Complete works of g k ch.., p.521

  Complete Works of G K Chesterton, p.521

Complete Works of G K Chesterton
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  I rushed out into the rain, and my friend followed me somewhat more grimly. We discovered we were in a town called Lierre, which seemed to consist chiefly of bankrupt pastry cooks, who sold lemonade.

  “This is the peak of our whole poetic progress!” I cried enthusiastically. “We must do something, something sacramental and commemorative! We cannot sacrifice an ox, and it would be a bore to build a temple. Let us write a poem.”

  With but slight encouragement, I took out an old envelope and one of those pencils that turn bright violet in water. There was plenty of water about, and the violet ran down the paper, symbolising the rich purple of that romantic hour. I began, choosing the form of an old French ballade; it is the easiest because it is the most restricted —

  “Can Man to Mount Olympus rise,

  And fancy Primrose Hill the scene?

  Can a man walk in Paradise

  And think he is in Turnham Green?

  And could I take you for Malines,

  Not knowing the nobler thing you were?

  O Pearl of all the plain, and queen,

  The lovely city of Lierre.

  “Through memory’s mist in glimmering guise

  Shall shine your streets of sloppy sheen.

  And wet shall grow my dreaming eyes,

  To think how wet my boots have been

  Now if I die or shoot a Dean — —”

  Here I broke off to ask my friend whether he thought it expressed a more wild calamity to shoot a Dean or to be a Dean. But he only turned up his coat collar, and I felt that for him the muse had folded her wings. I rewrote —

  “Now if I die a Rural Dean,

  Or rob a bank I do not care,

  Or turn a Tory. I have seen

  The lovely city of Lierre.”

  “The next line,” I resumed, warming to it; but my friend interrupted me.

  “The next line,” he said somewhat harshly, “will be a railway line. We can get back to Mechlin from here, I find, though we have to change twice. I dare say I should think this jolly romantic but for the weather. Adventure is the champagne of life, but I prefer my champagne and my adventures dry. Here is the station.”

  .....

  We did not speak again until we had left Lierre, in its sacred cloud of rain, and were coming to Mechlin, under a clearer sky, that even made one think of stars. Then I leant forward and said to my friend in a low voice— “I have found out everything. We have come to the wrong star.”

  He stared his query, and I went on eagerly: “That is what makes life at once so splendid and so strange. We are in the wrong world. When I thought that was the right town, it bored me; when I knew it was wrong, I was happy. So the false optimism, the modern happiness, tires us because it tells us we fit into this world. The true happiness is that we don’t fit. We come from somewhere else. We have lost our way.”

  He silently nodded, staring out of the window, but whether I had impressed or only fatigued him I could not tell. “This,” I added, “is suggested in the last verse of a fine poem you have grossly neglected —

  “‘Happy is he and more than wise

  Who sees with wondering eyes and clean

  The world through all the grey disguise

  Of sleep and custom in between.

  Yes; we may pass the heavenly screen,

  But shall we know when we are there?

  Who know not what these dead stones mean,

  The lovely city of Lierre.’”

  Here the train stopped abruptly. And from Mechlin church steeple we heard the half-chime: and Joris broke silence with “No bally HORS D’OEUVRES for me: I shall get on to something solid at once.”

  L’Envoy

  Prince, wide your Empire spreads, I ween,

  Yet happier is that moistened Mayor,

  Who drinks her cognac far from fine,

  The lovely city of Lierre.

  XXXIX. The Mystery of a Pageant

  Once upon a time, it seems centuries ago, I was prevailed on to take a small part in one of those historical processions or pageants which happened to be fashionable in or about the year 1909. And since I tend, like all who are growing old, to re-enter the remote past as a paradise or playground, I disinter a memory which may serve to stand among those memories of small but strange incidents with which I have sometimes filled this column. The thing has really some of the dark qualities of a detective-story; though I suppose that Sherlock Holmes himself could hardly unravel it now, when the scent is so old and cold and most of the actors, doubtless, long dead.

  This old pageant included a series of figures from the eighteenth century, and I was told that I was just like Dr. Johnson. Seeing that Dr. Johnson was heavily seamed with small-pox, had a waistcoat all over gravy, snorted and rolled as he walked, and was probably the ugliest man in London, I mention this identification as a fact and not as a vaunt. I had nothing to do with the arrangement; and such fleeting suggestions as I made were not taken so seriously as they might have been. I requested that a row of posts be erected across the lawn, so that I might touch all of them but one, and then go back and touch that. Failing this, I felt that the least they could do was to have twenty-five cups of tea stationed at regular intervals along the course, each held by a Mrs. Thrale in full costume. My best constructive suggestion was the most harshly rejected of all. In front of me in the procession walked the great Bishop Berkeley, the man who turned the tables on the early materialists by maintaining that matter itself possibly does not exist. Dr. Johnson, you will remember, did not like such bottomless fancies as Berkeley’s, and kicked a stone with his foot, saying, “I refute him so!” Now (as I pointed out) kicking a stone would not make the metaphysical quarrel quite clear; besides, it would hurt. But how picturesque and perfect it would be if I moved across the ground in the symbolic attitude of kicking Bishop Berkeley! How complete an allegoric group; the great transcendentalist walking with his head among the stars, but behind him the avenging realist pede claudo, with uplifted foot. But I must not take up space with these forgotten frivolities; we old men grow too garrulous in talking of the distant past.

  This story scarcely concerns me either in my real or my assumed character. Suffice it to say that the procession took place at night in a large garden and by torchlight (so remote is the date), that the garden was crowded with Puritans, monks, and men-at-arms, and especially with early Celtic saints smoking pipes, and with elegant Renaissance gentlemen talking Cockney. Suffice it to say, or rather it is needless to say, that I got lost. I wandered away into some dim corner of that dim shrubbery, where there was nothing to do except tumbling over tent ropes, and I began almost to feel like my prototype, and to share his horror of solitude and hatred of a country life.

  In this detachment and dilemma I saw another man in a white wig advancing across this forsaken stretch of lawn; a tall, lean man, who stooped in his long black robes like a stooping eagle. When I thought he would pass me, he stopped before my face, and said, “Dr. Johnson, I think. I am Paley.”

  “Sir,” I said, “you used to guide men to the beginnings of Christianity. If you can guide me now to wherever this infernal thing begins you will perform a yet higher and harder function.”

  His costume and style were so perfect that for the instant I really thought he was a ghost. He took no notice of my flippancy, but, turning his black-robed back on me, led me through verdurous glooms and winding mossy ways, until we came out into the glare of gaslight and laughing men in masquerade, and I could easily laugh at myself.

  And there, you will say, was an end of the matter. I am (you will say) naturally obtuse, cowardly, and mentally deficient. I was, moreover, unused to pageants; I felt frightened in the dark and took a man for a spectre whom, in the light, I could recognise as a modern gentleman in a masquerade dress. No; far from it. That spectral person was my first introduction to a special incident which has never been explained and which still lays its finger on my nerve.

  I mixed with the men of the eighteenth century; and we fooled as one does at a fancy-dress ball. There was Burke as large as life and a great deal better looking. There was Cowper much larger than life; he ought to have been a little man in a night-cap, with a cat under one arm and a spaniel under the other. As it was, he was a magnificent person, and looked more like the Master of Ballantrae than Cowper. I persuaded him at last to the night-cap, but never, alas, to the cat and dog. When I came the next night Burke was still the same beautiful improvement upon himself; Cowper was still weeping for his dog and cat and would not be comforted; Bishop Berkeley was still waiting to be kicked in the interests of philosophy. In short, I met all my old friends but one. Where was Paley? I had been mystically moved by the man’s presence; I was moved more by his absence. At last I saw advancing towards us across the twilight garden a little man with a large book and a bright attractive face. When he came near enough he said, in a small, clear voice, “I’m Paley.” The thing was quite natural, of course; the man was ill and had sent a substitute. Yet somehow the contrast was a shock.

  By the next night I had grown quite friendly with my four or five colleagues; I had discovered what is called a mutual friend with Berkeley and several points of difference with Burke. Cowper, I think it was, who introduced me to a friend of his, a fresh face, square and sturdy, framed in a white wig. “This,” he explained, “is my friend So-and-So. He’s Paley.” I looked round at all the faces by this time fixed and familiar; I studied them; I counted them; then I bowed to the third Paley as one bows to necessity. So far the thing was all within the limits of coincidence. It certainly seemed odd that this one particular cleric should be so varying and elusive. It was singular that Paley, alone among men, should swell and shrink and alter like a phantom, while all else remained solid. But the thing was explicable; two men had been ill and there was an end of it; only I went again the next night, and a clear-coloured elegant youth with powdered hair bounded up to me, and told me with boyish excitement that he was Paley.

  For the next twenty-four hours I remained in the mental condition of the modern world. I mean the condition in which all natural explanations have broken down and no supernatural explanation has been established. My bewilderment had reached to boredom when I found myself once more in the colour and clatter of the pageant, and I was all the more pleased because I met an old school-fellow, and we mutually recognised each other under our heavy clothes and hoary wigs. We talked about all those great things for which literature is too small and only life large enough; red-hot memories and those gigantic details which make up the characters of men. I heard all about the friends he had lost sight of and those he had kept in sight; I heard about his profession, and asked at last how he came into the pageant.

  “The fact is,” he said, “a friend of mine asked me, just for to-night, to act a chap called Paley; I don’t know who he was....”

  “No, by thunder!” I said, “nor does anyone.”

  This was the last blow, and the next night passed like a dream. I scarcely noticed the slender, sprightly, and entirely new figure which fell into the ranks in the place of Paley, so many times deceased. What could it mean? Why was the giddy Paley unfaithful among the faithful found? Did these perpetual changes prove the popularity or the unpopularity of being Paley? Was it that no human being could support being Paley for one night and live till morning? Or was it that the gates were crowded with eager throngs of the British public thirsting to be Paley, who could only be let in one at a time? Or is there some ancient vendetta against Paley? Does some secret society of Deists still assassinate any one who adopts the name?

  I cannot conjecture further about this true tale of mystery; and that for two reasons. First, the story is so true that I have had to put a lie into it. Every word of this narrative is veracious, except the one word Paley. And second, because I have got to go into the next room and dress up as Dr. Johnson.

  ORTHODOXY

  CONTENTS

  I INTRODUCTION IN DEFENCE OF EVERYTHING ELSE

  II THE MANIAC

  III THE SUICIDE OF THOUGHT

  IV THE ETHICS OF ELFLAND

  V THE FLAG OF THE WORLD

  VI THE PARADOXES OF CHRISTIANITY

  VII THE ETERNAL REVOLUTION

  VIII THE ROMANCE OF ORTHODOXY

  IX AUTHORITY AND THE ADVENTURER

  I INTRODUCTION IN DEFENCE OF EVERYTHING ELSE

  THE only possible excuse for this book is that it is an answer to a challenge. Even a bad shot is dignified when he accepts a duel. When some time ago I published a series of hasty but sincere papers, under the name of “Heretics,” several critics for whose intellect I have a warm respect (I may mention specially Mr. G.S.Street) said that it was all very well for me to tell everybody to affirm his cosmic theory, but that I had carefully avoided supporting my precepts with example. “I will begin to worry about my philosophy,” said Mr. Street, “when Mr. Chesterton has given us his.” It was perhaps an incautious suggestion to make to a person only too ready to write books upon the feeblest provocation. But after all, though Mr. Street has inspired and created this book, he need not read it. If he does read it, he will find that in its pages I have attempted in a vague and personal way, in a set of mental pictures rather than in a series of deductions, to state the philosophy in which I have come to believe. I will not call it my philosophy; for I did not make it. God and humanity made it; and it made me.

  I have often had a fancy for writing a romance about an English yachtsman who slightly miscalculated his course and discovered England under the impression that it was a new island in the South Seas. I always find, however, that I am either too busy or too lazy to write this fine work, so I may as well give it away for the purposes of philosophical illustration. There will probably be a general impression that the man who landed (armed to the teeth and talking by signs) to plant the British flag on that barbaric temple which turned out to be the Pavilion at Brighton, felt rather a fool. I am not here concerned to deny that he looked a fool. But if you imagine that he felt a fool, or at any rate that the sense of folly was his sole or his dominant emotion, then you have not studied with sufficient delicacy the rich romantic nature of the hero of this tale. His mistake was really a most enviable mistake; and he knew it, if he was the man I take him for. What could be more delightful than to have in the same few minutes all the fascinating terrors of going abroad combined with all the humane security of coming home again? What could be better than to have all the fun of discovering South Africa without the disgusting necessity of landing there? What could be more glorious than to brace one’s self up to discover New South Wales and then realize, with a gush of happy tears, that it was really old South Wales. This at least seems to me the main problem for philosophers, and is in a manner the main problem of this book. How can we contrive to be at once astonished at the world and yet at home in it? How can this queer cosmic town, with its many-legged citizens, with its monstrous and ancient lamps, how can this world give us at once the fascination of a strange town and the comfort and honour of being our own town?

  To show that a faith or a philosophy is true from every standpoint would be too big an undertaking even for a much bigger book than this; it is necessary to follow one path of argument; and this is the path that I here propose to follow. I wish to set forth my faith as particularly answering this double spiritual need, the need for that mixture of the familiar and the unfamiliar which Christendom has rightly named romance. For the very word “romance” has in it the mystery and ancient meaning of Rome. Any one setting out to dispute anything ought always to begin by saying what he does not dispute. Beyond stating what he proposes to prove he should always state what he does not propose to prove. The thing I do not propose to prove, the thing I propose to take as common ground between myself and any average reader, is this desirability of an active and imaginative life, picturesque and full of a poetical curiosity, a life such as western man at any rate always seems to have desired. If a man says that extinction is better than existence or blank existence better than variety and adventure, then he is not one of the ordinary people to whom I am talking. If a man prefers nothing I can give him nothing. But nearly all people I have ever met in this western society in which I live would agree to the general proposition that we need this life of practical romance; the combination of something that is strange with something that is secure. We need so to view the world as to combine an idea of wonder and an idea of welcome. We need to be happy in this wonderland without once being merely comfortable. It is THIS achievement of my creed that I shall chiefly pursue in these pages.

  But I have a peculiar reason for mentioning the man in a yacht, who discovered England. For I am that man in a yacht. I discovered England. I do not see how this book can avoid being egotistical; and I do not quite see (to tell the truth) how it can avoid being dull. Dulness will, however, free me from the charge which I most lament; the charge of being flippant. Mere light sophistry is the thing that I happen to despise most of all things, and it is perhaps a wholesome fact that this is the thing of which I am generally accused. I know nothing so contemptible as a mere paradox; a mere ingenious defence of the indefensible. If it were true (as has been said) that Mr. Bernard Shaw lived upon paradox, then he ought to be a mere common millionaire; for a man of his mental activity could invent a sophistry every six minutes. It is as easy as lying; because it is lying. The truth is, of course, that Mr. Shaw is cruelly hampered by the fact that he cannot tell any lie unless he thinks it is the truth. I find myself under the same intolerable bondage. I never in my life said anything merely because I thought it funny; though of course, I have had ordinary human vainglory, and may have thought it funny because I had said it. It is one thing to describe an interview with a gorgon or a griffin, a creature who does not exist. It is another thing to discover that the rhinoceros does exist and then take pleasure in the fact that he looks as if he didn’t. One searches for truth, but it may be that one pursues instinctively the more extraordinary truths. And I offer this book with the heartiest sentiments to all the jolly people who hate what I write, and regard it (very justly, for all I know), as a piece of poor clowning or a single tiresome joke.

 
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