Complete works of g k ch.., p.676

  Complete Works of G K Chesterton, p.676

Complete Works of G K Chesterton
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  But here again the Stuart position was much more vulnerable on the side of secular policy, and especially of foreign policy. The aristocrats to whom power passed finally at the Revolution were already ceasing to have any supernatural faith in Protestantism as against Catholicism; but they had a very natural faith in England as against France; and even, in a certain sense, in English institutions as against French institutions. And just as these men, the most unmediæval of mankind, could yet boast about some mediæval liberties, Magna Carta, the Parliament and the Jury, so they could appeal to a true mediæval legend in the matter of a war with France. A typical eighteenth-century oligarch like Horace Walpole could complain that the cicerone in an old church troubled him with traces of an irrelevant person named St. Somebody, when he was looking for the remains of John of Gaunt. He could say it with all the naïveté of scepticism, and never dream how far away from John of Gaunt he was really wandering in saying so. But though their notion of mediæval history was a mere masquerade ball, it was one in which men fighting the French could still, in an ornamental way, put on the armour of the Black Prince or the crown of Henry of Monmouth. In this matter, in short, it is probable enough that the aristocrats were popular as patriots will always be popular. It is true that the last Stuarts were themselves far from unpatriotic; and James II. in particular may well be called the founder of the British Navy. But their sympathies were with France, among other foreign countries; they took refuge in France, the elder before and the younger after his period of rule; and France aided the later Jacobite efforts to restore their line. And for the new England, especially the new English nobility, France was the enemy.

  The transformation through which the external relations of England passed at the end of the seventeenth century is symbolized by two very separate and definite steps; the first the accession of a Dutch king and the second the accession of a German king. In the first were present all the features that can partially make an unnatural thing natural. In the second we have the condition in which even those effecting it can hardly call it natural, but only call it necessary. William of Orange was like a gun dragged into the breach of a wall; a foreign gun indeed, and one fired in a quarrel more foreign than English, but still a quarrel in which the English, and especially the English aristocrats, could play a great part. George of Hanover was simply something stuffed into a hole in the wall by English aristocrats, who practically admitted that they were simply stopping it with rubbish. In many ways William, cynical as he was, carried on the legend of the greater and grimmer Puritanism. He was in private conviction a Calvinist; and nobody knew or cared what George was except that he was not a Catholic. He was at home the partly republican magistrate of what had once been a purely republican experiment, and among the cleaner if colder ideals of the seventeenth century. George was when he was at home pretty much what the King of the Cannibal Islands was when he was at home — a savage personal ruler scarcely logical enough to be called a despot. William was a man of acute if narrow intelligence; George was a man of no intelligence. Above all, touching the immediate effect produced, William was married to a Stuart, and ascended the throne hand-in-hand with a Stuart; he was a familiar figure, and already a part of our royal family. With George there entered England something that had scarcely been seen there before; something hardly mentioned in mediæval or Renascence writing, except as one mentions a Hottentot — the barbarian from beyond the Rhine.

  The reign of Queen Anne, which covers the period between these two foreign kings, is therefore the true time of transition. It is the bridge between the time when the aristocrats were at least weak enough to call in a strong man to help them, and the time when they were strong enough deliberately to call in a weak man who would allow them to help themselves. To symbolize is always to simplify, and to simplify too much; but the whole may be well symbolized as the struggle of two great figures, both gentlemen and men of genius, both courageous and clear about their own aims, and in everything else a violent contrast at every point. One of them was Henry St. John, Lord Bolingbroke; the other was John Churchill, the famous and infamous Duke of Marlborough. The story of Churchill is primarily the story of the Revolution and how it succeeded; the story of Bolingbroke is the story of the Counter-Revolution and how it failed.

  Churchill is a type of the extraordinary time in this, that he combines the presence of glory with the absence of honour. When the new aristocracy had become normal to the nation, in the next few generations, it produced personal types not only of aristocracy but of chivalry. The Revolution reduced us to a country wholly governed by gentlemen; the popular universities and schools of the Middle Ages, like their guilds and abbeys, had been seized and turned into what they are — factories of gentlemen, when they are not merely factories of snobs. It is hard now to realize that what we call the Public Schools were once undoubtedly public. By the Revolution they were already becoming as private as they are now. But at least in the eighteenth century there were great gentlemen in the generous, perhaps too generous, sense now given to the title. Types not merely honest, but rash and romantic in their honesty, remain in the record with the names of Nelson or of Fox. We have already seen that the later reformers defaced from fanaticism the churches which the first reformers had defaced simply from avarice. Rather in the same way the eighteenth-century Whigs often praised, in a spirit of pure magnanimity, what the seventeenth-century Whigs had done in a spirit of pure meanness. How mean was that meanness can only be estimated by realizing that a great military hero had not even the ordinary military virtues of loyalty to his flag or obedience to his superior officers, that he picked his way through campaigns that have made him immortal with the watchful spirit of a thieving camp-follower. When William landed at Torbay on the invitation of the other Whig nobles, Churchill, as if to add something ideal to his imitation of Iscariot, went to James with wanton professions of love and loyalty, went forth in arms as if to defend the country from invasion, and then calmly handed the army over to the invader. To the finish of this work of art but few could aspire, but in their degree all the politicians of the Revolution were upon this ethical pattern. While they surrounded the throne of James, there was scarcely one of them who was not in correspondence with William. When they afterwards surrounded the throne of William, there was not one of them who was not still in correspondence with James. It was such men who defeated Irish Jacobitism by the treason of Limerick; it was such men who defeated Scotch Jacobitism by the treason of Glencoe.

  Thus the strange yet splendid story of eighteenth-century England is one of greatness founded on smallness, a pyramid standing on a point. Or, to vary the metaphor, the new mercantile oligarchy might be symbolized even in the externals of its great sister, the mercantile oligarchy of Venice. The solidity was all in the superstructure; the fluctuation had been all in the foundations. The great temple of Chatham and Warren Hastings was reared in its origins on things as unstable as water and as fugitive as foam. It is only a fancy, of course, to connect the unstable element with something restless and even shifty in the lords of the sea. But there was certainly in the genesis, if not in the later generations of our mercantile aristocracy, a thing only too mercantile; something which had also been urged against a yet older example of that polity, something called Punica fides. The great Royalist Strafford, going disillusioned to death, had said, “Put not your trust in princes.” The great Royalist Bolingbroke may well be said to have retorted, “And least of all in merchant princes.”

  Bolingbroke stands for a whole body of conviction which bulked very big in English history, but which with the recent winding of the course of history has gone out of sight. Yet without grasping it we cannot understand our past, nor, I will add, our future. Curiously enough, the best English books of the eighteenth century are crammed with it, yet modern culture cannot see it when it is there. Dr. Johnson is full of it; it is what he meant when he denounced minority rule in Ireland, as well as when he said that the devil was the first Whig. Goldsmith is full of it; it is the whole point of that fine poem “The Deserted Village,” and is set out theoretically with great lucidity and spirit in “The Vicar of Wakefield.” Swift is full of it; and found in it an intellectual brotherhood-in-arms with Bolingbroke himself. In the time of Queen Anne it was probably the opinion of the majority of people in England. But it was not only in Ireland that the minority had begun to rule.

  This conviction, as brilliantly expounded by Bolingbroke, had many aspects; perhaps the most practical was the point that one of the virtues of a despot is distance. It is “the little tyrant of the fields” that poisons human life. The thesis involved the truism that a good king is not only a good thing, but perhaps the best thing. But it also involved the paradox that even a bad king is a good king, for his oppression weakens the nobility and relieves the pressure on the populace. If he is a tyrant he chiefly tortures the torturers; and though Nero’s murder of his own mother was hardly perhaps a gain to his soul, it was no great loss to his empire. Bolingbroke had thus a wholly rationalistic theory of Jacobitism. He was, in other respects, a fine and typical eighteenth-century intellect, a free-thinking Deist, a clear and classic writer of English. But he was also a man of adventurous spirit and splendid political courage, and he made one last throw for the Stuarts. It was defeated by the great Whig nobles who formed the committee of the new régime of the gentry. And considering who it was who defeated it, it is almost unnecessary to say that it was defeated by a trick.

  The small German prince ascended the throne, or rather was hoisted into it like a dummy, and the great English Royalist went into exile. Twenty years afterwards he reappears and reasserts his living and logical faith in a popular monarchy. But it is typical of the whole detachment and distinction of his mind that for this abstract ideal he was willing to strengthen the heir of the king whom he had tried to exclude. He was always a Royalist, but never a Jacobite. What he cared for was not a royal family, but a royal office. He celebrated it in his great book “The Patriot King,” written in exile; and when he thought that George’s great-grandson was enough of a patriot, he only wished that he might be more of a king. He made in his old age yet another attempt, with such unpromising instruments as George III. and Lord Bute; and when these broke in his hand he died with all the dignity of the sed victa Catoni. The great commercial aristocracy grew on to its full stature. But if we wish to realize the good and ill of its growth, there is no better summary than this section from the first to the last of the foiled coups d’état of Bolingbroke. In the first his policy made peace with France, and broke the connection with Austria. In the second his policy again made peace with France, and broke the connection with Prussia. For in that interval the seed of the money-lending squires of Brandenburg had waxed mighty, and had already become that prodigy which has become so enormous a problem in Europe. By the end of this epoch Chatham, who incarnated and even created, at least in a representative sense, all that we call the British Empire, was at the height of his own and his country’s glory. He summarized the new England of the Revolution in everything, especially in everything in which that movement seems to many to be intrinsically contradictory and yet was most corporately consistent. Thus he was a Whig, and even in some ways what we should call a Liberal, like his son after him; but he was also an Imperialist and what we should call a Jingo; and the Whig party was consistently the Jingo party. He was an aristocrat, in the sense that all our public men were then aristocrats; but he was very emphatically what may be called a commercialist — one might almost say Carthaginian. In this connection he has the characteristic which perhaps humanized but was not allowed to hamper the aristocratic plan; I mean that he could use the middle classes. It was a young soldier of middle rank, James Wolfe, who fell gloriously driving the French out of Quebec; it was a young clerk of the East India Company, Robert Clive, who threw open to the English the golden gates of India. But it was precisely one of the strong points of this eighteenth-century aristocracy that it wielded without friction the wealthier bourgeoisie; it was not there that the social cleavage was to come. He was an eloquent parliamentary orator, and though Parliament was as narrow as a senate, it was one of great senators. The very word recalls the roll of those noble Roman phrases they often used, which we are right in calling classic, but wrong in calling cold. In some ways nothing could be further from all this fine if florid scholarship, all this princely and patrician geniality, all this air of freedom and adventure on the sea, than the little inland state of the stingy drill-sergeants of Potsdam, hammering mere savages into mere soldiers. And yet the great chief of these was in some ways like a shadow of Chatham flung across the world — the sort of shadow that is at once an enlargement and a caricature. The English lords, whose paganism was ennobled by patriotism, saw here something drawn out long and thin out of their own theories. What was paganism in Chatham was atheism in Frederick the Great. And what was in the first patriotism was in the second something with no name but Prussianism. The cannibal theory of a commonwealth, that it can of its nature eat other commonwealths, had entered Christendom. Its autocracy and our own aristocracy drew indirectly nearer together, and seemed for a time to be wedded; but not before the great Bolingbroke had made a dying gesture, as if to forbid the banns.

  XV

  THE WAR WITH THE GREAT REPUBLICS

  We cannot understand the eighteenth century so long as we suppose that rhetoric is artificial because it is artistic. We do not fall into this folly about any of the other arts. We talk of a man picking out notes arranged in ivory on a wooden piano “with much feeling,” or of his pouring out his soul by scraping on cat-gut after a training as careful as an acrobat’s. But we are still haunted with a prejudice that verbal form and verbal effect must somehow be hypocritical when they are the link between things so living as a man and a mob. We doubt the feeling of the old-fashioned orator, because his periods are so rounded and pointed as to convey his feeling. Now before any criticism of the eighteenth-century worthies must be put the proviso of their perfect artistic sincerity. Their oratory was unrhymed poetry, and it had the humanity of poetry. It was not even unmetrical poetry; that century is full of great phrases, often spoken on the spur of great moments, which have in them the throb and recurrence of song, as of a man thinking to a tune. Nelson’s “In honour I gained them, in honour I will die with them,” has more rhythm than much that is called vers libres. Patrick Henry’s “Give me liberty or give me death” might be a great line in Walt Whitman.

  It is one of the many quaint perversities of the English to pretend to be bad speakers; but in fact the most English eighteenth-century epoch blazed with brilliant speakers. There may have been finer writing in France; there was no such fine speaking as in England. The Parliament had faults enough, but it was sincere enough to be rhetorical. The Parliament was corrupt, as it is now; though the examples of corruption were then often really made examples, in the sense of warnings, where they are now examples only in the sense of patterns. The Parliament was indifferent to the constituencies, as it is now; though perhaps the constituencies were less indifferent to the Parliament. The Parliament was snobbish, as it is now, though perhaps more respectful to mere rank and less to mere wealth. But the Parliament was a Parliament; it did fulfil its name and duty by talking, and trying to talk well. It did not merely do things because they do not bear talking about — as it does now. It was then, to the eternal glory of our country, a great “talking-shop,” not a mere buying and selling shop for financial tips and official places. And as with any other artist, the care the eighteenth-century man expended on oratory is a proof of his sincerity, not a disproof of it. An enthusiastic eulogium by Burke is as rich and elaborate as a lover’s sonnet; but it is because Burke is really enthusiastic, like the lover. An angry sentence by Junius is as carefully compounded as a Renascence poison; but it is because Junius is really angry — like the poisoner. Now, nobody who has realized this psychological truth can doubt for a moment that many of the English aristocrats of the eighteenth century had a real enthusiasm for liberty; their voices lift like trumpets upon the very word. Whatever their immediate forbears may have meant, these men meant what they said when they talked of the high memory of Hampden or the majesty of Magna Carta. Those Patriots whom Walpole called the Boys included many who really were patriots — or better still, who really were boys. If we prefer to put it so, among the Whig aristocrats were many who really were Whigs; Whigs by all the ideal definitions which identified the party with a defence of law against tyrants and courtiers. But if anybody deduces, from the fact that the Whig aristocrats were Whigs, any doubt about whether the Whig aristocrats were aristocrats, there is one practical test and reply. It might be tested in many ways: by the game laws and enclosure laws they passed, or by the strict code of the duel and the definition of honour on which they all insisted. But if it be really questioned whether I am right in calling their whole world an aristocracy, and the very reverse of it a democracy, the true historical test is this: that when republicanism really entered the world, they instantly waged two great wars with it — or (if the view be preferred) it instantly waged two great wars with them. America and France revealed the real nature of the English Parliament. Ice may sparkle, but a real spark will show it is only ice. So when the red fire of the Revolution touched the frosty splendours of the Whigs, there was instantly a hissing and a strife; a strife of the flame to melt the ice, of the water to quench the flame.

 
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