AMASA SLEPT by a dunghill because it was warmer there, naked as he was; and in the morning, without leaving the dunghill, he found work. He was wakened by the servants of a great Bishop, stablemen who had the week’s manure to leave for the farmers to collect. They said nothing to him, except to look with disapproval at his nakedness, but set to work, emptying small wheelbarrows, then raking up the dung to make a neater pile. Amasa saw how fastidiously they avoided touching the dung; he had no such scruples. He took an idle rake, stepped into the midst of the manure, and raked the hill higher and faster than the delicate stablemen could manage on their own. He worked with such a will that the Stablemaster took him aside at the end of the task.

  “Want work?”

  “Why not?” Amasa answered.

  The Stablemaster glanced pointedly at Amasa’s unclothed body. “Are you fasting?”

  Amasa shook his head. “I just left my clothing on the road.”

  “You should be more careful with your belongings. I can give you livery, but it comes out of your wages for a year.”

  Amasa shrugged. He had no use for wages.

  The work was mindless and hard, but Amasa delighted in it. The variety was endless. Because he didn’t mind it, they kept him shoveling more manure than his fair share, but the shoveling of manure was like a drone, a background for bright rhinestones of childish delight: morning prayers, when the Bishop in his silver gown intoned the powerful words while the servants stood in the courtyard clumsily aping his signs; running through the streets behind the Bishop’s carriage shouting “Huzzah, huzzah!” while the Bishop scattered coins for the pedestrians; standing watch over the carriage, which meant drinking and hearing stories and songs with the other servants; or going inside to do attendance on the Bishop at the great occasions of this or that church or embassy or noble house, delighting in the elaborate costumes that so cleverly managed to adhere to the sumptuary laws while being as ostentatious and lewd as possible. It was grand, God approved of it all, and even discreet prurience and titillation were a face of the coin of worship and ecstasy.

  But years at the desert’s edge had taught Amasa to value things that the other servants never noticed. He did not have to measure his drinking water. The servants splashed each other in the bathhouse. He could piss on the ground and no little animals came to sniff at the puddle, no dying insects lit on it to drink.

  They called Hierusalem a city of stone and fire, but Amasa knew it was a city of life and water, worth more than all the gold that was forever changing hands.

  The other stablemen accepted Amasa well enough, but a distance always remained. He had come naked, from the outside; he had no fear of uncleanliness before the Lord; and something else: Amasa had known the taste of death in his mouth and it had not been unwelcome. Now he accepted as they came the pleasures of a stableman’s life. But he did not need them, and knew he could not hide that from his fellows.

  One day the Prior told the Steward, and the Steward the Stablemaster, and the Stablemaster told Amasa and the other stablemen to wash carefully three times, each time with soap. The old-timers knew what it meant, and told them all: It was the King’s Invocation that came but once in seven years, and the Bishop would bring them all to stand in attendance, clean and fine in their livery, while he took part in the solemn ordinances. They would have perfume in their hair. And they would see the King and Queen.

  “Is she beautiful?” Amasa asked, surprised at the awe in the voices of these irreverent men when they spoke of her.

  And they laughed and compared the Queen to a mountain, to a planet, to a moon.

  But then a butterfly alighted on the head of an old woman, and suddenly all laughter stopped. “The butterfly,” they all whispered. The woman’s eyes went blank, and she began to speak:

  “The Queen is beautiful, Saint Amasa, to those who have the eyes to see it.”

  The servants whispered: See, the butterfly speaks to the new one, who came naked.

  “Of all the holy men to come out of the world, Saint Amasa, of all the wise and weary souls, you are wisest, you are weariest, you are most holy.”

  Amasa trembled at the voice of the butterfly. In memory he suddenly loomed over the crevice of Ekdippa, and it was leaping up to take him.

  “We brought you here to save her, save her, save her,” said the old woman, looking straight into Amasa’s eyes.

  Amasa shook his head. “I’m through with quests,” he said.

  And foam came to the old woman’s mouth, wax oozed from her ears, her nose ran with mucus, her eyes overflowed with sparkling tears.

  Amasa reached out to the butterfly perched on her head, the fragile butterfly that was wracking the old woman so, and he took it in his hand. Took it in his right hand, folded the wings closed with his left, and then broke the butterfly as crisply as a stick. The sound of it rang metallically in the air. There was no ichor from the butterfly, for it was made of something tough as metal, brittle as plastic, and electricity danced between the halves of the butterfly for a moment and then was still.

  The old woman fell to the ground. Carefully the other servants cleaned her face and carried her away to sleep until she awakened. They did not speak to Amasa, except the Stablemaster, who looked at him oddly and asked, “Why would you want to live forever?”

  Amasa shrugged. There was no use explaining that he wanted to ease the old woman’s agony, and so killed it at its cause. Besides, Amasa was distracted, for now there was something buzzing in the base of his brain. The whirr of switches, infinitely small, going left or right; gates going open and closed; poles going positive and negative. Now and then a vision would flash into his mind, so quickly that he could not frame or recognize it. Now I see the world through butterfly’s eyes. Now the vast mind of Hierusalem’s machinery sees the world through mine.

  GRAY WAITS by this window: it is the one. He does not wonder how he knows. He only knows that he was made for this moment, that his life’s need is all within this window, he must not stray to hunt for food because his great stamen is throbbing with desire and in the night it will be satisfied.

  So he waits by the window, and the sun is going; the sky is grey, but still he waits, and at last the lights have gone from the sky and all is silent within. He moves in the darkness until his long fingers find the edge of the stone. Then he pulls himself inside, and when his stamen scrapes painfully against the stone, immense between his legs, he only thinks: ease for you, ease for you.

  His object is a great mountain that lies breathing upon a sea of sheets. She breathes in quick gasps, for her chest is large and heavy and hard to lift. He thinks nothing of that, but only creeps along the wall until he is above her head. He stares quizzically at the fat face; it holds no interest for him. What interests Gray is the space at her shoulders where the sheets and blankets and quilts fall open like a tent door. For some reason it looks like the leaves of a tree to him, and he drops onto the bed and scurries into the shelter.

  Ah, it is not stone! He can hardly move for the bouncing, his fingers and toes find no certain purchase, yet there is this that forces him on: his stamen tingles with extruding pollen, and he knows he cannot pause just because the ground is uncertain.

  He proceeds along the tunnel, the sweating body to one side, the tent of sheets above and to the other side. He explores; he crawls clumsily over a vast branch; and at last he knows what he has been looking for. It is time, oh, time, for here is the blossom of a great flower, pistil lush for him. He leaps. He fastens to her body as he has always fastened to the limbs of the great wife trees, to the stone. He plunges stamen into pistil and dusts the walls with pollen. It is all he lived for, and when it is done, in only moments when the pollen is shed at last, he dies and drops to the sheets.

  THE QUEEN’S dreams were frenzied. Because her waking life was wrapped and closed, because her bulk forced an economy of movement, in her sleep she was bold, untiring. Sometimes she dreamed of great chases on a horse across broken country. Sometimes she dreamed of flying. Tonight she dreamed of love, and it was also athletic and unbound. Yet in the moment of ecstasy there was a face that peered at her, and hands that tore her lover away from her, and she was afraid of the man who stared at the end of her dream.

  Still, she woke trembling from the memory of love, only wistfully allowing herself to recall, bit by bit, where she really was. That she was lost in the palace, that she was as ungainly as a diseased tree with boles and knots of fat, that she was profoundly unhappy, that a strange man disturbed her dreams.

  And then, as she moved slightly, she felt something cold and faintly dry between her legs. She dared not move again, for fear of what it was.

  Seeing that she was awake, a servant bowed beside her. “Would you like your breakfast?”

  “Help me,” she whispered. “I want to get up.”

  The servant was surprised, but summoned the others. As they rolled her from the bed, she felt it again, and as soon as she was erect she ordered them to throw back the sheets.

  And there he lay, flaccid, empty, grey as a deflated stone. The servants gasped, but they did not understand what the Queen instantly understood. Her dreams were too real last night, and the great appendage on the dead body fit too well the memory of her phantom lover. This small monster did not come as a parasite, to drain her; it came to give, not to receive.

  She did not scream. She only knew that she had to run from there, had to escape. So she began to move, unsupported, and to her own surprise she did not fall. Her legs, propelled and strengthened by her revulsion, stayed under her, held her up. She did not know where she was going, only that she must go. She ran. And it was not until she had passed through a dozen rooms, a trail of servants chasing after her, that she realized it was not the corpse of her monstrous paramour she fled from, but rather what he left in her, for even as she ran she could feel something move within her womb, could feel something writhing, and she must, she must be rid of it.

  As she ran, she felt herself grow lighter, felt her body melting under the flesh, felt her heaps and mounds erode away in an inward storm, sculpting her into a woman’s shape again. The vast skin that had contained her belly began to slap awkwardly, loosely against her thighs as she ran. The servants caught up with her, reached out to support her, and plunged their hands into a body that was melting away. They said nothing; it was not for them to say. They only took hold of the loosening folds and held and ran.

  And suddenly through her fear the Queen saw a pattern of furniture, a lintel, a carpet, a window, and she knew where she was. She had accidently stumbled upon a familiar wing of the palace, and now she had purpose, she had direction, she would go where help and strength were waiting. To the throne room, to her husband, where the king was surely holding his Invocation. The servants caught up with her at last; now they bore her up. “To my husband,” she said, and they assured her and petted her and carried her. The thing within her leapt for joy: its time was coming quickly.

  AMASA COULD not watch the ceremonies. From the moment he entered the Hall of Heaven all he could see were the butterflies. They hovered in the dome that was painted like the midsummernight sky, blotting out the tiny stars with their wings; they rested high on painted pillars, camouflaged except when they fanned their graceful wings. He saw them where to others they were far too peripheral to be seen, for in the base of his brain the gates opened and closed, the poles reversed, always in the same rythm that drove the butterflies’ flight and rest. Save the Queen, they said. We brought you here to save the Queen. It throbbed behind his eyes, and he could hardly see.

  Could hardly see, until the Queen came into the room, and then he could see all too clearly. There was a hush, the ceremonies stopped, and all gazes were drawn to the door where she stood, an undulant mass of flesh with a woman’s face, her eyes vulnerable and wide with fright and trust. The servants’ arms reached far into the folds of skin, finding God-knew-what grip there: Amasa only knew that her face was exquisite. Hers was the face of all women, the hope in her eyes the answer to the hope of all men. “My husband!” she cried out, but at the moment she called she was not looking at the King. She was looking at Amasa.

  She is looking at me, he thought in horror. She is all the beauty of Besara, she is the power of Kafr Katnei, she is the abyss of Ekdippa, she is all that I have loved and left behind. I do not want to desire them again.

  The King cried out impatiently, “Good God, woman!”

  And the Queen reached out her arms toward the man on the throne, gurgled in agony and surprise, and then shuddered like a wood fence in a wind.

  What is it, asked a thousand whispers. What’s wrong with the Queen?

  She stepped backward.

  There on the floor lay a baby, a little grey baby, naked and wrinkled and spotted with blood. Her eyes were open. She sat up and looked around, reached down and took the placenta in her hands and bit the cord, severing it.

  The butterflies swarmed around her, and Amasa knew what he was meant to do. As you snapped the butterfly, they said to him, you must break this child. We are Hierusalem, and we were built for this epiphany, to greet this child and slay her at her birth. For this we found the man most holy in the world, for this we brought him here, for you alone have power over her.

  I cannot kill a child, Amasa thought. Or did not think, for it was not said in words but in a shudder of revulsion in him, a resistance at the core of what in him was most himself.

  This is no child, the city said. Do you think the dragons have surrended just because we stole their trees? The dragons have simply changed to fit a new mate; they mean to rule the world again. And the gates and poles of the city impelled him, and Amasa decided a thousand times to obey, to step a dozen paces forward and take the child in his arms and break it. And as many times he heard himself cry out, I cannot kill a child! And the cry was echoed by his voice as he whispered, “No.”

  Why am I standing in the middle of the Hall of Heaven, he asked himself. Why is the Queen staring at me with horror in her eyes? Does she recognize me? Yes, she does, and she is afraid of me. Because I mean to kill her child. Because I cannot kill her child.

  As Amasa hesitated, tearing himself, the grey infant looked at the King. “Daddy,” she said, and then she stood and walked with gathering certainty toward the throne. With such dextrous fingers the child picked at her ear. Now. Now, said the butterflies.

  Yes, said Amasa. No.

  “My daughter!” the King cried out. “At last an heir! The answer to my Invocation before the prayer was done—and such a brilliant child!”

  The King stepped down from his throne, reached to the child and tossed her high into the air. The girl laughed and tumbled down again. Once more the King tossed her in delight. This time, however, she did not come down.

  She hovered in the air over the King’s head, and everyone gasped. The child fixed her gaze on her mother, the mountainous body from which she had been disgorged, and she spat. The spittle shone in the air like a diamond, then sailed across the room and struck the Queen on her breast, where it sizzled. The butterflies suddenly turned black in midair, shriveled, dropped to the ground with infinitesimal thumps that only Amasa could hear. The gates all closed within his mind, and he was all himself again; but too late, the moment was passed, the child had come into her power, and the Queen could not be saved.

  The King shouted, “Kill the monster!” But the words still hung in the air when the child urinated on the King from above. He erupted in flame, and there was no doubt now who ruled in the palace. The grey shadow had come in from the walls.

  She looked at Amasa, and smiled. “Because you were the holiest,” she said, “I brought you here.”

  AMASA TRIED to flee the city. He did not know the way. He passed a palmer who knelt at a fountain that flowed from virgin stone, and asked, “How can I leave Hierusalem?”

  “No one leaves,” the palmer said in surprise. As Amasa went on, he saw the palmer bend to continue scrubbing at a baby’s hands. Amasa tried to steer by the patterns of the stars, but no matter which direction he ran, the roads all bent toward one road, and that road led to a single gate. And in the gate the child waited for him. Only she was no longer a child. Her slate-grey body was heavybreasted now, and she smiled at Amasa and took him in her arms, refused to be denied. “I am Dalmanutha,” she whispered, “and you are following my road. I am Acrasia, and I will teach you joy.”

  She took him to a bower on the palace grounds, and taught him the agony of bliss. Every time she mated with him, she conceived, and in hours a child was born. He watched each one come to adulthood in hours, watched them go out into the city and afix themselves each to a human, some man, some woman, or some child. “Where one forest is gone,” Dalmanutha whispered to him, “another will rise to take its place.”

  In vain he looked for butterflies.

  “Gone, all gone, Amasa,” Acrasia said. “They were all the wisdom that you learned from my ancestors, but they were not enough, for you hadn’t the heart to kill a dragon that was as beautiful as man.” And she was beautiful, and every day and every night she came to him and conceived again and again, telling him of the day not long from now when she would unlock the seals of the gates of Hierusalem and send her bright angels out into the forest of man to dwell in the trees and mate with them again.

  More than once he tried to kill himself. But she only laughed at him as he lay with bloodless gashes in his neck, with lungs collapsed, with poison foul-tasting in his mouth. “You can’t die, my Saint Amasa,” she said, “Father of Angels, you can’t die. For you broke a wise, a cruel, a kind and gentle butterfly.”

  From a Spirit to the One Possessed