Duende, p.29
Duende,
p.29
trying to create a form
history can walk through as pure poetry
rooted in language of place
UNTITLED 5
poetry is form, draws from nothingness, song seeking language to create
metaphor, meaning, a vehicle through which words shape themselves into sound,
local elocutions mapping birdcalls, grunts, slippage of puns, wordplays, jokes,
the march of history’s impact on tongues, words, the chance mixing of races
splices mestizo voices, tongues simmered down in pots of creole culture,
food we eat today is language won or lost
UNTITLED 6
throw the bones again to see
where the dice stop rolling through life’s chief moments of chance, do they roll stopping
with snake-eyes, seven/eleven turning up inside luck, ability
raised up from cultural fusion, risk, fresh modes, language echoing the new
UNTITLED 7
poetic language rolls off tongues like dice throws, words tumble through poems risking
they might fall off cliffs of sheer rock-face meters, rhythms suddenly breaking
backs of sentences, veering in another direction, alongside chance,
risk the only way to dance with creation, expression, art, politics
in the hands of poets become high-wire acts balancing cool survival,
creative voices walk through space, joyously
UNTITLED 8
snake eyes in eyes of hustlers,
pimps, who throw their lives into moments of death, snake eyes in stares of lizards,
who slither belly-down through sawgrass, people, snake eyes fixed in eyes of men
shooting bullets with their gazes, guns firing, snake eyes empty of beauty
UNTITLED 9
on the first throw of words tumbling off tongues, risk, chance takes over, becomes birds,
spreads wings, lifts off into space, is a solo, music as air beneath wings,
breath of notes is a chance to where wind takes poems in the moment art lives, thrives,
takes off as tongue when rhythm rolls as thrown dice
huck-a-bucking across floors, carrying the sound of possibility artists creating in air
carved out by miles davis, monk, jimi hendrix
UNTITLED 10
where is the courage to sing
songs no one plays over airways, radios, television, internets,
where are great poets celebrated as news
anywhere in this country,
their poems & faces splashed all over tv
like that of sarah palin
UNTITLED 11
it is late in the game when new dice are thrown again, where did the risk go
with the early throw of the bones, time always moves in the moment of now,
choices thrown across gambling tables become the present voices, the new
throw of language as dice roll toward edges, chance, risk, art lived in the margins
where great poetry creates in peril, loss the name of the modern game,
is fame, the throw of cold dice, no matter what
* I grew up in the inner city of St. Louis, Missouri, and I watched older and younger people—mostly men—gambling when they played the game of dice. Some were killed because one of their adversaries perhaps thought they were cheating, though sometimes it was for winning a great deal of money, which made their opponents mad. So in my mind playing the game of dice contains within its mandate an essential element of risk and chance. Seven/Elevens is my attempt to create a new form based on the roll of the dice and the elements of chance and risk embedded in that game. To put it simply the form goes like this: in the “seven,” the poem is seven lines, with alternating seven- and eleven-syllabic lines, beginning with a line of seven syllables. With the “elevens,” the poem is eleven lines of alternating eleven- and seven-syllabic lines, beginning with an opening line of eleven syllables.
In my view of the form the series of poems opens with the seven form, with the next form being an eleven, though I don’t see the form necessarily conforming to this strict configuration. For me the idea is to write poems that address risk, chance, as the throw of the dice does when someone is gambling, because in my view life and living is always about taking risk. Even if one approaches life conservatively, there is no way to predict what will confront you while passing through the daily activity of breathing and living.
VII.
ERRANÇITIES
for Edouard Glissant
1.
the mind wanders as a line of poetry taking flight meanders
in the way birds spreading wings lift into space knowing
skies are full of surprises like errançities encountering restless
journeys as in the edgy solos of miles davis or jimi hendrix
listen to night-song of sea waves crashing in foaming with voices
carrying liquid histories splashing there on rock or sandy shores
after traveling across time space & distance it resembles a keening
language of music heard at the tip of a sharp blade of steel
cutting through air singing as it slices a head clean from its neck
& you watch it drop heavy as a rock landing on earth & rolling
like a bowling ball the head leaving a snaking trail of blood reminding
our brains of errançities wandering through our lives every day
as metaphors for restless movement bring sudden change
surprise in the way you hear errançities of double meaning
layered in music springing from secret memories as echoes
resounding through sea & blue space is what our ears know
& remember hearing voices speaking in tongues carrying history
blooming as iridescent colors of flowers multifarious as rainbows
arching across skies multilingual as joy or sorrow evoked inside
our own lives when poetic errançities know their own forms
2.
what is history but constant recitations of flawed people pushed
over edges of boundaries of morality pursuing wars pillage
enslavement of spirits is what most nations do posing as governing
throughout cycles of world imagination plunder means profit
everywhere religion is practiced on topography as weapons used
as tools written in typography to conquer minds to slaughter for gold
where entire civilizations become flotsam floating across memory seas
heirloom trees cut down as men loot the planet without remorse
their minds absent of empathy they remember/know only greed
these nomadic avatars of gizzard-hearted darth vaders who celebrate
“shock-doctrines” everywhere ballooning earnings-sheet bottom lines
their only creed for being on earth until death cuts them down
3.
but poetry still lives somewhere in airstreams evoking creative breath
lives in the restless sea speaking a miscegenation of musical tongues
lives within the holy miracle of birds elevating flight into dreams & song
as errançities of spirits create holy inside accumulation of daybreaks
raise everyday miraculous voices collaborating underneath star-nailed
clear black skies & the milky eye of a full moon over guadeloupe
listen to the mélange of tongues compelling in nature’s lungs in new york
city tongues flung out as invitations for sharing wondrous songs
with nature is a summons to recognize improvisation as a surprising path
to divergence through the sound of scolopendra rooted somewhere here
in wonder when humans explode rhythms inside thickets of words/puns
celebrating the human spirit of imagination is what poets seek
listen for cries of birds lifting off for somewhere above the magical
pulse of sea waves swirling language immense with the winds sound
serenading us through leaves full of ripe fruit sweet as fresh water
knowing love might be deeper than greed & is itself a memory
a miracle always there might bring us closer to reconciliation inside
restless métisse commingling voices of errançities wandering within
magic the mystery of creation pulling us forward to wonder to know
human possibility is always a miraculous gift is always a conundrum
JUST THINK ABOUT IT
just think about it sometimes all you need do is open
a door, walk through it perhaps out into open space,
walk into the world, whether it’s cold, or warm, then go
whatever direction your mind of errançities takes you,
go quickly, or slowly, but move resolutely through this moment
with your eyes wide open, your wandering brain, but move forward
toward something perhaps you haven’t thought to do before,
whatever it is let there be beauty in it spreading light, meaning,
open yourself up to new music, people, vistas, spontaneous
improvisations of the day, rhythms carrying possibilities to unlock
secrets of this moment, perhaps will lead you to look into things,
people you never focused on before you walked through the door,
perhaps the opening will reveal yourself to yourself—revelation—
perhaps now you might feel different for the rest of your life
LOOKING INTO THE FUTURE
eye have spent much time looking into the future
elusive as it is sometimes hidden
inside a word a poetic line a sliver
fracturing a fragment breaking away from a flowing
conversation bursting from what someone just said
within a bright moment of elucidation
then perhaps eye might come upon it outside
a lyrical color-field of phrases becoming metaphor
as in a poem creating itself in an empty space
a white page or a secret place inside
the brain a painting forming on a blank canvas
after all is said & done maybe it will spring from
some woman’s face luminous with spiritual beauty
carrying a deep elegant élan beyond
what can be captured in any photo is only close
to human feeling the heart knows but cannot explain
on an empty page during the rapture of composing
poetry is as elusive as the future
when all you see is perhaps a trembling outline
suggesting a shape a direction you are searching for
a presence pulsating with what you hope
is luminous with a pure beauty your heart will embrace
in side a clear moment of elucidation
you might hear it in music swelling within a voice
filled with a magical spiritual beckoning
perhaps it just passed when you were distracted
inside a moment of confusion now it’s gone
forever inside a fog of dissolving mist
where time exists in a state of forming questions
inside a dimension giving shape to nods flurries
winks blinking within intervals of expectations
moments on the verge of arrival music a kiss
something you have been yearning for all your life
EYE TRAVEL BACK INTO MEMORY
eye travel back into memory searching for voices,
faces enshrouded in fog, silence-filled roads
blooming with shadows waving their limbs
as tree leaves do dancing on concrete when winds come,
sweep through them with musical tongues speaking a language so
naturally some bodies understand as they move rhythmically
out on dance floors, somewhere someone is walking
secure in their space, they might be an artist, pure
essence inside a dancer’s comfort zone, pace
controlling movement of a body, the way music responds
creatively to tempo, improvisational movement, measure—
as when tree leaves when whipped by wind tongues prance,
dance, in tempo, as now my journey back into memory
is a dance, my eyes searching ruins,
wreckage piled high (as bleached bones dug up from graveyards
remind of living people who always take in, never give back,
their hands constantly open to receive whatever is given,
their hearts always closed, though they are beating)
finally eye come upon high-pitched sounds of male crickets
rubbing their legs against each other somewhere out there
in blooming fog, the rushing sound of water clear as wind chimes
tinkling up ahead, in the distance, perhaps, mystery
waits in a man dressed all in black, a flat, wide-brimmed hat, also black,
pulled low, cuts across his forehead like zorro’s
he rides a black horse—eyes milky moons in a black sky—
& looks through me as eye imagine death would—
then eye focus my mind upon the wind chimes’ soothing music
up ahead, in the distance—movement will always take me there—
in a heartbeat eye hear water rushing through reeds,
licking over rocks & grass, see the road winding up to enter
mountains densely canopied with trees like in belle basse terre
on the western tip of guadeloupe, near the silent
volcano of soufrière, long dormant as voodoo is here,
silent on this butterfly island (though you hear drums
beating lately now when darkness falls, during carnival season
when eye hear synchronized hearts pounding inside transplanted
haitian voodoo worshippers, their rara rhythms zigzagging snakes
through streets of pointe-à-pitre during mi-careme,
their breaths blown through conch shells, dancing
inside movement of shango, papa legba, ogun, obatala, erzulie—
loas long underground here until now—the old african
gods rising up through voices of people—young & old—
thumping in time with their hearts, moving as one, inside
comfort zones of their bodies, here on this island)
out there somewhere someone is walking toward me now
through this blooming fog, they are coming secure
inside their own flesh, within their own space, their comfort zone,
their eyes bright as beacons probe through the fog-like lasers,
whoever they are eye sense their spiritual presence,
know myself in them, looking back, moving forward into mystery,
magic, see them as mirrors of myself, even now, searching
back through this dense, blooming fog—when will it ever clear—
gloomy with wavering shadows slinking across the road forward,
they speak—the wavering shadows do—a language
like wind tongues, like singing birds, like my tongue sings sometimes
in poetry when responding to improvisation of any kind—music,
voices, the sound of car tires screeching, machine guns chattering
back & forth at one another during wartime—whenever
odd clues drop cunning bombshells into equations of speech—
words strung out into sentences written by juries, judges, reporters,
poets—revelation, surprise suddenly, as in a quirky chord
change, shocking in its placement, coming out of the blue
as when a new tempo is inserted into a composition, a performance,
comes with the need to improvise, then control has to take over
as in this split second after this blooming fog opened up,
suddenly a doorway there, eye step through into a clearing where
time stops, inside my memory, knowing somewhere out there
someone is walking toward me & eye will know them
when their spirit mirrors mine, the music of their tongue speaking to
me in a language eye know inside my comfort zone,
inside a language of our two hearts, beating as one
UNTITLED DREAMSCAPE
eye relive that moment after first laying eyes on you,
once again in my mind—in that dreamscape
long ago—in the dream you were still stunning as eye remember,
the spiritual beauty shining in your face was as radiant
as when the light first caught you in my sideways glance
then surrounded you with a blue-ray aura—
now—as then—you are deeply inscrutable,
mysterious as daybreak, or sunset—the interval between
those two called twilight, when our minds play tricks,
fool us all the time, when what we think we see
could be a mirage, an illusion,
a magician’s dazzling sleight-of-hand trick
a moment infused with sweet seduction
as when you first undressed & eye saw you naked there,
your body supple as any eye could imagine,
so perfectly sensuous, your swollen, plum lips
so ravishing—as they are now, in this present rapture,
your tongue lathering my imagination down,
licking over the glistening honey of your pursed kiss,
an invitation, your mouth open, your curling tongue
beckoning my lips & tongue to suck your peeled mango breast
our pubic hair a mound of sweet dark moss,
my lascivious thoughts focusing like a laser on
the ravishing sweetness eye imagined was there,
it was was what eye remembered as eye reached
out to embrace you—when the lights came on
& the dreamscape vanished, poof, just like that,
wiping out your lovely, seductive likeness,
though the memory is still there—a longing,
a miraculous dream, mysterious
as ever, as now, your inscrutable loveliness
always beckoning, like a drug, an invitation,
so rapturous it calls out to me always, as now,
when eye am dreaming, you always beckon,
seducing me, as now, as long as eye dream

