Duende, p.15
Duende,
p.15
the fog overhead hung low, over oakland, thick as a mattress
where you laid down your head full of dreams & painted images in full view
of the bay bridge, stretching, like one of your elegant lines through our view
here, outside skates window, the sun plunging like one of your painted
faces into the rabid wash of gray waves, the wind slapping salt tears across
our faces, creased, as the american flag is streaked with a rainbow of colors
here, where we were what we always thought we were, on this day
when the moment heaved up the water surging, like our dreams
& we were riding these bucking horse waves breaking across
the duned, kicking waters, mirrored & beautiful, we were strong
as we always knew we would be, our view unbroken from here, in skates
under the dazzling sunlight of our dreams, streaming across the jet stream
high up in the turbulent afternoon of our heads, light & luminous
we were homeboys, oliver, on this rare shimmering day filled with flight
homeboys, oliver, on this rare shimmering day filled with light
from
CHORUSES
I.
SONG
words & sounds that build bridges toward a new tongue
within the vortex of cadences, magic weaves there
a mystery, syncopating music rising from breath of the young
the syllables spraying forward like some cloud or mist hung
around the day, evening, under street lamps, yeasting air, where
words & sounds that build bridges toward a new tongue
gather, lace the language like fireflies stitching the night’s lungs,
the rhythms of new speech reinventing themselves with a flair
a mystery, syncopating music, rising from breath of the young,
where the need for invention at the tongue’s edge, high-strung,
at the edge of the cliff, becomes a risk-taking poet who shares
words & sounds that build bridges toward a new tongue,
full of wind & sun, sweet breath feeds poetry as from art’s aqualungs
under the blue sea that is sky, language threads itself through air,
a mystery, syncopating music, rising from breath of the young,
is a solo snatched from the throat of pure utterance, sung,
are wordsmiths blues-ing cadences, weaving lines into prayers,
words & sounds that build bridges toward a new tongue—
a mystery, syncopating music, rising from breath of the young
SESTINA FOR 39 SILENT ANGELS
there was no screaming to announce hale-bopp’s comet’s second tail
no screaming when those 39 people left their bodies—
their containers—behind, covered their faces with purple
silk shrouds, folded triangles, lay down smiling & fell into the steep sleep
marshall applewhite had prescribed for them, deep inside that death
mansion in rancho santa fe, they knew themselves as angels,
sleuths at creating web sites, cruising internet, space angels
flying on wings of ancient dreams upward to hale-bopp’s comet tail,
(& the only way to get there through the invisible doorway of death)
launched through skies of their minds, they willed their bodies
on earth, as people of jonestown did, to be recycled through sleep
bodies board-stiff & bloated, looking for peace, skin purple
going black as the clothes they wore, covered 39 faces with purple
symbols the color of lenten holy week when jesus rose up to join angels,
39 travelers wore black nike shoes, weaved through 39 catacombs of sleep,
dreamed themselves up like 39 shooting stars to hale-bopp comet’s tail
of silver ice, where they would transform their—
18 buzz-haired castrated males, 21 females surfing death’s
internet—to pass through heaven’s gate’s needle eye—& death
not even a stopover here for these souls to rest dressed in black & purple,
quarters for phone calls, 5 dollar bills for whatever urges their bodies
needed—before flying through space 39 dreams, they would be truly angels
rendezvousing with the mothership hidden inside hale-bopp’s comet’s tail
live with extraterrestrials there in a sleeve of silver ice after sleep
cuts them loose to flow through steep mystery above as sleep
like rocket fuel fell over stages, left them asphyxiated in death
after phenobarbital, apple sauce, & vodka, they knew the silver ice tail
as the sign they were waiting for to cover themselves with shrouds of purple,
leave behind computer screens—skies—they flew purely as angels
now towards a higher source than conflicting urges of their bodies—
a tangle of websites, conquered & controlled, their bodies—
surrendering the improvisation of living, they swam in sleep
drifting slowly as motorless boats on the sea—were homeless angels-
took 39 pot pies & cheesecakes for their journey, they kissed death
hard with dry mouths, 39 people down from 1000, pursed lips of purple
open in wonder, they flew up to enter hale-bobb comet’s tail
of silver ice particles, gaseous bodies grinning there like death
skulls flashing inside sleep, inside where eye am dreaming now of purple,
faith flashing bright as new angels inside hale-bopp’s comet’s third tail
FORTY-ONE SECONDS ON A SUNDAY IN JUNE, IN SALT LAKE CITY, UTAH
for Michael Jordan
rising up in time, michael jordan hangs like an icon, suspended in space,
cocks his right arm, fires a jump shot for two, the title game on the line,
his eyes two radar screens screwed like nails into the mask of his face
bore in on the basket, gaze focused, a thing of beauty, no shadow, or trace,
nor hint of fear, in this, his showplace, his ultimate place to shine,
rising up in time michael jordan hangs like an icon, suspended in space,
after he has moved from baseline to baseline, sideline to sideline, his coal-face
shining, wagging his tongue, he dribbles through chaos, snaking serpentine,
his eyes two radar screens screwed like nails into the mask of his face,
he bolts a flash up the court, takes off, floats in for two more in this race
for glory, it is his time, what he was put on earth for, he can see the headline,
rising up in time, michael jordan hangs like an icon, suspended in space,
inside his imagination, he feels the moment he will embrace, knows his place
is written here, inside this quickening pace of nerves, he will define,
his eyes two radar screens screwed like nails into the mask of his face,
inside this moment he will rule on his own terms, quick as a cat he interfaces
time, victory & glory, he crosses over his dribble he is king of this shrine,
rising up in time, michael jordan hangs like an icon, suspended in space,
his eyes two radar screens screwed like nails into the mask of his face
II.
GRAY DAY IN JANUARY IN LA JOLLA
for Porter Sylvanus Troupe
the day absent of sun, troubles in over plush hill tops
threatening rain, cool hours mist towards noon
wearing gray shawls of vapor, patches of blue peek through
ragged spaces punched in clouds, look like anxious eyes of scandinavians
worrying through their skins when they see snow storms coming,
in a place cold & white as anything imaginable, eye look
past green foliage touched with hints of autumn shivering
like a homeless white man in a harlem doorway in february,
look past white ice storms freezing the nation, all the way to the capital,
on martin luther king day, standing there on heated stone, bill
clinton takes his second oath of office, as rumors swirl around him
posing as vultures devouring an abandoned blood kill,
he lays out a vision for the future as good old boys dumped
like pilsbury dough into their rumpled suits fight back yawns, eyes
boring into the back of clinton’s head like cold barrels of shotguns,
the cheers of the massive crowd punctuated by gun salutes,
tries beating back the cold of this day sweeping in from the artic,
flags popping trembling wings crackover the capitol,
as jessye norman takes us where we have to go, singing:
america, america, God shed his grace on thee, & crown thy good
with brotherhood, from sea to shining sea
but we remember the reality of ennis cosby’s senseless death, on this day
out here in the west, where everything seems so cozy & warm, where
time wears the laid back attitude of a surfer crouched on a board,
riding an incoming wave, eye see climbing up invisible ladder rungs,
deep in his imagination, the growing power of my son
porter’s angular body, all arms & legs now, eyes peering out innocent
but knowing, laid back but cold, his mind calculating the distance
his thirteen-year-old body must conquer before he understands
the meaning of roads he has just walked over pigeon-toed,
clouds breaking across tops of hillsides, light shimmying in golden
blue, the sky widening into this moment bright as anywhere
clear & warm, the voice of jessye norman touching the blues breaks through
radio, her voice evoking history washes through this poem,
implanting hints of lady day’s warning of “strange fruit,”
as the threat of another storm gathers itself—as love
& hatred everywhere—north of here, above san francisco,
porter & eye see shadows of clouds lengthening here in la jolla
see them spreading down hillsides like dark amoebas, mirth,
ragged as edges of daylight slipping toward darkness,
the air cool with mist now, the hour decked out in gray shawls,
cloud vapors now puffing into shapes of dolphins, whales
sharks cruising a sky cold as these waters off the coastline
MOTHER
for Dorothy Smith Marshall
when eye was growing up she used to sit in the bathroom, each & every
morning, smoking kool cigarettes, drinking hot coffee, reading newspapers,
a hard toilet seat caressing her derrière, reading glasses in place,
serious as cancer, the way her eyes devoured everything,
finished newspapers stacked up high as her waistline when she stood
proud, erect, defiant, all of five feet two inches tall in high heel shoes, petite
she was a pistol when she was young, eyes blazing, boring in
like bullets when her temper squeezed the trigger of her ire,
hard, her rage angry scars she raised on me & my brother’s backs & legs,
dealt out with ironing cords that hissed through the air like whips, coiled snakes
about to strike, it was her mother’s influence (she was scared to death of her
mother—mama to me & my brother timmy—) who believed in retribution,
payback, fear, to the bitter end we watched mama slap mother around hard,
once or twice, for some perceived transgression or indiscretion,
but we loved them both deeper than fear itself,
loved mother, mama too, because we knew we were a lot to handle—
my brother & me—born to do mischief in a neighborhood full of young thieves,
malcontents, murderers-to-be, you name it, they thrived & flourished there—
the good & straight thieves we rejected out of hand as past tense, negro, square
as blocks we played with once until we wrapped hands around straight razors—
so she cracked the whip hard, raised welts on our backs & hardening butts,
legs & arms, kept fear alive in us, to keep us in line & alive
she always ha books around the house, introduced me to poetry & novels
wanted to be a schoolteacher, raising me & my brother got in the way of that
& as she grew older she left a string of glassy-eyed suitors
in her wake, my father being the first who didn’t make it all the way
home, where her sweet perfume trailed through the air like flowers
blooming fresh in springtime, gardenias of lady day, sometimes
jasmine, or roses, it depended on her mood, but there was always something
about her that kept them coming back for more, time & again,
whatever she had bewitched them with, her charm, maybe,
that could be dazzling as the smile flashing above her sensuous walk
that beckoned, her step so light she seemed to float through air, meriny-yellow
in skin tone, plum, cushiony lips, splashed bright red & full, smooth,
she called herself a party girl—though she was always much more than this,
though she was this too—with a great sense of style, dressed to kill cock-
robin, could press pedal to the metal out on the dance floor,
she caused heads to swivel on necks like spinning tops
whenever she passed, her fragrance tantalizing nostrils,
trailing behind her like a sweet-smelling, invisible plume
she’s in her eighties now, still sits on the toilet each & every morning,
repeating the same ritual, only now she doesn’t smoke anymore,
everybody’s gone to the other side on her side of the family—mama,
her brothers garfield & allen, aunts & uncles, cousins, her daddy, mine too—
men her age still sniff behind her glassy eyed, whenever she honors them
when she looks their way, still a fashion plate, the best of her time, her smile
remains dazzling, her skill to squeeze copper from a penny, squirrel away
money—a survivor of the depression, she is tenacious—for rainy days,
she’s softer now, tells me she loves me every time we speak
over the telephone, tells me, with regret, she could have done better by me
but that’s hogwash, because she did the best she could with what she had,
that was more than enough to get us through all the madness,
she is still a pistol at 81, has all of her real teeth, too, has outlived all of her
suitors, except this last one, biff, who she says is slowing down at 79,
still walks with a bounce in her stride, seems to still float across
& through the air, her eyes blazing bore in on you still like bullets
whenever she squeezes the trigger of her temper, ire
& eye love her more than eye could ever imagine,
love her far deeper than fear itself
JEREZ DE LA FRONTERA
for Peter
1.
in the deep black hours of jerez, after midnight, margaret is a mummy
wrapped in a white sheet where she sleeps, in the dead of night, she lies
in the center of our bed, stiff as demeanors of some european aristocrats, peter,
your house quiet as church mice sniffing gold leaf pages of a book of sacrament,
a cool breeze licking in over white walls & slanted roofs from the east filters
heat, announces morning light is not far off, wedded, as it is, to daybreak, soon
the white bridal gown of first light will spread out its hem, lift its white lace
veil, while a lengthening train of clues breaks the dark into spreading
blues, which are current everywhere, common as lyrics of muddy waters,
john lee hooker, lightnin’ hopkins, somewhere deep inside
a snoring voice of lament breaks through the last vestiges of quiet hours,
at the center of a slippery moment full of dreaming, a motor bike zips through,
leaning around corners, it escalates the language of its speed as it shoots, veers,
clues itself into somewhere it is due, gearing down towards silence as it blows
past white walls & roofs collaged in bold relief against a spangled black sky,
they look like still lifes from my second floor window over the garden,
while margaret’s sweet fragrance rises like seduction from where she sleeps,
her body a stand-in for a mummy wrapped in white linen, her face sweet,
is turned toward the window as if to kiss first light when it comes
2.
now a sliver of moon smiles through our room above the tiny chimneys,
they seem to wear small hats cocked ace-duce, like the icon of tio pepe sherry,
peter has told us of the burning hot wind of dust & fire called la vente,
which brings grief from the east, when the weather vane’s arrow head points
in the direction of seville, granada’s alhambra, lorca’s moorish part of andalusia,
its craggy mountain peaks sharp as alligator teeth, their skin the color of chalk
brown mixed with ochre, greens, reds, white villages & towns—
& one the shape of one of miro’s floating birds—sweep across this heat-
stricken landscape of late august, up & down rolling, warbled landscapes,
rendered mysterious by el greco’s surreal, strangely beautiful canvases,
they seem to be rising up from some moonscape, somber dream,
but today the weather vane arrows north, towards madrid & morning
breaks through smells of coffee, footsteps that crack hard as castanets, or skulls
being popped open when smashed against old cobblestone streets, spilled brandy
that stained tiled squares checkerboarding the walkway of the plaza plateros
last night, is being washed clean, right before daylight breaks apart my dreams,
eye hear in the center of my imagination the roar of a bullring, erupting

