As it was more than a pageant, it was more than a fashion; but it had its stages and turning points like a fashion. Perhaps the chief turning point was the moment when Mr. Julian Archer (now Sir Julian Archer under the accolade of one of the new orders of knighthood) had seriously discovered that he must lead the fashion or be left behind it. All of us who have observed changes passing over a society know that indeterminate and yet determining instant. It applies to everything from women being allowed votes to women not being allowed hair. It was marked in the Suffragette movement, which many middle-class women had long supported, when great ladies began to take it up. It marks the transition from the time when it is the new fashion to the time when it is the fashion. Up to that moment examples may be numerous, but they are still notable; after that moment it is the neglect that is notable. That is the sort of moment, in every movement, at which Sir Julian Archer appears as he appeared now; a knight in shining armour, ready for every perilous emprise.

  Yet Sir Julian Archer was too vain not to be in a sense simple, and too simple not to be in a sense sincere. Social changes of this sort are made possible among considerable masses of people, by two ironies of human nature. The first is that almost everyman’s life has been sufficiently patchy and full of possibilities for him to remember some movement of his own mind towards what has become the movement of the time. The second is that he almost always makes a false picture of his past, and fosters a fictitious memory, whereby that detail seems in retrospect to dominate his career.

  Julian Archer (as has already been faithfully recorded) had written a long time ago a very boyish sort of a boy’s adventure story about the Battle of Agincourt. It was only one of the multifarious and highly modern activities of his successful career: and had not been even one of the most successful. But with the new talk all around him, Archer began to insist more and more on his initiative in the matter.

  “They wouldn’t listen to me,” he said moodily shaking his head. “Doesn’t do to be a bit too early in the field. . . . Of course, Herne’s a well-read man; it’s his business. . . . I suppose he sees practically every book that comes out. Seems as if he had sense enough to take a hint, eh, what?”

  “Oh, I see,” said Olive Ashley, raising her dark eyebrows in mild surprise. “I never thought of that.”

  And she reflected at once ruefully and whimsically upon her own concentrated passion of medieval things, which everybody had first derided and then imitated and then forgotten.

  The case was the same with Sir Aubrey Wister, that gallant though somewhat elderly knight; for thus also had been transformed the figure of the old aesthete who pottered about drawing-rooms and praised the great Victorians who had praised the great Primitives. He talked rather more about the great Primitives and less about the great Victorians. But as he had so often in the past patronised Cimabue and said an encouraging word to Giotto and Botticelli, it was not difficult for him to persuade himself that he had been a prophet lifting up his voice in vain, and predicting the coming of Mr. Herne as the Medieval Messiah.

  “My dear, sir,” he would say confidentially, “the period was one of inconceivable vandalism and vulgarity. I really don’t know how I lived through it. But I pegged away; and, as you see, my work has not been altogether fruitless . . . ahem . . . not altogether fruitless. The very patterns of their costumes would have perished; hardly a single picture from which they are taking their designs would have survived — but for my little protest. It shows what a word in time will do.”

  Lord Seawood himself was affected in much the same way. Insensibly, he shifted the centre of gravity between his two hobbies. He talked a little more about his private hobby of heraldry. He talked a little less about his public hobby of Parliament. He insisted less on the greatness of Lord Palmerston and more on the greatness of the Black Prince, from whom the Seawood family claimed descent. And in him also this touching belief grew silently in the shade; the sense that he had himself had a lot to do with the founding of the League of the Lion and the resurrection of Richard Coeur-de-Lion. He felt this all the more vividly because of the institution of the Shield of Honour, which was one of the latest and proudest additions to the scheme and had been inaugurated in his own park.

  In all this change of climate, Herne was himself unchanged. Like many idealists, he was of a type that would have been content in complete obscurity, but could not measure or realise the scope of complete fame. If he could take one stride to the end of the park, he might as well take another stride to the end of the world. He did not see the world to scale. He had forced all his commonplace companions back into their masquerade clothes and compelled them to play the masque until they died. By hanging on himself to his Robin Hood bow and boar spear, he had come to find himself not left behind by the company but marching in front of it. The change from that loneliness to that leadership did seem to him a thrilling and triumphal thing. But the change from the leadership of that house-party to the leadership of all England hardly seemed to him a change at all. For indeed there was in that house-party one face that had fallen into the habit of watching for all changes, like the changes of sunset and dawn.

  CHAPTER XIV

  THE RETURN OF THE KNIGHT-ERRANT

  In the great General Election, which had been produced by the big menace of Braintree and his new Syndicalism, and which had led up to the launching of the movement in opposition to it, it was reported that Mr. Michael Herne had gone into a polling-booth to record his vote; and had remained there for three-quarters of an hour, mysteriously occupied or possibly engaged in prayer. He had apparently never given a vote before; it not being a Palaeo-Hittite habit; but when it had been elaborately explained to him that he had only to make a cross on the piece of paper opposite the name of his favourite candidate, he seemed quite charmed and enchanted with the idea. By this time, of course, his Palaeo-Hittite period had long become prehistoric and stratified in the past; and his later medieval enthusiasm devoured his days and nights. Nevertheless he could apparently spare a somewhat abnormal time for the modern and rather mechanical process of voting; when he might have been engaged in drawing the long bow or tilting at a Saracen’s head. Archer and his other colleagues became a little impatient, and not a little mystified, by his mysterious immersion in the ballot box; they kicked their legs restlessly outside and eventually went inside, to see his tall and motionless back still immovable in its separate cell, as of a modern confessional. They were at last goaded to the gross indelicacy of disturbing the Citizen when alone with his Duty, by going up behind him and pulling his coat-tails. As this had no particular effect, they committed the anarchical and anti-democratic outrage of actually looking over his shoulder. They found that he had set out on the little shelf, as on a table, all the illumination paints (presumably borrowed from Miss Ashley), paints of gold and silver and all the colours of the rainbow. With these he was engaged in doing his democratic duty with almost a painful care and patience. He had been told to make a cross and he was making a cross. He was doing it as it would have been done by a monk in the Dark Ages; that is in very gay and glorified colours. The cross was of gold, in one corner of it were three blue birds, in another corner were three red fishes, in another plants, in another planets and so on; it seemed to be planned upon the scheme of the Canticle of the Creature of St. Francis of Assisi. He was very much surprised to be told that this was not required by the provisions of the Ballot Act; but he controlled himself and only gave a faint sigh, when informed by the officials of the polling station that his vote was cancelled, because he had “spoilt” a ballot paper.

  Outside in the street, however, there were a good many people who thought that even the usual hasty scratch on the ballot paper was almost as much of a waste of time as Mr. Herne’s elaborate ritual. It was the paradox of that particular General Election that it was a great crisis because another thing was much greater; and it was intensely exciting because people were excited about something else. It was rather like one of the elections that take place during a great war. Indeed it might be said that it took place during a revolution.

  The Great Strike that gathered all the workers in the dye and colour making trades, with sympathetic strikes among various bodies connected with Coal-Tar and Coal, had its headquarters in Milldyke and its leader in John Braintree. But it was much more than a strike of the local and limited sort that its description might imply. It was not the sort of strike at which men of the more comfortable classes had grown accustomed to grumble; being used to their discomforts as to their comforts. It was something entirely new, at which such men, not unnaturally and perhaps not unreasonably, ejaculated sharp and even shrill protests.

  At the very moment when Herne was medievally occupied in the monastic cell of the polling-station, Braintree was filling the market-place of Milldyke with his thunderous voice in the most sensational speech of his career. It was sensational in substance as well as in style. He no longer, as in the first stages of this history, demanded what he called Recognition. He demanded Control.

  “Your masters tell you,” he said, “that you are greedy materialists grown accustomed to clamour for more wages. They are right. Your masters tell you that you lack ideals and do not understand ambition and the instinct to govern. They are right. They imply that you are slaves and beasts of burden, in so far as you would only eat up stores and escape responsibility. They are right. They are right so long as you are content to ask only for wages, only for food, only for well-paid service. But let us show our masters that we have profited by the moral lessons they are so good as to give us. Let us return to them penitent; let us tell them we mean to amend our faults of petty stipulation and merely materialistic demand. Let us tell them that we have an ambition; and it is to rule. That we have an ideal; and it is to rule equally. That we have a hunger and a high thirst for responsibility; for the glorious and joyous responsibility of ruling what they misrule, of managing what they have mismanaged, of sharing among ourselves as workers and comrades that direct and democratic government of our own industry which was hitherto served to keep a few parasites in luxury in their palaces and parks.”

  After that speech at Milldyke all communications were cut and a chasm yawned between Braintree and the parks and palaces to which he referred. The demand that the manual workers should become the managers of the works consolidated against him, indeed, a large mass of people who did not by any means live in palaces or parks. It was so manifestly and madly revolutionary that hardly anyone did agree with it who was not already prepared to call himself a revolutionist. And real revolutionists are rare. Rosamund’s friend Harry Hanbury, a very kindly and reasonable squire, spoke for the rest. “Hang it all, I’m all for paying people good wages, as I try to pay my chauffeur and valet good wages. But Control means that the chauffeur can drive me to Margate when I want to go to Manchester. My valet brushes my clothes and has something to say about them. But Control means that I must wear yellow trousers and a pink waistcoat if he chooses to lay them out for me.”

  The next week brought the news of two great elections: the one a defiant answer to the other. On the Tuesday the news was brought to Herne that Braintree had been elected by a huge and howling Labour majority.

  And on the Thursday was received by that abstracted mind, blind with inner light, the shout and scurry and acclamation which announced that he himself had been chosen by the Orders and Electoral Colleges, as King-at-Arms over the whole world of the West Country. It was in a sort of waking dream that he was escorted to a high throne set upon that green plateau of Seawood Park. On one side of the new King stood Rosamund Severne, Dame of some new degree and holding the Shield of Honour, shaped like a heart and blazoned with the lion, which was to be given to the best knight who had achieved the boldest adventure. She looked very statuesque; and few could have guessed how energetically she flew round in preparing the ceremony; or how very like it was to her way of preparing the theatricals. On the left stood her friend, the young squire and explorer, whom she had once introduced to Braintree, looking very serious indeed; for he had passed the point of self-consciousness and felt his heraldic uniform as natural as that of the Scots Grey. He held what was called the Sword of St. George, with the cross-hilt upwards; for Michael had said, in one of his mystical fragments, “A man never deserves a sword until he can hold it by the blade. His hand may bleed; but it is then that he sees the Cross.” But Herne sat on his high throne above all the coloured crowd, and his eyes seemed to inhabit the horizons and the high places. So have many fanatics ridden high on clouds over scenes as preposterous; so Robespierre walked in his blue coat at the Feast of the Supreme Being. Lord Eden caught sight of those clear eyes, like still and shining pools, and muttered: “The man is mad. It is dangerous for unbalanced men when their dreams come true. But the madness of a man may be the sanity of a society.”

  “Well!” cried Julian Archer, slapping his sword-hilt with that air of answering for everybody that was so hearty and refreshing. “It’s been a great day and the world will hear of it. The people round here will find we’ve really got to work. This is the sort of thing that will hunt out Braintree and all his rabble of ragamuffins and make them run like rats.”

  Rosamund was still rather like a smiling statue; but Olive standing behind her had seemed as dark as her shadow. Now Olive suddenly spoke and her clear voice rang like steel.

  “He is not a ragamuffin,” she said. “He is an engineer; and knows a lot more than you do. What are most of you, if it comes to that? An engineer is as good as a librarian. I should think.”

  There was a deathly silence; and Archer, with a helpless gesture, looked upwards, as if the sky would crack at the blasphemy; but most of the ladies and gentlemen looked downwards, at their pointed medieval shoes; for they realised that it was worse than blasphemy; it was certainly, under the circumstances, exceedingly bad taste.

  But though the groups had begun to break up and mingle, the King-at-Arms had not yet left his throne; as they were soon to find, in more ways than one. He took no more notice of the woman who had just insulted him than if she had not been there; but he suddenly bent his brows upon Julian Archer; and a sort of subconscious thrill told everybody that in one mind at least the royalty was a reality.

  “Sir Julian,” said the King-at-Arms sternly, “I think you have read your books of venery very wrongly. You do not seem to know that we are back in braver and better days and have left behind the time when gentlemen could swagger about hunting vermin. Ours is the spirit of the ages when royal beasts could turn to bay and slay the hunters; the great boar and the noble stag. We are of the world that could respect its enemies; yes, even when they were beasts. I know John Braintree; and there never was a braver man walking this world. Shall we fight for our faith and sneer at him because he fights for his? Go and kill him if you dare; but if he should kill you, you will be as much honoured in your death as you are now dishonoured by your tongue.”

  For one instant the impression, or illusion, was stunning and complete. He had spoken spontaneously and simply out of himself; but it might have been a reincarnation. So exactly might Richard the Lion Heart have spoken to a courtier who imputed cowardice to Saladin.

  But in that still crowd there was a change that might have been even more surprising if many had noticed it; for the pale face of Olive Ashley had turned to a red flame; and a sort of cry, that was half a gasp, was rent out of her.

  “Ah, now I know it has really begun!”

  And from that moment she moved lightly in the coloured procession, as if a load had been lifted off her. She seemed to wake up for the first time to all that decorative dance, that was so near to her old dreams and take her part in it without further doubt or distress. Her dark eyes were shining, as at a memory. A little later in the proceedings she found herself talking to Rosamund. She lowered her voice and said almost like one telling a secret:— “He really means it! He really understands. He isn’t a snob or a swaggering bully or anything of the sort. He really believes in the good old days — and the good new days, too.”

  “Of course he means it!” cried Rosamund very indignantly. “Of course he really believes it and behaves like it too! If you only knew what it was for me to see anything done, after the eternal talking at large of Monkey and Julian and the rest. Besides, he’s quite right to believe in it. What business has anybody to laugh at it? Beautiful dresses are not half so laughable as ugly dresses. We ought to have been doubled up with laughter day and night in the days when men wore trousers.” And she continued to pour out her defence, with all the passion with which a practical young woman, repeats the opinions of somebody else.

  But Olive was looking from the high lawn up the long white road that wandered away to the sunset and seemed to melt its silver in that copper and gold.

  “They asked me once,” she said, “whether I thought King Arthur would return. On an evening like this . . . can’t you imagine the culmination coming, and our seeing some knight of the Round Table pricking along the road, ever so far away, bringing us a message from the King.”

  “Well, it’s jolly queer you should say that,” said the more practical Rosamund, “because there really is somebody coming along; and I believe he’s on a horse, too.”

  “He seems to be behind a horse,” said Olive in a low voice. “That low sun dazzles my eyes. . . . Can it be a Roman chariot? I suppose Arthur would really be a Roman?”

  “It’s a very queer shape,” said Rosamund; and her voice also had altered.

  The knight-errant from King Arthur’s Court certainly was a very queer shape; for as the equipage came nearer and nearer, it took on to the amazed eyes of the medieval crowd the appearance of a dilapidated hansom cab, surmounted by a cabman in a dilapidated top-hat. He removed his battered headgear with a polite salutation and revealed the unpretentious features of Douglas Murrel.