Complete works of g k ch.., p.330

  Complete Works of G K Chesterton, p.330

Complete Works of G K Chesterton
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  “Oh, Lord, this is an extra!” he exclaimed, and seemed once more broken up by almost senile laughter. “This has nothing to do with the story; but it is a marvellous addition to the pantomime. I always noticed that the chief features in the pantomime had nothing to do with the story.”

  But Sir Hubert Wotton was having no more for the moment of Mr. Pond’s fanciful mysteries; least of all, of the last and most mysterious, the mystery of his mirth. He had already begun to cross-examine the stranger in the style of the police; and the stranger stood up to him with gloomy but unshaken lucidity. His name, by his own account, was Hankin, and he was a public entertainer who also gave private entertainments; who was, indeed, only too glad to give any entertainments, in the depressed condition of his state of livelihood. He had an engagement to perform as clown at a children’s party that evening, and had insisted on the necessity of catching a particular train; nor had he been cheered by the assurance of the police at the entrance that regular trains for passengers would be running again in an hour, at a time that would make him too late for his appointment; and lose him the first few shillings he had earned in many months. He had done what many such people would probably have been glad to do, if they had had the activity and audacity, and had climbed into the station by an unguarded loophole. This statement was made with firmness and simplicity, and Pond evidently believed it; but Wotton was still smouldering with some suspicions.

  “I must ask you to come with us to the waiting-room,” he said. “Have you anything about you to confirm your story?”

  “I haven’t got my visiting-card,” said the sombre Mr. Hankin. “I lost it along with my Rolls-Royce and my little castle in Scotland. But you can see me in my resplendent and fashionable evening-dress, if you like. I think that ought to convince you.”

  The man was carrying a shabby and misshapen bag, which he lugged along to the waiting-room; and there, before the staring eyes of Wotton, he stripped off his waterproof and appeared in a sort of white circus dress, but for retaining his shabby boots and trousers. Then he dived into the bag and brought out a monstrous grinning and glaring white mask, picked out with red ornaments, and fitted it on his head. And there, solid and seemingly incredible before their eyes, was the genuine clown of the old-fashioned pantomime, such as they had been discussing.

  “He came up through a trapdoor, I suppose we must say,” murmured the awestruck Mr. Pond. “But I feel as if he had fallen out of the sky like the snow. Fate or the fairies have added this final touch; see how they built up gradually round us the whole palace of pantomime in this wilderness; first the firelight and then the snow and now the only original ‘Here We Are Again!’ Such a cosy happy Christmas! Screams of joy from all the tiny tots. . . . Oh, my God, how ghastly it all is!”

  His friend looked at him and received a second shock in realizing that the bearded face, though it still wore the elfish look of its first amusement at the accident, was in fact terribly pale.

  “And the ghastliest part of it,” said Mr. Pond, “is that I am going to complete your costume, Sir.”

  He suddenly plucked out the poker, from where it was standing in the fire, and it emerged already red-hot. He handed it politely to the Clown.

  “I may look like a pantaloon,” he said, “but this will obviously be more suitable to the Clown. This is the red-hot poker, with which you make the Policeman jump.”

  Wotton stared at a scene to which he had now entirely lost the clue; and in the silence that followed, the long platform outside resounded with a firm and heavy stride coming nearer and nearer. The large figure of Dyer the detective appeared framed in the doorway; and he stood as if turned to stone by what he saw.

  Wotton was not astonished at his astonishment. He presumed that it was an astonishment like his own, at the irrelevant intrusion of the pantomime figure. But Pond was watching more closely; and for Pond that moment was the confirmation of the creeping suspicion that had worked its way into his mind for the last hour or so. Nobody could have been surprised at Dyer staring at the Clown. But Dyer was not staring at the Clown. Nor was Dyer merely astonished; perhaps the most astonishing thing was that he was not exactly astonished. He was staring only at the poker; and he obviously saw nothing funny about it. His face was distorted by almost demoniac fear and fury; and he looked at the red pantomime poker rather as if it had been the flaming sword of an accusing angel.

  “Yes, it’s the red-hot poker,” said Pond, in a low and almost forced voice, “and it does make the policeman jump.”

  The policeman jumped; he jumped back three paces, and as he leapt he loosened a big official revolver and fired at Mr. Pond again and again; the shocks of explosion shaking the thin shanty in which they stood. The first shot buried itself in the wall about an inch from Mr. Pond’s dome-like forehead; the other four went rather wild; for Wotton and the stranger had woken up to the situation and were struggling with the would-be assassin, and forcing his hand away. Finally, he managed to wrench his hand loose again and twist the pistol inwards upon himself; the body of the big man stiffened in their arms; and Dyer of the detective service lay dead on the floor before the dancing fire.

  The explanation of events was given by Mr. Pond some time later; for his first action after the catastrophe left no time for explanations. He had repeatedly, at intervals, looked at the clock in the waiting-room, and seemed satisfied; but he was leaving nothing to chance. He darted out of the door, raced down the platform, and found his way to the telephone-box he had used earlier in the day. He came out wiping his brow, in spite of the cold; but wearing a smile of relative relief in the midst of the tragedy. When asked what he was doing, he answered simply: “I was telephoning a description of the package. It’ll be all right now; they will hold it up.”

  “Do you mean the package?” asked Wotton. “I thought that was just like all the rest.”

  “I’ll tell you all about it presently,” replied Pond. “Let us go and take a polite farewell of the public entertainer, who has given us such a delightful entertainment. I really think we ought to give him a fiver or so in compensation.”

  Wotton was very much the gentleman, in the more generous sense, and he heartily agreed to this; and, though it was difficult for the melancholy man with the horse-face to produce anything nearer to a laugh than a neigh, he was manifestly much cheered internally and his gaunt face was cracked with a crooked smile. Then, by way of finishing their Christmas feast on this curious scene of festivity, the two friends adjourned to the one and only refreshment-room and sat down behind two tall glasses of beer; having no taste for warming their hands at that rather too blood-red fire that still burned in the sinister waiting-room.

  “It was curious you were able to corner Dyer like that,” said Wotton. “I never had a thought of him.”

  “I never had a thought of him either,” said Pond, “and he cornered himself, just as he killed himself. I fancy many conspirators are really chasing themselves into corners like that. Don’t you see that he locked himself into a logical prison, when he would empty and close the whole station, to impress us with his efficiency. By the way, I ought to have guessed there was a double meaning in his dictatorial ways and demands to override the Constitution; he was talking exactly as our enemies and their foreign friends talk. But the point is this. I wasn’t thinking about him particularly; I never thought of him at all until I found him wandering about inside the logical square or enclosure, like a rectangle in geometry. I was thinking all the time about one thing: what would these people probably do to divert or intercept the box, now that they could hardly do it by direct attack or anything that made a noise? I was more and more convinced they would try to redirect it somehow, so that its going normally through the post would serve them and not us. So I warned the authorities to stop all altered addresses on suspicion; and I said to myself: What will the enemy do now? What can he do, shut up in this enormous shed, bare of all conveniences and appliances? But don’t you see that with that very thought came the overpowering suspicion of who the enemy was?

  “Nobody was there but you and Dyer when I said I had ‘phoned to stop all altered addresses. I know in a mystery story I should have to allow for the station being thronged with silent eavesdroppers, a spy up the chimney and another crawling out of the luggage; but in practical life it doesn’t happen. We heard the one and only intruder, when he began to scramble up from the street. The man who did hear it was Dyer; and notice that he almost immediately wandered away up the platform, professing to find our luncheon place for us; but really striding up and down and brooding upon what the devil he should do next, for I am sure his original plan had been to alter the address as I suggested. Was there anything else in that bare beastly place he could use for the same purpose, or another similar purpose? There was. But I never guessed what it was, until I came back to the waiting-room and happened to look at the poker. I saw it was twisted at a slightly different angle; that could only mean it had been red-hot and hammered half crooked like a horseshoe on the anvil. And then, of course, I realized that a red-hot poker would serve as well as a pen or pencil, or rather better, for altering an inscription on a wooden box. A pen could only cross it out; but a poker could burn it out. Managed neatly, it might well remove all trace of there ever having been any label or previous inscription at all. But it would do a great deal more than that. The clown is not the only artist who wields a poker; there is the whole elegant craft called poker-work. It would be quite easy to change the whole appearance of a white deal box, so that it would no longer be classed with the other boxes; running a black border round it, covering it with a pattern, perhaps blackening it almost entirely. Then in one blank space left he would brand the address he wanted it to reach, very plain in black block letters, avoiding incidentally all the dangers of being traced by handwriting. The thing would have gone through the post to that address as a separate thing in an ordinary way; and our scheme for posting it in an ordinary way would have recoiled on our heads. As it was, I was just in time to describe the poker-work box and stop it. I made a silly joke about a red pencil marking black; but even then I had barely begun to suspect Dyer; I’m ashamed to say the only person I began by suspecting was your unfortunate clerk Franks, who is rather exceptionally innocent.”

  “Franks!” exclaimed Wotton. “Why on earth did you suspect him?”

  “Because I was an ass,” said Pond, “and much more like a Pantaloon than you may imagine. He’s a queer-looking fellow; but I ought to have known that suffering sort of look is more often conscientiousness than unconscientiousness. But where I was a priceless ass was when I looked at the suspect instead of looking at the detective. At that moment, Dyer was holding the box up, looking at it very closely; and Franks, from the other side, could see that he made a minute mark on it, very unobtrusively; so that he would know it again. Franks knew about the box scheme; and seeing that very swift and furtive act, he started and stared; and I don’t wonder. In fact, Franks was the real detective and was far ahead of me, for I hadn’t suspected Dyer at all. Not till, so to speak, I actually found him like a burglar on the premises. I might say on the logical premises.” He coughed slightly. “Pray excuse the pun.”

  “Well,” said Captain Gahagan, when Wotton had told him the story long afterwards. “My favourite character in your drama is the Clown. He is so irrelevant. I am like that myself. I am so irrelevant.”

  “You are,” said Sir Hubert Wotton, and resumed the study of his documents.

  “He is like the Clown in Shakespeare,” went on Gahagan with unchanged buoyancy. “The Clown in Shakespeare seems to be there by accident unconnected with the story and yet he is the chorus of the tragedy. The Fool is like a fantastic dancing flame lighting up the features and furniture of the dark house of death. Perhaps we may connect Pond and Polonius after all.” And he continued to illustrate his theory of the buffoons in Shakespeare, a dramatic poet to whom he was fervently devoted, quoting large portions of the plays in question in the old oratorical Irish fashion, to the no small aid and acceleration of the business of the department, busy at the moment with oppressing and delicate problems about American claims concerning the commerce of Vancouver.

  THE UNMENTIONABLE MAN

  Mr. Pond was eating oysters — a serious and improving sight. His friend Wotton did not care for oysters; saying he could not see the sense of swallowing something you could hardly taste. He often said he could not see the sense of things; and was deaf to the wistful questions of his friend Gahagan, about whether he might perhaps see the nonsense. There was no nonsense about Sir Hubert Wotton; and there was a great deal of nonsense about Captain Gahagan. Gahagan enjoyed oysters, yet one could not say he cared for them, being a careless card; and the towers of oyster-shells before him showed that he had enjoyed them rapidly and recklessly, as a mere hors d’œuvre. But Mr. Pond was really caring for oysters: counting them like sheep and consuming them with the utmost care.

  “It is comparatively little known,” observed Gahagan, “that Pond actually is an oyster. He builds up out of oysters the permanent type or image. Hasty naturalists (I need only name the impetuous Pilk) have repeated the report that he resembles a fish. But what a fish! It was left to the researches of Nibbles, in his epoch-making work, Pondus Ostroanthropus, or The Human Oyster Revealed, to give our friend his high and rightful rank in the biological order. I need not trouble you with the arguments. Pond wears a beard. He and the oyster alone confront the world of modern fashions with such a decoration. When he shuts up his head he is as close as an oyster. When he persuades us to swallow something, it is only afterwards (as we have often agreed) that we realize what a monster of the deep we have swallowed. But, above all, within that oyster are the paradoxes; which are pearls of great price.” And he waved a glass towards Pond, as if concluding a speech and proposing a toast.

  Mr. Pond bowed gravely and swallowed another oyster. “As a matter of fact, I was reminded of something relevant to the discussion by the sight of the oysters; or, more strictly, of the oyster-shells. This question of deporting dangerous characters, even when they are only suspects, has some curious and baffling problems. I remember one rather queer case, in which a government had to consider the deporting of a desirable alien—”

  “I suppose you mean an undesirable alien,” said Wotton.

  Mr. Pond digested another oyster with an unobtrusive gulp and continued: “. . . the deporting of a desirable alien; and it found that the difficulties were really quite insurmountable. I assure you I am describing the peculiar position in perfectly appropriate terms. If any point might be questioned, it is not so much the word ‘desirable’ as the word ‘alien.’ In one sense, he might have been described as a very desirable native.”

  “Oysters,” said Gahagan mournfully. “The Mind is still brooding upon oysters. They are certainly very desirable natives.”

  “If he was not desirable, he was at least desired,” continued the unruffled Pond. “No, my dear Gahagan, when I say ‘desired,’ I do not mean ‘wanted by the police.’ I mean that nearly everybody wanted him to stay, and that was why it seemed obvious that he must go. He was something which, without profanity, I trust, I might call the desire of all nations; or what poets have described as the world’s desire. And yet he was not deported. Although he was desired, he was not deported. That is the only real paradox.”

  “Oh,” said the staring Wotton. “So that’s the real paradox.”

  “You should remember something of the case, Wotton,” went on Mr. Pond. “It was about that time when we went over to Paris together about a rather delicate—”

  “Pond in Paris,” murmured Gahagan. “Pond in his Pagan Youth, when (as Swinburne says so beautifully) ‘Love was the pearl of his oyster and Venus rose red out of wine.’”

  “Paris is on the way to many capitals,” replied Pond with diplomatic reserve. “In any case, there is no need to define the precise scene of this little international problem. Suffice it to say that it was one of those many modern States in which a Republic, resting on representative and democratic claims, has now long replaced a Monarchy which disappeared somehow amid all the modern wars and revolutions. Like many such, it did not find all its troubles were over with the establishment of political equality; in face of a world deeply disturbed about economic equality. When I went there, a strike in the transport services had brought the life of the capital to a deadlock; the Government was accused of being under the influence of a millionaire named Kramp, who controlled the lines involved; and the crisis was the more alarming because it was insisted (on the Government side) that the strike was secretly engineered by the famous terrorist, Tarnowski, sometimes called the Tiger of Tartary, who having been exiled from his own part of Eastern Europe, was believed to be spreading conspiracies from some unknown hiding-place in the West.” Mr. Pond then proceeded to narrate his little experience, which, when purged of Gahagan’s interruptions and Pond’s somewhat needless exactitudes, was substantially this.

  Pond was rather lonely in this strange capital; for Wotton had gone elsewhere on the other delicate mission; and, having no friends, Pond picked up only a few acquaintances. But he picked up at least three acquaintances who turned out to be rather interesting in various ways. The first case was commonplace enough, it might seem; consisting merely of talking to a bookseller who was otherwise a fairly ordinary shopkeeper, but well acquainted with early eighteenth-century scientific books; and the period was a hobby with Pond. Otherwise Mr. Huss was highly bourgeois, with a heavy frockcoat and long, antiquated whiskers which met under his chin in a patriarchal beard. When he went outside his shop, which was not often, he wore a funereal chimney-pot hat. Scientific studies seemed to have left in him the sort of stagnant atheism that is at once respectable and depressing; but beyond that there was nothing to distinguish him from countless Continental shopkeepers. The next man with whom Pond fell into any sort of conversation, in a café, was much more vigorous and vigilant, and belonged to a younger world. But he also was very serious; a dark, strenuous young man who was a Government official actually believing in the Government; or at least in the principles of the Government; and he was the sort of man who thinks first about principles. He denounced the strike and even the trade union; not because he was a snob, for he lived as simply as a workman; but because he really did believe in the old individualistic theory of what he called free contract. The type is almost unknown in England; the theory is more common in America. But nobody who looked at the baldish, rather corrugated brow that bulged between the streaks of black hair, and the anxious, though angry, eyes, could doubt that he was in fanatical good faith. His name was Marcus, and he held a minor Government office, in which he could survey with satisfaction the principles of the Republic, without being admitted to its counsels. It was while talking outside a café with this second acquaintance, that Mr. Pond became conscious of the third, who was by far the most extraordinary of the three.

 
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