Such critics have never really thought of asking what they mean by “sentiment,” still less what they mean by “false sentiment.” “False” is simply a conventional term of abuse to be applied to “sentiment”; and “sentiment” is simply a conventional term of abuse to be applied to Catholicism. But it is very much more applicable nowadays to Protestantism. It is especially applicable to Bishop Barnes’s own rather nebulous type of Protestantism. Men of his school always complain of our thinking too much of theology, just as they complained a few centuries before of our thinking too little of theology. But theology is only the element of reason in religion; the reason that prevents it from being a mere emotion. There are a good many broad-minded persons for whom it is only an emotion; and it would hardly be unfair to say it is only a sentiment. And we have not to look far for them in cases like these.

  If a school of critics were found prepared to pay divine honours to a certain person while doubting whether he was divine, men who took off their hats in his churches while denying that he was present on his altars, who hinted that he was only a religious teacher and then hinted again that he must be served as if he were the only teacher of religion; who are always ready to treat him as a fallible individual in relation to his rivals, and then to invoke him as an infallible authority against his followers, who dismiss every text they choose to think dogmatic and then gush over every text they choose to think amiable, who heckle him with Higher Criticism about three-quarters of what he said and then grovel before a mawkish and unmanly ideal made by misunderstanding the little which is left — if there were a school of critics in THIS relation to a historical character, we might very well admit that they were not getting to grips with it, but surrounding it with “a halo of false sentiment.”

  That is the vital distinction. At least we do not admit sentiment as a substitute for statement; still less as a contradiction of something that we state. There may be devotional expressions that are emotional, and even extravagantly emotional; but they do not actually distort any definition that is purely intellectual. But in the case of our critics, the confusion is in the intellect. We do not claim that all our pictorial or poetical expressions are adequate; but the fault is in the execution not in the conception. And there is a conception which is not a confusion. We do not say that every pink and blue doll from an Art Repository is a satisfactory symbol of the Mother of God. But we do say that it is less of a contradiction than exists in a person who says there is no Original Sin in anybody, and then calls it Mariolatry to say there was no Original Sin in Mary. We do not profess to admire the little varnished pictures of waxen angels or wooden children around the Communion Table. But we do most strongly profess and proclaim that they are less of a blot on the intellectual landscape than a bishop who suggests that the Host may actually be the divine Presence, but that High Church curates will do his lordship a personal favour if they take no notice of it. We are under no illusions about the literary quality of a large number of hymns in our hymn-books, or any other hymn-books. But we modestly submit that though they are doggerel they are not nonsense; and that saying that we can assert a personal God, a personal immortality, a personal divine love that extends to the least and worst, and do all this without holding “a Creed,” IS nonsense. We know that the nearest sane agnostic or atheist would agree that it is nonsense. Devotional art and literature are often out of balance or broken in expression; sometimes because the emotion is too real and too strong for the reason, the same thing which makes the love-letters of the wisest men like the letters of lunatics; sometimes from a real deficiency in the individual power of reason; but never from a theoretical repudiation of reason, like that of the Pragmatists and about three-quarters of the Modernists. And in the same way it is the very reverse of the truth to say that a mere emotional distortion of the facts has drawn the modern mind towards St. Francis. It is, on the contrary, emphatically an attraction of mind to mind; and the more purely mental the process, the less it will be interrupted by ignorant irritation against the strangeness of Italian manners or mediaeval conditions. And in this case there is no international problem. Thousands of Englishmen who know nothing but England glow with love and understanding of St. Francis. We may well feel an unaffected pity for the one unlucky Englishman who cannot understand.

  ON TWO ALLEGORIES

  PERHAPS it is only fair that the modern iconoclasm should be applied also to the ancient iconoclasts; and especially to the great Puritans, those idol-breakers who have long been idols. Mr. Belloc was recently tapping the Parliamentary statue of Cromwell with a highly scientific hammer; and Mr. Noyes has suddenly assailed the image of Bunyan with something more like a sledge-hammer. In the latter case I confess to thinking the reaction excessive; I should say nothing worse of Bunyan than of many old writers; that he is best known by his best passages, and that many, who fondly believe they have read him, would be mildly surprised at some of his worst passages. But that is not peculiar to Bunyan; and I for one should be content with saying what I said some years ago. A fair and balanced view of the culture and creeds involved can best be reached by comparing the Pilgrimage of Christian with the Pilgrimage of Piers Plowman. The Puritan allegory is much neater (even if it be not always neat) than the rather bewildering mediaeval medley. The Puritan allegory is more national, in the sense that the language and style have obviously become clearer and more fixed. But the Puritan allegory is certainly much narrower than the mediaeval allegory. Piers Plowman deals with the death or resurrection of a whole human society, where men are members of each other. In the later work schism has “isolated the soul”; and it is certainly mere individualism, when it is not mere terrorism. But I will only say now what I said then; I do not want to damage the statue of John Bunyan at Bedford, where it stands facing (symbolically in more ways than one) the site of his own prison. But I do wish there were a statue of John Langland, uplifted on a natural height into a more native air, and looking across all England from the Malvern hills.

  But there is one intellectual side issue of the debate that does interest me very much. Mr. James Douglas, who once presented himself to me as a representative of Protestant truth, and who is certainly a representative of Protestant tradition, answered Mr. Alfred Noyes in terms very typical of the present state of that tradition. He said that we should salute Bunyan’s living literary genius, and not bother our heads about Bunyan’s obsolete theology. Then he added the comparison which seems to me so thought-provoking: that this is after all what we do, when we admire Dante’s genius and not HIS obsolete theology. Now there is a distinction to be made here; if the whole modern mind is to realize at all where it stands. If I say that Bunyan’s theology IS obsolete, but Dante’s theology is NOT obsolete — then I know the features of my friend Mr. Douglas will be wreathed in a refined smile of superiority and scorn. He will say that I am a Papist and therefore of course I think the Papist dogmatism living. But the point is that he is a Protestant and he thinks the Protestant dogmatism dead. I do at least defend the Catholic theory because it can be defended. The Puritans would presumably be defending the Puritan theory — if it could be defended. The point is that it is dead for them as much as for us. It is not merely that Mr. Noyes demands the disappearance of a disfigurement; it is that Mr. Douglas says it cannot be a disfigurement because it has already disappeared. Now the Thomist philosophy, on which Dante based his poetry has not disappeared. It is not a question of faith but of fact; anybody who knows Paris or Oxford, or the worlds where such things are discussed, will tell you that it has not disappeared. All sorts of people, including those who do not believe in it, refer to it and argue against it on equal terms.

  I do not believe, for a fact, that modern men so discuss the seventeenth century sectarianism. Had I the privilege of passing a few days with Mr. Douglas and his young lions of the DAILY EXPRESS, I doubt not that we should discuss and differ about many things. But I do rather doubt whether Mr. Douglas would every now and again cry out, as with a crow of pure delight “Oh, I must read you this charming little bit from Calvin.” I do rather doubt whether his young journalists are joyously capping each other’s quotations from Toplady’s sermons on Calvinism. But eager young men do still quote Aquinas, just as they still quote Aristotle. I have heard them at it. And certain ideas are flying about, even in the original prose of St. Thomas, as well as in the poetry of Dante — or, for that matter, of Donne.

  The case of Bunyan is really the opposite of the case of Dante. In Dante the abstract theory still illuminates the poetry; the ideas enlighten even where the images are dark. In Bunyan it is the human facts and figures that are bright; while the spiritual background is not only dark in spirit, but blackened by time and change. Of course it is true enough that in Dante the mere images are immensely imaginative. It is also true that in one sense some of them are obsolete; in the sense that the incidents are obsolete and the personal judgment merely personal. Nobody will ever forget how there came through the infernal twilight the figure of that insolent troubadour, carrying his own head aloft in his hand like a lantern to light his way. Everybody knows that such an image is poetically true to certain terrible truths about the unnatural violence of intellectual pride. But as to whether anybody has any business to say that Bertrand de Born is damned, the obvious answer is No. Dante knew no more about it than I do: only he cared more about it; and his personal quarrel is an obsolete quarrel. But that sort of thing is not Dante’s theology, let alone Catholic theology.

  In a word; so far from his theology being obsolete, it would be much truer to say that everything is obsolete except his theology. That he did not happen to like a particular Southern gentleman is obsolete; but that was at most a private fancy, in demonology rather than theology. We come to theology when we come to theism. And if anybody will read the passage in which Dante grapples with the gigantic problem of describing the Beatific Vision, he will find it is uplifted into another world of ideas from the successful entry to the Golden City at the end of the Pilgrim’s Progress. It is a Thought; which a thinker, especially a genuine freethinker, is always free to go on thinking. The images of Dante are not to be worshipped, any more than any other images. But there is an idea behind all images; and it is before that, in the last lines of the Paradiso, that the spirit of the poet seems first to soar like an eagle and then to fall like a stone.

  There is nothing in this comparison that reflects on the genius and genuineness of Bunyan in his own line or class; but it does serve to put him in his own class. I think there was something to be said for the vigorous denunciation of Mr. Noyes; but no such denunciation is involved in this distinction. On the contrary, it would be easy to draw the same distinction between two men both at the very top of all literary achievement. It would be true to say, I think, that those who most enjoy reading Homer care more about an eternal humanity than an ephemeral mythology. The reader of Homer cares more about men than about gods. So, as far as one can guess, does Homer. It is true that if those curious and capricious Olympians did between them make up a religion, it is now a dead religion. It is the human Hector who so died that he will never die. But we should remonstrate with a critic who, after successfully proving this about Homer, should go on to prove it about Plato. We should protest if he said that the only interest of the Platonic Dialogues to-day is in their playful asides and very lively local colour, in the gay and graceful picture of Greek life; but that nobody troubles nowadays about the obsolete philosophy of Plato. We should point out that there is no truth in the comparison; and that if anything the case is all the other way. Plato’s philosophy will be important as long as there is philosophy; and Dante’s religion will be important as long as there is religion. Above all it will be important as long as there is that lucid and serene sort of religion that is most in touch with philosophy. Nobody will say that the theology of the Baptist tinker is in that sense serene or even lucid; on many points it necessarily remains obscure. The reason is that such religion does not do what philosophy does; it does not begin at the beginning. In the matter of mere chronological order, it is true that the pilgrimage of Dante and that of Bunyan both end in the Celestial City. But it is in a very different sense that the pilgrimage of Bunyan begins in the City of Destruction. The mind of Dante, like that of his master St. Thomas, really begins as well as ends in the City of Creation. It begins as well as ends in the burning focus in which all things began. He sees his series from the right end, though he then begins it at the wrong end. But it is the whole point of a personal work like THE PILGRIM’S PROGRESS that it does begin with a man’s own private sins and private panic about them. This intense individualism gives it great force; but it cannot in the nature of things give it great breadth and range. Heaven is haven; but the wanderer has not many other thoughts about it except that it is haven. It is typical of the two methods, each of them very real in its way, that Dante could write a whole volume, one-third of his gigantic epic, describing the things of Heaven; whereas in the case of Bunyan, as the gates of Heaven open the book itself closes.

  I think it worth while to write this note on the critical remark of Mr. James Douglas, because it is a remark that would be made as readily by many other intelligent men to-day. But it is founded on a fallacy; on the idea that the choice between living philosophies and dead philosophies is the same as the choice between old philosophies and new. It is not true of Plato and it is not true of Dante; and, apart from whatever is our own philosophy, we should realise that some of the most ancient are the most alive.

  THE PROTESTANT SUPERSTITIONS

  THAT delightful guessing game, which has long caused innocent merriment in so many Catholic families, the game of guessing at exactly which line of an article say on Landscape or Latin Elegiacs, we shall find the Dean of St. Paul’s introducing the Antidote to Antichrist; or the Popish Plot Revealed — that most familiar of our Catholic parlour games happened to be entertaining me some time ago, as a sort of substitute for a crossword puzzle, when I found I had hit on a very lucky example. I wrote above about “Catholic families,” and had almost, by force of associations written “Catholic firesides.” And I imagine that the Dean really does think that even in this weather we keep the home-fires burning, like the fire of Vesta, in permanent expectation of relighting the fires of Smithfield. Anyhow, this sort of guessing game or crossword puzzle is seldom disappointing. The Dean must by this time have tried quite a hundred ways of leading up to his beloved topic; and even concealing it, like a masked battery, until he can let loose the cannonade in a perfect tornado of temper. Then the crossword puzzle is no longer a puzzle, though the crosswords are apparent and appropriate enough; especially those devoted to the great historical process of crossing out the Cross.

  In the case of this particular article, it was only towards the end of it that the real subject was allowed to leap out from an ambush upon the reader. I think it was a general article on Superstition; and, being a journalistic article of the modern type, it was of course devoted to discussing superstition without defining superstition. In an article of that enlightened sort, it seemed enough for the writer to suggest that superstition is anything that he does not happen to like. Some of the things are also things that I do not happen to like. But such a writer is not reasonable even when he is right. A man ought to have some more philosophical objection to stories of ill luck than merely calling them credulity; as certainly as a man ought to have some more philosophical objection to Mass than to call it Magic. It is hardly a final refutation of Spiritualists to prove that they believe in Spirits; any more than a refutation of Deists to prove that they believe in Deity. Creed and credence and credulity are words of the same origin and can be juggled backwards and forwards to any extent. But when a man assumes the absurdity of anything that anybody else believes, we wish first to know what he believes; on what principle he believes; and, above all, upon what principle he disbelieves. There is no trace of anything so rational in the Dean’s piece of metaphysical journalism. If he had stopped to define his terms, or in other words to tell us what he was talking about, such an abstract analysis would of course have filled up some space in the article. There might have been no room for the Alarum Against the Pope.

  The Dean of St. Paul’s got to business, in a paragraph in the second half of his article, in which he unveiled to his readers all the horrors of a quotation from Newman; a very shocking and shameful passage in which the degraded apostate says that he is happy in his religion, and in being surrounded by the things of his religion; that he likes to have objects that have been blessed by the holy and beloved, that there is a sense of being protected by prayers, sacramentals and so on; and that happiness of this sort satisfies the soul. The Dean, having given us this one ghastly glimpse of the Cardinal’s spiritual condition, drops the curtain with a groan and says it is Paganism. How different from the Christian orthodoxy of Plotinus!

  Now it was exactly that little glimpse that interested me in this matter; not so much a glimpse into the soul of the Cardinal as into the mind of the Dean. I suddenly seemed to see, in much simpler form than I had yet realised, the real issue between him and us. And the curious thing about the issue is this; that what he thinks about us is exactly what we think about him. What I for one feel most strongly, in considering a case like that of the Dean and his quotation from the Cardinal, is that the Dean is a man of distinguished intelligence and culture, that he is always interesting, that he is sometimes even just, or at least justified or justifiable; but that he is first and last the champion of a Superstition; the man who is really and truly defending a Superstition, as it would be understood by people who could define a Superstition. What makes it all the more amusing is that it is in a rather special sense a Pagan Superstition. But what makes it most intensely interesting, so far as I am concerned, is that the Dean is devoted to what may be called par excellence a superstitious Superstition. I mean that it is in a special sense a LOCAL superstition.