Duende, p.30
Duende,
p.30
A MAN WALKS IN SLOW MOTION
for Usain Bolt in 2008
a man walks in slow motion as through a dream,
above the sky listens to blue heat waves
rolling across the miracle of its deep expanse
as pulsating clove-rhythms of music come & go,
improvising as they please, voices sashay
through syncopated beats, dreams suddenly
appear naked & clueless all over the globe,
time dressed as a sleek jamaican thunderbolt zips
quick as a blink through shot-gunned meter dashes,
cracking like a whiplash he flashes down chutes
lined with white, red lanes on a track, shoots
like a bullet through dazed sprinters bunched in
an arm-flailing group behind him dropping tears
sprinkling like bombs detonating in their blues-
drenched dreams, as they watch the thunderbolt
zap to victory in awe, dashing their hopes of glory
as he slingshots across the finish line, suddenly
he is their fear, a lightning bolt/flash zapping black
through a blue sky deepening above thoughts
when a mumbling man stumbling like a drunk
inside slobbering, flummoxed speech, where
a poetic thought was just chopped off
(reminds of surprise in the eyes of a guillotined
head after the sharp blade slices off
the neck clean) and quick as a laser beam
scalpel inside the man’s brain, leaves him silent
as a rock looking mute at a coconut cracked
open rolling mysteriously by his feet
& the moment is heavy when the blue heat wave
surrounding him vacillates its rhythms of love
just when an oscillating storm cloud appears above,
exploding the sky, darkening the pulsing music,
joggers get wet from God’s sweat falling from the cloud,
then everything for the man becomes confusing,
flows, though syncopations still come & go as they please
improvising upon rhythms of speech
the man hears inside his frazzled brain words grooving now,
beats flashing quietly quick as blinking strobe lights
through his thoughts, he sees the thunderbolt zap—
a whiplash across the sky in a moment
of speed—then truth enters his spirit when he moves
as through a dream, walking in slow motion
as a breeze tongues in as a song in a voice,
the sun breaks through clouds again much brighter than hope
people swirling around chaos in the world feel
walking through a dream a man hears music surrounding
his spirit, senses it syncopating end to tend
through the day, chords whiplash athwart a lucid blue sky
as rhythms come & go inside heartbeats as they please,
around the globe smiles break across people’s faces
replicate daybreak cracking through night’s deep longing
CONNECTIONS #2
1.
eye look out my window, see mangoes hanging sweet
on tree branches starting to block my view of the sea
as they grow larger, somewhere a man sits with a rifle
pointing it at someone’s head or heart without sentiment,
without knowing who they are before shooting them,
in the same moment a bird lifts off a branch
where it just hatched an egg above the crouching man
who just pulled the trigger, now someone else who doesn’t know
who the sniper is locks in on his head—X marks the spot
in the center of his forehead—with a rifle scope, pulls the trigger,
time is always changing across the globe, around the clock
seconds are constantly moving tick-tock about its face,
tick-tock measures time, moves the bottom line
of the balance sheet, what do we really know of shifts,
crack crack happening in mini-seconds, onomatopoeia
clocking intervals brief is what senses recognize
when music changes tempo, rhythm moves the body,
somewhere else a fault line shifts the ground underneath our feet,
deep under the earth there is movement, violence we will not know
until we see dirt opening up in front of us, concrete streets,
sidewalks splitting, buildings shaking to rubble
is a message from God connecting us all to an awesome, avenging
power, is an omen from a God we have never really known,
would not recognize if the Spirit sprung up in front of us
2.
what are the connections between people waging war,
who have never met each other in the flesh,
who drop bombs on people making love in their bedrooms,
drop bombs on children playing in their own backyards,
doom doom from somewhere high in the blues, doom doom
explosions because someone said they are our enemies,
who said what to whom, what did they do to us
we didn’t do to them first before we doomed them
as in iraq, afghanistan, libya, panama,
why do they hate us so we said after blowbacks on 9/11
there are connections that bind us each to our actions,
everywhere images cross wires in mini-second errançities,
somewhere some/body is a walking time bomb
about to go off, explode, do whatever it takes
to destroy, at the same time a climbing wisteria blossoms
a purple drooping flower around santa fe,
at the foot of the sangre de christos (blood of the Christ)
mountains, spathiphyllum, blue hydrangeas bloom
in the sonora desert, a brightly beaded gila monster looms,
slowly hunts for small animals, with a keen sense of smell
digs for bird eggs beneath evaporational graves
where earth metamorphoses into fine grains of sand
3.
throughout the world there are people who know secrets,
balancing competing agendas they use words of yin & yang,
in the world all people are equally human,
everybody’s heart beats in their chests like metronomes
until they stop, most things in nature seem symmetrical
inside their violent forces housing harmonious discord
as in an exploding volcano spewing lava is the seed for birthing land,
as a lioness runs down a wildebeest, killing it inside the serengeti
ngorongoro crater, a woman births a genius child somewhere in light
as an anaconda crushes then swallows a large dog in the amazon
& it all seems so asymmetrical until you consider
every living thing has to eat something for survival,
is perhaps an act of mercy rather than killing for malice,
revenge, or murder because of skin color, or something
equally stupid like torturing for worshipping different gods,
slaughtering entire families for fear of difference, anger,
with machine-gun fire
is different than flames devouring dream mansions
of those who live knowingly in danger zones,
where rivers flood, conflagrations rage through hot zones,
though pain is the same for these hearts who go back
to sift through ashes—their lives suddenly gone up in smoke,
swept away by surging rivers, tsunamis,
blown apart by hurricanes, tornado winds, earthquakes swallowing
lives cracked to smithereens by fear—as any other pain,
compassion is still here as an act of mercy when hearts embrace
the possibilities of love through healing
4.
during moments of deep pain some experience healing, resurrection,
perhaps feel them deeply in their hearts as a flash, like duende,
wisdom might pave the way to insight, beauty, a blessing, duende,
perhaps is a life-changing force as in the instant you know
death is truly possible, as daybreak will most certainly come
if there is no world-ending conflagration after darkness,
flowers at the bottom of the sky will bloom, duende,
in some place where two people will make love with their hearts,
children will be born, old enemies may embrace differences
& life will go on in harmonious discord until it ends
perhaps this is all we can dream of, hope for,
a few moments when there is clarity in our lives,
instances of mercy that reveal beauty, truth, as in watching
the mango tree growing outside my window beginning to ripen,
delicious fruit hanging like swollen breasts from its branches,
blocks my view of the sea—though eye know it’s there anyway—
& eye can be thankful high up in those branches birds still sing
joyously every day, my heart sings with them
every time eye hear their music, the moment my eyes open wide,
eye breathe in whatever the day brings, time full of holy acts—
duende—profoundly impacts these sacred connections
we have one to another, each to each,
these blessed gifts we share as in breathing
SENTENCES
movement of time through the music of space,
eye hear a bell ringing blue in sentences
the language spoken in sleep becomes an echo here,
a translation when written down on white paper
in the air, when spoken, words seem like a dream
pulsating through ether in blue melodies of tongues
weaving inside sentences, saturated with local
idioms, carved from blues spaces by human breath
sounds rooted in voices here evoke metaphors
coursing blood-deep, form ancient tribal gestures
where words fixed in geographic locations repeat
through reverberating memory, bring recognition
ricocheting through a collective truth, perhaps
then language can evoke a shared history
when sentences might mirror rhythms of drums
& a rising sun could birth a circle of love
GHOST VOICES
A POEM IN PRAYER
GHOST VOICES
for Oliver Lee Jackson, Mildred Howard, Allison Hedge Coke, Margaret Porter Troupe, and to the memory of my mother, Dorothy Smith Marshall
I.
CHORUS SONG OF CROSSING THE BIG SALT WATER
we are crossing, we are crossing, we are
crossing the big salt water of huge waves,
shipwrecks, monumental storms, we are crossing
we are crossing, we are crossing under a sky
with no guilt of what we are going through,
what we are suffering, why we have left our homes,
though we know we will go back there some day,
see people as we knew them,
we have left everything back behind there
now we are seeking new homes somewhere,
somehow, we are seeking to dream somewhere,
somehow; where? we don’t know where, though
we know our dreams are out there somewhere
we are seeking to find a way, we are searching,
we will look everywhere seeking It, though
we don’t know where It is, but we will find It
somewhere out there, we will look for It
wherever our journey takes us, we are going
wherever time takes us, we are going,
we are going somewhere; where?
we don’t know where, but we are going,
we are going wherever It beckons,
speaks to us, we are looking for It
everywhere, we are going where time
& this journey takes us, we are seeking,
we are looking for It everywhere,
seeking to find It everywhere,
we are seeking, looking for It everywhere
we are crossing, crossing the big salt water,
we are crossing under colossal waves
above us, ship loads of slaves, blood relatives
who survived our deaths but found another death
crossing through monumental storms
sardine-packed into stinking holds of ships
we are crossing over spirits beneath them
riding backs of african ghost crabs
under the mighty salt water, gray skies
with no remorse, no guilt of our suffering,
we are crossing, we are crossing over
together with relatives, though separated—
we are spirits down here, they are flesh up there,
sardine-packed into stinking ships—another death—
is why we follow ravenous packs of sharks
strung out for miles behind the ships we pursue
to rejoin them somewhere in the future,
fused to backs of african ghost crabs riding west,
on backs of humping, dipping dolphins bucking
waves rolling west from our lost homelands—
driven by churning, whiplashing winds—
like we used to ride bare-back back home
on galloping, snorting horses, we are goin;
where?, we don’t know where but we know
we will find them somewhere out there
we have left our homes, memories,
ethos we carry with us where we are going,
after crossing we will fly back home again,
we will go back as shadows, not strangers
though we won’t know what words to speak,
what language we hear, though we will know
sound, cadence, will recognize faces, certain
gestures, rhythmic ways of walking rolling hips,
but we will not know evolving local tongues,
secret codes hidden in everyday nuance,
though we will speak through eyes,
touch, speak through seeing, music
drumming language in our ears
we are crossing, we are crossing over,
& we will won’t go home as we knew it,
we are crossing & when we go back we will go
as shadows, we are crossing,
we are going, where? we don’t know where,
but we are going & we are seeking It
where we are going; where? we don’t know
where, but we are going, somewhere
& we are going seeking It,
we are going somewhere seeking,
going there looking to be reborn
II.
FIRST TAKE
from my terrace in goyave, guadeloupe, eye listen,
listen to sea waves washing in on shore,
whispering lullabies in low, hushed voices swirling
in whirlpools there, voices combing through sand, rocks,
salt water foaming, licking with lapping finger tongues
curling, then dredging as hissing syllables spray,
lisping in the wind roaring over the sea,
sound becomes a language scripting lost memory,
riffing through undertones of history
murmuring rumors, secret, coded utterances sigh
eye am hearing wailing journeys
crawling across time to guadeloupe,
this volcanic butterfly island rising
from the dark, howling bottom of the atlantic ocean,
where flesh reduced over centuries to bone
scream as spirits, their gale-force presence now,
haunted voices climb on shore whistling
allegories, reveal treks, recollections,
terror of a middle-passage so deep & dark,
so terrible, translucent ghosts
covered their black holes for eyes with diffuse hands,
could not speak of what they saw,
blew out lights of their sights until now,
400 years later
now you hear a few speaking, playing lost rhythms
scripted through skins of talking drums, raising voices
through sounds transferred inside blood recall
locked within african spiritual voices,
now, here, they evoke metaphors
lost in antiquity replays each time you hear them,
their antiphonal music recreated over time
through wooden sticks raising rhythms from drum
skins, rooted within a cultural dna memory,
listen closely, you hear madness tempered there—
anger too from horrors they saw, listen closely,
you will catch survivors enrapturing us
with hypnotic wailing, caterwauling language spoken
through pulsating glissandos, vibrating,
tuning-fork
tomes, cross-fertilized with mysterious reverence;
eye hear them now throbbing, calling through my dreams—
& you hear them calling out too, reader/listener,
listen closely, you hear them calling you too
across time & space their caterwauling voices
speaking directly to our hearts listen/hear
III.
THE ARRIVAL OF GHOST VOICES
in the dead of night ghost voices come, surround me
here in sleep, caressing spirit-lover, seduces me—
you also, reader/listener, if you are attentive—deep
in the dark, thoughts prowl outer limits of space, hover, cajole
inside dreams, hold nothing back from cocked ears that know
words sometimes are imprisoned inside—
correct speech lacerated with fawning taste—still there
are nuances, as the sharp blade of a knife reveals
hidden sweetness slicing through pink-green
blush of a mango’s skin, reaches
the golden flesh of stringy nectar what
the palate sometimes evokes in complex similes,
metaphors, a rapier authority is unleashed
inside moments of pleasure here
reading poetry finds meaning confused inside
pure wordplay, linguistic puzzles, hidden without sound,
voices can replicate themselves within effete circles,
severed tongues flap without surprise, song,

