Complete works of g k ch.., p.695

  Complete Works of G K Chesterton, p.695

Complete Works of G K Chesterton
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  Thus the coercive spirit of the state prevails over the free promise of the family, in the shape of formal officialism. But this is not the most coercive of the coercive elements in the modern commonwealth. An even more rigid and ruthless external power is that of industrial employment and unemployment. An even more ferocious enemy of the family is the factory. Between these modern mechanical things the ancient natural institution is not being reformed or modified or even cut down; it is being torn in pieces. It is not only being torn in pieces in the sense of a true metaphor, like a living thing caught in a hideous clockwork of manufacture. It is being literally torn in pieces, in that the husband may go to one factory, the wife to another, and the child to a third. Each will become the servant of a separate financial group, which is more and more gaining the political power of a feudal group. But whereas feudalism received the loyalty of families, the lords of the new servile state will receive only the loyalty of individuals; that is, of lonely men and even of lost children.

  It is sometimes said that Socialism attacks the family; which is founded on little beyond the accident that some Socialists believe in free-love. I have been a Socialist, and I am no longer a Socialist, and at no time did I believe in free-love. It is true, I think in a large and unconscious sense, that State Socialism encourages the general coercive claim I have been considering. But if it be true that Socialism attacks the family in theory, it is far more certain that Capitalism attacks it in practice. It is a paradox, but a plain fact, that men never notice a thing as long as it exists in practice. Men who will note a heresy will ignore an abuse. Let any one who doubts the paradox imagine the newspapers formally printing along with the Honours’ List a price list, for peerages and knighthoods; though everybody knows they are bought and sold. So the factory is destroying the family in fact; and need depend on no poor mad theorist who dreams of destroying it in fancy. And what is destroying it is nothing so plausible as free love; but something rather to be described as an enforced fear. It is economic punishment more terrible than legal punishment, which may yet land us in slavery as the only safety.

  From its first days in the forest this human group had to fight against wild monsters; and so it is now fighting against these wild machines. It only managed to survive then, and it will only manage to survive now, by a strong internal sanctity; a tacit oath or dedication deeper than that of the city or the tribe. But though this silent promise was always present, it took at a certain turning point of our history a special form which I shall try to sketch in the next chapter. That turning point was the creation of Christendom by the religion which created it. Nothing will destroy the sacred triangle; and even the Christian faith, the most amazing revolution that ever took place in the mind, served only in a sense to turn that triangle upside down. It held up a mystical mirror in which the order of the three things was reversed; and added a holy family of child, mother and father to the human family of father, mother and child.

  VI

  THE STORY OF THE VOW

  Charles Lamb, with his fine fantastic instinct for combinations that are also contrasts, has noted somewhere a contrast between St. Valentine and valentines. There seems a comic incongruity in such lively and frivolous flirtations still depending on the date and title of an ascetic and celibate bishop of the Dark Ages. The paradox lends itself to his treatment, and there is a truth in his view of it. Perhaps it may seem even more of a paradox to say there is no paradox. In such cases unification appears more provocative than division; and it may seem idly contradictory to deny the contradiction. And yet in truth there is no contradiction. In the deepest sense there is a very real similarity, which puts St. Valentine and his valentines on one side, and most of the modern world on the other. I should hesitate to ask even a German professor to collect, collate and study carefully all the valentines in the world, with the object of tracing a philosophical principle running through them. But if he did, I have no doubt about the philosophic principle he would find. However trivial, however imbecile, however vulgar or vapid or stereotyped the imagery of such things might be, it would always involve one idea, the same idea that makes lovers laboriously chip their initials on a tree or a rock, in a sort of monogram of monogamy. It may be a cockney trick to tie one’s love on a tree; though Orlando did it, and would now doubtless be arrested by the police for breaking the byelaws of the Forest of Arden. I am not here concerned especially to commend the habit of cutting one’s own name and private address in large letters on the front of the Parthenon, across the face of the Sphinx, or in any other nook or corner where it may chance to arrest the sentimental interest of posterity. But like many other popular things, of the sort that can generally be found in Shakespeare, there is a meaning in it that would probably be missed by a less popular poet, like Shelley. There is a very permanent truth in the fact that two free persons deliberately tie themselves to a log of wood. And it is the idea of tying oneself to something that runs through all this old amorous allegory like a pattern of fetters. There is always the notion of hearts chained together, or skewered together, or in some manner secured; there is a security that can only be called captivity. That it frequently fails to secure itself has nothing to do with the present point. The point is that every philosophy of sex must fail, which does not account for its ambition of fixity, as well as for its experience of failure. There is nothing to make Orlando commit himself on the sworn evidence of the nearest tree. He is not bound to be bound; he is under constraint, but nobody constrains him to be under constraint. In short, Orlando took a vow to marry precisely as Valentine took a vow not to marry. Nor could any ascetic, without being a heretic, have asserted in the wildest reactions of asceticism, that the vow of Orlando was not lawful as well as the vow of Valentine. But it is a notable fact that even when it was not lawful, it was still a vow. Through all that mediaeval culture, which has left us the legend of romance, there ran this pattern of a chain, which was felt as binding even where it ought not to bind. The lawless loves of mediaeval legends all have their own law, and especially their own loyalty, as in the tales of Tristram or Lancelot. In this sense we might say that mediaeval profligacy was more fixed than modern marriage. I am not here discussing either modern or mediaeval ethics, in the matter of what they did say or ought to say of such things. I am only noting as a historical fact the insistence of the mediaeval imagination, even at its wildest, upon one particular idea. That idea is the idea of the vow. It might be the vow which St. Valentine took; it might be a lesser vow which he regarded as lawful; it might be a wild vow which he regarded as quite lawless. But the whole society which made such festivals and bequeathed to us such traditions was full of the idea of vows; and we must recognise this notion, even if we think it nonsensical, as the note of the whole civilisation. And Valentine and the valentine both express it for us; even more if we feel them both as exaggerated, or even as exaggerating opposites. Those extremes meet; and they meet in the same place. Their trysting place is by the tree on which the lover hung his love-letters. And even if the lover hung himself on the tree, instead of his literary compositions, even that act had about it also an indefinable flavour of finality.

  It is often said by the critics of Christian origins that certain ritual feasts, processions or dances are really of pagan origin. They might as well say that our legs are of pagan origin. Nobody ever disputed that humanity was human before it was Christian; and no Church manufactured the legs with which men walked or danced, either in a pilgrimage or a ballet. What can really be maintained, so as to carry not a little conviction, is this: that where such a Church has existed it has preserved not only the processions but the dances; not only the cathedral but the carnival. One of the chief claims of Christian civilisation is to have preserved things of pagan origin. In short, in the old religious countries men continue to dance; while in the new scientific cities they are often content to drudge.

  But when this saner view of history is realised, there does remain something more mystical and difficult to define. Even heathen things are Christian when they have been preserved by Christianity. Chivalry is something recognisably different even from the virtus of Virgil. Charity is something exceedingly different from the plain pity of Homer. Even our patriotism is something more subtle than the undivided love of the city; and the change is felt in the most permanent things, such as the love of landscape or the love of woman. To define the differentiation in all these things will always be hopelessly difficult. But I would here suggest one element in the change which is perhaps too much neglected; which at any rate ought not to be neglected; the nature of a vow. I might express it by saying that pagan antiquity was the age of status; that Christian mediaevalism was the age of vows; and that sceptical modernity has been the age of contracts; or rather has tried to be, and has failed.

  The outstanding example of status was slavery. Needless to say slavery does not mean tyranny; indeed it need only be regarded relatively to other things to be regarded as charity. The idea of slavery is that large numbers of men are meant and made to do the heavy work of the world, and that others, while taking the margin of profits, must nevertheless support them while they do it. The point is not whether the work is excessive or moderate, or whether the condition is comfortable or uncomfortable. The point is that his work is chosen for the man, his status fixed for the man; and this status is forced on him by law. As Mr. Balfour said about Socialism, that is slavery and nothing else is slavery. The slave might well be, and often was, far more comfortable than the average free labourer, and certainly far more lazy than the average peasant. He was a slave because he had not reached his position by choice, or promise, or bargain, but merely by status.

  It is admitted that when Christianity had been for some time at work in the world, this ancient servile status began in some mysterious manner to disappear. I suggest here that one of the forms which the new spirit took was the importance of the vow. Feudalism, for instance, differed from slavery chiefly because feudalism was a vow. The vassal put his hands in those of his lord, and vowed to be his man; but there was an accent on the noun substantive as well as on the possessive pronoun. By swearing to be his man, he proved he was not his chattel. Nobody exacts a promise from a pickaxe, or expects a poker to swear everlasting friendship with the tongs. Nobody takes the word of a spade; and nobody ever took the word of a slave. It marks at least a special stage of transition that the form of freedom was essential to the fact of service, or even of servitude. In this way it is not a coincidence that the word homage actually means manhood. And if there was vow instead of status even in the static parts of Feudalism, it is needless to say that there was a wilder luxuriance of vows in the more adventurous part of it. The whole of what we call chivalry was one great vow. Vows of chivalry varied infinitely from the most solid to the most fantastic; from a vow to give all the spoils of conquest to the poor to a vow to refrain from shaving until the first glimpse of Jerusalem. As I have remarked, this rule of loyalty, even in the unruly exceptions which proved the rule, ran through all the romances and songs of the troubadours; and there were always vows even when they were very far from being marriage vows. The idea is as much present in what they called the Gay Science, of love, as in what they called the Divine Science, of theology. The modern reader will smile at the mention of these things as sciences; and will turn to the study of sociology, ethnology and psycho-analysis; for if these are sciences (about which I would not divulge a doubt) at least nobody would insult them by calling them either gay or divine.

  I mean here to emphasise the presence, and not even to settle the proportion, of this new notion in the middle ages. But the critic will be quite wrong if he thinks it enough to answer that all these things affected only a cultured class, not corresponding to the servile class of antiquity. When we come to workmen and small tradesmen, we find the same vague yet vivid presence of the spirit that can only be called the vow. In this sense there was a chivalry of trades as well as a chivalry of orders of knighthood; just as there was a heraldry of shop-signs as well as a heraldry of shields. Only it happens that in the enlightenment and liberation of the sixteenth century, the heraldry of the rich was preserved, and the heraldry of the poor destroyed. And there is a sinister symbolism in the fact that almost the only emblem still hung above a shop is that of the three balls of Lombardy. Of all those democratic glories nothing can now glitter in the sun; except the sign of the golden usury that has devoured them all. The point here, however, is that the trade or craft had not only something like the crest, but something like the vow of knighthood. There was in the position of the guildsman the same basic notion that belonged to knights and even to monks. It was the notion of the free choice of a fixed estate. We can realise the moral atmosphere if we compare the system of the Christian guilds, not only with the status of the Greek and Roman slaves, but with such a scheme as that of the Indian castes. The oriental caste has some of the qualities of the occidental guild; especially the valuable quality of tradition and the accumulation of culture. Men might be proud of their castes, as they were proud of their guilds. But they had never chosen their castes, as they have chosen their guilds. They had never, within historic memory, even collectively created their castes, as they collectively created their guilds. Like the slave system, the caste system was older than history. The heathens of modern Asia, as much as the heathens of ancient Europe, lived by the very spirit of status. Status in a trade has been accepted like status in a tribe; and that in a tribe of beasts and birds rather than men. The fisherman continued to be a fisherman as the fish continued to be a fish; and the hunter would no more turn into a cook than his dog would try its luck as a cat. Certainly his dog would not be found prostrated before the mysterious altar of Pasht, barking or whining a wild, lonely, and individual vow that he at all costs would become a cat. Yet that was the vital revolt and innovation of vows, as compared with castes or slavery; as when a man vowed to be a monk, or the son of a cobbler saluted the shrine of St. Joseph, the patron saint of carpenters. When he had entered the guild of the carpenters he did indeed find himself responsible for a very real loyalty and discipline; but the whole social atmosphere surrounding his entrance was full of the sense of a separate and personal decision. There is one place where we can still find this sentiment; the sentiment of something at once free and final. We can feel it, if the service is properly understood, before and after the marriage vows at any ordinary wedding in any ordinary church.

  Such, in very vague outline, has been the historical nature of vows; and the unique part they played in that mediaeval civilisation out of which modern civilisation rose — or fell. We can now consider, a little less cloudily than it is generally considered nowadays, whether we really think vows are good things; whether they ought to be broken; and (as would naturally follow) whether they ought to be made. But we can never judge it fairly till we face, as I have tried to suggest, this main fact of history; that the personal pledge, feudal or civic or monastic, was the way in which the world did escape from the system of slavery in the past. For the modern breakdown of mere contract leaves it still doubtful if there be any other way of escaping it in the future.

  The idea, or at any rate the ideal, of the thing called a vow is fairly obvious. It is to combine the fixity that goes with finality with the self-respect that only goes with freedom. The man is a slave who is his own master, and a king who is his own ancestor. For all kinds of social purposes he has the calculable orbit of the man in the caste or the servile state; but in the story of his own soul he is still pursuing, at great peril, his own adventure. As seen by his neighbours, he is as safe as if immured in a fortress; but as seen by himself he may be forever careering through the sky or crashing towards the earth in a flying-ship. What is socially humdrum is produced by what is individually heroic; and a city is made not merely of citizens but knight-errants. It is needless to point out the part played by the monastery in civilising Europe in its most barbaric interregnum; and even those who still denounce the monasteries will be found denouncing them for these two extreme and apparently opposite eccentricities. They are blamed for the rigid character of their collective routine; and also for the fantastic character of their individual fanaticism. For the purposes of this part of the argument, it would not matter if the marriage vow produced the most austere discomforts of the monastic vow. The point for the present is that it was sustained by a sense of free will; and the feeling that its evils were not accepted but chosen. The same spirit ran through all the guilds and popular arts and spontaneous social systems of the whole civilisation. It had all the discipline of an army; but it was an army of volunteers.

 
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