummer had no one to salute but the officers of the fort, and life was very dull for him.
When a friendly soldier was on guard, Cécile would often run in to give the drummer boy some cardamon seeds or raisins from her father’s shop, and to gossip with him for a while. This afternoon their talk was cut short by the arrival of the Count’s valet, through whom one approached his master. Picard had been with the Count since the Turkish wars, and Cécile had known him ever since she could remember. He took her by the hand and led her into the Château and upstairs to the Count’s private apartment in the south wing.
The apartment was of but two rooms, a dressing-cabinet and a long room with windows on two sides, which was both chamber and study. The Governor was seated at a writing-table in the south end, a considerable distance from his fireplace and his large curtained bed. He was nearly eighty years old, but he had changed very little since Cécile could remember him, except that his teeth had grown yellow. He still walked, rode, struck, as vigorously as ever, and only two years ago he had gone hundreds of miles into the wilderness on one of the hardest Indian campaigns of his life. When Picard spoke to him, he laid down his pen, beckoned Cécile with a long forefinger, put his arm about her familiarly, and drew her close to his side, inquiring about her health and her father’s. As he talked to her, his eyes took on a look of uneasy, mocking playfulness, with a slightly sarcastic curl of the lips. Cécile was not afraid of him. He had always been one of the important figures in her life; when she was little she used to like to sit on his knee, because he wore such white linen, and satin waistcoats with jewelled buttons. He took great care of his person when he was at home. Nothing annoyed him so much as his agent’s neglecting to send him his supply of lavender-water by the first boat in the spring. It vexed him more than a sharp letter from the Minister, or even from the King.
After replying to his courtesies Cécile began at once:
“Monsieur le Comte, you know little Jacques Gaux, the son of La Grenouille?”
The old soldier nodded and sniffed, drooping the lid slightly over one eye, — an expression of his regard for a large class of women. She understood.
“But he is a good little boy, Monsieur le Comte, and he cannot help it about his mother. You know she neglects him, and just now he is very badly off for shoes. I am knitting him some stockings, but the shoes we cannot manage.”
“And if I were to give you an order on the cobbler? That is soon done. It is very nice of you to knit stockings for him. Do you knit your own?”
“Of course, monsieur! And my father’s.”
The old Count looked at her from out his deep eye-sockets, and felt for the hard spots on her palm. “You are content down there, keeping house for your father? Not much time for play, I take it?”
“Oh, everything we do, my father and I, is a kind of play.”
He gave a dry chuckle. “Well said! Everything we do is. It gets rather tiresome, — but not at your age, perhaps. I am very well pleased with you, Cécile, because you do so well for your father. We have too many idle girls in Kebec, and I cannot say that Kebec is exceptional. I have been about the world a great deal, and I have found only one country where the women like to work, — in Holland. They have made an ugly country very pretty.” He slipped a piece of money into her hand. “That is for your charities. Get the frog’s son what he needs, and Picard will give Noël Pommier an order for his shoes. And is there nothing you would like for yourself? I have never forgot what a brave sailor you were on the voyage over. You cried only once, and that was when we were coming into the Gulf, and a bird of prey swooped down and carried off a little bird that perched on one of our yard-arms. I wish I had some sweetmeats; you do not often pay me a visit.”
“Perhaps you would let me look at your glass fruit,” Cécile suggested.
The Count got up and led her to the mantelpiece. Between the tall silver candlesticks stood a crystal bowl full of glowing fruits of coloured glass: purple figs, yellow-green grapes with gold vine-leaves, apricots, nectarines, and a dark citron stuck up endwise among the grapes. The fruits were hollow, and the light played in them, throwing coloured reflections into the mirror and upon the wall above.
“That was a present from a Turkish prisoner whose life I spared when I was holding the island of Crete,” the Count told her. “It was made by the Saracens. They blow it into those shapes while the glass is melted. Every piece is hollow; that is why they look alive. Here in Canada it reminds one of the South. You admire it?”
“More than anything I have ever seen,” said Cécile fervently.
He laughed. “I like it myself, or I should not have taken so much trouble to bring it over. I think I must leave it to you in my will.”
“Oh, thank you, monsieur, but it is quite enough to look at it; one would never forget it. It is much lovelier than real fruit.” She curtsied and thanked him again and went out softly to where Picard was waiting for her in the hall. She wished that she could some time go there when the Count was away, and look as long as she pleased at the glass fruit and at the tapestries on the walls of the long room. They were from his estate at Île Savary and represented garden scenes. One could study them for hours without seeing all the flowers and figures.












