King henry iv part 2, p.76

  King Henry IV Part 2, p.76

King Henry IV Part 2
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)



Larger Font   Reset Font Size   Smaller Font  


  Stow, Annales

  John Stow, Annales, or a general Chronicle of England (1592)

  Stow, Survey

  John Stow, A Survey of London (1598), ed. Charles Lethbridge Kingsford, 2 vols (Oxford, 1908)

  Streitberger

  W.R. Streitberger, ‘A letter from Edmund Tilney to Sir William More’, Surrey Archaeological Collections, 71 (1977), 225 –31

  Stubbes

  Phillip Stubbes, The Anatomy of Abuses, ed. Margaret Jane Kidnie (Tempe, Ariz., 2002)

  Sugden

  Edward H. Sugden, A Topographical Dictionary to the Works of Shakespeare (Manchester, 1925)

  Sutcliffe

  Matthew Sutcliffe, The Practice, Proceedings, and Lawes of Armes (1593)

  Taylor, ‘Cobham’

  Gary Taylor, ‘William Shakespeare, Richard James and the house of Cobham’, RES, n.s. 38.151 (1987), 334 –54

  Taylor, ‘Fortunes’

  Gary Taylor, ‘The fortunes of Oldcastle’, SS 38 (1985), 85 –100

  Taylor, ‘’Swounds’

  Gary Taylor, ‘’Swounds revisited: theatrical, editorial, and literary expurgation’, in Taylor & Jowett, 51–106

  Taylor & Jowett

  Gary Taylor and John Jowett, Shakespeare Reshaped: 1606 –1623 (Oxford, 1993)

  Theophrastus

  Theophrastus: Characters, ed. and trans. James Diggle (Cambridge, 2007)

  Thomas

  Keith Thomas, Religion and the Decline of Magic: Studies in Popular Beliefs in Sixteenth and Seventeenth Century England (1971)

  Thorne

  Alison Thorne, ‘There is a history in all men’s lives: reinventing history in 2 Henry IV’, in Dermot Cavanagh, Stuart Hampton-Reeves and Stephen Longstaffe (eds), Shakespeare’s Histories and Counter-Histories (Manchester, 2006), 49 – 66

  Tiffany

  Grace Tiffany, ‘Puritanism in comic history: exposing royalty in the Henry plays’, SSt, 26 (1998), 256 – 87

  Tilley

  M.P. Tilley, A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries (Ann Arbor, Mich., 1950)

  Tillyard

  E.M.W. Tillyard, Shakespeare’s History Plays (1944)

  Timon

  Timon, ed. J.C. Bulman and J.M. Nosworthy, MSR (Oxford, 1980)

  TLS

  Times Literary Supplement

  Tobin

  J.J.M. Tobin, ‘Another psalm for Falstaff’, N&Q, 251.3 (2004), 283 – 4

  Traub

  Valerie Traub, ‘Prince Hal’s Falstaff: positioning psychoanalysis and the female reproductive body’, SQ, 40.4 (1989), 456 –74

  Trounstine

  Jean Trounstine, Shakespeare Behind Bars: The Power of Drama in a Women’s Prison (New York, 2001)

  True Reporte

  The True Reporte of the Service in Britanie Performed lately by the Honourable Knight Sir Iohn Norreys … before Guignand (1591)

  Trussler

  The Royal Shakespeare Company, 1982– 83, ed. Simon Trussler (Stratford-upon-Avon, 1983)

  Tusser

  Thomas Tusser, A Hundred Good Pointes of Husbandrie (1557), ed. Dorothy Hartley (1931)

  TxC

  Stanley Wells and Gary Taylor, with John Jowett and William Montgomery, William Shakespeare: A Textual Companion (Oxford, 1987)

  Tynan

  Kenneth Tynan, He that Plays the King (1950)

  Tyrwhitt

  Thomas Tyrwhitt, Observations and conjectures upon some passages of Shakespeare (Oxford, 1766)

  Udall

  The Apophthegmes of Erasmus, trans. Nicholas Udall (1564)

  Ulrici

  Hermann Ulrici, Ueber Shakespeare’s dramatische kunst (1839), trans. Alexander Morrison as Shakespeare’s Dramatic Art (1846)

  Upton

  John Upton, Critical Observations on Shakespeare (1746; 2nd edn, 1748); rpt. in Vickers, Shakespeare, vol. 3

  Urkowitz

  Steven Urkowitz, ‘Did Shakespeare’s company cut long plays down to two hours playing time?’, Shakespeare Bulletin, 30.3 (2012), 239 – 62

  Vaughan

  Henry H. Vaughan, New Readings and New Renderings of Shakespeare’s Tragedies, 2 vols (1878 – 81); 2nd edn, 3 vols (1886)

  Vickers, Artistry

  Brian Vickers, The Artistry of Shakespeare’s Prose (1968)

  Vickers,

  Shakespeare, The Critical Heritage, ed. Brian Vickers,

  Shakespeare

  6 vols (1974 – 81)

  Virgil, Aen.

  Virgil, The Aeneid, trans. W.F. Jackson Knight (1956)

  Walker, ‘Cancelled’

  Alice Walker, ‘The cancelled lines in 2 Henry IV, IV.i.93, 95’, The Library, 5th series, 6.2 (1951), 115 –16

  Walker, Textual

  Alice Walker, Textual Problems of the First Folio (Cambridge, 1953)

  Walker, W.

  William S. Walker, A Critical Examination of Shakespeare’s Text, 3 vols (1860)

  Wallace

  Dewey D. Wallace, Jr, ‘George Gifford, Puritan propaganda and popular religion in Elizabethan England’, The Sixteenth Century Journal, 9 (1978), 27– 49

  Walsham

  Alexandra Walsham, Church Papists: Catholicism, Controversy and Confessional Polemic in Early Modern England (Woodbridge, NY, 1993)

  Walsingham

  Thomas Walsingham, Historia Anglicana (1418), ed. H.T. Riley, 2 vols (1863)

  Webster

  John Webster, The Duchess of Malfi, ed. John Russell Brown (1964)

  Weil

  Judith Weil, Service and Dependency in Shakespeare’s Plays (Cambridge, 2005)

  Weil & Weil

  The First Part of King Henry IV, ed. Herbert Weil and Judith Weil, New Cambridge Shakespeare (Cambridge, 1997)

  Weimann

  Robert Weimann, Shakespeare and the Popular Tradition in the Theater (Baltimore, Md, 1978)

  Welles, Chimes

  Orson Welles, Chimes at Midnight: Orson Welles, Director, ed. Bridget Gellert Lyons (New Brunswick, NJ, 1988)

  Welles, Playscripts

  Orson Welles on Shakespeare: The WPA and Mercury Theatre Playscripts, ed. Richard France (New York, 1990)

  Wells

  Stanley Wells (ed.), Shakespeare in the Theatre: An Anthology of Criticism (Oxford, 1997)

  Werstine, ‘Editing”

  Paul Werstine, ‘Editing Shakespeare and editing without Shakespeare: Wilson, McKerrow, Greg, Bowers, Tanselle, and copy-text editing’, TEXT 13 (2000), 27–53

  Werstine,

  Paul Werstine, ‘McKerrow’s “suggestion” and

  ‘McKerrow’s’

  twentieth-century Shakespeare textual criticism’, RD, 19 (1988), 149 –73; rpt. in. Stephen Orgel and Sean Keilen (eds), Shakespeare: The Critical Complex (New York, 1999), 153 –77

  Werstine,

  Paul Werstine, Early Modern Playhouse Manuscripts

  Manuscripts

  and the Editing of Shakespeare (Cambridge, 2012)

  Werstine, ‘Plays’

  Paul Werstine, ‘Plays in manuscript’, in John D. Cox and David Scott Kastan (eds), A New History of Early English Drama (New York, 1997), 481– 97

  Werstine,

  Paul Werstine, ‘Post-theory problems in Shakespeare

  ‘Post-theory’

  editing’, YES, 29 (1999), 103 –111

  Werstine,

  Paul Werstine, ‘Shakespeare more or less: A.W. Pollard

  ‘Shakespeare’

  and twentieth-century Shakespeare editing’, Florilegium, 16 (1999), 125 – 45

  West

  G. West, ‘Scroop’s quarrel: a note on 2 Henry IV, IV.i.88 – 96’, English Language Notes, 18.3 (1981), 174 –5

  Whigham

  Frank Whigham, Seizures of the Will in Early Modern English Drama (Cambridge, 1996)

  White, P.W.

  Paul Whitfield White, ‘Shakespeare, the Cobhams, and the dynamics of theatrical patronage’, in Paul Whitfield White and Suzanne R. Westfall (eds), Shakespeare and Theatrical Patronage in Early Modern England (Cambridge, 2002), 64 – 89

  Wiles

  David Wiles, Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse (Cambridge, 1987)

  Williams,

  Gordon Williams, A Dictionary of Sexual Language

  Dictionary

  and Imagery in Shakespearean and Stuart Literature, 3 vols (1994)

  Williams, Glossary

  Gordon Williams, A Glossary of Shakespeare’s Sexual Language (1997)

  Williams,

  Gordon Williams, Shakespeare, Sex, and the Print

  Revolution

  Revolution (1996)

  Williams, ‘Second’

  George Walton Williams, ‘Second thoughts on Falstaff’s name’, SQ, 30.1 (1979), 82– 84

  Williams, ‘Text’

  George Walton Williams, ‘The text of 2 Henry IV: facts and problems’, SSt, 9 (1976), 173 – 82

  Williamson

  Audrey Williamson, Old Vic Drama (1948)

  Wilson, Dictionary

  F.P. Wilson, Oxford Dictionary of English Proverbs (Oxford, 1970)

  Wilson, First Part

  The First Part of the History of Henry IV, ed. J. Dover Wilson (Cambridge, 1946)

  Wilson, Fortunes

  John Dover Wilson, The Fortunes of Falstaff (Cambridge, 1943)

  Wilson, ‘Origins’

  John Dover Wilson, ‘The origins and development of Shakespeare’s Henry IV’, The Library, 4th series, 26 (1945), 2–16

  Wilson & Pollard

  J. Dover Wilson (and A.W. Pollard), ‘Shakespeare’s hand in the play of “Sir Thomas More” ’, TLS, 8 May 1919, 251

  Winter

  William Winter, Shakespeare on the Stage: Third Series (New York, 1916)

  Woolf, Reading

  D.R. Woolf, Reading History in Early Modern England (Cambridge, 2000)

  Woolf, Social

  Daniel Woolf, The Social Circulation of the Past: English Historical Culture 1500 –1730 (Oxford, 2003)

  Worsley & Wilson

  T.C. Worsley and J. Dover Wilson, Shakespeare’s Histories at Stratford 1951 (1952)

  Woudhuysen

  Shakespeare, Love’s Labour’s Lost, ed. H.R. Woudhuysen, The Arden Shakespeare, Third Series (1998)

  Wright, Dictionary

  Joseph Wright, English Dialect Dictionary, 6 vols (1898 –1905)

  Wright, G.

  George T. Wright, Shakespeare’s Metrical Art (Berkeley, Calif., 1988)

  Yachnin

  Paul Yachnin, ‘History, theatricality, and the “structural problem” in the Henry IV plays’, Philological Quarterly, 70 (1991), 163 –79; rpt. in 1 Henry IV, ed. Gordon McMullan, Norton Critical Editions (New York, 2003), 114 –28

  YES

  Yearbook of English Studies

  Bloomsbury Arden Shakespeare

  An imprint of Bloomsbury Publishing Plc

  Imprint previously known as Arden Shakespeare

  50 Bedford Square

  London

  WC1B 3DP

  UK

  1385 Broadway

  New York

  NY 10018

  USA

  www.bloomsbury.com

  BLOOMSBURY, THE ARDEN SHAKESPEARE and the Diana logo are trademarks of Bloomsbury Publishing Plc

  First published 2016

  Reprinted 2017

  Editorial Matter © James C. Bulman 2016

  The general editors of the Arden Shakespeare have been W.J. Craig and R.H. Case (first series 1899–1944) Una Ellis-Fermor, Harold F. Brooks, Harold Jenkins and Brian Morris (second series 1946–82)

  Present general editors (third series) Richard Proudfoot, Ann Thompson, David Scott Kastan and H.R. Woudhuysen

  James C. Bulman has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as author of this work.

  All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers.

  No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author.

  British Library Cataloguing-in-Publication Data

  A catalogue record for this book is available from the British Library.

  ISBN: HB: 978-1-9042-7136-9

  PB: 978-1-9042-7137-6

  ePDF: 978-1-4081-5183-9

  ePub: 978-1-4081-5184-6

  Library of Congress Cataloging-in-Publication Data

  A catalogue record for this book is available from the Library of Congress.

  Cover design by Newell and Sorrell

  Cover image © David Hiscock

  Series: The Arden Shakespeare Third Series

  Typeset and eBook by Graphicraft Limited, Hong Kong

 


 

  William Shakespeare, King Henry IV Part 2

 


 

 
Thank you for reading books on GrayCity.Net

Share this book with friends
Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On