Duende, p.43
Duende,
p.43
Jackson’s moon walk or a Jimi Hendrix or John Coltrane solo,
breathtaking, and in April 2016, after tearing your Achilles in 2013,
and tearing your rotator cuff making a two-handed dunk
in 2015, you announced that the next season would be your last
and it was, but in your last game in April 2018 at the Staples Center,
you dropped 60 points, taking 50 shots—like the ball hog you were—
to get there—but no one cared because it was your last game,
Kobe, and everyone loved you, hated to see you go
then you retired as the first player to ever play 20 years wearing
the same team’s jersey, then you dropped the microphone
on the floor, saying those now memorable words, “Mamba out!”
a big smile spread over your face as thunderous applause washed you
in thunderous adoration, it was an unforgettable night for a forever
star, and now all that is left is to compare you and your friend
Lebron James (“Bron-Bron,” also called “King James”) as to
who is the best after “MJ,” though that too is being hotly disputed
now amongst many white critics, though as some Black playground
fans say everyday—“What do those white boys know about this?!”
7.
when you retired from the game, the Lakers hung both
your numbers—24 and 8—from the rafters at Staples Center,
but you never looked back—didn’t let no grass grow under
your feet—went down another path, started writing books
for children and one of them became a short film, winning you
a golden statue Academy Award in 2018, you stopped
going to Laker home games until your daughter, Gianna—“Gigi”—
became a basketball player who wanted to go so she could
watch, learn from the best, so you, like a father took her and all
the LA Staple Center fans were happy again to embrace you
8.
and so, it was a very terrible way for you to go to the other side,
terrible to fall from the sky through wet gray day fog in January,
in Calabasas, California, in 2020, right above the Steeplechase community,
at 9:45 AM, where you, Kobe Bryant, your 13-year old daughter, Gianna,
on your way to a tournament featuring Gianna’s team named Mambas
lost your lives with seven others in a mangled Sikorsky S-76B helicopter
with the wreckage strewn over a rocky area the size of a football field,
on a hillside buttressing a small scruffy mountain they found you
after the flames with your long arms wrapped around Gigi
trying to protect her from the impact of the unmovable mountain
what were you thinking, Kobe, as the helicopter kept circling,
seeming to wander around up there in all those blinding,
billowing clouds so thick the pilot didn’t know which way was up
or down, were you talking basketball with Gigi, the other six passengers?
you once told someone you wanted to be immortal, now, today
you have ascended to the spiritual realm, Kobe, not only as a legendary
basketball icon—one of the greatest ever—but also as a human being
you had learned the gift of sharing with others, growing into a spiritual
father, on the road to developing even greater things, you changed,
at the end of your life, you became a better, softer person,
who smiled easier, didn’t seem so competitive, because—though
we will never know this, it is only my speculation—your death,
Gigi’s and the seven others, was truly a great loss for legions
all over the world who will scream your name as long as the game,
basketball, is played and eye can hear this chant swelling up and down
from crowds in arenas as long as hoops are played
“Kobe, Kobe, Kobe Bryant, Black Mamba” making a house call!
THINK OF IT
think of frogs boiling in hot water when
watching people sweat in hot spaces
while walking through blow torch streets
in concrete cities all over the globe
because head in the sand climate deniers exist
you might wonder what it is all about
burning to death while sleeping, or swimming
in lakes, or oceans where there are no fish
or making love with windows thrown open
& hear no singing birds when climaxes come
causing men & women to scream with joy
or caught singing somewhere out in a meadow
trembling, removed from sizzling asphalt & bricks,
people dozing here in quiet, saccharine moods,
trees fluttering green heads above, kissing sweet
wind tongues licking honeyed flesh, lathering
scorched cheeks—this can be rare because many
only think of stashing blood money away
because life is beating hearts—not gizzards—
it means loving trees, flowers, animals trapped
in forest fires, tribal people, birds, saving fish
baking in deep hot lake polluted cauldrons
filled with skulls, teeth, bones, fingers, arms & legs
littered over these unreal lunar moonscapes,
graveyard sea bottoms holding unforgiving
memories in pits of our human depravity revealed,
signals no remorse here in empty holes of eye sockets
looking up into space through clouds of dust
after volcanic eruptions shook worlds
when skies clouded over with cinders of ash
falling stones splashing into lakes race toward
boats fleeing whirl-pooling waves full of screaming
survivors, all of this carries unanswered questions—
is this the reckoning we all must face now,
when thinking of how our bones will reveal
themselves in the future, inside texts of history
books where metaphors are created from bullet holes,
armies marching to war because of religious faith,
when the choices are whether to write sentences
evoking poetry filled with music, love
dreaded voices of sacred spirits, voodoo priests,
musicians creating holy rhythms we dance to—
what are the questions we must raise now, are they
washed in genius colors from brushstrokes of painters,
portraits of what our bones will reveal in the future?
think of them now, those bone chilling questions,
when you look out across the world, bend your vision
& look around mountains curving through space,
with your lens wide open, holding no malice, then
pray for clarity, dream, hope you see beauty there
TIME
time will bring us shining blue
skies in time blazing up suns
above us in time moments
will transform gray clouds to black
people will rejoice in nights
with music songs in night clubs
flight in time will lift sadness
horror will transform faces
bring back life with light beneath
masks wearing beyond carnage
break out joy and laughter
be reborn with metaphors
laced with new tongues in language
American beyond race
in time we will breath again
in that which grows here today
though rooted in history
sprouting new tribes of flowers
in seven throw eleven
roll of tumbling dice of life
though here in this slender poem
only seven syllables
structure the lines of this poem
about time and poetry
SOME THINK
some think it is the long, short road we travel over,
people we encounter, what their spirits reveal
flashed through lens of their eyes—warm, cold, or bright,
perhaps dull in those of killers searching for victims, though
whatever is run into by happenstance, or choice
the destination could be as important as the route taken,
might be a lodestone—magnet—pulling us to take one step
after another, as luscious lips of a magnificent woman—
a beautiful spirit draws us closer to a kiss
when her sweet breath blooms, perfume, swells,
lingers on her bonbon tongue, probing, delicious, deep
in a lover’s mouth, reveals what we think love
in our libidinous imagination could be, what
holds us fast in that hot space of slippery seduction,
takes breath away, is full of pure, enchanting beauty
like when a journey is breathtaking enough to teach
in moments that can lead to pure transcendence, is what
might pull this poem through madness to mango metaphors
sweet with childhood memories, striking images
encountered on desolate roads cutting through corn fields,
& you saw black clouds drop a howling tornado funnel
that wiped out a small sleeping town somewhere in Kansas,
out there on the plains with your family, ran into stupid men
looking to murder just for thrills because you were black,
so they could lift their heavy balls up out of quicksand—
do they bust their nuts, pop orgasms doing this,
watching blood flow like rivers from screaming mouths after
machete slashes rip red lines across necks, open up floodgates
so life can enter death slowly, but now eye digress
because being an old man now, who has watched these same
scenarios happen so many times before, after looking at beauty
on a promising day, hoping creativity would flow my way,
perhaps, soar as eagles do when their wings spread feathers,
open up, ride the wind slicing through light, become spirits
we poets wish we could become searching for the right words
to write in a poem that will speak truthfully of freedom
in any space, eye am bored with it all now,
but then there comes this clear, chilling moment
pulling me back to face the treacheries of earth,
when some think it’s alright for a man to slaughter
his stunned wife to death in broad daylight, hacking her
through blood-curdling screams, in front of their children,
as a foghorn blows mournfully in the harbor,
a gray fogbow bends into an arc somewhere over Scotland
majestic as the silver one shining when there’s sun
arching above the Mississippi River, fronting my hometown,
St. Louis, Missouri, that some of us call “sad louis,”
some think it prophetic watching an “ice finger” of death
birthing in an underwater cave, a blue hole forming a sinkhole,
a cat’s eye off the coast of Belize—so what is it we don’t know
but think we definitely know when it comes to everything
swilling around our lives ugly every day—
though we do know this—a dead fish never smells better after
laid out on a table in the sun seven days later
& you can take that to the bank from an old man who still thinks
he is young in his heart, though knows his body is weakening
as he walks up steep stairs, a hard knot of a “charley horse”
ambushes him over & over again & again in very real time
NANCY PELOSI
what can be said of this petite
Italian woman from Baltimore,
who steps up to the plate,
accepts the big call, backs down to no one,
a warrior with a very sharp blade
she knows how to swing
a modern day Joan of Arc
down in the cesspool of Washington, DC
where she’s defeating men
every single day
HOMAGE TO ELIJAH EUGENE CUMMINGS
eye never pressed flesh with you but heard, knew you
through your booming, prophetic voice, your noble,
caring heart, saturated with love, forgiveness, a warrior’s
temperament ready for battle when that was needed,
so this is a tribute poem for elijah eugene cummings,
remembered after poet e. e. cummings—kind of—
though the quiet, booming voice of the politician hailing
from baltimore via “souse kalinah” was a poetic voice too—
though not the same as the taciturn, modernist, experimental
voice from cambridge, massachusetts—yet each of you
e.e’s. shared a plain spoken, “lyrical directness” that carried
a sense of playful humor, a kind of metaphysical
rambunctiousness saturated both of your egalitarian genius
delivery of language, rooted in the good soil you grew from,
grounded in a place where prophecy rose through poetry,
politics, prayer, to do the right thing, the righteous thing
FOR HUGH
for Hugh Ramapolo Masekela, 1939–2018
my dear brother, we once told each other
we would go to the other side together
though eye couldn’t imagine how we would do this
since death has always been an individual act
the place where rumor has it—though no one,
spirit or human has ever come back to tell
the truth of what it’s like to be there with all those
bones & maggots, so that veracity, that fact, reality test
is thrown open to doubt, to mystery,
hearsay, so to speak—& what you have then
beyond this dilemma is the flat footed question, fact
that darkness looms forever over us all in skies
with eyes staring down we believe are ancient stars
above our beating hearts, waiting, pulsating
rhythms in sync, that light up the night, as we learn
or figured out somehow the mystery, creative
mastery of living in corrupted space
everyday keeps our heads above the flooding
waters we swim through disguised as sharks
so what is it about danger we have come to
understand, figured out from both our hard
scrabbled lives drenched in spilled blood of close
friends & beauty, both reverberating inside our lives,
was it the truth of music driving us through those
Frankenstein moments, Dracula miscreants
who haunted our streets & dreams with evil—for me
in St. Louis, Missouri, you in Johannesburg, South Africa,
both cities so different, but so alike in senseless slaughter
where we grew with wide open eyes serving as radar
was it the magical, healing power of love
that so convinced you & me despite cold-blooded
whacks of “two-by-four” pieces of solid wood
upside people’s foreheads we knew, when we lost close
sandlot baseball games for me, soccer for you
scary in neighborhoods of blood letting, for me in “Sad
Louis, Missouri, down the street from rock n roll legend,
Chuck Berry, while you in South Africa was helping
create & shape music of kwela, penny whistle jive,
mahtathini, mbaqanga & black american doowop
with Jonas Gwangwa, Miriam Makeba, Caiphus Semanya
& so many other great musicians sprouting trees
down there at the cobra poisonous fang of South Africa
but then the jazz trumpet, vocalized styling
of Louis Armstrong, Dizzy Gillespie caught your attention,
then came the prince of darkness’ hip, cool music,
that turned your head & trumpet licks around
like a spinning top when you came to new york city
& met miles himself, who also loved what you were
playing on your flugel horn, it transformed you
& now you are a bona fide legend with a musical voice
shaped into an original instrument of beauty all your own,
a voice eye hear constantly echoing, threading music
through my head full of beautiful memories of you
SPACE TRAVELS
space travels around the world through wind storms
licking tongues blowing fiercely over mountaintops,
air crisscrossing city streets fluting there inside
sounds, chutes conveying voices of tribes sluicing news
clashing with other tribes, who have different hues and
cries because of skin color, though their thoughts might be
the same song and dance to the same music, speak the same
language though jitterbugging syllables might seem foreign—
to you due to the soil your blues rose from—though who
do you love in the region echoing memory of you
rooted in recognized drum beats, harmony, songs you heard
transporting melody inside ears back through time, resonant
as spheres heard in tears of Miles Davis’ trumpet spears
stabbing words of poets riffing deep blue notes, sluiced
through sentences, cascading murmurs, clues unmasking
metaphors of choo-chooing train whistles, wooing hoodoo
Black Mississippi gospel, guitar lyrics reverberating,
infused with electric ghosts throughout Delta shadows,
who plunge through mysterious, fluttering silk curtains—
primordial senses—that wave, enveloping around
enchanting hours after midnight, when haints come out
and small birds flying with eagles like dots across white—
or red eyes—of moons stare down like a one-eyed cyclop
that always bewitches all doubters with questions
plunging through the mysterious curtain enveloping
senses, around the bewitching hour of midnight,

