He brought home heavy takes of fish; but people said that his medlar branch was always hanging up in the boat. No one had ever seen this branch, but every one believed in its existence.

  When he had more fish than he wanted, he did not sell it, but gave it away.

  The poor people took his gift, but were little grateful, for they knew the secret of his medlar branch. Such devices cannot be permitted. It is unlawful to trick the sea out of its treasures.

  He was a fisherman; but he was something more. He had, by instinct, or for amusement, acquired a knowledge of three or four trades. He was a carpenter, worker in iron, wheelwright, boat-caulker, and, to some extent, an engineer. No one could mend a broken wheel better than he could. He manufactured, in a fashion of his own, all the things which fishermen use. In a corner of the Bû de la Rue he had a small forge and an anvil; and the sloop having but one anchor, he had succeeded, without help, in making another. The anchor was excellent. The ring had the necessary strength; and Gilliatt, though entirely uninstructed in this branch of the smith's art, had found the exact dimensions of the stock for preventing the over-balancing of the fluke ends.

  He had patiently replaced all the nails in the planks by rivets; which rendered rust in the holes impossible.

  In this way he had much improved the sea-going qualities of the sloop. He employed it sometimes when he took a fancy to spend a month or two in some solitary islet, like Chousey or the Casquets. People said, "Ay! ay! Gilliatt is away;" but this was a circumstance which nobody regretted.

  VII

  A FIT TENANT FOR A HAUNTED HOUSE

  Gilliatt was a man of dreams, hence his daring, hence also his timidity. He had ideas on many things which were peculiarly his own.

  There was in his character, perhaps, something of the visionary and the transcendentalist. Hallucinations may haunt the poor peasant like Martin, no less than the king like Henry IV. There are times when the unknown reveals itself in a mysterious way to the spirit of man. A sudden rent in the veil of darkness will make manifest things hitherto unseen, and then close again upon the mysteries within. Such visions have occasionally the power to effect a transfiguration in those whom they visit. They convert a poor camel-driver into a Mahomet; a peasant girl tending her goats into a Joan of Arc. Solitude generates a certain amount of sublime exaltation. It is like the smoke arising from the burning bush. A mysterious lucidity of mind results, which converts the student into a seer, and the poet into a prophet: herein we find a key to the mysteries of Horeb, Kedron, Ombos; to the intoxication of Castilian laurels, the revelations of the month Busion. Hence, too, we have Peleia at Dodona, Phemonoe at Delphos, Trophonius in Lebadea, Ezekiel on the Chebar, and Jerome in the Thetais.

  More frequently this visionary state overwhelms and stupefies its victim. There is such a thing as a divine besottedness. The Hindoo fakir bears about with him the burden of his vision, as the Cretin his goître. Luther holding converse with devils in his garret at Wittenburg; Pascal shutting out the view of the infernal regions with the screen of his cabinet; the African Obi conversing with the white-faced god Bossum; are each and all the same phenomenon, diversely interpreted by the minds in which they manifest themselves, according to their capacity and power. Luther and Pascal were grand, and are grand still; the Obi is simply a poor half-witted creature.

  Gilliatt was neither so exalted nor so low. He was a dreamer: nothing more.

  Nature presented itself to him under a somewhat strange aspect.

  Just as he had often found in the perfectly limpid water of the sea strange creatures of considerable size and of various shapes, of the Medusa genus, which out of the water bore a resemblance to soft crystal, and which, cast again into the sea, became lost to sight in that medium by reason of their identity in transparency and colour, so he imagined that other transparencies, similar to these almost invisible denizens of the ocean, might probably inhabit the air around us. The birds are scarcely inhabitants of the air, but rather amphibious creatures passing much of their lives upon the earth. Gilliatt could not believe the air a mere desert. He used to say, "Since the water is filled with life, why not the atmosphere?" Creatures colourless and transparent like the air would escape from our observation. What proof have we that there are no such creatures? Analogy indicates that the liquid fields of air must have their swimming habitants, even as the waters of the deep. These aerial fish would, of course, be diaphanous; a provision of their wise Creator for our sakes as well as their own. Allowing the light to pass through their forms, casting no shadow, having no defined outline, they would necessarily remain unknown to us, and beyond the grasp of human sense. Gilliatt indulged the wild fancy that if it were possible to exhaust the earth of its atmosphere, or if we could fish the air as we fish the depths of the sea, we should discover the existence of a multitude of strange animals. And then, he would add in his reverie, many things would be made clear.

  Reverie, which is thought in its nebulous state, borders closely upon the land of sleep, by which it is bounded as by a natural frontier. The discovery of a new world, in the form of an atmosphere filled with transparent creatures, would be the beginning of a knowledge of the vast unknown. But beyond opens up the illimitable domain of the possible, teeming with yet other beings, and characterised by other phenomena. All this would be nothing supernatural, but merely the occult continuation of the infinite variety of creation. In the midst of that laborious idleness, which was the chief feature in his existence, Gilliatt was singularly observant. He even carried his observations into the domain of sleep. Sleep has a close relation with the possible, which we call also the invraisemblable. The world of sleep has an existence of its own. Night-time, regarded as a separate sphere of creation, is a universe in itself. The material nature of man, upon which philosophers tell us that a column of air forty-five miles in height continually presses, is wearied out at night, sinks into lassitude, lies down, and finds repose. The eyes of the flesh are closed; but in that drooping head, less inactive than is supposed, other eyes are opened. The unknown reveals itself. The shadowy existences of the invisible world become more akin to man; whether it be that there is a real communication, or whether things far off in the unfathomable abyss are mysteriously brought nearer, it seems as if the impalpable creatures inhabiting space come then to contemplate our natures, curious to comprehend the denizens of the earth. Some phantom creation ascends or descends to walk beside us in the dim twilight: some existence altogether different from our own, composed partly of human consciousness, partly of something else, quits his fellows and returns again, after presenting himself for a moment to our inward sight; and the sleeper, not wholly slumbering, nor yet entirely conscious, beholds around him strange manifestations of life—pale spectres, terrible or smiling, dismal phantoms, uncouth masks, unknown faces, hydra-headed monsters, undefined shapes, reflections of moonlight where there is no moon, vague fragments of monstrous forms. All these things which come and go in the troubled atmosphere of sleep, and to which men give the name of dreams, are, in truth, only realities invisible to those who walk about the daylight world. The dream-world is the Aquarium of Night.

  So, at least, thought Gilliatt.

  VIII

  THE GILD-HOLM-'UR SEAT

  The curious visitor, in these days, would seek in vain in the little bay of Houmet for the house in which Gilliatt lived, or for his garden, or the creek in which he sheltered the Dutch sloop. The Bû de la Rue no longer exists. Even the little peninsula on which his house stood has vanished, levelled by the pickaxe of the quarryman, and carried away, cart-load by cart-load, by dealers in rock and granite. It must be sought now in the churches, the palaces, and the quays of a great city. All that ridge of rocks has been long ago conveyed to London.

  These long lines of broken cliffs in the sea, with their frequent gaps and crevices, are like miniature chains of mountains. They strike the eye with the impression which a giant may be supposed to have in contemplating the Cordilleras. In the language of the country they are called "Banques." These banques vary considerably in form. Some resemble a long spine, of which each rock forms one of the vertebræ; others are like the backbone of a fish; while some bear an odd resemblance to a crocodile in the act of drinking.

  At the extremity of the ridge on which the Bû de la Rue was situate, was a large rock, which the fishing people of Houmet called the "Beast's Horn." This rock, a sort of pyramid, resembled, though less in height, the "Pinnacle" of Jersey. At high water the sea divided it from the ridge, and the Horn stood alone; at low water it was approached by an isthmus of rocks. The remarkable feature of this "Beast's Horn" was a sort of natural seat on the side next the sea, hollowed out by the water, and polished by the rains. The seat, however, was a treacherous one. The stranger was insensibly attracted to it by "the beauty of the prospect," as the Guernsey folks said. Something detained him there in spite of himself, for there is a charm in a wide view. The seat seemed to offer itself for his convenience; it formed a sort of niche in the peaked façade of the rock. To climb up to it was easy, for the sea, which had fashioned it out of its rocky base, had also cast beneath it, at convenient distances, a kind of natural stairs composed of flat stones. The perilous abyss is full of these snares; beware, therefore, of its proffered aids. The spot was tempting: the stranger mounted and sat down. There he found himself at his ease; for his seat he had the granite rounded and hollowed out by the foam; for supports, two rocky elbows which seemed made expressly for him; against his back, the high vertical wall of rock which he looked up to and admired, without thinking of the impossibility of scaling it. Nothing could be more simple than to fall into reverie in that convenient resting-place. All around spread the wide sea; far off the ships were seen passing to and fro. It was possible to follow a sail with the eye, till it sank in the horizon beyond the Casquets. The stranger was entranced: he looked around, enjoying the beauty of the scene, and the light touch of wind and wave. There is a sort of bat found at Cayenne, which has the power of fanning people to sleep in the shade with a gentle beating of its dusky wings. Like this strange creature the wind wanders about, alternately ravaging or lulling into security. So the stranger would continue contemplating the sea, listening for a movement in the air, and yielding himself up to dreamy indolence. When the eyes are satiated with light and beauty, it is a luxury to close them for awhile. Suddenly the loiterer would arouse; but it was too late. The sea had crept up step by step; the waters surrounded the rock; the stranger had been lured on to his death.

  A terrible rock was this in a rising sea.

  The tide gathers at first insensibly, then with violence; when it touches the rocks a sudden wrath seems to possess it, and it foams. Swimming is difficult in the breakers: excellent swimmers have been lost at the Horn of the Bû de la Rue.

  In certain places, and at certain periods, the aspect of the sea is dangerous—fatal; as at times is the glance of a woman.

  Very old inhabitants of Guernsey used to call this niche, fashioned in the rock by the waves, "Gild-Holm-'Ur" seat, or Kidormur; a Celtic word, say some authorities, which those who understand Celtic cannot interpret, and which all who understand French can—" Qui-dort-meurt: " such is the country folks' translation.

  The reader may choose between the translation, Qui-dort-meurt, and that given in 1819, I believe in The Armorican, by M. Athenas. According to this learned Celtic scholar, Gild-Holm-'Ur signifies "The resting-place of birds."

  There is, at Aurigny, another seat of this kind, called the Monk's Chair, so well sculptured by the waves, and with steps of rock so conveniently placed, that it might be said that the sea politely sets a footstool for those who rest there.

  In the open sea, at high water, the Gild-Holm-'Ur was no longer visible; the water covered it entirely.

  The Gild-Holm-'Ur was a neighbour of the Bû de la Rue. Gilliatt knew it well, and often seated himself there. Was it his meditating place? No. We have already said he did not meditate, but dream. The sea, however, never entrapped him there.

  BOOK II

  MESS LETHIERRY

  I

  A TROUBLED LIFE, BUT A QUIET CONSCIENCE

  Mess Lethierry, a conspicuous man in St. Sampson, was a redoubtable sailor. He had voyaged a great deal. He had been a cabin-boy, seaman, topmast-man, second mate, mate, pilot, and captain. He was at this period a ship-owner. There was not a man to compare with him for general knowledge of the sea. He was brave in putting off to ships in distress. In foul weather he would take his way along the beach, scanning the horizon. "What have we yonder?" he would say; "some craft in trouble?" Whether it were an interloping Weymouth fisherman, a cutter from Aurigny, a bisquine from Courseulle, the yacht of some nobleman, an English craft or a French one—poor or rich, mattered little. He jumped into a boat, called together two or three strong fellows, or did without them, as the case might be, pushed out to sea, rose and sank, and rose again on rolling waves, plunged into the storm, and encountered the danger face to face. Then afar off, amid the rain and lightning, and drenched with water, he was sometimes seen upright in his boat like a lion with a foaming mane. Often he would pass whole days in danger amidst the waves, the hail, and the wind, making his way to the sides of foundering vessels during the tempest, and rescuing men and merchandise. At night, after feats like these, he would return home, and pass his time in knitting stockings.

  For fifty years he led this kind of life—from ten years of age to sixty—so long did he feel himself still young. At sixty, he began to discover that he could no longer lift with one hand the great anvil at the forge of Varclin. This anvil weighed three hundredweight. At length rheumatic pains compelled him to be a prisoner; he was forced to give up his old struggle with the sea, to pass from the heroic into the patriarchal stage, to sink into the condition of a harmless, worthy old fellow.

  Happily his rheumatism attacks happened at the period when he had secured a comfortable competency. These two consequences of labour are natural companions. At the moment when men become rich, how often comes paralysis—the sorrowful crowning of a laborious life!

  Old and weary men say among themselves, "Let us rest and enjoy life."

  The population of islands like Guernsey is composed of men who have passed their lives in going about their little fields or in sailing round the world. These are the two classes of the labouring people; the labourers on the land, and the toilers of the sea. Mess Lethierry was of the latter class; he had had a life of hard work. He had been upon the continent; was for some time a ship carpenter at Rochefort, and afterwards at Cette. We have just spoken of sailing round the world; he had made the circuit of all France, getting work as a journeyman carpenter; and had been employed at the great salt works of Franche-Comte. Though a humble man, he had led a life of adventure. In France he had learned to read, to think, to have a will of his own. He had had a hand in many things, and in all he had done had kept a character for probity. At bottom, however, he was simply a sailor. The water was his element; he used to say that he lived with the fish when really at home. In short, his whole existence, except two or three years, had been devoted to the ocean. Flung into the water, as he said, he had navigated the great oceans both of the Atlantic and the Pacific, but he preferred the Channel. He used to exclaim enthusiastically, "That is the sea for a rough time of it!" He was born at sea, and at sea would have preferred to end his days. After sailing several times round the world, and seeing most countries, he had returned to Guernsey, and never permanently left the island again. Henceforth his great voyages were to Granville and St. Malo.

  Mess Lethierry was a Guernsey man—that peculiar amalgamation of Frenchman and Norman, or rather English. He had within himself this quadruple extraction, merged and almost lost in that far wider country, the ocean. Throughout his life and wheresoever he went, he had preserved the habits of a Norman fisherman.

  All this, however, did not prevent his looking now and then into some old book; of taking pleasure in reading, in knowing the names of philosophers and poets, and in talking a little now and then in all languages.

  II

  A CERTAIN PREDILECTION

  Gilliatt was a child of Nature. Mess Lethierry was the same.

  Lethierry's uncultivated nature, however, was not without certain refinements.

  He was fastidious upon the subject of women's hands. In his early years, while still a lad, passing from the stage of cabin-boy to that of sailor, he had heard the Admiral de Suffren say, "There goes a pretty girl; but what horrible great red hands." An observation from an admiral on any subject is a command, a law, an authority far above that of an oracle. The exclamation of Admiral de Suffren had rendered Lethierry fastidious and exacting in the matter of small and white hands. His own hand, a large club fist of the colour of mahogany, was like a mallet or a pair of pincers for a friendly grasp, and, tightly closed, would almost break a paving-stone.

  He had never married; he had either no inclination for matrimony, or had never found a suitable match. That, perhaps, was due to his being a stickler for hands like those of a duchess. Such hands are, indeed, somewhat rare among the fishermen's daughters at Portbail.

  It was whispered, however, that at Rochefort, on the Charente, he had, once upon a time, made the acquaintance of a certain grisette, realising his ideal. She was a pretty girl with graceful hands; but she was a vixen, and had also a habit of scratching. Woe betide any one who attacked her! yet her nails, though capable at a pinch of being turned into claws, were of a cleanliness which left nothing to be desired. It was these peculiarly bewitching nails which had first enchanted and then disturbed the peace of Lethierry, who, fearing that he might one day become no longer master of his mistress, had decided not to conduct that young lady to the nuptial altar.