Maurice Maeterlinck is a man of unmistakable genius, and genius always carries a magnifying glass. In the terrible crystal of his lens we have seen the bees not as a little yellow swarm, but rather in golden armies and hierarchies of warriors and queens. Imagination perpetually peers and creeps further down the avenues and vistas in the tubes of science, and one fancies every frantic reversal of proportions; the earwig striding across the echoing plain like an elephant, or the grasshopper coming roaring above our roofs like a vast aeroplane, as he leaps from Hertfordshire to Surrey. One seems to enter in a dream a temple of enormous entomology, whose architecture is based on something wilder than arms or backbones; in which the ribbed columns have the half-crawling look of dim and monstrous caterpillars; or the dome is a starry spider hung horribly in the void. There is one of the modern works of engineering that gives one something of this nameless fear of the exaggerations of an underworld; and that is the curious curved architecture of the under ground railway, commonly called the Twopenny Tube. Those squat archways, without any upright line or pillar, look as if they had been tunneled by huge worms who have never learned to lift their heads. It is the very underground palace of the Serpent, the spirit of changing shape and color, that is the enemy of man.

  But it is not merely by such strange aesthetic suggestions that writers like Maeterlinck have influenced us in the matter; there is also an ethical side to the business. The upshot of M. Maeterlinck’s book on bees is an admiration, one might also say an envy, of their collective spirituality; of the fact that they live only for something which he calls the Soul of the Hive. And this admiration for the communal morality of insects is expressed in many other modern writers in various quarters and shapes; in Mr. Benjamin Kidd’s theory of living only for the evolutionary future of our race, and in the great interest of some Socialists in ants, which they generally prefer to bees, I suppose, because they are not so brightly colored. Not least among the hundred evidences of this vague insectolatry are the floods of flattery poured by modern people on that energetic nation of the Far East of which it has been said that “Patriotism is its only religion”; or, in other words, that it lives only for the Soul of the Hive. When at long intervals of the centuries Christendom grows weak, morbid or skeptical, and mysterious Asia begins to move against us her dim populations and to pour them westward like a dark movement of matter, in such cases it has been very common to compare the invasion to a plague of lice or incessant armies of locusts. The Eastern armies were indeed like insects; in their blind, busy destructiveness, in their black nihilism of personal outlook, in their hateful indifference to individual life and love, in their base belief in mere numbers, in their pessimistic courage and their atheistic patriotism, the riders and raiders of the East are indeed like all the creeping things of the earth. But never before, I think, have Christians called a Turk a locust and meant it as a compliment. Now for the first time we worship as well as fear; and trace with adoration that enormous form advancing vast and vague out of Asia, faintly discernible amid the mystic clouds of winged creatures hung over the wasted lands, thronging the skies like thunder and discoloring the skies like rain; Beelzebub, the Lord of Flies.

  In resisting this horrible theory of the Soul of the Hive, we of Christendom stand not for ourselves, but for all humanity; for the essential and distinctive human idea that one good and happy man is an end in himself, that a soul is worth saving. Nay, for those who like such biological fancies it might well be said that we stand as chiefs and champions of a whole section of nature, princes of the house whose cognizance is the backbone, standing for the milk of the individual mother and the courage of the wandering cub, representing the pathetic chivalry of the dog, the humor and perversity of cats, the affection of the tranquil horse, the loneliness of the lion. It is more to the point, however, to urge that this mere glorification of society as it is in the social insects is a transformation and a dissolution in one of the outlines which have been specially the symbols of man. In the cloud and confusion of the flies and bees is growing fainter and fainter, as is finally disappearing, the idea of the human family. The hive has become larger than the house, the bees are destroying their captors; what the locust hath left, the caterpillar hath eaten; and the little house and garden of our friend Jones is in a bad way.

  II. THE FALLACY OF THE UMBRELLA STAND

  When Lord Morley said that the House of Lords must be either mended or ended, he used a phrase which has caused some confusion; because it might seem to suggest that mending and ending are somewhat similar things. I wish specially to insist on the fact that mending and ending are opposite things. You mend a thing because you like it; you end a thing because you don’t. To mend is to strengthen. I, for instance, disbelieve in oligarchy; so I would no more mend the House of Lords than I would mend a thumbscrew. On the other hand, I do believe in the family; therefore I would mend the family as I would mend a chair; and I will never deny for a moment that the modern family is a chair that wants mending. But here comes in the essential point about the mass of modern advanced sociologists. Here are two institutions that have always been fundamental with mankind, the family and the state. Anarchists, I believe, disbelieve in both. It is quite unfair to say that Socialists believe in the state, but do not believe in the family; thousands of Socialists believe more in the family than any Tory. But it is true to say that while anarchists would end both, Socialists are specially engaged in mending (that is, strengthening and renewing) the state; and they are not specially engaged in strengthening and renewing the family. They are not doing anything to define the functions of father, mother, and child, as such; they are not tightening the machine up again; they are not blackening in again the fading lines of the old drawing. With the state they are doing this; they are sharpening its machinery, they are blackening in its black dogmatic lines, they are making mere government in every way stronger and in some ways harsher than before. While they leave the home in ruins, they restore the hive, especially the stings. Indeed, some schemes of labor and Poor Law reform recently advanced by distinguished Socialists, amount to little more than putting the largest number of people in the despotic power of Mr. Bumble. Apparently, progress means being moved on — by the police.

  The point it is my purpose to urge might perhaps be suggested thus: that Socialists and most social reformers of their color are vividly conscious of the line between the kind of things that belong to the state and the kind of things that belong to mere chaos or uncoercible nature; they may force children to go to school before the sun rises, but they will not try to force the sun to rise; they will not, like Canute, banish the sea, but only the sea-bathers. But inside the outline of the state their lines are confused, and entities melt into each other. They have no firm instinctive sense of one thing being in its nature private and another public, of one thing being necessarily bond and another free. That is why piece by piece, and quite silently, personal liberty is being stolen from Englishmen, as personal land has been silently stolen ever since the sixteenth century.

  I can only put it sufficiently curtly in a careless simile. A Socialist means a man who thinks a walking-stick like an umbrella because they both go into the umbrella-stand. Yet they are as different as a battle-ax and a bootjack. The essential idea of an umbrella is breadth and protection. The essential idea of a stick is slenderness and, partly, attack. The stick is the sword, the umbrella is the shield, but it is a shield against another and more nameless enemy — the hostile but anonymous universe. More properly, therefore, the umbrella is the roof; it is a kind of collapsible house. But the vital difference goes far deeper than this; it branches off into two kingdoms of man’s mind, with a chasm between. For the point is this: that the umbrella is a shield against an enemy so actual as to be a mere nuisance; whereas the stick is a sword against enemies so entirely imaginary as to be a pure pleasure. The stick is not merely a sword, but a court sword; it is a thing of purely ceremonial swagger. One cannot express the emotion in any way except by saying that a man feels more like a man with a stick in his hand, just as he feels more like a man with a sword at his side. But nobody ever had any swelling sentiments about an umbrella; it is a convenience, like a door scraper. An umbrella is a necessary evil. A walking-stick is a quite unnecessary good. This, I fancy, is the real explanation of the perpetual losing of umbrellas; one does not hear of people losing walking sticks. For a walking-stick is a pleasure, a piece of real personal property; it is missed even when it is not needed. When my right hand forgets its stick may it forget its cunning. But anybody may forget an umbrella, as anybody might forget a shed that he has stood up in out of the rain. Anybody can forget a necessary thing.

  If I might pursue the figure of speech, I might briefly say that the whole Collectivist error consists in saying that because two men can share an umbrella, therefore two men can share a walking-stick. Umbrellas might possibly be replaced by some kind of common awnings covering certain streets from particular showers. But there is nothing but nonsense in the notion of swinging a communal stick; it is as if one spoke of twirling a communal mustache. It will be said that this is a frank fantasia and that no sociologists suggest such follies. Pardon me if they do. I will give a precise parallel to the case of confusion of sticks and umbrellas, a parallel from a perpetually reiterated suggestion of reform. At least sixty Socialists out of a hundred, when they have spoken of common laundries, will go on at once to speak of common kitchens. This is just as mechanical and unintelligent as the fanciful case I have quoted. Sticks and umbrellas are both stiff rods that go into holes in a stand in the hall. Kitchens and washhouses are both large rooms full of heat and damp and steam. But the soul and function of the two things are utterly opposite. There is only one way of washing a shirt; that is, there is only one right way. There is no taste and fancy in tattered shirts. Nobody says, “Tompkins likes five holes in his shirt, but I must say, give me the good old four holes.” Nobody says, “This washerwoman rips up the left leg of my pyjamas; now if there is one thing I insist on it is the right leg ripped up.” The ideal washing is simply to send a thing back washed. But it is by no means true that the ideal cooking is simply to send a thing back cooked. Cooking is an art; it has in it personality, and even perversity, for the definition of an art is that which must be personal and may be perverse. I know a man, not otherwise dainty, who cannot touch common sausages unless they are almost burned to a coal. He wants his sausages fried to rags, yet he does not insist on his shirts being boiled to rags. I do not say that such points of culinary delicacy are of high importance. I do not say that the communal ideal must give way to them. What I say is that the communal ideal is not conscious of their existence, and therefore goes wrong from the very start, mixing a wholly public thing with a highly individual one. Perhaps we ought to accept communal kitchens in the social crisis, just as we should accept communal cat’s-meat in a siege. But the cultured Socialist, quite at his ease, by no means in a siege, talks about communal kitchens as if they were the same kind of thing as communal laundries. This shows at the start that he misunderstands human nature. It is as different as three men singing the same chorus from three men playing three tunes on the same piano.

  III. THE DREADFUL DUTY OF GUDGE

  In the quarrel earlier alluded to between the energetic Progressive and the obstinate Conservative (or, to talk a tenderer language, between Hudge and Gudge), the state of cross-purposes is at the present moment acute. The Tory says he wants to preserve family life in Cindertown; the Socialist very reasonably points out to him that in Cindertown at present there isn’t any family life to preserve. But Hudge, the Socialist, in his turn, is highly vague and mysterious about whether he would preserve the family life if there were any; or whether he will try to restore it where it has disappeared. It is all very confusing. The Tory sometimes talks as if he wanted to tighten the domestic bonds that do not exist; the Socialist as if he wanted to loosen the bonds that do not bind anybody. The question we all want to ask of both of them is the original ideal question, “Do you want to keep the family at all?” If Hudge, the Socialist, does want the family he must be prepared for the natural restraints, distinctions and divisions of labor in the family. He must brace himself up to bear the idea of the woman having a preference for the private house and a man for the public house. He must manage to endure somehow the idea of a woman being womanly, which does not mean soft and yielding, but handy, thrifty, rather hard, and very humorous. He must confront without a quiver the notion of a child who shall be childish, that is, full of energy, but without an idea of independence; fundamentally as eager for authority as for information and butter-scotch. If a man, a woman and a child live together any more in free and sovereign households, these ancient relations will recur; and Hudge must put up with it. He can only avoid it by destroying the family, driving both sexes into sexless hives and hordes, and bringing up all children as the children of the state — like Oliver Twist. But if these stern words must be addressed to Hudge, neither shall Gudge escape a somewhat severe admonition. For the plain truth to be told pretty sharply to the Tory is this, that if he wants the family to remain, if he wants to be strong enough to resist the rending forces of our essentially savage commerce, he must make some very big sacrifices and try to equalize property. The overwhelming mass of the English people at this particular instant are simply too poor to be domestic. They are as domestic as they can manage; they are much more domestic than the governing class; but they cannot get what good there was originally meant to be in this institution, simply because they have not got enough money. The man ought to stand for a certain magnanimity, quite lawfully expressed in throwing money away: but if under given circumstances he can only do it by throwing the week’s food away, then he is not magnanimous, but mean. The woman ought to stand for a certain wisdom which is well expressed in valuing things rightly and guarding money sensibly; but how is she to guard money if there is no money to guard? The child ought to look on his mother as a fountain of natural fun and poetry; but how can he unless the fountain, like other fountains, is allowed to play? What chance have any of these ancient arts and functions in a house so hideously topsy-turvy; a house where the woman is out working and the man isn’t; and the child is forced by law to think his schoolmaster’s requirements more important than his mother’s? No, Gudge and his friends in the House of Lords and the Carlton Club must make up their minds on this matter, and that very quickly. If they are content to have England turned into a beehive and an ant-hill, decorated here and there with a few faded butterflies playing at an old game called domesticity in the intervals of the divorce court, then let them have their empire of insects; they will find plenty of Socialists who will give it to them. But if they want a domestic England, they must “shell out,” as the phrase goes, to a vastly greater extent than any Radical politician has yet dared to suggest; they must endure burdens much heavier than the Budget and strokes much deadlier than the death duties; for the thing to be done is nothing more nor less than the distribution of the great fortunes and the great estates. We can now only avoid Socialism by a change as vast as Socialism. If we are to save property, we must distribute property, almost as sternly and sweepingly as did the French Revolution. If we are to preserve the family we must revolutionize the nation.

  IV. A LAST INSTANCE

  And now, as this book is drawing to a close, I will whisper in the reader’s ear a horrible suspicion that has sometimes haunted me: the suspicion that Hudge and Gudge are secretly in partnership. That the quarrel they keep up in public is very much of a put-up job, and that the way in which they perpetually play into each other’s hands is not an everlasting coincidence. Gudge, the plutocrat, wants an anarchic industrialism; Hudge, the idealist, provides him with lyric praises of anarchy. Gudge wants women-workers because they are cheaper; Hudge calls the woman’s work “freedom to live her own life.” Gudge wants steady and obedient workmen, Hudge preaches teetotalism — to workmen, not to Gudge — Gudge wants a tame and timid population who will never take arms against tyranny; Hudge proves from Tolstoi that nobody must take arms against anything. Gudge is naturally a healthy and well-washed gentleman; Hudge earnestly preaches the perfection of Gudge’s washing to people who can’t practice it. Above all, Gudge rules by a coarse and cruel system of sacking and sweating and bi-sexual toil which is totally inconsistent with the free family and which is bound to destroy it; therefore Hudge, stretching out his arms to the universe with a prophetic smile, tells us that the family is something that we shall soon gloriously outgrow.