De Maintenon, faithful to the serious bent of her mind, and always preserving a certain colour of piety, replied that those who walked along secret and forbidden paths were not worthy of any special protection, but that the abominable criminals did call for special measures to be taken for their destruction. The king, dissatisfied with this wavering answer, folded up the paper, and was going back to the Secretary of State, who was working in the next room, when on casting a glance sideways his eye fell upon Mademoiselle de Scudéri, who was present in the salon and had taken her seat in a small easy-chair not far from De Maintenon. Her he now approached, whilst the pleasant smile which at first had played about his mouth and on his cheeks, but had then disappeared, now won the upper hand again. Standing immediately in front of Mademoiselle, and unfolding the poem once more, he said softly, “Our Marchioness will not countenance in any way the gallantries of our amorous gentlemen, and give us evasive answers of a kind that are almost quite forbidden. But you, Mademoiselle, what is your opinion of this poetic petition?” De Scudéri rose respectfully from her chair, whilst a passing blush flitted like the purple sunset rays in evening across the venerable lady’s pale cheeks, and she said, bowing gently and casting down her eyes,

  “Un amant qui craint les voleurs

  N’est point digne d’amour.”

  (A lover who is afraid of robbers is not worthy of love.)

  The king, greatly struck by the chivalric spirit breathed in these few words, which upset the whole of the poem with its yards and yards of tirades, cried with sparkling eyes, “By St. Denis, you are right. Mademoiselle! Cowardice shall not be protected by any blind measures which would affect the innocent along with the guilty; Argenson and La Regnie must do their best as they are.”

  All these horrors of the day La Martinière depicted next morning in startling colours when she related to her mistress the occurrence of the previous night; and she handed over to her the mysterious casket in fear and trembling. Both she and Baptiste, who stood in the corner as pale as death, twisting and doubling up his night-cap, and hardly able to speak in his fear and anxiety, — both begged Mademoiselle in the most piteous terms and in the names of all the saints, to use the utmost possible caution in opening the box. De Scudéri, weighing the locked mystery in her hand, and subjecting it to a careful scrutiny, said smiling, “You are both of you ghost-seers! That I am not rich, that there are not sufficient treasures here to be worth a murder, is known to all these abandoned assassins, who, you yourself tell me, spy out all that there is in a house, as well as it is to me and you. You think they have designs upon my life? Who could make capital out of the death of an old lady of seventy-three, who never did harm to anybody in the world except the miscreants and peace-breakers in the romances which she writes herself, who makes middling verses which can excite nobody’s envy, who will have nothing to leave except the state dresses of an old maid who sometimes went to court, and a dozen or two well-bound books with gilt edges? And then you, Martinière, — you may describe the stranger’s appearance as frightful as you like, yet I cannot believe that his intentions were evil. So then — —”

  La Martinière recoiled some paces, and Baptiste, uttering a stifled “Oh!” almost sank upon his knees as Mademoiselle proceeded to press upon a projecting steel knob; then the lid flew back with a noisy jerk.

  But how astonished was she to see a pair of gold bracelets, richly set with jewels, and a necklace to match. She took them out of the case; and whilst she was praising the exquisite workmanship of the necklace, Martinière was eyeing the valuable bracelets, and crying time after time, that the vain Lady Montespan herself had no such ornaments as these. “But what is it for? what does it all mean?” said De Scudéri. But at this same moment she observed a small slip of paper folded together, lying at the bottom of the casket. She hoped, and rightly, to find in it an explanation of the mystery. She had hardly finished reading the contents of the scrip when it fell from her trembling hands. She sent an appealing glance towards Heaven, and then fell back almost fainting into her chair. Terrified, Martinière sprang to her assistance, and so also did Baptiste. “Oh! what an insult!” she exclaimed, her voice half-choked with tears, “Oh! what a burning shame! Must I then endure this in my old age? Have I then gone and acted with wrong and foolish levity like some young giddy thing? O God, are words let fall half in jest capable of being stamped with such an atrocious interpretation? And am I, who have been faithful to virtue, and of blameless piety from my earliest childhood until now, — am I to be accused of the crime of making such a diabolical compact?”

  Mademoiselle held her handkerchief to her eyes and wept and sobbed bitterly, so that Martinière and Baptiste were both of them confused and rendered helpless by embarrassed constraint, not knowing what to do to help their mistress in her great trouble.

  Martinière picked up the ominous strip of paper from the floor. Upon it was written —

  “Un amant qui craint les voleurs

  N’est point digne d’amour.

  “Your sagacious mind, honoured lady, has saved us from great persecution. We only exercise the right of the stronger over the weak and the cowardly in order to appropriate to ourselves treasures that would else be disgracefully squandered. Kindly accept these jewels as a token of our gratitude. They are the most brilliant that we have been enabled to meet with for a long time; and yet you, honoured lady, ought to be adorned with jewellery even still finer than this is. We trust you will not withdraw from us your friendship and kind remembrance.

  “THE INVISIBLES.”14

  “Is it possible?” exclaimed De Scudéri after she had to some extent recovered herself, “is it possible for men to carry their shameless insolence, their godless scorn, to such lengths?” The sun shone brightly through the dark-red silk window curtains and made the brilliants which lay on the table beside the open casket to sparkle in the reddish gleam. Chancing to cast her eyes upon them, De Scudéri hid her face with abhorrence, and bade Martinière take the fearful jewellery away at once, that very moment, for the blood of the murdered victims was still adhering to it. Martinière at once carefully locked the necklace and bracelets in the casket again, and thought that the wisest plan would be to hand it over to the Minister of Police, and to confide to him every thing connected with the appearance of the young man who had caused them so much uneasiness, and the way in which he had placed the casket in her hands.

  De Scudéri rose to her feet and slowly paced up and down the room in silence, as if she were only now reflecting what was to be done. She then bade Baptiste fetch a sedan chair, while Martinière was to dress her, for she meant to go straight to the Marchioness de Maintenon.

  She had herself carried to the Marchioness’s just at the hour when she knew she should find that lady alone in her salons. The casket with the jewellery De Scudéri also took with her.

  Of course the Marchioness was greatly astonished to see Mademoiselle, who was generally a pattern of dignity, amiability (notwithstanding her advanced age), and gracefulness, come in with tottering steps, pale, and excessively agitated. “By all the saints, what’s happened to you?” she cried when she saw the poor troubled lady, who, almost distracted and hardly able to walk erect, hurried to reach the easy-chair which De Maintenon pushed towards her. At length, having recovered her power of speech somewhat, Mademoiselle related what a deep insult — she should never get over it — her thoughtless jest in answer to the petition of the jeopardised lovers had brought upon her. The Marchioness, after learning the whole of the story by fragments, arrived at the conclusion that De Scudéri took the strange occurrence far too much to heart, that the mockery of depraved wretches like these could never come home to a pious, noble mind like hers, and finally she requested to see the ornaments.

  De Scudéri gave her the open casket; and the Marchioness, on seeing the costly jewellery, could not help uttering a loud cry of admiration. She took out the necklace and the bracelets, and approached the window with them, where first she let the sun play upon the stones, and then she held them up close to her eyes in order to see better the exquisite workmanship of the gold, and to admire the marvellous skill with which every little link in the elaborate chain was finished. All at once the Marchioness turned round abruptly towards Mademoiselle and cried, “I tell you what, Mademoiselle, these bracelets and necklace must have been made by no less a person than René Cardillac.”

  René Cardillac was at that time the most skilful goldsmith in Paris, and also one of the most ingenious as well as one of the most eccentric men of the age. Rather small than great, but broad-shouldered and with a strong and muscular frame, Cardillac, although considerably more than fifty, still possessed the strength and activity of youth. And his strength, which might be said to be something above the common, was further evidenced by his abundant curly reddish hair, and his thick-set features and the sultry gleam upon them. Had not Cardillac been known throughout all Paris, as one of the most honest and honourable of men, disinterested, frank, without any reserve, always ready to help, the very peculiar appearance of his eyes, which were small, deep-set, green, and glittering, might have drawn upon him the suspicion of lurking malice and viciousness.

  As already said, Cardillac was the greatest master in his trade, not only in Paris, but also perhaps of his age. Intimately acquainted with the properties of precious stones, he knew how to treat them and set them in such a manner that an ornament which had at first been looked upon as wanting in lustre, proceeded out of Cardillac’s shop possessing a dazzling magnificence. Every commission he accepted with burning avidity, and fixed a price that seemed to bear no proportion whatever to the work to be done — so small was it. Then the work gave him no rest; both night and day he was heard hammering in his work-shop, and often when the thing was nearly finished he would suddenly conceive a dislike to the form; he had doubts as to the elegance of the setting of some or other of the jewels, of a little link — quite a sufficient reason for throwing all into the crucible, and beginning the entire work over again. Thus every individual piece of jewellery that he turned out was a perfect and matchless masterpiece, utterly astounding to the person who had given the commission.

  But it was now hardly possible to get any work that was once finished out of his hands. Under a thousand pretexts he put off the owner from week to week, and from month to month. It was all in vain to offer him double for the work; he would not take a single Louis d’or15 more than the price bargained for. When at last he was obliged to yield to the insistence of his customer, he could not help betraying all the signs of the greatest annoyance, nay, of even fury seething in his heart. If the piece of work which he had to deliver up was something of more than ordinary importance, especially anything of great value, worth many thousands owing to the costliness of the jewels or the extreme delicacy of the gold-work, he was capable of running about like a madman, cursing himself, his labour, and all about him. But then if any person came up behind him and shouted, “René Cardillac, would you not like to make a beautiful necklace for my betrothed? — bracelets for my sweet-heart,” or so forth, he would suddenly stop still, and looking at him with his little eyes, would ask, as he rubbed his hands, “Well, what have you got?” Thereupon the other would produce a small jewel- case, and say, “Oh! some jewels — see; they are nothing particular, only common things, but in your hands” —— Cardillac does not let him finish what he has to say, but snatching the case out of his hand takes out the stones (which are in reality of but little value) and holds them up to the light, crying enraptured, “Ho! ho! common things, are they? Not at all! Pretty stones — magnificent stones; only let me make them up for you. And if you’re not squeamish to a handful or two of Louis d’or, I can add a few more little gems, which shall sparkle in your eyes like the great sun himself.” The other says, “I will leave it all to you, Master René, and pay you what you like.”

  Then, without making any difference whether his customer is a rich citizen only or an eminent nobleman of the court, Cardillac throws his arms impetuously round his neck and embraces him and kisses him, saying that now he is quite happy again, and the work will be finished in a week’s time. Running off home with breathless speed and up into his workshop, he begins to hammer away, and at the week’s end has produced a masterpiece of art But when the customer comes prepared to pay with joy the insignificant sum demanded, and expecting to take the finished ornament away with him, Cardillac gets testy, rude, obstinate, and hard to deal with. “But, Master Cardillac, recollect that my wedding is to- morrow.”— “But what have I to do with your wedding? come again in a fortnight’s time.” “The ornament is finished; here is your money; and I must have it.” “And I tell you that I’ve lots of things to alter in it, and I shan’t let you have it to-day.” “And I tell you that if you won’t deliver up the ornament by fair means — of course I am willing to pay you double for it — you shall soon see me march up with Argenson’s serviceable underlings.”— “Well, then, may Satan torture you with scores of red-hot pincers, and hang three hundredweight on the necklace till it strangle your bride.” And therewith, thrusting the jewellery into the bridegroom’s breast pocket, Cardillac seizes him by the arm and turns him roughly out of the door, so that he goes stumbling all down the stairs. Then Cardillac puts his head out of the window and laughs like a demon on seeing the poor young man limp out of the house, holding his handkerchief to his bloody nose.

  But one thing there was about him that was quite inexplicable. Often, after he had enthusiastically taken a piece of work in hand, he would implore his customer by the Virgin and all the saints, with every sign of deep and violent agitation, and with moving protestations, nay, amidst tears and sobs, that he might be released from his engagement. Several persons who were most highly esteemed of the king and the people had vainly offered large sums of money to get the smallest piece of work from him. He threw himself at the king’s feet and besought as a favour at his hands that he might not be asked to do any work for him. In the same way he refused every commission from De Maintenon; he even rejected with aversion and horror the proposal she made him to fabricate for her a little ring with emblematic ornaments, which was to be presented to Racine.

  Accordingly De Maintenon now said, “I would wager that if I sent for Cardillac to come here to tell me at least for whom he made these ornaments, he would refuse to come, since he would probably fear it was some commission; and he never will make anything for me on any account. And yet he has, it seems, dropped something of his inflexible obstinacy some time ago, for I hear that he now labours more industriously than ever, and delivers up his work at once, though still not without much inward vexation and turning away of his face.” De Scudéri, who was greatly concerned that the ornaments should, if it could possibly be managed, come soon into the hands of the proper owner, thought they might send express word to Master Whimsicality that they did not want him to do any work, but only to pass his opinion upon some jewels. This commended itself to the Marchioness. Cardillac was sent for; and, as though he had been already on the way, after a brief interval he stepped into the room.

  On observing De Scudéri he appeared to be embarrassed; and, like one confounded by something so utterly unexpected that he forgets the claims of propriety such as the moment demands, he first made a low and reverential obeisance to this venerable lady, and then only did he turn to the Marchioness. She, pointing to the jewellery, which now lay glittering on the dark-green table-cloth, asked him hastily if it was of his workmanship. Hardly glancing at it, and keeping his eyes steadily fixed upon De Maintenon, Cardillac hurriedly packed the necklace and bracelets into the casket, which stood beside them, and pushed it violently away from him. Then he said, whilst a forbidding smile gleamed in his red face, “By my honour, noble lady, he would have but a poor acquaintance with René Cardillac’s workmanship who should believe for a single moment that any other goldsmith in the world could set a piece of jewellery like that is done. Of course it’s my handiwork.” “Then tell me,” continued the Marchioness, “for whom you made these ornaments.” “For myself alone,” replied Cardillac. “Ah! I dare say your ladyship finds that strange,” he continued, since both she and De Scudéri had fixed their eyes upon him astounded, the former full of mistrust, the latter of anxious suspense as to what turn the matter would take next; “but it is so. Merely out of love for my beautiful handicraft I picked out all my best stones and gladly set to work upon them, exercising more industry and care over them than I had ever done over any stones before. A short time ago the ornaments disappeared in some inconceivable way out of my workshop.” “Thank Heaven!” cried De Scudéri, whilst her eyes sparkled with joy, and she jumped up from her chair as quick and nimble as a young girl; then going up to Cardillac, she placed both her hands upon his shoulders, and said, “Here, Master René, take your property back again, which these rascally miscreants stole from you.” And she related every detail of how she had acquired possession of the ornaments, to all of which Cardillac listened silently, with his eyes cast down upon the floor. Only now and again he uttered an indistinct “Hm! — So! — Ho! ho!” now throwing his hands behind his back, and now softly stroking his chin and cheeks.

  When De Scudéri came to the end of her story, Cardillac appeared to be struggling with some new and striking thought which had occurred to him during the course of it, and as though he were labouring with some rebellious resolve that refused to conform to his wishes. He rubbed his forehead, sighed, drew his hand across his eyes, as if to check tears which were gushing from them. At length he seized the casket which De Scudéri was holding out towards him, and slowly sinking upon one knee, said, “These jewels have been decreed to you, my noble and respected lady, by Destiny. Yes, now I know that it was you I thought about when I was labouring at them, and that it was for you I worked. Do not disdain to accept these ornaments, nor refuse to wear them; they are indeed the best things I have made for a very long time.” “Why, why, Master René,” replied De Scudéri, in a charming, jesting manner; “what are you thinking about? Would it become me at my years to trick myself out with such bright gems? And what makes you think of giving me such an over-rich present? Nay, nay, Master René. Now if I were beautiful like the Marchioness de Fontange,16 and rich too, I assure you I should not let these ornaments pass out of my hands; but what do these withered arms want with vain show, and this covered neck with glittering ornaments?” Meanwhile Cardillac had risen to his feet again; and whilst persistently holding out the casket towards De Scudéri he said, like one distracted — and his looks were wild and uneasy,— “Have pity upon me, Mademoiselle, and take the ornaments. You don’t know what great respect I cherish in my heart for your virtue and your high good qualities. Accept this little present as an effort on my behalf to show my deep respect and devotion.” But as De Scudéri still continued to hesitate, De Maintenon took the casket out of Cardillac’s hands, saying, “Upon my word, Mademoiselle, you are always talking about your great age. What have we, you and I, to do with years and their burdens? And aren’t you acting just like a shy young thing, who would only too well like to take the sweet fruit that is offered to her if she could only do so without stirring either hand or finger? Don’t refuse to accept from our good Master René as a free gift what scores of others could never get, in spite of all their gold and all their prayers and entreaties.”