Six plays, p.45
Six Plays,
p.45
It may be a fine wine. But of course you know the vintages differ; it all depends on how much sunshine the grapes have had.
GINA
Why, you know everything, Ekdal.
EKDAL
And did they dispute that?
HIALMAR
They tried to; but they were requested to observe that it was just the same with Chamberlains—that with them, too, different batches were of different qualities.
GINA
What things you do think of!
EKDAL
Hee-hee! So they got that in their pipes too?
HIALMAR
Right in their teeth.
EKDAL
Do you hear that, Gina? He said it right in the very teeth of all the Chamberlains.
GINA
Fancy——! Right in their teeth!
HIALMAR
Yes, but I don’t want it talked about. One doesn’t speak of such things. The whole affair passed off quite amicably of course. They were nice, genial fellows; I didn’t want to wound them—not I!
EKDAL
Right in their teeth, though——!
HEDVIG [Caressingly.]
How nice it is to see you in a dress-coat! It suits you so well, father.
HIALMAR
Yes, don’t you think so? And this one really sits to perfection. It fits almost as if it had been made for me;—a little tight in the arm-holes perhaps;—help me, Hedvig.
[Takes off the coat.]
I think I’ll put on my jacket. Where is my jacket, Gina?
GINA
Here it is.
[Brings the jacket and helps him.]
HIALMAR
That’s it! Don’t forget to send the coat back to Molvik first thing to-morrow morning.
GINA [Laying it away.]
I’ll be sure and see to it.
HIALMAR [Stretching himself.]
After all, there’s a more homely feeling about this. A free-and-easy indoor costume suits my whole personality better. Don’t you think so, Hedvig?
HEDVIG
Yes, father.
HIALMAR
When I loosen my necktie into a pair of flowing ends—like this—eh?
HEDVIG
Yes, that goes so well with your moustache and the sweep of your curls.
HIALMAR
I should not call them curls exactly; I should rather say locks.
HEDVIG
Yes, they are too big for curls.
HIALMAR
Locks describes them better.
HEDVIG [After a pause, twitching his jacket.]
Father.
HIALMAR
Well, what is it?
HEDVIG
Oh, you know very well.
HIALMAR
No, really I don’t——
HEDVIG [Half laughing, half whimpering.]
Oh yes, father; now don’t tease me any longer!
HIALMAR
Why, what do you mean?
HEDVIG [Shaking him.]
Oh what nonsense; come, where are they, father? All the good things you promised me, you know?
HIALMAR
Oh—if I haven’t forgotten all about them!
HEDVIG
Now you’re only teasing me, father! Oh, it’s too bad of you! Where have you put them?
HIALMAR
No, I positively forgot to get anything. But wait a little! I have something else for you, Hedvig. [Goes and searches in the pockets of the coat.]
HEDVIG [Skipping and clapping her hands.]
Oh mother, mother!
GINA
There, you see; if you only give him time——
HIALMAR [With a paper.]
Look, here it is.
HEDVIG
That? Why, that’s only a paper.
HIALMAR
That is the bill of fare, my dear; the whole bill of fare. Here you see: “Menu”—that means bill of fare.
HEDVIG
Haven’t you anything else?
HIALMAR
I forgot the other things, I tell you. But you may take my word for it, these dainties are very unsatisfying. Sit down at the table and read the bill of fare, and then I’ll describe to you how the dishes taste. Here you are, Hedvig.
HEDVIG [Gulping down her tears.]
Thank you.
[She seats herself, but does not read; GINA makes signs to her; HIALMAR notices it.]
HIALMAR [Pacing up and down the room.]
It’s monstrous what absurd things the father of a family is expected to think of; and if he forgets the smallest trifle, he is treated to sour faces at once. Well, well, one gets used to that too.
[Stops near the stove, by the old man’s chair.]
Have you peeped in there this evening, father?
EKDAL
Yes, to be sure I have. She’s gone into the basket.
HIALMAR
Ah, she has gone into the basket. Then she’s beginning to get used to it.
EKDAL
Yes; just as I prophesied. But you know there are still a few little things——
HIALMAR
A few improvements, yes.
EKDAL
They’ve got to be made, you know.
HIALMAR
Yes, let us have a talk about the improvements, father. Come, let us sit on the sofa.
EKDAL
All right. H’m—think I’ll just fill my pipe first. Must clean it out, too. H’m.
[He goes into his room.]
GINA [Smiling to HIALMAR.]
His pipe!
HIALMAR
Oh yes yes, Gina; let him alone—the poor shipwrecked old man.—Yes, these improvements—we had better get them out of hand to-morrow.
GINA
You’ll hardly have time to-morrow, Ekdal.
HEDVIG [Interposing.]
Oh yes he will, mother!
GINA
——for remember them prints that has to be retouched; they’ve sent for them time after time.
HIALMAR
There now! those prints again! I shall get them finished all right! Have any new orders come in?
GINA
No, worse luck; to-morrow I have nothing but those two sittings, you know.
HIALMAR
Nothing else? Oh no, if people won’t set about things with a will——
GINA
But what more can I do? Don’t I advertise in the papers as much as we can afford?
HIALMAR
Yes, the papers, the papers; you see how much good they do. And I suppose no one has been to look at the room either?
GINA
No, not yet.
HIALMAR
That was only to be expected. If people won’t keep their eyes open——. Nothing can be done without a real effort, Gina!
HEDVIG [Going towards him.]
Shall I fetch you the flute, father?
HIALMAR
No; no flute for me; I want no pleasures in this world. [Pacing about.]
Yes, indeed I will work to-morrow; you shall see if I don’t. You may be sure I shall work as long as my strength holds out.
GINA
But my dear good Ekdal, I didn’t mean it in that way.
HEDVIG
Father, mayn’t I bring in a bottle of beer?
HIALMAR
No, certainly not. I require nothing, nothing——
[Comes to a standstill.]
Beer? Was it beer you were talking about?
HEDVIG [Cheerfully.]
Yes, father; beautiful fresh beer.
HIALMAR
Well—since you insist upon it, you may bring in a bottle.
GINA
Yes, do; and we’ll be nice and cosy.
[HEDVIG runs towards the kitchen door.]
HIALMAR [By the stove, stops her, looks at her, puts his arm round her neck and presses her to him.]
Hedvig, Hedvig!
HEDVIG [With tears of joy.]
My dear, kind father!
HIALMAR
No, don’t call me that. Here have I been feasting at the rich man’s table,—battening at the groaning board——! And I couldn’t even——!
GINA [Sitting at the table.]
Oh nonsense, nonsense, Ekdal.
HIALMAR
It’s not nonsense! And yet you mustn’t be too hard upon me. You know that I love you for all that.
HEDVIG [Throwing her arms round him.]
And we love you, oh so dearly, father!
HIALMAR
And if I am unreasonable once in a while,—why then—you must remember that I am a man beset by a host of cares. There, there!
[Dries his eyes.]
No beer at such a moment as this. Give me the flute. [HEDVIG runs to the bookcase and fetches it.]
HIALMAR
Thanks! That’s right. With my flute in my hand and you two at my side—ah——!
[HEDVIG seats herself at the table near GINA; HIALMAR paces backwards and forwards, pipes up vigorously, and plays a Bohemian peasant dance, but in a slow plaintive tempo, and with sentimental expression.]
HIALMAR [Breaking off the melody, holds out his left hand to GINA, and says with emotion:]
Our roof may be poor and humble, Gina; but it is home. And with all my heart I say here dwells my happiness.
[He begins to play again; almost immediately after, a knocking is heard at the entrance door.]
GINA [Rising.]
Hush, Ekdal,—I think there’s some one at the door.
HIALMAR [Laying the flute on the bookcase.]
There! Again!
[GINA goes and opens the door.]
GREGERS WERLE [In the passage.]
Excuse me——
GINA [Starting back slightly.]
Oh!
GREGERS
——does not Mr. Ekdal, the photographer, live here?
GINA
Yes, he does.
HIALMAR [Going towards the door.]
Gregers! You here after all? Well, come in then.
GREGERS [Coming in.]
I told you I would come and look you up.
HIALMAR
But this evening——? Have you left the party?
GREGERS
I have left both the party and my father’s house.—Good evening, Mrs. Ekdal. I don’t know whether you recognise me?
GINA
Oh yes; it’s not difficult to know young Mr. Werle again.
GREGERS
No, I am like my mother; and no doubt you remember her.
HIALMAR
Left your father’s house, did you say?
GREGERS
Yes, I have gone to a hotel.
HIALMAR
Indeed. Well, since you’re here, take off your coat and sit down.
GREGERS
Thanks.
[He takes off his overcoat. He is now dressed in a plain grey suit of a coun
trified cut.]
HIALMAR
Here, on the sofa. Make yourself comfortable.
[GREGERS seats himself on the sofa; HIALMAR takes a chair at the
table.]
GREGERS [Looking around him.]
So these are your quarters, Hialmar—this is your home.
HIALMAR
This is the studio, as you see——
GINA
But it’s the largest of our rooms, so we generally sit here.
HIALMAR
We used to live in a better place; but this flat has one great advantage: there are such capital outer rooms——
GINA
And we have a room on the other side of the passage that we can let.
GREGERS [To HIALMAR.]
Ah—so you have lodgers too?
HIALMAR
No, not yet. They’re not so easy to find, you see; you have to
keep your eyes open.
[To HEDVIG.]
What about that beer, eh?
[HEDVIG nods and goes out into the kitchen.]
GREGERS
So that is your daughter?
HIALMAR
Yes, that is Hedvig.
GREGERS
And she is your only child?
HIALMAR
Yes, the only one. She is the joy of our lives, and—
[lowering his voice]
—at the same time our deepest sorrow, Gregers.
GREGERS
What do you mean?
HIALMAR
She is in serious danger of losing her eyesight.
GREGERS
Becoming blind?
HIALMAR
Yes. Only the first symptoms have appeared as yet, and she may not feel it much for some time. But the doctor has warned us. It is coming, inexorably.
GREGERS
What a terrible misfortune! How do you account for it?
HIALMAR [Sighs.]
Hereditary, no doubt.
GREGERS [Starting.]
Hereditary?
GINA
Ekdal’s mother had weak eyes.
HIALMAR
Yes, so my father says; I can’t remember her.
GREGERS
Poor child! And how does she take it?
HIALMAR
Oh, you can imagine we haven’t the heart to tell her of it. She dreams of no danger. Gay and careless and chirping like a little bird, she flutters onward into a life of endless night.
[Overcome.]
Oh, it is cruelly hard on me, Gregers.
[HEDVIG brings a tray with beer and glasses, which she sets upon the table.]
HIALMAR [Stroking her hair.]
Thanks, thanks, Hedvig.
[HEDVIG puts her arm round his neck and whispers in his ear.]
HIALMAR
No, no bread and butter just now.
[Looks up.]
But perhaps you would like some, Gregers.
GREGERS [With a gesture of refusal.]
No, no thank you.
HIALMAR [Still melancholy.]
Well, you can bring in a little all the same. If you have a crust,
that is all I want. And plenty of butter on it, mind.
[HEDVIG nods gaily and goes out into the kitchen again.]
GREGERS [Who has been following her with his eyes.]
She seems quite strong and healthy otherwise.
GINA
Yes. In other ways there’s nothing amiss with her, thank goodness.
GREGERS
She promises to be very like you, Mrs. Ekdal. How old is she now?
GINA
Hedvig is close on fourteen; her birthday is the day after to-morrow.
GREGERS
She is pretty tall for her age, then.
GINA
Yes, she’s shot up wonderful this last year.
GREGERS
It makes one realise one’s own age to see these young people growing up.—How long is it now since you were married?
GINA
We’ve been married—let me see—just on fifteen years.
GREGERS
Is it so long as that?
GINA [Becomes attentive; looks at him.]
Yes, it is indeed.
HIALMAR
Yes, so it is. Fifteen years all but a few months.
[Changing his tone.]
They must have been long years for you, up at the works,
Gregers.
GREGERS
They seemed long while I was living them; now they are over, I hardly know how the time has gone.
[OLD EKDAL comes from his room without his pipe, but with his old-fashioned uniform cap on his head; his gait is somewhat unsteady.]
EKDAL
Come now, Hialmar, let’s sit down and have a good talk about this—h’m—what was it again?
HIALMAR [Going towards him.]
Father, we have a visitor here—Gregers Werle.—I don’t know if you remember him.
EKDAL [Looking at GREGERS, who has risen.]
Werle? Is that the son? What does he want with me?
HIALMAR
Nothing; it’s me he has come to see.
EKDAL
Oh! Then there’s nothing wrong?
HIALMAR
No, no, of course not.
EKDAL [With a large gesture.]
Not that I’m afraid, you know; but——
GREGERS [Goes over to him.]
I bring you a greeting from your old hunting-grounds, Lieutenant Ekdal.
EKDAL
Hunting-grounds?
GREGERS
Yes, up in Höidal, about the works, you know.
EKDAL
Oh, up there. Yes, I knew all those places well in the old days.
GREGERS
You were a great sportsman then.
EKDAL
So I was, I don’t deny it. You’re looking at my uniform cap. I don’t ask anybody’s leave to wear it in the house. So long as I don’t go out in the streets with it——





