Complete works of g k ch.., p.233
Complete Works of G K Chesterton,
p.233
Certainly they needed no words of explanation when Michael Herne halted and looked across at his friend, as if bidding him go on. Murrel nodded and went quickly with his light and agile step up the steep woodland path and over the stile and dropped into the avenue leading up to the main gateway. The gardens seemed much as they were of old, but rather neater and in some nameless fashion quieter; but the great gate, that had always stood open, was shut.
Monkey was no mystic; but this fact affected him with a mournful thrill that had in it something of mysticism. That incongruous element increased upon him in some indescribable subconscious way as he approached the great doors and, for the first time in his life, knocked on them and rang a great iron bell. He felt rather as if he were in a dream; and yet as if he were near to some more strange awakening. But queer as were his unformed anticipations, they were not so queer as what he found.
About half an hour afterwards he came out of the great doorway, which was closed after him, climbed the stile and came quietly down the lane to his friend; but even while he was still approaching, his friend felt that there was something odd about his quietude. He sat down on the bank and ruminated for a moment; then he said: “An extraordinary thing has happened to Seawood Abbey. It has not been exactly burned to the ground, because somehow it seems to be still there, and looking rather more well-preserved than before. It has not been, in any material or meteorological sense struck by lightning from heaven. And yet I am not sure . . . anyhow a most stunning and crashing catastrophe has fallen on that Abbey.”
“What do you mean? What has happened to the Abbey?”
“It has become an Abbey,” said Murrel gravely.
“What do you mean?” cried the other, leaning forward with sudden eagerness.
“I mean what I say. It has become an Abbey. I have just been talking to the Abbot. He told me a good deal of the news, in spite of his monastic seclusion; for he knows a number of our old friends.”
“You mean it is a monastery. What news did he give you?”
“He was full of Society Snippets,” said Murrel in his melancholy voice. “It all began with Lord Seawood dying about a year ago. The property went to his — his heiress, who it seems has ‘gone over’ as the saying is. She’s become a Catholic; and a very extraordinary sort of Catholic too. She has given up all this vast property to my friend the Abbot and his merry men; and gone down to work as a nurse in some Catholic settlement or other down in the Docks; Limehouse, I think, where Chinamen strangle their daughters according to the Twelve Immortal Principles.”
The pale librarian had sprung up with all the energy of knight-errantry; but his look was turned away from the towers of Seawood.
“I hardly understand it yet,” he said, “but it is all different. It is difficult but it is different. It is difficult because it seems strange to . . .”
“It seems strange,” asserted Murrel, “to go down to Limehouse and ask a Chinese strangler for The Honourable Rosamund Severne. But I ought to tell you on the authority of the Abbot, that she declares that her name is not Rosamund Severne. I understand you may find her if you enquire for Miss Smith.”
And at that once more did lunacy strike the librarian of Seawood like lightning out of heaven; and leaping over a hedge he went racing eastwards towards a pinewood that lay across his path, which might be presumed to be on the outskirts of Limehouse and offer opportunities for enquiring after Miss Smith.
It was rather more than three months later that the lunatics’ progress came to its appointed end, and this story with it. Its pace had changed from capering to something more like plodding and to threading the labyrinths of the lowest quarters of Limehouse. But it ended one night when a sort of green fog of dusk hung like the fumes of some drug of witchcraft, as he turned down a crack of narrow street, at the corner of which hung a painted paper lantern. A little further down the dim defile glowed another lantern; which looked less Chinese; and when he came close to it he saw it was a leaden cage fitted with large fragments of coloured glass, the rude outline showing a figure of St. Francis with a burning red angel behind him. Somehow this childish transparency seemed like a password and a signal of all that he had once sought to do on a great scale or Olive Ashley on a small one; and yet with some secret and vivid difference; that the lamp was lit from within.
So much was that great thirst for colour, which had filled his life, fed as from a goblet of flame, by that trivial sign and in this sordid place, that it scarcely surprised him to find himself in her presence, who stood crowned in his dreams as in the melodrama and the tragedy of other days. A straight dark dress hung on her from neck to heel, but it was of a normal pattern; and her red hair still looked like a crown.
With that queer awkward promptitude, that belonged to him alone, he said his simplest thought in plain words, “You are a nurse and not a nun.”
She smiled. “You don’t know much about nuns if you think that is the natural ending of a story — a story like ours. Believe me, there’s nothing in that sentimental notion that being a nun is a second best.”
“Do you really mean,” he said and then stopped.
“I mean,” she said, “that I never quite left off thinking that I might have the luck to be the second best. I suppose it’s the sort of thing that has been said a good many times. . . . I think I have always thought you would find me.”
After a momentary pause she went on: “We need not remember about that old quarrel; I think it was always something much better and much worse than a quarrel. My father was less to blame than you thought him; more to blame than I thought him; but it is neither you nor I that are to judge. But it was not he who did the real wrong of which all these wrongs have sprung.”
“I know what you mean,” he replied. “I had rather begun to think so myself, the more I read of history. But in all that history there is nothing so noble as you and what you have done. You are the greatest of historical characters; and the learned may come to call you a legend.”
“It was Olive who understood it first,” she said gravely. “She is so much quicker than I am and saw it all in a flash; a flash of moonlight, as she said. I could only go away and think things out slowly and stupidly by myself; but I got there at last.”
“Do you mean,” asked Michael slowly, “that Olive Ashley also has — got there?”
“Yes,” she replied, “and the odd thing is that John Braintree doesn’t seem to mind a bit. At least a good many people would think it odd; they are married now and they seem to agree about almost everything. I wonder how much there really was for good people to disagree about in those quarrelsome old times.”
“I know,” he answered. “Everybody seems to be married. And it has made me feel pretty lost and lonely in the last month or so.”
“Even Monkey is married, I hear,” she said. “It seems like the end of the world. But perhaps its the beginning of the world. One thing you may be sure of, though lots of people would laugh at it. Whenever Monks come back, marriages will come back.”
“He went back to that seaside town and married Dr. Hendry’s daughter,” explained Michael Herne rather vaguely. “We parted by a sort of silent consent at Seawood Abbey and he went west and I east. I had to go and look for you alone: and I was very much alone.”
“You say ‘was,’” she said with a smile; and they suddenly moved towards each other and met as they had met in the garden long ago — in a silence full of many things; a silence which he broke by saying suddenly, in his abrupt and awkward way: “I suppose I am a heretic.”
“We will see about all that,” she said with a serene magnificence.
Herne’s thoughts abruptly and absently went back to the old tangled talk between himself and Archer about the Albigensian heresy and what need to follow conversion from it; he stood a moment with his wits wool gathering. Then in that narrow street of the coloured lantern a new and astonishing thing happened; something that never had happened in all the topsy turvey happenings of his historical career. Michael Herne laughed. For the first time in his life he seriously saw a joke and deliberately made it. It is typical of him that his one joke was one which nobody else could see, or would probably ever understand.
“I say . . . iit in matrimonium.”
Short Story Collections
St Paul’s School, Barnes, London, where Chesterton was educated
THE CLUB OF QUEER TRADES
This collection of short stories was first published in 1905. Each of the stories concerns a character that is making his living by some unusual means (i.e. a ‘queer trade’). To gain admittance to the titular club, a person must have invented a unique means of earning a living. The framing narrative by ‘Cherub’ Swinburne describes his quest for The Club of Queer Trades with his friend Basil Grant, a retired judge, and Rupert Grant, a private detective. Each story describes their encounter with one of the ‘queer trades’.
The first edition
CONTENTS
The Tremendous Adventures of Major Brown
The Painful Fall of a Great Reputation
The Awful Reason of the Vicar’s Visit
The Singular Speculation of the House-Agent
The Noticeable Conduct of Professor Chadd
The Eccentric Seclusion of the Old Lady
Chesterton, close to the time of publication
The Tremendous Adventures of Major Brown
Rabelais, or his wild illustrator Gustave Dore, must have had something to do with the designing of the things called flats in England and America. There is something entirely Gargantuan in the idea of economising space by piling houses on top of each other, front doors and all. And in the chaos and complexity of those perpendicular streets anything may dwell or happen, and it is in one of them, I believe, that the inquirer may find the offices of the Club of Queer Trades. It may be thought at the first glance that the name would attract and startle the passer-by, but nothing attracts or startles in these dim immense hives. The passer-by is only looking for his own melancholy destination, the Montenegro Shipping Agency or the London office of the Rutland Sentinel, and passes through the twilight passages as one passes through the twilight corridors of a dream. If the Thugs set up a Strangers’ Assassination Company in one of the great buildings in Norfolk Street, and sent in a mild man in spectacles to answer inquiries, no inquiries would be made. And the Club of Queer Trades reigns in a great edifice hidden like a fossil in a mighty cliff of fossils.
The nature of this society, such as we afterwards discovered it to be, is soon and simply told. It is an eccentric and Bohemian Club, of which the absolute condition of membership lies in this, that the candidate must have invented the method by which he earns his living. It must be an entirely new trade. The exact definition of this requirement is given in the two principal rules. First, it must not be a mere application or variation of an existing trade. Thus, for instance, the Club would not admit an insurance agent simply because instead of insuring men’s furniture against being burnt in a fire, he insured, let us say, their trousers against being torn by a mad dog. The principle (as Sir Bradcock Burnaby-Bradcock, in the extraordinarily eloquent and soaring speech to the club on the occasion of the question being raised in the Stormby Smith affair, said wittily and keenly) is the same. Secondly, the trade must be a genuine commercial source of income, the support of its inventor. Thus the Club would not receive a man simply because he chose to pass his days collecting broken sardine tins, unless he could drive a roaring trade in them. Professor Chick made that quite clear. And when one remembers what Professor Chick’s own new trade was, one doesn’t know whether to laugh or cry.
The discovery of this strange society was a curiously refreshing thing; to realize that there were ten new trades in the world was like looking at the first ship or the first plough. It made a man feel what he should feel, that he was still in the childhood of the world. That I should have come at last upon so singular a body was, I may say without vanity, not altogether singular, for I have a mania for belonging to as many societies as possible: I may be said to collect clubs, and I have accumulated a vast and fantastic variety of specimens ever since, in my audacious youth, I collected the Athenaeum. At some future day, perhaps, I may tell tales of some of the other bodies to which I have belonged. I will recount the doings of the Dead Man’s Shoes Society (that superficially immoral, but darkly justifiable communion); I will explain the curious origin of the Cat and Christian, the name of which has been so shamefully misinterpreted; and the world shall know at last why the Institute of Typewriters coalesced with the Red Tulip League. Of the Ten Teacups, of course I dare not say a word. The first of my revelations, at any rate, shall be concerned with the Club of Queer Trades, which, as I have said, was one of this class, one which I was almost bound to come across sooner or later, because of my singular hobby. The wild youth of the metropolis call me facetiously ‘The King of Clubs’. They also call me ‘The Cherub’, in allusion to the roseate and youthful appearance I have presented in my declining years. I only hope the spirits in the better world have as good dinners as I have. But the finding of the Club of Queer Trades has one very curious thing about it. The most curious thing about it is that it was not discovered by me; it was discovered by my friend Basil Grant, a star-gazer, a mystic, and a man who scarcely stirred out of his attic.
Very few people knew anything of Basil; not because he was in the least unsociable, for if a man out of the street had walked into his rooms he would have kept him talking till morning. Few people knew him, because, like all poets, he could do without them; he welcomed a human face as he might welcome a sudden blend of colour in a sunset; but he no more felt the need of going out to parties than he felt the need of altering the sunset clouds. He lived in a queer and comfortable garret in the roofs of Lambeth. He was surrounded by a chaos of things that were in odd contrast to the slums around him; old fantastic books, swords, armour — the whole dust-hole of romanticism. But his face, amid all these quixotic relics, appeared curiously keen and modern — a powerful, legal face. And no one but I knew who he was.
Long ago as it is, everyone remembers the terrible and grotesque scene that occurred in — , when one of the most acute and forcible of the English judges suddenly went mad on the bench. I had my own view of that occurrence; but about the facts themselves there is no question at all. For some months, indeed for some years, people had detected something curious in the judge’s conduct. He seemed to have lost interest in the law, in which he had been beyond expression brilliant and terrible as a K.C., and to be occupied in giving personal and moral advice to the people concerned. He talked more like a priest or a doctor, and a very outspoken one at that. The first thrill was probably given when he said to a man who had attempted a crime of passion: “I sentence you to three years imprisonment, under the firm, and solemn, and God-given conviction, that what you require is three months at the seaside.” He accused criminals from the bench, not so much of their obvious legal crimes, but of things that had never been heard of in a court of justice, monstrous egoism, lack of humour, and morbidity deliberately encouraged. Things came to a head in that celebrated diamond case in which the Prime Minister himself, that brilliant patrician, had to come forward, gracefully and reluctantly, to give evidence against his valet. After the detailed life of the household had been thoroughly exhibited, the judge requested the Premier again to step forward, which he did with quiet dignity. The judge then said, in a sudden, grating voice: “Get a new soul. That thing’s not fit for a dog. Get a new soul.” All this, of course, in the eyes of the sagacious, was premonitory of that melancholy and farcical day when his wits actually deserted him in open court. It was a libel case between two very eminent and powerful financiers, against both of whom charges of considerable defalcation were brought. The case was long and complex; the advocates were long and eloquent; but at last, after weeks of work and rhetoric, the time came for the great judge to give a summing-up; and one of his celebrated masterpieces of lucidity and pulverizing logic was eagerly looked for. He had spoken very little during the prolonged affair, and he looked sad and lowering at the end of it. He was silent for a few moments, and then burst into a stentorian song. His remarks (as reported) were as follows:
“O Rowty-owty tiddly-owty Tiddly-owty tiddly-owty Highty-ighty tiddly-ighty Tiddly-ighty ow.”
He then retired from public life and took the garret in Lambeth.
I was sitting there one evening, about six o’clock, over a glass of that gorgeous Burgundy which he kept behind a pile of black-letter folios; he was striding about the room, fingering, after a habit of his, one of the great swords in his collection; the red glare of the strong fire struck his square features and his fierce grey hair; his blue eyes were even unusually full of dreams, and he had opened his mouth to speak dreamily, when the door was flung open, and a pale, fiery man, with red hair and a huge furred overcoat, swung himself panting into the room.
“Sorry to bother you, Basil,” he gasped. “I took a liberty — made an appointment here with a man — a client — in five minutes — I beg your pardon, sir,” and he gave me a bow of apology.
Basil smiled at me. “You didn’t know,” he said, “that I had a practical brother. This is Rupert Grant, Esquire, who can and does all there is to be done. Just as I was a failure at one thing, he is a success at everything. I remember him as a journalist, a house-agent, a naturalist, an inventor, a publisher, a schoolmaster, a — what are you now, Rupert?”
“I am and have been for some time,” said Rupert, with some dignity, “a private detective, and there’s my client.”
A loud rap at the door had cut him short, and, on permission being given, the door was thrown sharply open and a stout, dapper man walked swiftly into the room, set his silk hat with a clap on the table, and said, “Good evening, gentlemen,” with a stress on the last syllable that somehow marked him out as a martinet, military, literary and social. He had a large head streaked with black and grey, and an abrupt black moustache, which gave him a look of fierceness which was contradicted by his sad sea-blue eyes.











